And His Cuff was Damped with Tears (Keyhani, Karen)

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Sheet Music


 Complete score
#329282 - 0.28MB, 12 pp. -  2.0/10 2 4 6 8 10 (1- !N/!N/!N - 337x

PDF typeset by composer
Karenkeyhani (2014/6/13)

PMLP532889-and His Cuff was Damped with Tears.pdf
Publisher Info.:

Karen Keyhani


Creative Commons Attribution-NonCommercial 4.0 [tag/del]


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Free Recordings

Tehran, Roudaki Concert Hall, May 16, 2013
Ehsan Zabihifar (Kamancheh I)
Morteza Mokhtari (Kamancheh II)
Shima Shahmohammadi (Alto Gheychak)
Bita Ghasemi (Bass Gheychak)

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General Information

Work Title ...And His Cuff was Damped with Tears
Alternative Title و آستینش از اشک تر بود
Composer Keyhani, Karen
Key Atonal
Movements/Sections 1
Year/Date of Composition 2012
First Performance 2012-10 in Tehran, Roudaki Concert Hall. Chahargan Ensemble
Ehsan Zabihifar (kamancheh 1), Morteza Mokhtari (kamancheh 2)
Shima Shahmohammadi (alto gheychak), Bita Ghasemi (bass gheychak)
Dedication Chahargan Ensemble
Average Duration 9 minutes
Composer Time Period Modern
Piece Style Modern
Instrumentation String Quartet

Misc. Comments

“… And His Cuff Was Damped with Tears "for Persian String Quartet (in one movement), is composed in the Summer of 2012 once more inspired by Ahmad Shamloo from his poem “Said the Canary”. The original motivation for writing the piece came to me during the first live performance of Chahargan Ensemble in Tehran, where I was an audience to. Apart from the stunning sonic quality of the Persian string quartet in terms of timbre and microtonal abilities, what attracted my attention most was the true potentials of experimentation in the realm of contemporary music, both in its style and in techniques for writing specifically for Persian instruments.

“… And His Cuff was Damped with Tears” is dedicated to Chahargan Ensemble and is premiered by them in Roudaki Hall in October 2012.

In November 2013 the piece was released in the album "Possible Worlds vol.2" (various artists) by Spectropol Records. The piece has also been arranged for Western string quartet. “The hollow, sad look in her eyes, few seconds before they burst into tears, never left my sight throughout the movement” the composer recalls.

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