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* Ave Maria in C major (1899) (autograph at Biblioteca di Archeologia e Storia dell'Arte, * String Quartet in F Op.8 (Enoch, pub.1901) (BNF has this score)

* Symphony (in E) (pub. 1904) * Symphony no.2 in A major (1908, pub. Demets 1909 in Pf duet reduction)

|File Description 1=Suite No.1 in {{K|F}} (Nos.1–10), HWV 348 |File Description 2=Suite No.2 in {{K|D}} (Nos.11–15), HWV 349

...rtain number of errors: for instance, a missing DO at page 2, 6th measure, in the violin part.<br>See greyscale scans of the complete violin parts {{Plai ...3072.<br>Viola part now has missing 9 bars added by [[User:Sammik|Sammik]] in complete set

* '''Wq.3''' – Demofoonte (1743) * '''Wq.4''' – Artemene (1743), 1st Version

All works are opera seria in three acts, unless otherwise stated. |Music reused in ''Amadigi''

|File Description 1=1. Concerto in {{K|Bb}} 'Le Mirliton' - Parts |File Description 2=4. Concerto in {{K|A}} 'Le Quadrille' - Parts

... was also the first music publisher to number his editions. This commenced in 1716 with numbering his stock randomly; thereafter all editions were number ...f Corelli, including the famous edition of the Op.5 with ornaments written in. While Roger plagiarized prolifically, he had to deal with [[Pierre Mortier

...der the [[E. Fromont]] imprint, and the score of ''Pelleas et Melisande'' (published 1902) was dedicated to his memory.<br><br>The similarly named Hartmann of E ... though some use '''G.H. & Cie.''' or '''G.H. et Cie.''' Publication years in italics are estimates.

|Publisher Information={{P|John Walsh||London|1743}} |First Performance=1743 in London

....''' — numbering as given in E. Eugene Helm, ''Thematic Catalogue of the Works of Carl Philipp Emanuel Bach'' (New Haven: Yale University Press, 1989) ... and 69 were set aside for sonatas for keyboard (other than organ) ''not'' published during his lifetime.

...r Information=Copyright © 2005 [[Special:Emailuser/Pml|Philip Legge]].<br>Published at [[cpdl:Zadok the Priest (George Frideric Handel)|CPDL]], 17 January 2006 |Editor={{LinkCopy|William|Parry|1743|1791}}

* '''Librettists''' — authors of texts used in the work. * '''Published''' — the earliest-known publication of the work.

...inkName|Ignaz Franz Xaver|Kürzinger}} and {{LinkName|Franz|Bühler}} were published. Tutorial texts continued, as with Bühler's anachronistic ''Supplement zu [[:Category:Scores published by Lotter und Söhne|Works with scores published by Lotter und Söhne]]

|Misc. Notes=600 dpi. Page size is 10.00 x 12.688 inches. All commentary in the prefaces by the series/edition editor has been removed due to being und |Misc. Notes=600 dpi. Page size is 10.00 x 12.688 inches. All commentary in the prefaces by the series/edition editor has been removed due to being und

{{LinkName|Michel-Charles|Le Cène}} (1684 in Honfleur, France, 29 April 1743 in Amsterdam) was a French-Dutch printer and music publisher. ...and their employee Gerrit Drinkman) died within a few months of each other in late 1722/1723, Le Cène bought the Roger concern and issued numerous repri

[[Image:Stamitz - Violin Concerto in G, Op.27cv.jpg|thumb|cover]] ...his business to publisher Jean-Henri [[Naderman]] .<br><br>Boyer published works by mainly foreign composers: Boccherini, Cambini, Clementi, Lorenziti and S

...lio, keyboard works by Handel (Op.2) and concertos. He also published some works by local composers such as Lustig (''Six sonates: pour le clavecin: ouvrage ...onds. Een bijdrage tot de geschiedenis van de Nederlandse muziekuitgeverij in de achttiende eeuw. [With a catalogue of his publications.]. by Albert DUNN

|First Performance= |Year/Date of Composition=1737, revised 1743 or 1744

...rebs]] as compiled by Felix Friedrich in the Krebs-Werkeverzeichnis (Krebs Works Catalogue). ...ith each work assigned a Krebs-WV number (sometimes seen as KrebsWV or KWV in recordings and other sources). Unassigned numbers were left at the end of