Scores and Parts
||Dallas: Hawthorne Early Music, 2013.
||I used the 1540 edition of De Arte canendi for this transcription, rather than the corrupt 1537. However, the latter helped with a couple of errors in the 1540.
The tenor contains the cantus firmus for Fortuna Desperata and the discantus a long-note fantasy on the hexachord, while the altus and bassus weave fast, decorated parts around the two slow-moving lines.