This work is likely not in the public domain in the US (due to first publication with the required notice after 1922, plus renewal or "restoration" under the GATT/TRIPS amendments), nor in the EU and those countries where the copyright term is life+70 years. However, it is public domain in Canada (where IMSLP is hosted) and in other countries (China, Japan, S. Korea) where the copyright term is life+50 years.
|Genre Categories||; ; ; ; ; ; ;; ; ;|
|Work Title||Chôros No.3|
|Opus/Catalogue NumberOp./Cat. No.||W206|
|I-Catalogue NumberI-Cat. No.||IHV 20|
|Year/Date of CompositionY/D of Comp.||1925|
|First Performance.||1925-11-30 in São Paulo|
(Appleby gives the following: 1927-12-05 in Paris - Cazuhac ; Poimbeuf ; G. Dherin ; Entraigue ; Penable ; Marquette ; Dervaux ; Ribert Siohan (conductor))
|Dedication||Tarsila and Oswaldo de Andrade|
|Average DurationAvg. Duration||4 minutes|
|Composer Time PeriodComp. Period||Early 20th century|
|Piece Style||Early 20th century|
|Instrumentation||Clarinet, Saxophone (E♭), Bassoon, 3 Horns, Trombone, Male Choir (TTBarB)|
Inscribed as 'Dedicated to the sonorous atmosphere of the primitive music of the aborigines of the states of Matto Grosso and Goias'. Based on the theme 'Nozani-ná' from the Pareci Indians (as collected by Edgar Roquette-Pinto, from Mato Grosso, see Canções típicas brasileiras, W158).