Ave Maria, Op.162 (Lachner, Franz Paul)

Contents

Sheet Music

Full Scores

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

Publisher. Info. Leipzig: Robert Forberg, n.d.[1873]. Plate 1400.
Copyright
Misc. Notes Colour scans.
Purchase
Javascript is required for this feature.
TN-Lachner, Franz Paul, Ave Maria, Op.162, FullScore.jpg

Parts

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

PDF scanned by D-Mbs
Ralph Theo Misch (2010/9/26)

Publisher. Info. Leipzig: Robert Forberg, n.d.[1873]. Plate 1400.
Copyright
Misc. Notes Colour scans.
Purchase
Javascript is required for this feature.
PMLP161935-Lachner, Franz Paul, Ave Maria, Op.162, Soprano solo.pdf
Javascript is required to submit files.

General Information

Work Title Ave Maria
Alternative. Title „Ave Maria“, f. Sopransolo u. Chor m. Begl. von 2 Viol., Vcllo u. Bass (od. Orgel od. Harmonium). Neue Bearbeitung des Ave Maria Op. 132
Composer Lachner, Franz Paul
Opus/Catalogue NumberOp./Cat. No. Op.162
Key F major
Movements/SectionsMov'ts/Sec's 1
First Publication. 1873
Language Latin
Dedication Fräulein Marie Mahlknecht gewidmet
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Soprano solo, Mixed Choir, String Orchestra** (or else accompanied by Organ or Harmonium)

Misc. Comments

  • *There are 3 versions of that work which only differ in the adaptation to the respective performing conditions. The substantial defferences are marginal.

First version (autograph): SSST (S3 divisi) and Organ. Comp. Tegernsee, July 1867
Second version (Op.132): Soprano solo, SAAT, 2 Vl, Vla, Cello, Double Bass (or Org. or Melodium) (between 1867 and 1870). Herrn Dr. van Elewyck gewidmet. Mainz: B. Schott's Söhne, [1870], Plate 19995.
Third version (Op.162): Soprano solo, SATB, 2 Vl, Vla, Cello, Double Bass (or Org. or Harm.) (ca. 1872). Fräulein Marie Mahlknecht gewidmet. Leipzig: Robert Forberg, (pub.1873), Plate 1400. "Neue Bearbeitung" of Op.132.

**Cello divisi in last part of piece (pp.12-14) indicates this was most likely intended for string orchestra, not a quintet.