List of works by Anton Bruckner

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This list is manually maintained, therefore some of the available pieces may not yet be linked from this page. For an automatically generated alphabetical list of all available pieces, please see Category:Bruckner, Anton.
A list of works in the composer category that are not included here can be found on this page. See also: List of compositions by Anton Bruckner on Wikipedia
  • WAB 1, Afferentur regi for Mixed Choir, and 3 Trombones ad lib. (1861), Universal Edition (Vienna) 1922
  • WAB 2, Am Grabe, for Male Choir a cappella (1861), Universal Edition (Vienna) 1923
  • WAB 3, 2 Asperges me, for Mixed Choir and Organ (ca.1845)
  • WAB 4, Asperges me, for Mixed Choir a cappella (ca.1843/44)
  • WAB 5, Ave Maria (I) for Soprano, Alto, Choir, Organ and Cello (1856), Johann Gross (Innsbruck) 1893
  • WAB 6, Ave Maria (II), for Mixed Choir (SAATTBB) a cappella (1861), Emil Wetzler (Vienna) 1887
  • WAB 7, Ave Maria (III), for Alto, Piano, Organ or Harmonium (1882), Anton Böhm & Sohn (Augsburg and Vienna) 1927
  • WAB 8, Ave regina caelorum, for Voices and Organ (ca.1886), Universal Edition (Vienna) 1921
  • WAB 9, Messe für den Gründonnerstag, for Mixed Choir a cappella, (1844-45), Anton Böhm & Sohn (Augsburg and Vienna) 1931. Kyrie and Gloria lost (See WAB deest 11)
  • WAB 10, Christus factus est (II), Choir (SSAATTBB), 3 Trombones and Strings ad lib. (ca. 1873), Musikwissenschaftlicher Verlag (Vienna) 1934
  • WAB 11, Christus factus est (III), Choir a cappella (1884), Theodor Rättig (Vienna) 1886
  • WAB 12, Dir, Herr, dir will ich mich ergeben, Choir a cappella (1845)
  • WAB 13, Ecce sacerdos magnus for Choir, 3 Trombones and Organ (1885), Universal Edition (Vienna) 1911
  • WAB 14, Entsagen - Cantata for Soprano (or Tenor), Choir, and Organ (or Piano) (ca.1851), Doblinger (Vienna) 1956
  • WAB 15, Festgesang - Cantata for Soprano, Tenor, Bass, Choir and Piano (1855)
  • WAB 16, Festkantate - Cantata for Male Choir, Bass-Solo, Male quartet, Winds and Timpani (1862), Doblinger (Vienna) 1955
  • WAB 17, In jener letzten der Nächte, (ca.1848), version 1: Voice and organ; version 2: Choir a cappella, Anton Böhm & Sohn (Augsburg and Vienna) 1931
  • WAB 18, Iam lucis orto sidere (In S. Angelorum custodem), version 1 (1868): Choir a cappella; version 2 (1868): Choir and organ; version 3(1886): Male choir a cappella
  • WAB 19, Inveni David (I), Male choir and 4 Trombones (1868)
  • WAB 20, Inveni David (II), Voice and Organ (1879) = Verse of Os justi, WAB 30, which was skipped in Theodor Rättig's edition (1886)
  • WAB 21, Libera me (I), Choir and Organ (ca.1843)
  • WAB 22, Libera me (II), Choir (SSATB), 3 Trombones, Cello, Contrabass and Organ (1854), Universal Edition (Vienna) 1922
  • WAB 23, Locus iste, Choir a cappella (1869), Theodor Rättig (Vienna) 1886
  • WAB 24, Magnificat, Soli, Choir, Strings without violas, 2 Trumpets, Timpani and Organ (1852)
  • WAB 25, Windhaager Messe (Choral-Messe C-Dur), Alto, 2 Horns, and Organ (1842)
  • WAB 26, Mass No.1 in D minor, Soli, Choir, Orchester, and Organ ad lib. (1864, rev. 1876, rev. 1881-82), Johann Gross (Innsbruck) 1892
  • WAB 27, Mass No.2 in E minor, Choir and Winds (1866, rev. 1876, 1882, 1885 and 1896), Doblinger (Vienna) 1896
  • WAB 28, Mass No.3 in F minor, Soli (SATB), Choir and Orchestra, and organ ad lib. (1867-68, rev. 1876, 1877, 1881 and 1890-93), Doblinger (Vienna) 1894
  • WAB 29, Missa solemnis, Soli, Choir, Orchestra and Organ (1854), Musikwissenschaftlicher Verlag (Vienna) 1934
  • WAB 30, Os justi, Choir a cappella (1879), Theodor Rättig (Vienna), 1886. Ending verse Inveni David skipped in Rättig's edition - See WAB 20
  • WAB 31, Pange lingua, Choir a cappella (ca.1835, rev. 1891)
  • WAB 32, Tantum ergo, Choir a cappella (ca.1845), issued as Pange lingua by Universal Edition (Vienna) 1914
  • WAB 33, Pange lingua, Choir a cappella (1868), Johann Gross (Innsbruck) 1895
  • WAB 34, Psalm 22, Choir and Piano (ca.1852)
  • WAB 35, Psalm 112, Choir (SSAATTBB) and Orchestra (1863), Universal Edition (Vienna) 1926
  • WAB 36, Psalm 114, Choir (SAATB) and 3 Trombones (1852)
  • WAB 37, Psalm 146, Soli, Choir (SSAATTBB) and Orchestra (ca.1856)
  • WAB 38, Psalm 150, Soprano, Choir and Orchestra (1892), Doblinger (Vienna) 1892
  • WAB 39, Requiem, Soli, Choir, Orchestra and Organ (1849), Benno Filser (Augsburg) 1930
  • WAB 40, Salvum fac populum, Choir a cappella (1884)
  • WAB 41, 4 Tantum ergo - version 1 (1846): Choir and organ ad lib.; version 2 (1888): Choir a cappella, Johann Gross (Innsbruck) 1893 (together with the Tantum ergo, WAB 42)
  • WAB 42, Tantum ergo, Choir (SSATB) and Organ (1846, rev. 1888), Johann Gross (Innsbruck) 1893 (together with the 4 Tantum ergo, WAB 41)
  • WAB 43, Tantum ergo, Choir and Organ (ca.1845)
  • WAB 44, Tantum ergo, Choir, 2 Violins, 2 Trumpets and Organ (ca.1854)
  • WAB 45, Te Deum, Soli (SATB), Choir (SATB), Orchestra and Organ ad lib. (1881, rev. 1884), Theodor Rättig (Vienna) 1885
  • WAB 46, Tota pulchra es, Tenor, Choir and Organ (1878), Emil Wetzler (Vienna) 1887
  • WAB 47, Totenlied No.1, Choir a cappella (1852)
  • WAB 48, Totenlied No.2, Choir a cappella (1852)
  • WAB 49, Trauungslied, Male Choir with Solo Quartet and Organ (1865)
  • WAB 50, Veni creator spiritus, Voice(s) and Organ (ca.1884)
  • WAB 51, Vexilla regis, Choir a cappella (1892), Josef Weinberger (Vienna) 1892
  • WAB 52, Virga Jesse, Choir a cappella (1885), Theodor Rättig (Vienna) 1886
  • WAB 53, Vor Arneths Grab, Male Choir and 3 Trombones (1854)
  • WAB 54, Zur Vermählungsfeier, Male Choir a cappella (1878), Universal Edition (Vienna) 1921
  • WAB 55, Der Abendhimmel (I), Male Quartet a cappella (1862)
  • WAB 56, Der Abendhimmel (II), Male Choir a cappella (1866), Doblinger (Vienna) 1902
  • WAB 57, Abendzauber, Male Choir, Tenor or Bariton Solo, 3 female Voices (“Yodelers”) and 4 Horns (1878), Universal Edition (Vienna) 1911
  • WAB 58, Wie bist du, Frühling, gut und treu (Amaranths Waldeslieder), Voice and Piano (ca.1858)
  • WAB 59, An dem Feste, Male Choir a cappella (ca.1843)
  • WAB 60, Mayer Cantata (Auf, Brüder, auf! Und die Saiten zur Hand), Cantata for Soli, Male Choir, Choir and Winds (1855)
  • WAB 61, Arneth Cantata, Cantata for Choir (SATTBB), 3 Horns, 2 Trumpets and Bass trombone
WAB 61a - Heil, Vater! Dir zum hohen Feste (1852)
WAB 61b - rev. 1857 as Auf Brüder! auf zur frohen Feier
WAB 61c - rev. 1870 as Heil Dir zum schönen Erstlingsfeste (not inclued in the Bruckner Gesamtausgabe as it is not known if Bruckner made any contribution to this version)
  • WAB 62, Des Dankes Wort sei mir vergönnt, Male Choir with Tenor and Bass Solo a cappella (1855)
  • WAB 63, Der deutsche Gesang (Das deutsche Lied), Male Choir, 4 Horns, 3 Trumpets, 3 Trombones and Basstuba (1892), Universal Edition (Vienna) 1911
  • WAB 64, Du bist wie eine Blume, Vocal Quartet a cappella (1861)
  • WAB 65, Das edle Herz (1.setting), Male Choir a cappella (ca.1851), Robitschek (Vienna) 1954
  • WAB 66, Das edle Herz (2.setting), Mixed Choir a cappella (1857)
  • WAB 67, Festlied, Male Choir a cappella, Anton Böhm (Augsburg and Vienna) 1928 – Transcription of An dem Feste (WAB 59), not included in the Bruckner Gesamtausgabe
  • WAB 68, Frühlingslied, Voice and Piano (1851)
  • WAB 69, Die Geburt, Male Choir a cappella (1851/52)
  • WAB 70, Germanenzug, Male Choir, Male quartet and Winds (1863-65), Josef Kränzl (Ried) 1865
  • WAB 71, Helgoland, for Male Choir and Orchestra with Cymbals (1893), Doblinger (Vienna) 1893
  • WAB 72, Herbstkummer, Tenor and Piano (ca.1868)
  • WAB 73, Herbstlied, Male Choir, 2 Soprano-Soli and Piano (1864), Universal Edition (Vienna) 1911
  • WAB 74, Das hohe Lied, Soli (TTB) and Male choir (1876) - Reissued with accompaniment of strings and brass (1879), Doblinger (Vienna) 1902
  • WAB 75, Im April, for Voice and Piano (ca.1865), Doblinger (Vienna) 1899
  • WAB 76, Lasst Jubeltöne laut erklingen, Male Choir, 2 Horns, 2 Trumpets and 4 Trombones (1854)
  • WAB 77, Der Lehrerstand, Male Choir a cappella (ca.1847)
  • WAB 78, Das Lied vom deutschen Vaterland, Male Choir (ca.1845)
  • WAB 79, Mein Herz und deine Stimme, Voice and Piano (1868)
  • WAB 80, Mitternacht, Male Choir, Tenor-solo and Piano (1870), Doblinger (Vienna) 1903
  • WAB 81, Nachruf, Male Choir and Organ (1877)
  • WAB 82, Sängerbund, Male Choir a cappella (1882), Universal Edition (Vienna) 1911
  • WAB 83, 2 Sängsprüche for Male Choir a cappella (1851)
  • WAB 84, Ständchen, Male Quartet, Tenor-Solo a cappella (ca.1846), Robitschek (Vienna) 1954
  • WAB 85, Sternschnuppen, Male Quartet a cappella (ca.1848), Robitschek (Vienna) 1954
  • WAB 86, Tafellied, Male Choir a cappella (1893) – Reissue of An dem Feste (WAB 59)
  • WAB 87, Träumen und Wachen, Male Choir with Tenor-Solo a cappella (1890), Theodor Rättig (Vienna) 1891
  • WAB 88, Trösterin Musik, Male Choir and Organ (1886), Universal Edition (Vienna) 1911 – Reissue of Nachruf (WAB 81) with another text
  • WAB 89, Um Mitternacht (1.setting), Male Choir, Alto-Solo and Piano (1864), Universal Edition (Vienna) 1911
  • WAB 90, Um Mitternacht (2.setting), Male Choir a cappella with Tenor-Solo (1886), Universal Edition (Vienna) 1911
  • WAB 91, Vaterländisch Weinlied, Male Choir a cappella (1866)
  • WAB 92, Vaterlandslied, Male Choir with Tenor- and Bariton-Solo a cappella (1866), Doblinger (Vienna) 1903
  • WAB 93, Vergissmeinnicht, originally entitled Musikalischer Versuch nach dem Kammer-Styl - Cantata for Choir (SSAATTBB), 4 Solo Voices and Piano (1845) – 2 versions; reissued as Vergissmeinnicht
  • WAB 94, Volkslied – 2 versions: Voice and Piano, and Male Choir a cappella (ca.1861)
  • WAB 95, 2 Wahlsprüche for choir a cappella (ca.1868)
  • WAB 96, March in D minor for Orchestra (1862)
  • WAB 97, 3 Pieces for Orchestra (1862)
  • WAB 98, Overture in G minor for Orchestra (1862, rev. 1863), Universal Edition (Vienna) 1921
  • WAB 99, Symphony in F minor (Study Symphony) (1863), Universal Edition (Vienna) 1913 (only the Andante)
  • WAB 100, Symphony in D minor 'Nullte' (1869), Universal Edition (Vienna) 1924
  • WAB 101, Symphony No.1 in C minor (Early draft 1865, Linz version 1866, Revised Linz version 1877, Vienna version 1891), Doblinger (Vienna) 1893 (Vienna version)
  • WAB 102, Symphony No.2 in C minor (1872 [1. Version], rev. 1875-76, 1877 [2. Version], and rev. 1892), Doblinger (Vienna) 1892 (rev. 1892)
  • WAB 103, Symphony No.3 in D minor "Wagner-Symphonie" (1873 [1. Version], rev. 1874, 1877 [2. Version], 1889 [3. Version], and rev. 1890), Theodor Rättig (Vienna) 1878 (2.Version), Theodor Rättig (Vienna), 1890 (3.Version)
  • WAB 104, Symphony No.4 in E-flat major "Die Romantische" (1874 [1. Version], rev. 1878, 1878-80 [2. Version] and rev.1888 [3. Version]), Albert J. Gutmann (Vienna) 1889 (3.Version)
  • WAB 105, Symphony No.5 in B-flat major "Die Katholische" (1876-78), Doblinger (Vienna) 1896 (Schalk revision)
  • WAB 106, Symphony No.6 in A major (1881), Doblinger (Vienna) 1899 (Schalk revision)
  • WAB 107, Symphony No.7 in E major (1883), Albert J. Gutmann (Vienna) 1885
  • WAB 108, Symphony No.8 in C minor "Die Apokalyptische" (1887 [1. Version], rev. 1888, 1890 [2. Version], rev. 1892), Haslinger-Schlesinger-Lienau (Vienna) 1892
  • WAB 109, Symphony No.9 in D minor (unfinished, parts of 4th movement lost) (1894-1896), Doblinger (Vienna) 1903 (Löwe's revision)
  • WAB 110, Abendklänge, Duo for Violin and Piano (1866)
  • WAB 111, String Quartet (1862), Musikwissenschaftlicher Verlag (Vienna) 1955
  • WAB 112, String Quintet (1879), Albert J. Gutmann (Vienna) 1884
  • WAB 113, Intermezzo for 2 Violins, 2 Violas and Cello (1879), Universal Edition (Vienna) 1913
  • WAB 114, Aequale (I) for 3 Trombones (1847)
  • WAB 115, Apollo-Marsch (ca.1862) – Actually not by Bruckner, but by Béla Kéler
  • WAB 116, Military March in E-flat major (1865)
  • WAB 117, Erinnerung for Piano (1868), Doblinger (Vienna) 1900
  • WAB 118, Fantasie in G major for Piano (1868), Hüni (Zürich) 1921
  • WAB 119, Klavierstück, Piece for Piano (ca.1856)
  • WAB 120, 4 Lancier-Quadrilles for Piano (ca.1850)
  • WAB 121, Quadrille for Piano 4 hands (ca.1854)
  • WAB 122, Steiermärker for Piano (ca.1850)
  • WAB 123, Stille Betrachtung an einem Herbstabend for Piano (1863)
  • WAB 124, 3 Kleine Vortragsstücke for Piano (4 hands) (1855), Universal Edition (Vienna) 1925
  • WAB 125, Fugue in D minor for Organ (1861). München: R. Piper & Co., 1911.
  • WAB 126, Postlude in D minor for Organ (ca.1847), Anton Böhm & Sohn (Augsburg and Vienna) 1927
  • WAB 127, Prelude in E-flat major for Organ (ca.1836) – doubtful authenticity, possibly by Johann Baptist Weiss
  • WAB 128, 4 Preludes for Organ (ca.1836) – doubtful authenticity, possibly by Johann Baptist Weiss
  • WAB 129, Perger Präludium in C major for Organ (1884), Universal Edition (Vienna) 1926
  • WAB 130, Prélude in D minor (Andante) for Organ (ca.1847), Anton Böhm & Sohn (Augsburg and Vienna) 1927
  • WAB 131, Vorspiel und Fuge for Organ (1847), Gustav Bosse (Regensburg) 1928
  • WAB 132, Litanei, Choir and Brass (ca.1844), lost.
  • WAB 133, Requiem, Male Choir and Organ (1845), lost.
  • WAB 134, Salve Maria (1844), lost.
  • WAB 135, Zigeuner-Waldlied (ca.1863), lost.
  • WAB 136, Domine, ad adjuvandum me festina (ca.1835), only sketch – not by Bruckner, but Johann Baptist Weiss
  • WAB 137, Wie des Bächleins Silberquelle, Duet for 2 sopranos and piano (ca.1845). Sketch (60 bars) - text reused for Ständchen, WAB 84
  • WAB 138, Mild wie Bäche, die durch Blumen wallen, Voice and Piano (ca.1845). Sketch (31 bars)
  • WAB 139, Mass in E-flat major, for choir, 2 oboes, 3 trombones, organ, and strings (ca.1846), only sketch (58 bars) of Kyrie
  • WAB 140, Missa pro Quadragesima, for choir, organ and trombone (ca.1845), only sketch (17 bars) for Kyrie
  • WAB 141, Requiem (1875), Sketch (18 bars) of Introit
  • WAB 142, Symphony in B-flat major (1869), only sketch of 1st movement
  • WAB 143, Finale for Symphony No.9 in D minor (1896), fragments.
  • WAB 144, Herz-Jesu-Lied, Choir and Organ (ca.1846). Authorship uncertain
  • WAB 145, O du liebes Jesu Kind, Voice(s) and Organ (ca.1846). Authorship uncertain
  • WAB 146, Kronstorfer Messe (Messe ohne Gloria und Credo), Choir a cappella (1844). Credo foreseen, but not composed.
  • WAB 147, Freier Sinn und froher Mut, Male Choir a cappella (1874)
  • WAB 148, 2 Mottos, Male Choir a cappella (1869)
  • WAB 149, Aequale (II) for 3 Trombones (1847) - Missing score of bass-trombone, completed by Hans Bauernfeind
  • WAB deest 1, Adagio in B major (Skizze zum Adagio der Neunten Symphonie) (ca.1890), for Organ
  • WAB deest 2, Andante in D minor (1862), for Piano
  • WAB deest 3, Andante in E-flat major (1862), for Piano
  • WAB deest 4, Chromatische Etüde in F major (1862), for Piano
  • WAB deest 5, Des Baches Frühlingsfeier (1861-62), for Voice and Piano
  • WAB deest 6, Etüde in G major (1862), for Piano
  • WAB deest 7, 4 Fantasien (1862), for Piano
  • WAB deest 8, Herzelied (1861-62), for Voice and Piano
  • WAB deest 9, Heut kommt ja Freund Klose zum Gause (1889), Canon for Vocal Quartet
  • WAB deest 10, Improvisationsskizze Bad Ischl (1890), Sketch for Organ based on the "Finale of Symphony No.1", "Händel's Alleluja" & the Kaiserhymne
  • WAB deest 11, Kyrie and Gloria (1845), for Mixed Chorus (SATB) - Lost Kyrie & Gloria for the Messe für den Gründonnerstag, WAB 9
  • WAB deest 12, Marsch in D minor (1862), for Piano
  • WAB deest 13, Mazurca in A minor (1862), for Piano
  • WAB deest 14, Menuett in C major (1862), for Piano
  • WAB deest 15, Menuett mit Trio in G major (1862), for Piano
  • WAB deest 16, Nachglück (1861-62), for Voice and Piano
  • WAB deest 17, O habt die Thräne gern (1862), for Voice and Piano
  • WAB deest 18, Polka in C major (1862), for Piano
  • WAB deest 19, Rondo in C minor (1862) for String Quartet, Musikwissenschaftlicher Verlag (Vienna) 1985 - Alternative Rondo for the String Quartet, WAB 111
  • WAB deest 20, Die Rose (ca.1885), lost piece
  • WAB deest 21, Scherzo in G minor (1862), for String Quartet
  • WAB deest 22, Sonatensatz in G minor (1862), for Piano, Musikwissenschaftlicher Verlag (Vienna) 1988
  • WAB deest 23, Thema und Variationen (1862), for Piano
  • WAB deest 24, Der Trompeter an der Katzbach (1862), for Voice and Piano
  • WAB deest 25, Von der schlummernden Mutter (1861-62), for Voice and Piano
  • WAB deest 26, Waltzer in C major (1862), for Piano
  • WAB deest 27, Waltzer in E-flat major (1862), for Piano
  • WAB deest 28, Wie neid ich dich, du stolzer Wald (1861-62), for Voice and Piano
  • WAB deest 29, Der Mondabend (ca.1850), for Voice and Piano, Anton Bruckner Institut Linz (2015)

Addendum:

  • Symphonic Prelude in C minor (1876), for Orchestra, Doblinger (Vienna) 2002. Authorship uncertain.
  • 3 Themes for an Organ Improvisation (1884), Franz Gräflinger (Munich) 1911
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