11 grands préludes et 1 transcription du Messie de Hændel, Op.66 (Alkan, Charles-Valentin)

Contents

Sheet Music

Scores

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Publisher. Info. Paris: Simon Richault, n.d. [1867]. Plate 8367.R.
Reprinted Paris: Costallat & Cie., n.d.(after 1898).
Copyright
Misc. Notes This file is from the MIT archive project.
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Alkan op66 11 Grands Preludes.pdf

Arrangements and Transcriptions

Selections

For Piano 4 hands (Vianna da Motta)

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Arranger José Vianna da Motta (1868-1948)
Publisher. Info. Paris: Costallat, 1906. Plate 1159.
Copyright
Misc. Notes Préludes Nos. 4, 3, 2, 8, 5, 6, 7, 11 and 9.
Dedicated to Isidor Philipp (1863–1958).
This file is part of the Sibley Mirroring Project.
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General Information

Work Title 11 grands préludes et 1 transcription du Messie de Hændel, Op.66
Alternative. Title
Composer Alkan, Charles-Valentin
Opus/Catalogue NumberOp./Cat. No. Op.66
Movements/SectionsMov'ts/Sec's 12 (11 preludes and 1 transcription)
  1. Allegro (F major)
  2. Moderato (D minor)
  3. Andantino (B major)
  4. Moderatamente (G minor)
  5. Quasi-Adagio (E major)
  6. Andantino (C minor)
  7. Andante. Alla Giudeesca (A major)
  8. Tempo giusto (F minor)
  9. Langsam (D major)
  10. Scherzando (B minor)
  11. Lento (F major)
  12. Nos.26 et 27, du Messiah de Hændel
    • Recitativo, Largo (Thy rebuke hath broken his heart)
    • Largo e piano (Behold and see)
First Publication. 1867 – Paris: Richault
Copyright Information Publication noted in the Bibliographie de la France 
(2d Series, Vol.11, No.10, 9 March 1867, p.110, reg. no.505).
Dedication A son Confrère C. A. Franck (César Franck, 1822–1890)
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Organ, Pedal Piano or Piano 3-hands
Related Works Thy rebuke hath broken his heart (No.29, Part II, Scene 1) and Behold and see if there be any sorrow (No.30, Part II, Scene 1) from Messiah, HWV 56, by George Frideric Handel

Misc. Comments

  • "pour piano à clavier de pédales, ou piano à trois mains"
  • Page 32 of the Richault edition is cut off on the right side, with some loss of notes.