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Performances
Sheet Music
Scores
| Editor
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Wilibald Gurlitt (1889-1963)
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| Publisher. Info.
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Hamburg: Ugrino, 1925. Plate D.B.1.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
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| Reprinted
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New York: Broude International Editions, 1977. Plate D.B.1.
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| Editor
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Wilibald Gurlitt (1889-1963)
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| Publisher. Info.
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Hamburg: Ugrino, 1926. Plate D.B.2.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
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| Reprinted
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New York: Broude International Editions, 1977. Plate D.B.2.
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| Editor
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Gottlieb Harms (1893-1931)
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| Publisher. Info.
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Hamburg: Ugrino, 1930. Plate D.B.3.URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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| Reprinted
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New York: Broude International Editions, 1977. Plate D.B.3.
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| Copyright
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| Misc. Notes
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Notice that this includes critical notes that was in Band 4 originally (pub.1931).
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| Editor
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Michael Belotti (b. 1957)
Gregory Hayes (b. 1951)
Elizabeth Hart
Christoph Wolff (b. 1940), general editor
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| Publisher. Info.
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New York: The Broude Trust, 1998. URTEXT EDITION
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.
More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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| Misc. Notes
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600 dpi, b&w.
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General Information
| Work Title
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Dietrich Buxtehude Werke
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| Alternative. Title
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The Collected Work
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| Composer
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Buxtehude, Dietrich
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| I-Catalogue NumberI-Cat. No.
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None [force assignment]
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| Movements/SectionsMov'ts/Sec's
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20 volumes
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| First Publication.
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Vol.1-8: 1925-58 - Ugrino; Vol.9-18: 1987-2018 - Broude International Editions
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| Composer Time PeriodComp. Period
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Baroque
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| Piece Style
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Baroque
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Publication
- First published by Ugrino Verlag between 1925 to 1958.
- Reprinted by VEB Deutscher Verlag für Musik and Broude International Editions in 1977.
- Notice that Broude International Editions afterwards published the continuation of this until 2018 under the name of "Collected Work".
Template
{{DBWerke|Volume/Band|First pub. year|Reprint year (if exist)|page (if applicable)}} - Vol.1-8
{{DBColWork|Volume/Band|Pub. year|page (if applicable)}} - Vol.9-18
Editors
Vol.1-8
Vol.9-18
Editorial Boards
Series Editors
Content
Warning
Please note that this list is manually updated, and may not contain IMSLP's complete collection.
To generate automatically updated lists see "Browse by Work genre" in the sidebar.
Vol.1-8: Dietrich Buxtehude Werke
Band 1: Siebenzehn Kirchenkantaten für eine Sopranstimme (1925)
- Also hat Gott die Welt geliebt, BuxWV 5
- Entreißt euch meine Sinnen, BuxWV 25
- Fallax mundus ornat vultus, BuxWV 28
- Gen Himmel zu dem Vater mein, BuxWV 32
- Herr auf dich traue ich, BuxWV 35
- Herr, wenn ich nur Dich hab, BuxWV 38
- Herr, wenn ich nur Dich habe, BuxWV 39
- Ich sprach in meinem Herzen, BuxWV 49
- Lauda anima mea, BuxWV 67
- O clemens, o mitis, o coelestis Pater, BuxWV 82
- O dulcis Jesu, BuxWV 83
- O fröhliche Stunden, BuxWV 84
- O Gottes Stadt, BuxWV 87
- Schaffe in mir, Gott, ein rein Herz, BuxWV 95
- Sicut Mose, BuxWV 97
- Singet dem Herrn ein neues Lied, BuxWV 98
- Was mich auf dieser Welt betrübt, BuxWV 105
Band 2: Drei kirchenkantaten für eine altstimme, Vier kirchenkantaten für eine tenorstimme, Drei kirchenkantaten für eine basstimme, Trauermusik auf den tod des Johannes Buxtehude (1926)
- Jesu, meine Freud und Lust, BuxWV 59
- Jubilate Domino, BuxWV 64
- Wenn ich, Herr Jesu, habe dich, BuxWV 107
- Dixit Dominus, BuxWV 17
- Herr nun läßt du deinen Diener, BuxWV 37
- Quemadmodum desiderat cervus, BuxWV 92
- Ich bin die Auferstehung und das Leben, BuxWV 44
- Ich bin eine Blume zu Saron, BuxWV 45
- Mein Herz ist bereit, BuxWV 73
- Mit Fried und Freud, BuxWV 76
Band 3: Dreizehn kirchenkantaten für 2 singstimmen (1930)
- Drei schöne Dinge sind, BuxWV 19
- Fürchtet euch nicht, BuxWV 30
- Herr, ich lasse dich nicht, BuxWV 36
- Ich halte es dafür, BuxWV 48
- Ich suchte des Nachts in meinem Bette, BuxWV 50
- Jesu dulcis memoria, BuxWV 56
- Laudate, pueri Dominum, BuxWV 69
- Liebster, meine Seele saget, BuxWV 70
- Nun freut euch, ihr Frommen, mit nir, BuxWV 80
- O lux beata, Trinitas et principalis, BuxWV 89
- O wie seelig sind, BuxWV 90
- Salve Jesu, BuxWV 94
- Wo ist doch mein Freund gelieben?, BuxWV 111
Band 4: Missa brevis, Motette Benedicam Dominum (1931)
Band 5: Elf kirchenkantaten für 2 sopranstimmen, bass und instrumente, Aria sopra le nozze di Sua Maesta il Re di Svecia (Klinget für freuden) (1933)
Band 6: Neun kirchenkantaten für 2 sopranstimmen, bass und instrumente (1935)
Band 7: Elf kirchenkantaten und eine aria für 3 singstimmen und instrumente (1937)
Band 8: Neun kantaten für 4 singstimmen und instrumente (1958)
Vol.9-18: Dietrich Buxtehude: The Collected Works
As of 2024, scores from volumes 9, 14, 15 are permissible to submit since ≥25 years have passed since the date of publication.
Volume 9: Sacred Works for 4 Voices and Instruments, Part 2 (1989)
Volume 10: Sarced Works for 5 Voices and Instrument, Part 1: Membra Jesu Nostri (2015)
Volume 11: Sarced Works for 5 Voices and Instrument, Part 2 (2015)
Volume 12: Sarced Works for 5 Voices and Instrument, Part 3 (2018)
Volume 13: Miscellanea: Sacred Works for 5 or 6 voices and Instruments; Occasional Works; Canons; Dubia (2018) (LAST VOLUME PUBLISHED)
Volume 14: Instrumental Works for Strings and Continuo (1994)
- Volume 14a: 3 Sonatas for 2 Violins, Viola da Gamba & Continuo from Manuscript Sources
- Volume 14b: 3 Sonatas for 2 Violins, Viola da Gamba & Continuo from Manuscript Sources
Volume 15a: Keyboard Works, Part 1: Preludes, Toccatas, and Ciaconnas for Organ (Pedaliter): Music (1998)
Volume 15b: Keyboard Works, Part 1: Preludes, Toccatas, and Ciaconnas for Organ (Pedaliter): Commentary (1998)
STILL COPYRIGHTED
Volume 16a: Keyboard Works, Part 2: Organ Chorales: Music (2010)
Volume 16b: Keyboard Works, Part 2: Organ Chorales: Commentary (2010)
STILL COPYRIGHTED
Volume 17: Keyboard Works, Part 3: Preludes, Toccatas, Fugues and Canzonas for Organ (Manunaliter)', Harpsichord, or Clavichord (2016)
Volume 18: Keyboard Works, Part 4: Suites and Variations for Harpsichord or Clavischord (2016)
