This work is most likely NOT public domain in either Canada and other countries where the term is life+50 years (like China, Hong Kong, New Zealand and many others worldwide), or the EU and in countries where the copyright term is life+70 years. However, as this work was first published before 1928 or failed to meet notice or renewal requirements, it is almost certainly public domain in the USA and is therefore hosted on an American server for US residents only.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
|
Performances
Recordings
Performer Pages
|
Eric Xi Xin Liang (piano)
|
Publisher Info.
|
Eric Xi Xin Liang, 2021.
|
Copyright
|
|
Purchase
|
Javascript is required for this feature.
|
| |
Naxos
Javascript not enabled.
Sheet Music
Scores
Editor
|
First edition
|
Engraver
|
Leipzig: Breitkopf und Härtel
|
Publisher. Info.
|
London: The London and Continental Music Publishing Company, Ltd., 1921.
|
Copyright
|
|
Purchase
|
Javascript is required for this feature.
|
| |
Javascript is required to submit files.
General Information
Work Title
|
2 Piano Pieces
|
Alternative. Title
|
|
Composer
|
Sorabji, Kaikhosru Shapurji
|
Opus/Catalogue NumberOp./Cat. No.
|
KSS 17, KSS 23
|
I-Catalogue NumberI-Cat. No.
|
IKS 1
|
Movements/SectionsMov'ts/Sec's
|
2 pieces
- 1. In the Hothouse
- 2. Toccata
|
Year/Date of CompositionY/D of Comp.
|
1918; 1920
|
First Performance.
|
1946 May (In the Hothouse) 1976 July (Toccata)
|
First Publication.
|
1921 – London: The London and Continental Music Publishing Company, Ltd.
|
Dedication
|
To my friend Theodore Jenkins
|
Average DurationAvg. Duration
|
10 minutes
|
Composer Time PeriodComp. Period
|
Early 20th century
|
Piece Style
|
Early 20th century
|
Instrumentation
|
piano
|
External Links
|
Sorabji Archive
|
Navigation etc.
Any other performance between about 1936 and 1976 would probably have been known to the composer (even the 1946 one may have been against the composer's wishes (if perhaps winked at)- which were stated in different ways at different times but which between 1936 and which in Britain are enforceable on published scores.)