(The following text was automatically transcluded from Category:Geller, Marina.)
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Marina Geller
(b. 1963)
External links
- Detailed biography: Marina Geller was born in1963 in the former Soviet Union. She graduated at Tashkent State Musical Academy as a musicologist (1986). Her M.A. Thesis was dedicated to music of Sofia Gubaidulina and to the individual composer style’s problem in the whole. While working in the Composers’ Union of Uzbekistan as a consultant in parallel she was studying a composition at the same Academy in the class of prof. Felix Yanov-Yanovsky. In those years were written: Two Fugues for string orchestra, “Farwell” for tenor and string orchestra by text of G.Apollinaire, Sonata for violin in 3 parts, Cycle for mezzo-soprano and symphonic orchestra by text of M.Tzvetayeva, “Three Etudes In the Symphonic Styles” for full symphonic orchestra, String Quartet in 3 parts and other works. After her immigration to Israel in 1991 the study of composition was continued in Jerusalem Musical Academy of Rubin in the class of prof. Mark Kopitman (1991-1993). Between works in those years were Music for ballet “The Seagull Named Jonathan” by R.Bach’ novel for 6 instruments and percussion, Piano Pieces “Fugue & Postlude” for viola solo, Cycle for mezzo-soprano, flute and piano by text of M.Ruddock and others. She is a member of Composers League of Israel since 1998. In the frame of League’s chamber concerts her cycle of piano pieces “Transparent Spaces” was played twice – by Raymonda Sheinfeld (2000) and by Nadia Nehama-Winetraub (2003) in the center of Felicia Blumenthal (Tel-Aviv). The concert-recital of Marina Geller’s compositions in different genres took place in 2009 year, where were played her as instrumental as vocal music. In 2010 year graduated at Bar-Ilan University with Ph.D. degree in composition by supervision of prof. Gideon Lewensohn and prof. Betty Olivero. In this time were written and performed “Film’s scenes” for clarinet, piano, vocal and percussion, “Arioso” for accordion, piano and string orchestra, “The Offering” for cello solo. In 2012 she received the ACUM prize for her Concerto for cello and symphonic orchestra and then the prime minister’s award for composers for the Israel composers earned by her last works as “Ironical Bagatelles” and “Epitaph”.
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