Poème d'amour, Op.3 (Henselt, Adolf von)

Contents

Performances

Recordings

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Synthesized/MIDI

MID file (audio/video)
Vrj (2012/2/1)

Performer Pages Jos Van Roy (Computer)
Publisher Info. Jos Van Roy
Copyright
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Sheet Music

Scores

PDF scanned by E-Mn
Cypressdome (2013/7/15)

Editor First edition
Publisher. Info. Paris: Maurice Schlesinger, n.d [1838]. Plate M.S. 2537.
Copyright
Misc. Notes Erroneously listed on the cover and first page as being Opus 2.
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PDF scanned by US-Wc
Hobbypianist (2007/5/24)

Editor William Scharfenberg (1819-1895)
Publisher. Info. New York: G. Schirmer, 1882. Plate 2902.
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PDF scanned by Nigel Nettheim
Nigel Nettheim (2016/12/8)

Editor Vladimir de Pachmann (1848-1933)
Publisher. Info. Novello, Ewer & Co., n.d.(ca.1888). Plate 7545.
Copyright
Misc. Notes 600 dpi images, manually cleaned.
Pachmann's famous fingerings may be of interest to experts; less advanced players might find the fingerings puzzling, and not what they were looking for.
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Arrangements and Transcriptions

For Cello and Piano (Ganz)

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Schalltrichter (2016/10/9)

Arranger Moritz Ganz (1802-1868)
Publisher. Info. Berlin: Schlesinger, n.d.[1843]. Plate S.2699.
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Misc. Notes Transposed to B-flat major
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For Violin (Saint-Lubin)

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H. Frey (2012/7/2)

Arranger Léon de Saint-Lubin (1805–1850)
Publisher. Info. Berlin: Ad. Mt. Schlesinger, n.d. Plate S. 2794
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General Information

Work Title Poème d'amour
Alternative. Title Poëme d’amour ; Étude
Composer Henselt, Adolf von
Opus/Catalogue NumberOp./Cat. No. Op.3
I-Catalogue NumberI-Cat. No. IAH 33
Key B major
Movements/SectionsMov'ts/Sec's 2
First Publication. 1838 – Berlin/Paris: Schlesinger
Dedication à Rosalie (Rosalie Vogel, née Manger; wife in 1837)[1]
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano

Navigation etc.

  • Publication by Schlesinger in Berlin announced in Monatsbericht (1838), p.38.
  • The subtitle of Andante et Allegro concertante is specific to the 1882 Scharfenberg/Schirmer edition, and is not on the first edition, excepting that Andante is the tempo indication of the first section (although oddly, "Allegro" is not the tempo marking of the second section). The Pachmann edition seems to have copied the "Andante et Allegro" from Scharfenberg.