Trio for Viola, Heckelphone and Piano, Op.47 (Hindemith, Paul)

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Sheet Music

Scores and Parts

PDF scanned by Unknown
Daphnis (2013/11/10)

4 more: Complete Score (=Piano) • Heckelphone (Tenor Saxophone in C) • Tenor Saxophone in B♭ (alternate to Heckelphone) • Viola

PDF scanned by Daphnis
Sallen112 (2014/5/13)

PDF scanned by Daphnis
Sallen112 (2014/5/13)

PDF scanned by Daphnis
Sallen112 (2014/5/13)

PDF scanned by Daphnis
Sallen112 (2014/5/13)

Editor First edition
Publisher. Info. Mainz: B. Schott’s Söhne, No.3148, 1929. Plate 32468.
Misc. Notes Smaller download sizes (325002-325005), same as "complete scores and parts" from Daphnis upload (302586).
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Free Recordings

Stefania Redaelli (piano); Carlo Feige (viola); Francesco Pomarico (heckelphone) (13:17) Javascript is required to submit files.

General Information

Work Title Trio for Viola, Heckelphone, and Piano
Alternative. Title
Composer Hindemith, Paul
Opus/Catalogue NumberOp./Cat. No. Op.47
I-Catalogue NumberI-Cat. No. IPH 157
Movements/SectionsMov'ts/Sec's 2 movements (7 sections):
  1. Solo. Sehr lebhaft, stürmisch
  2. Arioso. Sehr langsam
  3. Duett. Lebhaft
  4. (Potpourri). Schnelle Halbe
  5. Lebhaft. Ganze Takte
  6. Schnelle Halbe
  7. Prestissimo
Year/Date of CompositionY/D of Comp. 1928
First Performance. 1928-03-15 in Wiesbaden
Theodor Dieckmann (heckelphone), Paul Hindemith (viola), Emma Lübbecke-Job (piano)
First Publication. 1929 – Mainz: B. Schott's Söhne
Copyright Information U.S. copyright status: copyright renewed 1957 (R198654)

In the USA, This item is not in the public domain because it was renewed 28 years after first publication with a proper notice or it was "restored" to copyright status via a Notice of Intent to Enforce (NIE) under the provisions of the GATT/TRIPS amendments. It will enter the US public domain on January 1st, 2025.

Average DurationAvg. Duration 15 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation heckelphone (or tenor saxophone), viola, piano
External Links Hindemith Foundation
All Music Guide
Essay by Bret Pimentel on the Trio