| Title | Year | Lyricist | Work type | Notes |
|---|---|---|---|---|
| Mallic | ? | J. W. Heysinger | Song | |
| My Sweet Sweetheart | ? | Jack Nilpon | Song | |
| Sea Nymph | ? | B. P. Wilmot | Song | |
| ? | James Adams | Song | ||
| Fall Tenderly, Roses | 1860s | John Philip Sousa | Song | |
| An Album Leaf | 1863 | Piece for violin | ||
| Moonlight on the Potomac | 1872 | Waltz | ||
| Cuckoo Galop | 1873 | Galop | ||
| Day and Night | 1873 | Emma M. Swallow | Song | |
| Review | 1873 | March | ||
| Salutation | 1873 | March | ||
| Wilt Thou Be True | 1873 | E. Cook | Song | |
| O, My Country | 1874 | B. Lowlaws | Song | |
| Te Deum In B♭ | 1874 | Hymn | ||
| 1874 | Emma M. Swallow | Song | ||
| The Phoenix | 1875 | Vocal piece | ||
| The Phoenix March | 1875 | March | ||
| On Wings of Lightning | 1876 | Galop | ||
| Ah, Me! | 1876 | Emma M. Swallow | Song | |
| Matt Morgan’s Living Pictures | 1876 | Vocal piece | ||
| Only a Dream | 1876 | Mary A. Denison | Song | |
| Only Thee | 1876 | Charles Swain | Song | |
| The Honored Dead | 1876 | March | ||
| Revival March | 1876 | March | ||
| The Song of the Sea | 1876 | Emma M. Swallow | Song | |
| Myrrha | 1877 | Gavotte | ||
| ’Deed I Has to Laugh | 1877 | John Philip Sousa | Song | |
| Across the Danube | 1877 | March | ||
| Hoping | 1877 | Jefferson H. Nones | Song | |
| Lonely | 1877 | Jefferson H. Nones | Song | |
| Love Me Little, Love Me Long | 1877 | John Philip Sousa | Song | |
| Rivals | 1877 | Overture | ||
| The Free Lunch Cadets | 1877 | John Philip Sousa | Song | |
| The Magic Glass | 1877 | Charles Swain | Song | |
| Esprit de corps | 1878 | March | ||
| Silver Spray | 1878 | Schottische | ||
| Mavourneen Asthore | 1878 | Albert S. Nones | Song | |
| Smick, Smack, Smuck | 1878 | John Philip Sousa | Song | |
| On the Tramp | 1879 | March | ||
| Resumption | 1879 | March | ||
| Globe and Eagle | 1879 | March | ||
| Katherine | 1879 | Operetta | ||
| La Reine d’Amour | 1879 | Piece for cornet | ||
| Nymphalin | 1880 | Piece for violin and orchestra | ||
| Our Flirtation | 1880 | March | ||
| Our Flirtations | 1880 | Vocal piece | ||
| Recognition March | 1880 or before | March | ||
| When He is Near | 1880 | Mary A. Denison | Song | |
| A Rare Old Fellow | 1881 | Barry Cornwall | Song | |
| Florine | 1881 | Operetta | ||
| Guide Right | 1881 | March | ||
| President Garfield's Inauguration March | 1881 | March | ||
| Garfield's Funeral March | 1881 | March | ||
| Pretty Patty Honeywood | 1881 | Cuthbert Bede | Song | |
| Right Forward | 1881 | March | ||
| The Wolverine | 1881 | March | ||
| Yorktown Centennial | 1881 | March | ||
| Congress Hall | 1882 | March | ||
| Désirée | 1882 | Operetta | ||
| Star of Light | 1882 | Bessie Beach | Song | |
| The Smugglers | 1882 | Operetta | ||
| Bonnie Annie Laurie | 1883 | March | ||
| Mother Goose | 1883 | March | ||
| Pet of the Petticoats | 1883 | March | ||
| Right-Left | 1883 | March | ||
| Transit of Venus | 1883 | March | ||
| 4 Marches for Regimental Drums and Trumpets | 1884 | Piece for trumpets and drums | ||
| The White Plume | 1884 | March | ||
| We’ll Follow Where the White Plume Waves | 1884 | Edward M. Taber | Song | |
| Belle Mahone | 1885 | Piece for saxophone | ||
| The Mikado March | 1885 | March | ||
| Mother Hubbard | 1885 | March | ||
| Sound Off! | 1885 | March | ||
| Tally-Ho! | 1885 | Joaquin Miller | Song | |
| The Queen of Hearts | 1885 | Operetta | ||
| Triumph of Time | 1885 | March | ||
| Funeral March | 1886 | Piece for trumpets and drums | ||
| Gallant and Gay We’ll March Away | 1886 | Piece for trumpets and drums | ||
| Good Bye, Sweet Nannie Magee | 1886 | Piece for trumpets and drums | ||
| Hannah, My True Love | 1886 | Piece for trumpets and drums | ||
| Here’s to Your Health, Sir! | 1886 | Piece for trumpets and drums | ||
| Hurrah! We Are Almost There | 1886 | Piece for trumpets and drums | ||
| La reine de la mer | 1886 | Waltz | ||
| Tally-Ho! | 1886 | Overture | ||
| The Gladiator | 1886 | March | ||
| Presidential Polonaise | 1886 | Concert piece | ||
| The Rifle Regiment | 1886 | March | ||
| Vautour: Sans Souci | 1886 | Overture | ||
| Waltz | 1886 | Piece for trumpets and drums | ||
| My Own, My Geraldine | 1887 | Francis C. Long | Song | |
| O, Ye Lillies White | 1887 | Francis C. Long | Song | |
| Sweet Miss Industry | 1887 | S. Conant Foster | Song | |
| The Occidental | 1887 | March | ||
| The Window Blind | 1887 | Edward M. Taber | Song | |
| The Coquette | 1887 | Characteristic Dance | ||
| Ben Bolt | 1888 | March | ||
| I Wonder | 1888 | Edward M. Taber | Song | |
| National Fencibles | 1888 | March | ||
| Semper Fidelis | 1888 | March | ||
| The Crusader | 1888 | March | ||
| The Wolf | 1888 | Operetta | ||
| The Bride Elect: The Wolf | 1888–97 | Operetta | ||
| Queen of the Harvest | 1889 | Quadrille | ||
| Do We? We Do | 1889 | John Philip Sousa | Song | |
| Love That Comes When May-Roses Blow | 1889 | John Philip Sousa | Song | |
| O’Reilly’s Kettledrum | 1889 | Edward M. Taber | Song | |
| The Picador | 1889 | March | ||
| The Quilting Party | 1889 | March | ||
| The Thunderer | 1889 | March | ||
| The Washington Post | 1889 | March | ||
| There’s Something Mysterious | 1889 | Hunter MacCulloch | Song | |
| 2:15 | 1889 | Edward M. Taber | Song | |
| Corcoran Cadets | 1890 | March | ||
| Nail the Flag to the Mast | 1890 | William Russell Frisbie | Song | |
| Reveille | 1890 | Robert J. Burdette | Song | |
| The Chariot Race | 1890 | Tone Poem | ||
| High School Cadets | 1890 | March | ||
| The Loyal Legion | 1890 | March | ||
| You’ll Miss Lots of Fun When You’re Married | 1890 | Edward M. Taber | Song | |
| National, Patriotic and Typical Airs of All Lands | 1890 | Song | ||
| Sheridan’s Ride | 1891 | Tone Poem | ||
| Homeward Bound | 1891 or 1892 | March | ||
| March of the Royal Trumpets | 1892 | March | ||
| On Parade: The Lion Tamer | 1892 | March | ||
| The Belle of Chicago | 1892 | March | ||
| The Triton | 1892 | March | ||
| Désirée | 1893 | Operetta | ||
| Manhattan Beach | 1893 | March | ||
| The Beau Ideal | 1893 | March | ||
| The Devil’s Deputy | 1893 | Operetta | ||
| The Last Days of Pompeii 1. “In the House of Burbo and Stratonice” 2. “Nydia, the Blind Girl” 3. “The Destruction of Pompeii and Nydia’s Death” |
1893 | Suite | ||
| The Liberty Bell | 1893 | March | ||
| Stuffed Stork | 1894 | John Philip Sousa | Song | |
| The Directorate | 1894 | March | ||
| El Capitan | 1895 | Operetta | ||
| King Cotton | 1895 | March | ||
| Three Quotations 1. “The King of France With Twenty-Thousand Men Marched Up the Hill and Then Down Again.” 2. “I, Too, Was Born In Arcadia” 3. “In Darkest Africa” |
1895 | Suite | ||
| El Capitan March | 1896 | March | ||
| The Stars and Stripes Forever | 1896 | March | ||
| The Colonial Dames Waltzes | 1896 | Waltz | ||
| With Steady Step | 1896 | Piece for trumpets and drums | ||
| Maid of the Meadow | 1897 | John Philip Sousa | Song | |
| The Bride Elect: March | 1897 | March | ||
| The Charlatan: The Mystical Miss | 1898 | Operetta | ||
| The Charlatan March | 1898 | March | ||
| The Trooping of the Colors | 1898 | Pageant | ||
| Chris and the Wonderful Lamp | 1899 | Operetta | ||
| Hands Across the Sea | 1899 | March | ||
| O, Why Should the Spirit of Mortal Be Proud? | 1899 | William Knox | Hymn | |
| The Man Behind the Gun | 1899 | March | ||
| Hail to the Spirit of Liberty | 1900 | March | ||
| It’s a thing we are apt to forget | 1900 or after | John Philip Sousa | Song | |
| The Invincible Eagle | 1901 | March | ||
| The Pride of Pittsburgh: Homage to Pittsburgh | 1901 | March | ||
| The Summer Girl | 1901 | Concert piece | ||
| Imperial Edward | 1902 | March | ||
| Looking Upward 1. “By the Light of the Polar Star” 2. "Beneath the Southern Cross” 3. “Mars and Venus” |
1902 | Suite | ||
| The Messiah of Nations | 1902 | James Whitcomb Riley | Hymn | |
| Jack Tar | 1903 | March | ||
| At the King's Court 1. “Her Ladyship, the Countess” 2. “Her Grace, the Duchess” 3. “Her Majesty, the Queen” |
1904 | Suite | ||
| The Diplomat | 1904 | March | ||
| The Free-Lance | 1905 | Operetta | ||
| The Free-Lance | 1906 | March | ||
| I’ve Made My Plans for the Summer | 1907 | John Philip Sousa | Song | |
| Powhatan's Daughter | 1907 | March | ||
| The Fairest of the Fair | 1908 | March | ||
| The American Maid: The Glass Blowers | 1909 | Operetta | ||
| The Glory of the Yankee Navy | 1909 | March | ||
| People who Live in Glass Houses | 1909 | Suite | ||
| Dwellers of the Western World 1. “The Red Man” 2. “The White Man” 3. “The Black Man” |
1910 | Suite | ||
| The Federal | 1910 | March | ||
| Tales of a Traveler 1. “The Kaffir On the Karoo” 2. “In the Land of the Golden Fleece” 3. “Grand Promenade at the White House” [later replaced by 3a] 3a. “Easter Monday on the White House Lawn” (1928) |
1911 | Suite | ||
| The Belle of Bayou Teche | 1911 | O.E. Lynne | Song | |
| The Gliding Girl | 1912 | Tango | ||
| With Pleasure | 1912 | Dance Hilarious | Ragtime piece | |
| From Maine to Oregon | 1913 | March | taken from The American Maid | |
| It Was Really Very Fortunate for Me | 1913 | Charles Brown | Song | |
| The Irish Dragoon | 1913 | Operetta | ||
| Columbia's Pride | 1914 | March | ||
| The Lambs’ Gamble | 1914 | Overture | ||
| The Lambs’ March | 1914 | March | ||
| The Milkmaid | 1914 | Austin Dobson | Song | |
| We March, We March to Victory | 1914 | Gerard Moultrie | Processional Hymn | |
| Hip Hip Hooray | 1915 | Vocal piece | ||
| The New York Hippodrome | 1915 | March | ||
| The Pathfinder of Panama | 1915 | March | ||
| The Victory | 1915 | Operetta | ||
| America First | 1916 | March | ||
| Boots | 1916 | Rudyard Kipling | Song | |
| Boy Scouts of America | 1916 | March | ||
| Come Laugh and be Merry | 1916 | Author unknown | Song | |
| I Love Jim | 1916 | Helen Sousa Abert | Song | |
| March of the Pan Americans | 1916 | March | ||
| The Song of the Dagger | 1916 | John Philip Sousa | Song | |
| Willow Blossoms | 1916 | Concert piece | Subtitled “Legend” | |
| Blue Ridge, I’m Coming Back to You | 1917 | John Philip Sousa | Song | |
| Liberty Loan | 1917 | March | ||
| The Love That Lives Forever | 1917 | George P. Wallihan | Song | |
| The Naval Reserve | 1917 | March | ||
| The White Rose | 1917 | March | ||
| U.S. Field Artillery | 1917 | March | ||
| Wisconsin Forward Forever | 1917 | March | ||
| Anchor and Star | 1918 | March | ||
| Flags of Freedom | 1918 | March | ||
| In Flanders Fields the Poppies Grow | 1918 | John D. McCrae | Song | |
| Lovely Mary Donnelly | 1918 | William Allingham | Song | |
| Pushing On | 1918 | Guy F. Lee | Song | |
| Sabre and Spurs | 1918 | March | ||
| Solid Men to the Front | 1918 | March | ||
| The Chantyman's March | 1918 | March | ||
| The Volunteers | 1918 | March | ||
| Though Dolly Is Married | 1918 | Burnside | Song | |
| USAAC March | 1918 | March | ||
| We are Coming | 1918 | Edith Willis Linn | Song | |
| Wedding March | 1918 | March | ||
| When the Boys Come Sailing Home! | 1918 | Helen Sousa Abert | Song | |
| Bullets and Bayonets | 1919 | March | ||
| The Fighting Race | 1919 | J.I.C. Clarke | Song | |
| The Golden Star | 1919 | March | ||
| Camera Studies | 1920 | Suite | ||
| Comrades of the Legion | 1920 | March | ||
| Non-Committal Declarations | 1920 | John Philip Sousa | Trio for voices | |
| On the Campus | 1920 | March | ||
| The Last Crusade | 1920 | Anne Higginson Spicer | Ballad | |
| Who's Who in Navy Blue | 1920 | March | ||
| Yale Marching Song | 1920 | Joseph Grant Ewing | Song | |
| Keeping Step With the Union | 1921 | March | ||
| Impressions at the Movies 1. “The Serenaders” 2. “The Crafty Villain and the Timid Maid” 3. “Balance All and Swing Partners” |
1922 | Suite | ||
| Leaves from my Notebook 1. “The Genial Hostess” 2. “The Campfire Girls” 3. “The Lively Flapper” |
1922 | Suite | ||
| The Dauntless Battalion | 1922 | March | ||
| The Gallant Seventh | 1922 | March | ||
| March of the Mitten Men: Power and Glory | 1923 | March | ||
| Nobles of the Mystic Shrine | 1923 | March | ||
| While Navy Ships are Coaling | 1923 | Wells Hawks | Song | |
| A Serenade in Seville | 1924 | James Francis Cooke | Song | |
| Ancient and Honorable Artillery Company | 1924 | March | ||
| Marquette University March | 1924 | March | ||
| The Black Horse Troop | 1924 | March | ||
| The Journal | 1924 | John Philip Sousa | Song | |
| Cubaland 1. “Under the Spanish Flag” 2. “Under the American Flag” 3. “Under the Cuban Flag” |
1925 | Suite | ||
| The National Game | 1925 | March | ||
| Universal Peace | 1925 or 1926 | March | ||
| Crossing the Bar | 1926 | Alfred Tennyson | Song | |
| Old Ironsides | 1926 | March | ||
| Sesqui-Centennial Exposition March | 1926 | March | ||
| The Gridiron Club | 1926 | March | ||
| The Pride of the Wolverines | 1926 | March | ||
| There’s a Merry Brown Thrush | 1926 | Lucy Larcom | Song | |
| Forever and a Day | 1927 | Irving Bibo and John Philip Sousa | Song | |
| Magna Charta | 1927 | March | ||
| Riders for the Flag | 1927 | March | ||
| The Atlantic City Pageant | 1927 | March | ||
| Minnesota March | 1927 | March | ||
| Golden Jubilee | 1928 | March | ||
| Love’s Radiant Hour | 1928 | Helen Boardman Knox | Song | |
| New Mexico | 1928 | March | ||
| Prince Charming | 1928 | |||
| University of Nebraska | 1928 | March | ||
| Daughters of Texas | 1929 | March | ||
| Foshay Tower Washington Memorial | 1929 | March | ||
| La Flor de Sevilla | 1929 | March | ||
| The Royal Welch Fusiliers, Nr. 1 | 1929 | March | ||
| University of Illinois | 1929 | March | ||
| March [untitled] | 1930 | March | ||
| George Washington Bicentennial | 1930 | March | ||
| Harmonica Wizard | 1930 | March | ||
| The Legionaires | 1930 | March | ||
| The Royal Welch Fusiliers, Nr. 2 | 1930 | March | ||
| The Salvation Army | 1930 | March | ||
| The Wildcats: Salute to Kansas | 1930 or 1931 | March | ||
| A Century of Progress | 1931 | March | ||
| Annabel Lee | 1931 | Edgar Allan Poe | Song | |
| The Aviators | 1931 | March | ||
| The Circumnavigators Club | 1931 | March | ||
| The Northern Pines | 1931 | March | ||
| Library of Congress | 1932 | March | unfinished, reconstructed in 2003 by Steve Bulla |