Psalmes, Sonets and Songs (Byrd, William)

Ambox notice.png This page is only for complete editions and multiple selections from the collection here. For most arrangements and editions, see
the separate pages for individual works linked in the General Information section below.

Contents

Performances

Naxos Search

Search key:

Javascript not enabled.

Sheet Music

Parts

PDF scanned by F-Pn
Fynnjamin (2015/5/3)

PDF scanned by F-Pn
Fynnjamin (2015/5/3)

Editor First edition
Publisher. Info. London: Thomas Este, n.d.[1588].
Copyright
Purchase
Javascript is required for this feature.
PMLP554995-byrd psalmes sonets songs S.pdf
Javascript is required to submit files.

General Information

Work Title Psalmes, Sonets and Songs
Alternative. Title Title-page transcription
Psalmes, sonets, & songs of sadnes and pietie, made into musicke of fiue parts : whereof, some of them going abroad among diuers, in vntrue coppies, are heere truely corrected, and th [sic] other being songs very rare & newly composed, are heere published, for the recreation of all such as delight in musick
Composer Byrd, William
Movements/SectionsMov'ts/Sec's 35 pieces
  • Psalms
1. O God give ear
2. Mine eyes with fervency
3. My soul oppressed with care
4. How shall a young man
5. O Lord, how long wilt thou forget
6. O Lord who in thy sacred tent
7. Help Lord for wasted are those men
8. Blessed is he that fears the Lord
9. Lord in thy wrath reprove me not
10. Even from the depth
  • Sonnets and Pastorals
11. I Joy Not in no Earthly Bliss
12. Though Amaryllis Dance in Green
13. Who likes to love
14. My mind to me a kingdom is
15. Where fancy fond
16. O you that hear this voice
17. If women could be fair
18. Ambitious love
19. What pleasure have great princes
20. As I beheld I saw a herdman wild
21. Although the heathen poets
22. In Fields Abroad
23. Constant Penelope
24. La Verginella
25. Farewell false Love
26. The match that's made
  • Songs of sadness and piety
27. Prostrate O Lord I lie
28. All as a sea
29. Susanna Fair
30. If that a sinner's sighs
31. Care for thy soul
32. Lullaby, My Sweet Little Baby
33. Why do I use My Paper, Ink and Pen?
  • Funeral Songs
34. Come to me, Grief, Forever
35. O That Most Rare Breast
First Publication. 1588 - London: Thomas East
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 5 voices
External Links CPDL page

Misc. Comments

According to Grove Music, the preface to this collection includes "a clear explanation that most of the songs had originally been for one voice and instrumental consort but had been adapted to words in all the five parts." Pages for the individual songs that came from a consort version will be tagged as such, but this collection page is tagged for the 5-voice version.

CONTENTS: (from a WorldCat entry, has not been checked yet)

  1. O god, give ear
  2. Mine eyes with fervency
  3. My soul oppressed with care
  4. How shall a young man?
  5. O Lord, how long wilt thou forget
  6. Help Lord, for wasted are those men
  7. Blessed is he that fears the Lord
  8. Lord, in thy wrath
  9. Even from the depth
  10. I Joy Not in no Earthly Bliss
  11. Though Amaryllis dance in green
  12. Who likes to love
  13. My mind to me a kingdom is
  14. Where fancy fond
  15. O you that hear this voice
  16. If women could be fair
  17. Ambitious love
  18. What pleasure have great princes
  19. As I beheld I saw a herdman
  20. Although the heathen poets
  21. In Fields Abroad
  22. Constant Penelope
  23. La Verginella
  24. Farewell, false love
  25. The match that's made
  26. Prostrate, O Lord, I lie
  27. All as a sea
  28. Susanna Fair
  29. If that a sinner's sighs
  30. Care for thy soul
  31. Lullaby, My Sweet Little Baby
  32. Why do I use My Paper, Ink and Pen?
  33. Come to me, Grief, Forever
  34. O That Most Rare Breast



IMSLP has pages for both I joy not in no earthly bliss and Though Amaryllis dance in green, with different music. The scores need to be compared so the link can be corrected if necessary.

Not to be confused with the 1611 Psalmes, Songs and Sonnets.