In Fields Abroad, T 231 (Byrd, William)

Contents

Performances

Recordings

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Synthesized/MIDI

For Soprano and 2 Lutes (Höger)

MP3 file (audio)
Hoeger (2013/4/24)

Performers Computer
Publisher Info. Anton Höger
Copyright
Misc. Notes Because most of my Intavolations are never heard before, I decided to make a simple computer synthesized audio file for hearing control. (In this Synthesized performance, I replaced the voice samples with woodwinds)
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Sheet Music

Scores

Addfilenum[1]

PDF typeset by editor
Agarvin (2013/4/17)

PDF typeset by editor
Agarvin (2013/4/17)

ZIP typeset by editor
Agarvin (2013/4/17)

Editor Allen Garvin
Publisher. Info. Dallas: Hawthorne Early Music, 2013.
Copyright
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PMLP450974-04-in fields abroad---0-score.pdf

Arrangements and Transcriptions

For Soprano and 2 Guitars (Höger)

PDF typeset by arranger
Hoeger (2016/6/2)

Arranger Anton Höger
Publisher. Info. Anton Höger
Copyright
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PMLP450974-Byrd, William - In Fields Abroad (S&2Git).pdf
For Soprano and 2 Lutes (Höger)

PDF typeset by Anton Höger
Anton Höger (2013/4/23)

PDF typeset by Anton Höger
Anton Höger (2013/4/23)

PDF typeset by Anton Höger
Anton Höger (2013/4/23)

Arranger Anton Höger
Publisher. Info. Anton Höger
Copyright
Misc. Notes Intabulation in French lute-tablature (g-Lutes). If performed I would look forward about a small reference to my efforts.
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PMLP450974-Byrd, William - In Fields Abroad (Fin-Tab).pdf
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General Information

Work Title In Fields Abroad
Alternative. Title
Composer Byrd, William
Opus/Catalogue NumberOp./Cat. No. T 231
Key F major
Movements/SectionsMov'ts/Sec's 1
Year/Date of CompositionY/D of Comp. 1570s
First Publication. 1588 in Psalmes, Sonets and Songs (No.22)
Language English
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 5 voices
Extra Locations Ausgewählte Madrigale und mehrstimmige Gesänge berühmter Meister des 16.-17. Jahrhunderts


Misc. Comments

According to Grove Music, the preface to this collection includes "a clear explanation that most of the songs had originally been for one voice and instrumental consort but had been adapted to words in all the five parts."