He is the father of the concept of composition "Evolutionary syncretism": <<It is not just musical fusion, where the elements are moved from conventionally use to a space that is not yours. Syncretism is because of two or more linguistic elements arises and creates a new form of expression. This inspired elements and transformed or reinterpreted to fit or generate new elements. The syncretism can draw on the fusion elements, but not his purpose.
This resource is not original, since all the aesthetic-artistic history of mankind is replete with examples. Moreover, I defend their regenerative power as real engine and justification of contemporaneity. Since if this is understood as the "ultimate" created, we must be aware and recognize that the man reinvents more than invents, the new discovers is almost always a new reinterpretation, or deliberate search for contrast to its immediate past... and with luck, random. Ever, the individual perspective of each composer create a new approach, because there reside the "original" in each new work created.>>
With solid expertise as contemporary composer, has numerous premieres. Demonstrated experience as a composer of audiovisual music, and other kinds of music.