Variations and Fugue on a Theme of Beethoven, Op.86 (Reger, Max)

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 Complete Score
#161439 - 6.08MB, 65 pp. -  4.0/10 2 4 6 8 10 (1- V/V/V - 836x

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Morel (2011/12/6)

 Complete Score
#02018 - 5.46MB, 64 pp. -  0.0/10 2 4 6 8 10 (0- V/V/V - 661x

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Peter (2006/11/01)


Theodor Prusse (1873–1932)

Publisher Info.:

Leipzig: Lauterbach & Kuhn, 1904. Plate L. & K. 238.


Berlin: Bote & Bock, G.m.b.H., n.d.(ca.1909). Plate B. & B. 17059.


Public Domain [tag/del]

Misc. Notes:

This file is part of the Sibley Mirroring Project.


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Arrangements and Transcriptions

For Orchestra (Composer)

 Complete Score
#46260 - 16.13MB, 110 pp. -  8.0/10 2 4 6 8 10 (4- V/V/V - 1663x

PDF scanned by Unknown
Hobbypianist (2009/11/16)

PMLP05584-Reger op.086 Beethovenvariationen fs RGA.pdf
Publisher Info.:

Berlin: Bote & Bock, G.m.b.H., 1916.


Max Reger: Sämtliche Werke, Band 6: Orchesterwerke VI
Wiesbaden: Breitkopf und Härtel, 1965. Plate M.R. 6.

This "urtext" or "scholarly" (scientific) edition was published at least 25 years ago in the EU (or 20 years ago in Italy, before 1992 in the former USSR). Hence, the edition is public domain in its country of origin or a government publication. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here.
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General Information

Work Title Variations and Fugue on a Theme of Beethoven
Alternative Title
Composer Reger, Max
Opus/Catalogue Number Op.86
Key B-flat major
Year/Date of Composition 1904 Summer
First Publication 1904
Dedication Theo Rikoff
Composer Time Period Romantic
Piece Style Romantic
Instrumentation 2 pianos (original)
orchestra (arranged)
2 flutes, 2 oboes, 2 clarinets (B), 2 bassoons
4 horns (F), 2 trumpets (C), 3 trombones, tuba, timpani, strings
External Links American Symphony Orchestra

Misc. Comments

The theme is from Beethoven's Bagatelle. Op. 119, No. 11. Originally written for 2 pianos, then orchestrated; available for both, though probably more often recorded in its orchestral format. (Given exigencies, probably more often actually performed by duos...)

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