Symphony No.14 in C major (Witt, Friedrich)

Sheet Music

• Full Scores (2)
• Parts (15)
• Arrangements and Transcriptions (1)
• Other (0)

Full Scores

 Complete Score
*#244621 - 1.84MB, 72 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V* - 1157x⇩ - Cypressdome

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Cypressdome (2012/7/30)

Editor Fritz Stein (1879–1961) First edition Publisher. Info. Leipzig: Breitkopf und Härtel, 1911. Plate 27157. Copyright Public Domain [tag/del] Misc. Notes Study score. Purchase Javascript is required for this feature.

 Complete Score
*#154930 - 1.29MB, 110 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 985x⇩ - Alonso del Arte

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Alonso del Arte (2011/11/22)

Editor Alonso del Arte Publisher. Info. Alonso del Arte Copyright Creative Commons Attribution Non-commercial 3.0 [tag/del] Misc. Notes There is a mistake with the violas at the beginning of the minore middle section of the slow movement: they should have an eighth rest instead of a whole rest as that is a pick-up measure. The mistake also appears in the viola part and it will be corrected there first. Purchase Javascript is required for this feature.

Parts

 Flute
*#126093 - 0.27MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 333x⇩ - Alonso

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Alonso (2011/9/19)

 Oboe 1
*#130031 - 0.29MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 236x⇩ - Alonso

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Alonso (2011/9/26)

 Oboe 2
*#131133 - 0.28MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 183x⇩ - Alonso

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Alonso (2011/9/30)

 Bassoon 1
*#134618 - 0.27MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 234x⇩ - Alonso

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Alonso (2011/10/9)

 Bassoon 2
*#135101 - 0.28MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 179x⇩ - Alonso

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Alonso (2011/10/10)

 Horn 1 (F)
*#139878 - 0.25MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 243x⇩ - Alonso

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Alonso (2011/10/20)

 Horn 2 (F)
*#139879 - 0.25MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 196x⇩ - Alonso

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Alonso (2011/10/20)

 Trumpet 1 (C)
*#126094 - 0.22MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 225x⇩ - Alonso

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Alonso (2011/9/19)

 Trumpet 2 (C)
*#123310 - 0.23MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 179x⇩ - Alonso

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Alonso (2011/9/15)

 Timpani
*#122383 - 0.20MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 186x⇩ - Alonso

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Alonso (2011/9/13)

 Violins I
*#122213 - 0.38MB, 11 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 468x⇩ - Alonso

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Alonso (2011/9/12)

 Violins II
*#141064 - 0.35MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 245x⇩ - Alonso

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Alonso (2011/10/24)

 Violas
*#146711 - 0.31MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 232x⇩ - Alonso

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Alonso (2011/11/5)

 Cellos
*#151415 - 0.32MB, 11 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 229x⇩ - Alonso

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Alonso (2011/11/14)

 Double Basses
*#152788 - 0.31MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 188x⇩ - Alonso

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Alonso (2011/11/17)

Editor Alonso del Arte Publisher. Info. Alonso del Arte Copyright Creative Commons Attribution Non-commercial 3.0 [tag/del/mrg] Misc. Notes About this edition Purchase Javascript is required for this feature.

Arrangements and Transcriptions

Minuet and Trio

For Organ (Coleman)

 Complete score (CA)
*#405240 - 0.86MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/27/36 - David Campbell

PDF scanned by David Campbell
David Campbell (2016/1/1)

Arranger Henry Coleman (1888-1965) Publisher. Info. Purple Album of Twenty Pieces for the Organ London: Schott & Co., 1931. Plate 32846. Copyright Public Domain - Non-PD US, Non-PD EU [tag/del] Purchase Javascript is required for this feature.

General Information

Misc. Comments

Once attributed to Ludwig van Beethoven. Parts were found in Jena listing “Louis van Beethoven” as the author. When Fritz Stein found these parts, he doubted the attribution but became convinced it was authentic Beethoven due to the score containing certain “Beethovenisms”. Others were not so sure, suggesting most or all of it had been written by a lesser-known composer. Finally a score and parts were found with the correct author: Friedrich Witt. Regardless of who wrote it, this symphony is an excellent exemplar of the classical symphony prior to Beethoven’s Eroica.

Much ado about one measure. As Fischer points out in the Garland edition of other Symphonies by Witt, the source of Stein’s edition was missing the first measure. There are other scores missing the first measure and the second bassoon or both bassoons. The first measure neatly ties the beginning of the work to the very end (the last two measures). However, omission of the first measure lends greater credence to the Beethoven attribution.