Ave Maria, Op.162 (Lachner, Franz Paul)

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Cypressdome (2017/4/30)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

Editor First edition
Engraver Leipzig: C.G. Röder.
Publisher. Info. Leipzig: Robert Forberg, n.d.[1873]. Plate 1400.
Copyright
Misc. Notes File #469218: Original images: ca.140dpi, color jpg files approx. 1500 by 1830 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
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PDF scanned by D-Mbs
Cypressdome (2017/4/30)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

Editor First edition
Publisher. Info. Leipzig: Robert Forberg, n.d.[1873]. Plate 1400.
Copyright
Misc. Notes Individual parts are colour scans.
File #469219: Original images: ca.140dpi, color jpg files approx. 1500 by 1900 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
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General Information

Work Title Ave Maria
Alternative. Title „Ave Maria“, f. Sopransolo u. Chor m. Begl. von 2 Viol., Vcllo u. Bass (od. Orgel od. Harmonium). Neue Bearbeitung des Ave Maria Op. 132
Composer Lachner, Franz Paul
Opus/Catalogue NumberOp./Cat. No. Op.162
I-Catalogue NumberI-Cat. No. IFL 6
Key F major
Movements/SectionsMov'ts/Sec's 1
First Publication. 1873 – Leipzig: Robert Forberg
Language Latin
Dedication Fräulein Marie Mahlknecht gewidmet
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices: soprano; mixed chorus (SATB)
string orchestra (or organ or harmonium)

Misc. Comments

  • *There are 3 versions of that work which only differ in the adaptation to the respective performing conditions. The substantial defferences are marginal.

First version (autograph): SSST (S3 divisi) and organ. Comp. Tegernsee, July 1867
Second version (Op.132): soprano solo, SAAT, 2 violins, viola, cello, double bass (or organ or melodium) (between 1867 and 1870). Herrn Dr. van Elewyck gewidmet. Mainz: B. Schott's Söhne, [1870], Plate 19995.
Third version (Op.162): soprano solo, SATB, 2 violins, viola, cello, double bass (or organ or harmonium) (ca. 1872). Fräulein Marie Mahlknecht gewidmet. Leipzig: Robert Forberg, (pub.1873), Plate 1400. "Neue Bearbeitung" of Op.132.

**cello divisi in last part of piece (pp.12-14) indicates this was most likely intended for string orchestra, not a quintet.