Sadko, Op.5 (Rimsky-Korsakov, Nikolai)

Free public domain sheet music from IMSLP / Petrucci Music Library

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For the later opera of the same name, see Sadko (opera)


Contents

Music Files

Full Scores

3rd Version (1892)

 Complete Score, with title page
#19845 - 39.32MB - 59 pages - Scan Quality: 4.00/10 (1 rating) - V/V/V

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Uploader: Lyle Neff (28 July 2008)

Editor:


Publisher Info.:

Moscow: P. Jurgenson, n.d.(1892)
Reprint - New York: Edwin F. Kalmus, n.d.(after 1933, original plate number omitted)

Copyright:

Public Domain

Misc. Notes:

Jurgenson published this as the "Deuxieme version" since it was the second published version.

Parts

3rd Version (1892)

 Clarinet 1, 2 (A, B)
#20091 - 2.03MB - 6, 5 pages - Scan Quality: No ratings yet - V/V/V

PDF file, Scanned by Unknown
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 Timpani, Cymbals, Drum, Tam-Tam
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 Cellos
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Editor:


Publisher Info.:

Moscow: P. Jurgenson, n.d.(1892)

Copyright:

Public Domain

Misc. Notes:


Arrangements and Transcription

2nd version (1869)

For Piano 4 hands (Purgold)

 Complete score
#24700 - 1.37MB - 34 pages - Scan Quality: No ratings yet - V/V/V

PDF file, Scanned by Sibley Music Library
Uploader: Aldona Jones (23 November 2008)

Editor:

Nadezhda Nikolaevna Purgold* (1848–1919), transcriber

Publisher Info.:

Moscow: P. Jurgenson, n.d.[1869]. Plate 602.

Copyright:

Public Domain

Misc. Notes:

*The transcriber married the composer in 1872.
This file is part of the Sibley Mirroring Project.

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General Information

Work Title Садко
Alternative Title
Composer Rimsky-Korsakov, Nikolai
Opus/Catalogue Number 5
Number of Movements/Sections 1
Year/Date of Composition 1867 (1st version)
1869 (2nd version)
1891-1892 (3rd version)
Year of First Publication 1870 (2nd version)
1892 (3rd version)
1951 (1st version)
Librettist N/A
Language N/A
Dedication A monsieur Mili Balakirew
Genre Symphonic Poem
Piece Style Romantic
Instrumentation full orchestra
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Misc. Comments

The first version of Sadko was not published in the composer's lifetime.

The opera Sadko incorporates the music of this tone poem, primarily as the recurring "sea" motive appearing first as the introduction to the opera and the underwater scene of Tableau VI.

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