Les danses des morts (Kastner, Jean-Georges)

Free public domain sheet music from IMSLP / Petrucci Music Library
Jump to: navigation, search

Scores

General

 Cover page and Preface
#20946 - 3.43MB, 14 pages -  0.0/10 2 4 6 8 10 (0) - V/V/V - 46x

PDF file, Scanned by Google (Cleaned up by jsnfmn)
jsnfmn (15 August 2008)

 Essay - First Part
#20947 - 15.13MB, 138 pages -  0.0/10 2 4 6 8 10 (0) - V/V/V - 33x

PDF file, Scanned by Google (Cleaned up by jsnfmn)
jsnfmn (15 August 2008)

 Essay - Second Part
#20948 - 16.34MB, 176 pages -  0.0/10 2 4 6 8 10 (0) - V/V/V - 29x

PDF file, Scanned by Google (Cleaned up by jsnfmn)
jsnfmn (15 August 2008)

 Plates
#20949 - 5.97MB, 20 pages -  0.0/10 2 4 6 8 10 (0) - V/V/V - 34x

PDF file, Scanned by Google (Cleaned up by jsnfmn)
jsnfmn (15 August 2008)

 La Danse Macabre Full Score
#20950 - 14.23MB, 46 pages -  0.0/10 2 4 6 8 10 (0) - V/V/V - 62x

PDF file, Scanned by Google (Cleaned up by jsnfmn)
jsnfmn (15 August 2008)

 Synopsis - Additions and Corrections
#20951 - 0.66MB, 2 pages -  0.0/10 2 4 6 8 10 (0) - V/V/V - 32x

PDF file, Scanned by Google (Cleaned up by jsnfmn)
jsnfmn (15 August 2008)

Publisher Info.:

Paris: Brandus et Cie., 1852

Copyright:

Public Domain [tag all]

Purchase:

Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title Les danses des morts
Alternative Title Grande ronde
Composer Kastner, Jean-Georges
Movements/Sections Essay and Music
Year/Date of Composition 1852
First Publication 1852
Librettist D'Edouard Thierry
Language French
Dedication A la Majesté Frédéric Guillaume IV, Roi de Prusse
Piece Style Romantic
Instrumentation Vocal Soloists and Orchestra (2 flutes (1 doubling piccolo), 2 oboes,
2 clarinets in C and A, 2 bassoons, 4 horns in A, E, G, C, and D,
2 soprano saxhorns in C, bass saxhorn in C, 2 trumpets in A grave C, and D,
3 trombones, timpani, percussion (triangle, cymbals, tam tam, bass drum), harp, strings, organ ad lib)


Misc. Comments

  • Grove Music lists this as being a theoretical essay followed by a choral work, but the vocal parts look more like solo roles. There is only one line per movement, it doesn't have the normal division of multiple voices, and it is unlikely to be unison chorus.
  • The movements, apart from the first one, are named after the role that is sung, and in all but L'Empereur, La Mort comes back to sing, but never with the other role.
  1. La Mort (this movement does not have a separate name)
  2. L'Empereur
  3. L'Aïeule
  4. Le Soldat
  5. La Nonne
  6. Le Riche
  7. L'Enfant
Personal tools
Variants
Actions
Navigation
Browse scores
Browse recordings
Participate
Other
Donate via Paypal
For iPhone & iPad
Toolbox
Associated with