Performances
Recordings
Performer Pages
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Christoph Zbinden (piano)
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Publisher Info.
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Christoph Zbinden
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Performer Pages
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Costantino Catena (piano)
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Costantino Catena
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Misc. Notes
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Live
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Naxos
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Sheet Music
Scores
Publisher. Info.
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Unidentified Publisher, n.d.
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Editor
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Hans von Bülow (1830-1894)
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Publisher. Info.
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St. Louis: Kunkel Brothers, 1886. Plate 829-10.
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Publisher. Info.
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Leipzig: C.F. Peters, n.d.(ca.1890). Plate 7524.
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Editor
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Emil von Sauer (1862-1942)
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Publisher. Info.
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Klavierwerke, Band 8: Opern-Phantasien für Klavier zu zwei Händen Leipzig: Edition Peters, No.3601d, n.d.[1917]. Plate 9881.
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Copyright
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Misc. Notes
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scan: score scanned at 600dpi filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
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Braille Scores
Editor
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Hu Haipeng (b. 1984)
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Publisher. Info.
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Hu Haipeng, 2019.
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Copyright
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Misc. Notes
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Braille score in bar-over-bar format, 40 cells per line. See here for additional information on Braille scores.
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General Information
Work Title
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Paraphrase de concert sur 'Rigoletto'
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Alternative. Title
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Composer
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Liszt, Franz
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Opus/Catalogue NumberOp./Cat. No.
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S.434 ; LW.A187 ; R.267
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I-Catalogue NumberI-Cat. No.
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IFL 287
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Year/Date of CompositionY/D of Comp.
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1855–59?
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First Performance.
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1862 or earlier
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First Publication.
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1860 – Hamburg/Leipzig: Schuberth & Co.
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Composer Time PeriodComp. Period
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Romantic
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Piece Style
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Romantic
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Instrumentation
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piano
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Related Works
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Based on Rigoletto by Verdi
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Navigation etc.
Version History
- Composed for solo piano, 1855–59? (= S.434), based on the quartet "Bella figlia dell'amore" (Act III, No.18) from the opera Rigoletto by Giuseppe Verdi
- Published 1860 by Schuberth & Co. (Hamburg/Leipzig)
A performance in 1862 in America is noted in a February 1862 Süddeutsche Musik-Zeitung (Volume 11). So the 1880 January Berlin performance, whoever it was, was not the premiere of this work.