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This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 years. However, this work is probably still protected by copyright in the United States, as well as in countries where the copyright term is life+70 years (including all EU countries), unless an exception applies. See public domain for details. |
| Incipit |
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|---|---|
| Movements/SectionsMov'ts/Sec's | 2 movements |
| Composition Year | 1938 (first movement); 1945 (second movement) |
| Genre Categories | Songs; For voice, 8 cellos; Scores featuring the voice; |
Contents |
1. Ária (Cantilena)
*#707454 - 8.06MB - 6:20 - (-) - V/67/30 - 574×⇩ - MP3 - Lucas-coelho
MP3 file (audio)
Lucas-coelho (2021/6/10)
2. Dança (Martelo)
*#707455 - 6.05MB - 4:26 - (-) - V/67/30 - 151×⇩ - MP3 - Lucas-coelho
MP3 file (audio)
Lucas-coelho (2021/6/10)
|
Complete Performance
*#733971 - 9.46MB - 7:07 - (-) - V/67/30 - 32×⇩ - MP3 - Lucas-coelho
MP3 file (audio)
Lucas-coelho (2021/9/22)
|
1. Ária (Cantilena) (CA)
*#654723 - 0.27MB, 12 pp. - (-) - !N/43/30 - Balparda
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| Work Title | Bachianas brasileiras No.5 |
|---|---|
| Alternative. Title | |
| Composer | Villa-Lobos, Heitor |
| Opus/Catalogue NumberOp./Cat. No. | W389 (original) ; W390 (voice and piano) ; W391 (voice and guitar) |
| Internal Reference NumberInternal Ref. No. | IHV 9 |
| Key | see below |
| Movements/SectionsMov'ts/Sec's | 2 movements:
|
| Year/Date of CompositionY/D of Comp. | 1938 (first movement); 1945 (second movement) |
| First Performance. | 1939-03-25 in Rio de Janeiro
|
| First Publication. | 1947 |
| Librettist | see below
|
| Language | Portuguese |
| Dedication | Arminda Neves d' Almeida (1901–1985) |
| Average DurationAvg. Duration | 8 minutes |
| Composer Time PeriodComp. Period | Early 20th century |
| Piece Style | Early 20th century |
| Instrumentation | soprano, 8 cellos |
| External Links | Villa-Lobos site (IU) Wikipedia article (all Bachianas brasileiras) The Lied, Art Song, and Choral Texts Archive |
| Extra Information | Villa-Lobos originally wrote this work for 9 cellos. Arranged also for voice and piano, voice and guitar. |