Sinfonia Veneziana (Salieri, Antonio)

Authorship Note
This is an anonymous pasticcio edited by Marescalschi with music from La scuola de' gelosi (overture) and La partenza inaspettata (other movements) by Antonio Salieri.


Contents

Performances

Naxos

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Sheet Music

Full Scores

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Alonso del Arte (2010/8/2)

Editor Alonso del Arte
Renzo Sabatini (1905-1973)
Publisher. Info. Alonso del Arte
Copyright
Misc. Notes All pages are letter-size, but those for the slow movement are portrait orientation. This was done on purpose. You will need to use the View > Rotate View > Clockwise command or equivalent command (if viewing on screen) or simply rotate the pages (if viewing a print-out). Probably PD-US-only.
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Parts

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Alonso del Arte (2010/8/2)

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Alonso del Arte (2010/8/2)

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Alonso del Arte (2010/8/4)

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Alonso del Arte (2010/8/4)

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Alonso del Arte (2010/8/7)

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Alonso del Arte (2010/8/9)

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Alonso del Arte (2010/8/30)

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Alonso del Arte (2010/8/12)

PDF typeset by editor
Alonso del Arte (2010/8/12)

Editor Alonso del Arte
Renzo Sabatini (1905-1973)
Publisher. Info. Alonso del Arte
Copyright
Misc. Notes Horns in F here as opposed to in D in the original, as expected. Probably PD-US-only.
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General Information

Work Title Sinfonia Veneziana
Alternative. Title
Composer Salieri, Antonio
Opus/Catalogue NumberOp./Cat. No. XIX in a Venice library catalog
I-Catalogue NumberI-Cat. No. IAS 38
Key D major
Movements/SectionsMov'ts/Sec's 3
Year/Date of CompositionY/D of Comp. 1778-1780 (Salieri's music)
First Publication. 1961
Average DurationAvg. Duration 10 minutes
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation 2 oboes, 2 horns, strings
External Links MusicBrainz
MPH preface

Misc. Comments

From Musikproduktion Höflich: "This nine-minute work is scored for two oboes, two horns in D, and strings (two violins, viola, and cello/bass). The score was originally edited in 1961 by Renzo Sabatini for G. Ricordi (Milan); the nickname “Venetian” was added by the publisher, after the city where part of the music was first performed and Salieri’s own nickname for himself. The music for this three-movement work is partly adapted from Salieri’s overtures to La scuola de’ gelosi (1778) and La partenza inaspettata."