User talk:Carmar1791

Free public domain sheet music from IMSLP / Petrucci Music Library

Jump to: navigation, search
Welcome

Dear Carmar1791,
Welcome to the IMSLP! We would like to thank you for contributing.

Please visit our Contributor Portal to learn more about contributing to IMSLP.

The Tutorial provides you a basic introduction to using this site. If you wish to contribute music scores, you will find all the details in the score submission guide. In case you aren't able to find the answer in those pages, you can leave a note on the forums.

Please consider putting the Babel tags on your user page, to tell others which languages you speak. You can also use the Babel system to find users who speak a certain language.

You can communicate with other users by placing a message on their talk page (click on a user's name, and then on Discussion), just like I did on your page. When logging on the next time, this user will get a notification of a new message. Replying to these messages can be done on your own talk page, or on the corresponding user's talk page. Note that there will be no notification for the other user when replying on your own page. It's always a good idea to sign your comments with four tildes (~~~~), which automatically adds your user name and a datestamp.

If you want to discuss something with the whole community, you can post a message in the IMSLP forums. For very important messages, please contact the staff directly via the IMSLP staff contact list.

Frequently asked questions can be found on the FAQ page.

We're looking forward to your next submission!

Feldmahler


Hi Carmar! I had to delete the Sitt Hans category (and work page) because of missing capitalization (you had "Sitt, hans" instead of "Sitt, Hans"). I've created another Sitt category here: Category:Sitt, Hans. Please follow the score submission guide when submitting, and use the special pages; they will prevent many mistakes :)

Thanks for contributing to IMSLP! --Feldmahler 15:27, 15 August 2007 (EDT)

Contents

Ciao!

Ciao!

Come va? Mi chiamo Nikolas e sono Greco :P Non parlo italiano veramente, conosco solo qualche frase typiche per fare contatto, e basta :P Ma, vorei molto parlare italiano (sto imparando italiano :P).

I am sending you this note because I have seen that recently you have been uploading many works on IMSLP. First of all, thank you for helping IMSLP to grow and contributing to the community the way you do, it is always a great thing to have people contributing scores to IMSLP.

However, there are a few issues that I'd like to talk about. When you create work pages, you should take much care to write the title in an intelligible way, so that others can easily find the piece. We also want to make this site as organised as possible, and this is why I want you to take care and write carefully the titles. You write most titles like "rondo op8 n 2 for violin and piano". This is a wrong way to do this. The correct way would be like this: "Rondo, Op.8 No.2". The instrumentation is not needed, because you mention it in the "Add Work" form. Also, please take some time to take a look at the file and write out the number of pages that the file has, and any publishing information that is available for the file.

You should read the score submission guide and the manual of style. If you have any questions, feel free to [me a note].

Arreviderci!

~ jujimufu 13:48, 23 August 2007 (EDT)

publisher notes

Hi Carmar. Thanks for your contributions. I have deleted some of your remarks (same edition as CDSM, Everynote). You probably know there is nothing illegal to it (as long as we don't spread their logo), but we don't want to draw their attention by mentioning their trademark, that's all. Some of these companies do claim copyright on their public domain reprints...--Peter talk 04:19, 25 August 2007 (EDT)

Style manual and submissions

Hi Carmar. Be sure you read and follow these guidelines set forth in the style manual: http://imslp.org/wiki/IMSLP:Manual_of_Style Specifically, use words instead of numbers. This goes for cardinal and ordinal numbers. Daphnis 19:47, 11 September 2007 (EDT)

Dear Carmar1791,

Thank you for your submission. The upload was successful, but you did not provide enough source and publisher information. Can we kindly ask you to fill in as much information as possible? Correct identification of a score is absolutely needed to make sure a score is in public domain and does not violate copyright laws. Also, this identification reflects IMSLP's strive to quality and completeness.

Please pay attention to the following items:

  • Scanner:This field should include the name of the scanner, or the website where the file was obtained.
  • Editor: The person who edited the score. This is not always known, usually the editor is printed on top of the first page (e.g. edited by... ; in french revue par... or éditée par...; in German bearbeitet von...). This field can concern the original editor, and in case of a typesetted score, the typesetter.
  • Publisher Information: You can find publisher information usually on the bottom of the first pages of the score. The format for this field is as follows: "<Place>: <Publisher Company>, No. <Publisher's publication number>, <Date>. Plate <Plate number>."

More fields are described in the Score submission guide.

You will find a lot of information on the first pages of the score. If you have problems gaining information, more tips and help are provided at IMSLP:Contributing scores and Historical Publication Info. An example of a good submission is Frühlingsrauschen (Sinding, Christian)

Success, Peter talk 12:15, 19 September 2007 (EDT)

Manual of Style

Hi. Please read the Manual of Style. Page names for common titles pointing to musical forms should be in English. E.g.: Duetto per Violino e Viola --> Duets for Violin and Viola. Not everyone can understand Italian! Thanks, --Peter talk 12:15, 30 September 2007 (EDT)

Giuseppe Borghi

Hi Carmar1791, currently I'm taking a look at the baroque music you've uploaded. I'm not an expert in this area but are you sure the composer's name is Giuseppe Borghi and not Luigi Borghi? I can't find any Duets by Giuseppe but you can find several by Luigi Borghi, and here's the Wiki. It might be his Op.5. If you have a look at the score you will also find Luigi Borghi's name at the top of each Duet. Maybe Giuseppe is just a printing error. What do you think? I just wanted to hear your opinion, you seem to be more familiar with this music :) . Let me know and I'll change the name. Regards, Hobbypianist 12:49, 2 October 2007 (EDT)

Sammartini

Hi there Carmar1791, I just wanted to let you know that I moved to Sonatas to Sammartini, Giuseppe! He is mentioned at Sibley as composer, one can also see the name on the score itself :) Regards, Hobbypianist 05:43, 8 October 2007 (EDT)

Tassistro (yes, again, sorry)

I am trying to find information about Tassistro's birthdate so as to establish some information- yes, the publication says 1823; yes, I can believe (I certainly can, advocate of the lesser-known that I am!) that he seems to have been perhaps better-known as a librettist in his time, explaining why if one goes to WorldCat one finds his name attached to librettos and those only; though a websearch reveals that William Primrose's collection contains one of these duets also... but one pines for some reliable biographical material, a contemporary magazine article noting posts that he held, something that would estimate where he lived... a thought- as with Giuseppe (I think it was) Sammartini whose obituary appears in a London newspaper as Saint Martini, could his name appear under variants, no unusual thing in many a time and place? Am I looking too exactly under a too exact spelling? Suggestions welcome, you know more of the subject than I, shall we work together perhaps? I shouldn't mind perhaps stubbing up something on en.wikipedia about him also, it's a thought. Eric 23:04, 9 October 2007 (EDT)

Thank you for the scores by X. Scharwenka (that most interesting-looking viola sonata!- I think I've heard it once on the radio), Pleyel, Pichl (incl. perhaps the earliest full-length string trio for violin, viola and cello, before Mozart's...), Spohr and Hoffmeister, among others, by the way- I have been adding to the Wikipedia articles about some of them. Also thank you for explaining that list (no, I really did not know that about those, though Rolla at least, whose music I know of and who has pages here (also your scans, thumbs-up!), I should have seen there... oops.) (I wonder if they have any scores by Scontrino in Milan... er... more likely at Trapani, that.) Eric 22:25, 10 October 2007 (EDT)

Composer names

Hi Carmar, please be careful when creating new composer pages. I had to change again the name because 'Blumenthall, Jos.de' was misspelled! If the composer's complete name is not on the score you can just "google" a bit and you will usually find the full name. (In this case it is: Joseph von Blumenthal). Here are some websites which could be useful to find out composer names: [1], [2], [3]. Regards, Hobbypianist 17:00, 10 October 2007 (EDT)

Sonata for Viola and Piano, Op.5 (Brucken Fock, Gerardus Hubertus Galenus von)

Hi Carmar. Are you sure about the publication date of this score? You mentionned 1906 (I didn't see that in the score), but the plate number is 18418 which is quite inconsistant. It would rather be around 1885 which also sounds correct considering that the sonata is Op.5 for a composer born in 1859 (26 year old). Have you got more information about it ?. Best regards, Matthieu 08:26, 12 October 2007 (EDT)


I have found the date of his sonata in the Book :Zeyringer "Literature fur Viola" (the latest edition because the online one http://music.lib.byu.edu/PIVA/ is outdated. But in this book I have already foud many other mistakes. I'll check in other books in library. I'll say you the result Greetings Carmar


I confirm that Zeyringer date 1906 Brucken Fock sonata,but I repeat there are ,here and there ,some mistakes in that book. I coulnd't find other books that tell something about Viola sonata. So if you say that plate number is more reliable ,change the date. Thank you and Ciao Carmar 1791 20:56 13 October 2007

Thank You

Hello Carmar. Mille grazie! Thank you SO MUCH for all your work at IMSLP! Dale (L'alto merveilleux)

Thank you for your compliments Dale. I did nothing of special,I didn't write that music ,those are only scans I made for the sake of music. Ciao e grazie Carmar

Plaisir d’Amour (Martini, Giovanni Battista)

Hello Carmar, Thank you for uploading the Plaisir d’amour!! I've been looking for the music to that for a long time! Actually that melody is NOT by Giovanni Battista Martini, it's by Jean Paul Egide Martini (1741-1816). I have created a new page for Jean Paul and moved Plaisir d’Amour. Thanks again for everything. Dale

Thank you Dale and sorry for my ignorance about Jen Paul Egide Martini. Carmar

Just curious

Are you the scanner of all the viola submissions (Carlo Barato?)?? That must have been an incredible work scanning hundreds of pages! By the way, I want to play Bach's Gamba sonatas on viola. The scores on IMSLP are in tenor clef (4th line). Do you happen to have a score for viola? --Peter talk 12:05, 17 October 2007 (EDT)

I have just uploaded a viola part I have got(It's not in good condition).I'm retypeing all those sonatas I'll need a month (If I find time) to finish.I have only that viola part in pubblic domain now. Ciao Carlo

Thank you very much! Peter talk 12:34, 18 October 2007 (EDT)

Introduction et Caprice Jota Op.41 by Sarasate

Hi Carmar,
thanks a lot for your wonderful rare violin pieces! Just a small thing: I came across the work page of the Op.41 and noticed that the linked file actually belongs to another category (X. Scharwenka). You probably tried to upload a file with the name 'Binder1.pdf' which already exists. Please rename your file and upload it again to that workpage. Also, I wanted to let you know that I replaced page 8 of the Capriccio, Op.7 (Wieniawski) since it was damaged / black. Regards, Hobbypianist 15:06, 5 July 2008 (EDT)

Allegro Appassionato

Hello Carmar1791, I don't doubt the accuracy of the 1916 date. Our style here is to put the date in parens unless it is actually printed on the score. If the date is only approximate (derived from the listings of publisher plate numbers, for example), we use "ca." in parens as in "(ca.1905)." If you have an exact date from another source, as you do with this piece, it goes in parens without the circa abbreviation (ca.). Also, the abbreviation "ca." is better to use than "c." because "c." is often confused with a copyright notice (©). It's no big deal, just thought I'd let you know the reasoning benind the way we try to list things. Ciao, Carolus 13:28, 7 July 2008 (EDT)

New Versions

Carmar, this is to inform you that you can upload new versions of your files again. The link is situated in the IMSLP # under the title. After this click on "upload new version". It may take a while (up to 3 days) before you can see the link on all pages. Cheers --Peter talk 09:06, 6 August 2008 (EDT)

String Quartet Op.45 No.1 (Spohr, Louis)

Doesn't IMSLP already have this? (String Quartet No.12 (Spohr, Louis)) (described as op. 45 no. 1 in the description section, and the openings are identical - was there a reason for the new scan? May be obvious- don't know- sorry! I admit a rename of the earlier file would be a _very_ good idea.) Eric 01:28, 21 September 2008 (EDT)

I apologize for my combative tone, and am by no means sure what to do. (I have some guesses - for instance, the Marco Polo/Naxos recordings being re-released?... - why he may have chosen String Quartet No. 12 for a title though I still think op. 45 no. 1, in keeping with the rest of the site in general, is better. (Especially since there isn't, for Spohr, as much of a "two works for the same opus number, or two opus numbers for the same work!" problem as for Krommer and others, that leads to cataloguing systems being much preferable. I think there isn't anyway.) (Oh- I see User:Peter is still active, responded to a comment I made to him yesterday and followed up on it at length by redirecting many files in response to my suggestion according to his user contributions... - must read that!... sorry. My mind is not going; it is _gone_. Erm. Sorries.) Eric 07:51, 21 September 2008 (EDT)

Campagnoli: 7 divertissements

Hallo Carmar1791,

editor of the Muzgiz edition (and author of arrangement for 2 violins) is Henri Marteau (1874-1934). Russian uses phonetic transcription, that is: write as you hear.

Tory

Molique

I notice that BSB (www.digital-collections.de/index.html) has also his cadenzas to Beethoven's violin concerto (pub. 1909) scanned in (one page at a time) and uploaded... not sure if IMSLP usually does cadenzas by composer A to works by composer B, but did want to mention if so, since there's not that much by Molique available and already scanned in, that I know of. Best! Eric 05:39, 27 January 2009 (EST)

Glazunov Elegia

Carmar, how did you create this PDF? On two different systems I get nothing but page borders and a black space where the image should be. Please try to fix this submission if possible. Thanks. Daphnis 16:23, 27 February 2009 (EST)

And the same issue with your recent Reger and Vieuxtemps submissions. Daphnis 16:28, 27 February 2009 (EST)
I can see these files perfectly in Acrobat Reader 8. However my browser crashes when trying to read the glazunov via the browser plugin - nothing to worry about, acrobat plugin crashes about 10% of the times here.--Peter talk 16:46, 27 February 2009 (EST)
Hmm, well I couldn't view them in either Acrobat reader 9 or Professional 9. I'd like to know what settings he used to create them, maybe some strange compression method. Daphnis 16:47, 27 February 2009 (EST)

I'm using ubuntu studio.I created those files by cups printing. I'll try ti fix the problem printing them again.I can read perfectly all files on my sistem by many browser (evince , xpdf , adobe9 , kpdf etc.)Very strange! Ciao and thank you. Carmar

Yeah, that file (maybe all) is still not displaying properly. What compression is this, and why is the file size so large for so few pages? Daphnis 13:16, 28 February 2009 (EST)


I scan fotocopies (at 300dpi grey scale) of very old parts in terrible condition. I have to work them to deskew and to obtain a white bacground. Usually I use grey scale (some times rgb color because it's easier whitening of background), I can't convert B&W (1bit)because there is a drammatic loose of quality. I use gimp and png files that at the end are compressed at top level (9 in gimp)obtaining files more or less from 90 to 200 kb each one. To convert to pdf I use cups , image magik or acrobat professional).I used acrobat professional for my last replacements. Before replaceing my last files I printed them by acrobat8 on windows xp platform. If I try to compress pdf file using adobe professional I have the same problem I have had with gimp:A very very big loose of quality. So I can't use tiff compression ctt g4. By the way I know files are a little bit bigs,but both the olds and the new one are perfectly readeble on my 2 sistems (Win xp and Linux ).I dont know what's the problem. All suggestions are welcome

Ciao and Thank you.

Carmar

Busser works

Dear Carmar1791, your Büsser piece had to be deleted as he died less than 50 years ago. You've been around long enough to know our rules, but if not please brush-up over at the Public Domain page. Daphnis 19:48, 28 March 2009 (EDT)


That piece was published in 1910 so I thougth it should have been pd in USA. (in USA only).
Isn't so?
Thank you for all
Carmar


  Sorry I've just read there isn't an American Server....
  Sorry again
  Carmar

Viotti

Hi Carmar, Do you know of any decent online listing of Viotti's works? As you mentioned on the talk page for the Duos collection, Peters re-numbered the volumes when they did a new issue of them in the 1850s. As you no doubt know, this makes things very confusing for potential users. I'd like to see the Duos organized in a logical manner if at all possible. Thanks, Carolus 19:26, 8 April 2009 (EDT)

 Sorry for this late replay but I'm very busy.
 I'll try to solve Viotti catalogue in the next weeks.I'll try to find the first printed edition and the book Giazzotto wrote    about him.
 There isn't a scientific catalogue , only the opus number given by the first printed edition. The next weeks....... 
 Ciao

Thanks, it's pretty confusing with two separate Peters issues plus a number of items issued by Ricordi. Carolus 14:33, 20 April 2009 (EDT)


Monteverdi's Orfeo

I just saw that you managed to convert and upload L'Orfeo by Monteverdi which I mentioned in the forum some day ago. Can you tell me how you succeeded in doing this? I mean you created a file with small size and good resolution something I failed in my attempts.--BoccaccioTalk Email 02:11, 2 May 2009 (EDT)

Greetings!


Greetings!

Dear Camar,

I wonder how did you obtain the Hoffmeister's Contrabasso quartet. If my intuition is right, this piece is a part of the Gesellschaft der Musikfreunde archive in Vienna?

Should you have access to any other solo bass music, I would be happy to know of it.

Many thanks for your post of the Hoffmeister quartet, although I doubt too many bass players will know how to play it.

regards,

Violonista



       I obtained that piece from a  Austrian double bass player .I was looking for "strange ensambles" and he gave me that copies 
    ( I collect score  and parts for strings,if I'll find something else I will post..) .
    Nothing more...I think you are right it's part of Gesellschaft der Musikfreunde archive in Vienna , but I have never been there.
    Ciao
    
    Carmar

Paganini Album

Hi Carmar, just to clarify, I have split up your Paganini Album score and submitted the individual pieces to the respective work pages (in accordance with IMSLP's policy). Therefore, the original page and file were superfluous, and I have deleted them. Hope you don't mind :-) KGill talk email 19:56, 29 August 2009 (UTC)


  Ok . No problem.Thank you . Well done.
  Greetings
  Carmar

Satmitz Sinfonien op. 9

Hi Carmar1791, is there a score of the Stamitz Symphony op. 9 No. 1? Yours sincerly il cercatore

Personal tools
Donate via Paypal