| Page | Description | Title | First Line | Composer | Instrumentation |
|---|---|---|---|---|---|
| 1 | Glee | Happy the man, and happy he alone | Luffman Atterbury | 3 equal voices | |
| 4 | Canon | Canon Four in One | Hosanna in excelsis | George Berg | 4 voices SATB |
| 5 | Catch | Beviamo amici, beviam che il giorno | unattributed | 4 equal voices | |
| 6 | Catch | Ha done, ha done, you little teazing wretch | Thomas Augustine Arne | 4 equal voices | |
| 8 | Glee | If gold cou'd wasted life restore | Joseph Baildon | 3 voices | |
| 11 | Catch | Come follow me, my lads | unattributed | 3 equal voices | |
| 12 | Catch | Zounds, woman, don't chatter | William Bates | 3 equal voices | |
| 13 | Catch | Compagni amor lasciate sofferto l'o abbastanza | unattributed | 4 equal voices | |
| 13 | Catch | Come you jolly fellows | George Berg | 4 equal voices | |
| 14 | Glee | The Emperor Adrian dying - to his Soul | Poor, poor little pretty flutt'ring thing | Thomas Augustine Arne | 4 voices |
| 16 | Canon | Canon Three in One | By the waters of Babylon | James Nares | 3 equal voices |
| 17 | Canon | Canon Three in One | O Lord let us live | unattributed | 3 voices |
| 18 | Catch | A Toast | May the Devil ride rough shod | Samuel Webbe | 4 equal voices |
| 19 | Catch | No, no, for my virginity | Edmund Ayrton | 3 equal voices | |
| 20 | Catch | Master Tommy, marry, pray what says St. Paul? | Joseph Baildon | 4 equal voices | |
| 21 | Catch | On the Death of a Country Curate | Rejoyce, rejoyce, brave boys | Luffman Atterbury | 4 equal voices |
| 22 | Glee | Welcome friendly gleams of night | George Berg | 3 voices | |
| 24 | Catch | Here I am, riding upon a black ram like a whore as I am | unattributed | 3 equal voices | |
| 25 | Glee | Love, inform thy faithful creature | Pieter Hellendaal | 4 voices SSAB | |
| 31 | Catch | Scendi propizia col tuo splendore | Mattia Vento | 4 equal voices | |
| 32 | Glee | Tell me then the reason why | Luffman Atterbury | 3 voices | |
| 33 | Catch | A Card | Tom Warren, my sending this is not pretending to fee or reward | unattributed | 3 equal voices |
| 33 | Catch | By shady woods and purling streams | John Stafford Smith | 3 equal voices | |
| 34 | Psalm | The celebrated Miserere | Miserere mei Deus | Gregorio Allegri | 9 voices SSSSAATBB (2 choruses SSATB/SSAB) |
| 37 | Canon | Canon Three in One | Lye on, while my revenge shall be | William Bates | 3 equal voices |
| 38 | Catch | A Cock-Match | I'll back the mealy grey | Thomas Augustine Arne | 4 equal voices |
| 39 | Catch | London Crys | A quart a penny damsons, round and sound | unattributed | 4 equal voices |
| 40 | Glee | Hide and Seek | When Moll and Dick last Whitsun week | John Alcock Sr. | 4 voices SATB |
| 45 | Glee | Epitaph | This tomb be thine Anacreon | unattributed | 4 voices |
| 48 | Catch | When Phaebus was am'rous and long'd to be rude | Joseph Baildon | 4 equal voices | |
| 49 | Glee | Who like Bacchus can controul | Luffman Atterbury | 3 voices | |
| 52 | Catch | That the mortal who lives by the sweat of his brow | unattributed | 3 equal voices | |
| 53 | Catch | Hops prefer'd to Tobacco in Answer to Dr. Aldrich's Catch in favor of the latter | What ails you, ye smoakers, to boast of your weed | William Flackton | 3 equal voices |
| 54 | Canon | Canon Four in One | Lord let me know my end | Thomas Norris | 4 equal voices |
| 55 | Catch | No more! alas! | John Stafford Smith | 4 equal voices | |
| 56 | Glee | To drink or to sing is a very fine thing | Theodore Aylward | 3 voices | |
| 58 | Catch | Epigram | The gentle Pen, with look demure | Richard Langdon | 3 equal voices |
| 59 | Catch | See, see my boys | Robert Bacon | 4 equal voices | |
| 60 | Catch | Some say 'tis ambition intoxicates man | James Nares | 4 equal voices | |
| 61 | Canon | Canon Three in One | I laid me down and slept | George Berg | 3 equal voices |
| 62 | Glee | Tell me where is fancy bred | Thomas Augustine Arne | 4 voices | |
| 64 | Catch | Jack at the mast-head with joy cries a sail | William Bates | 4 equal voices | |
| 66 | Glee | Come to the greenwood, let us move | John Worgan | 3 voices | |
| 68 | Madrigal | Ye restless thoughts | John Wilbye | 3 voices | |
| 70 | Catch | Game of Tredville | I pass, I pass, I've done so all night | unattributed | 3 equal voices |
| 71 | Catch | Prithee Nicky, drink to Dicky | unattributed | 3 equal voices | |
| 72 | Canon | Canon Three in One | I envy not the proud, their equipage and state | unattributed | 3 equal voices |
| 73 | Catch | Gia la notte s'avvicina | Mattia Vento | 4 equal voices | |
| 74 | Canon | Canon Five to Twelve in One | We will rojoyce in thy salvation | Edmund Ayrton | 5 equal voices |
| 76 | Madrigal | Flow O my tears and cease not (Weep, O mine eyes) |
John Bennet | 4 voices SATB | |
| 78 | Catch | Strange that such a difference there shou'd be 'twixt Tweedledum and Tweedledee | unattributed (Benjamin Cooke) | 6 equal voices | |
| 78 | Round | O Lord almighty, O God of Israel | John Hilton | 3 equal voices | |
| 79 | Glee | Cried Ned to his neighbours, as onward they prest | Richard Langdon | 3 voices | |
| 80 | Glee | On a Lady who died young | Hail, hail sacred horrors, hail | William Bates | 3 voices |
| 84 | Catch | We lived one and twenty years as man and wife | Charles Jenner | 4 equal voices | |
| 85 | Catch | Come boys, come let's be merry | unattributed | 3 equal voices | |
| 86 | Glee | A Pastoral Elegiac | Adieu to the village delights | Joseph Baildon | 3 voices |
| 90 | Catch | You blockhead, you fool, for what do you take me? | William Bates | 3 equal voices | |
| 91 | Canon | Canon Three in One | Come jolly god Bacchus, here's to thee | George Berg | 3 equal voices |
| 92 | Catch | The Puzzle | This song goes hard and may be marr'd | John Hilton | 3 equal voices |
| 94 | Glee | On the Death of a Friend | Tell me, thou dear departed shade | John Dyne | 3 voices |
| 96 | Catch | On a Bailiff | Here lies John Trott, by trade, by trade a bum | unattributed | 3 equal voices |
| 97 | Glee | If the glasses, boy, are empty, fill, fill again | unattributed | 3 voices | |
| 100 | Catch | Horse-Race | Clear, clear the course | Thomas Augustine Arne | 4 equal voices |
| 102 | Madrigal | Fly, Love, to heav'n above | John Wilbye | 3 voices | |
| 104 | Round | O Lord, Lord in thee have I put my trust | unattributed | 3 equal voices | |
| 105 | Catch | Let us pray | unattributed | 3 equal voices | |
| 106 | Canon | Canon Four in One | Jubilate Deo omnis terra | Juan Bautista Bruguera | 4 voices SATB |
| 109 | Glee | A long farewell, since we must part | Thomas Norris | 4 voices | |
| 112 | Catch | A Quarrel at the Shakespear | Silence, ye jades! zounds! what a pother | Thomas Augustine Arne | 3 equal voices |
| 113 | Catch | Hot spice gingerbread, ho come buy my spice gingerbread | unattributed | 3 equal voices | |
| 114 | Canon | Canon Three in One | Why art thou so heavy, O my soul (revised by the composer) |
John Alcock Sr. | 3 voices, continuo |
| 115 | Catch | Within this tomb a lawyer lies | unattributed | 3 equal voices | |
| 116 | Glee | Tell me, shepherds, tell me | George Berg | 3 voices | |
| 120 | Round | Rondeau. An old Ballad - Harmoniz'd | 'Twas on a summer ev'ning, brisk John met lovely Nancy | unattributed | 3 equal voices |
| 121 | Glee | Compos'd for the Chapel Feast | Reason ne'er in fetters bind | James Nares | 3 voices, continuo |
| 134 | Canon | Canon Three in One | Gloria in excelsis | unattributed | 3 voices |
| 135 | Catch | Giocondie felici beviamo caro amici | Thomas Augustine Arne | 3 equal voices | |
| 136 | Canon | Come follow me with merry glee and hail the blushing morn | William Bates | 4 equal voices | |
| 138 | Glee | Cupid mistaken | As after noon one summer's day, Venus stood bathing | Joseph Baildon | 3 voices |
| 142 | Glee | Here beneath this lofty shade | John Alcock Sr. | 4 voices SATB | |
| 144 | Glee | Good statesmen, good statesman need not only wit | Thomas Augustine Arne | 3 voices | |
| 146 | Catch | Selvas y bosques de Amor | Alonzo Ramire de Arellano | 3 equal voices | |
| 147 | Glee | Now round the board, my friends, in concert join | Luffman Atterbury | 3 voices | |
| 150 | Canon | Canon Four in Two | I will praise thee O Lord among the people | William Bates | 4 voices TTBB |
| 151 | Catch | Hark, hark, the nightingale in her mournful lay | John Stafford Smith | 3 equal voices | |
| 152 | Madrigal | Return, return, my lovely maid | unattributed | 4 voices SSAB | |
| 156 | Catch | Go, go, banish thy sorrow | unattributed | 3 equal voices | |
| 157 | Catch | Fair as the blushing grape | Samuel Webbe | 3 equal voices | |
| 157 | Round | Lord, how are they increased that trouble me | unattributed | 3 equal voices | |
| 158 | Catch | When wives do hate their husbands' friends | John Stafford Smith | 3 equal voices | |
| 158 | Catch | Epitaph. On three organists buried near each other in the Collegiate Church at Winbourn [Wimborne] | Here Tyler, Day and Pottle lye | George Combes | 3 equal voices |
| 159 | Catch | Come, come my lads | unattributed | 4 equal voices | |
| 160 | Catch | London Catch | Odzooks, what a pother | Francis Hutcheson | 3 equal voices |
| 161 | Catch | Hated by fools, and fools to hate | Peter Valton | 3 equal voices | |
| 162 | Canon | Canon Four in Two | O Lord, let it be thy pleasure to deliver me | Richard Woodward | 4 voices SATB |
| 164 | Round | Miserere mei Deus | unattributed | 4 equal voices | |
| 164 | Glee | Prithee raise thy drooping head | Charles Jenner | 3 voices | |
| 168 | Madrigal | Away, away, thou shalt not love me | John Wilbye | 3 voices | |
| 171 | Madrigal | Three virgin nymphs were walking all alone | Thomas Weelkes | 4 voices | |
| 175 | Catch | Chloe, the wonder of her sex | John Stafford Smith | 4 equal voices | |
| 176 | Canon | Canon Four in One | How long wilt thou forget me, O Lord | John Alcock Sr. | 4 voices SATB |
| 177 | Round | Quid pejus cura est | Benjamin Cooke | 4 equal voices | |
| 178 | Glee | The despairing Musician | Unable to descant in tunable rhyme | George Berg | 3 voices |
| 181 | Catch | Drink, drink and rejoice, for let us wisely think | Samuel Webbe | 3 equal voices | |
| 182 | Glee | Elegy | How sleep the brave, who sink to rest | Francis Hutcheson | 3 voices |
| 184 | Catch | at Parting | To bed, to bed, cries sleepy Ned | Joseph Baildon | 3 equal voices |
| 185 | Canon | Canon with a free bass. The School of Guido Aretine chanting the celebrated Hymn from which he named the notes of the scale | Ut queant laxis | unattributed | 4 voices SATB |
| 188 | Glee | Wise Solomon in former days embrac'd a happy life | John Worgan | 3 voices | |
| 182 | Glee | O lead me to some peaceful gloom | Francis Hutcheson | 4 voices, continuo | |
| 194 | Catch | Let's drink, drink and be merry today | John Stafford Smith | 4 equal voices | |
| 195 | Catch | Come, neighbours, assemble I pray | unattributed | 3 equal voices | |
| 195 | Catch | Three bulls, a bear, a cobbler and a tinker | unattributed | 3 equal voices | |
| 196 | Glee | I married a wife on Sunday, she call'd me cuckold on Monday | George Berg | 3 voices | |
| 197 | Glee | In vain, in vain you tell your parting lover | Francis Hutcheson | 3 voices | |
| 200 | Motet | Exaltabo te Domine | Giovanni Pierluigi da Palestrina | 5 voices SSAAB | |
| 204 | Glee | On the Decease of the late Duke of Cumberland | How silent lies the chief, how low | William Bates | 4 voices |
| 208 | Catch | Fie, nay prithee, prithee John | Francis Hutcheson | 3 equal voices | |
| 209 | Catch | 'Twas in the merry month of May, all in a field profusely gay | Peter Valton | 3 equal voices | |
| 210 | Glee | May harmony and mutual love together ever constant prove | John Alcock Sr. | 4 voices SATB | |
| 212 | Glee | If 'tis joy | Benjamin Cooke | 3 voices | |
| 214 | Catch | I say she's a whore | Francis Hutcheson | 3 equal voices | |
| 214 | Round | Alas, poor heart, troubled and cross'd thou art | John Hilton | 3 equal voices | |
| 215 | Glee | The Revel | Push the rosy goblet round, jovial Bacchus let's resound | William Bates | 3 voices |
| 218 | Madrigal | Ev'ry bush new springing, ev'ry bird now singing | Michael Cavendish | 5 voices SSAAB | |
| 220 | Canon | Canon Three in One | While we thus our time employ | James Nares | 3 voices SAT |
| 220 | Catch | Whilst in the dark, on thy soft hand I hung | John Alcock Sr. | 3 equal voices | |
| 221 | Glee | Elegy. In Memory of ... Alexander late Earl of Eglington, a great encourager of this species of music | Genius, Genius of Harmony | William Boyce | 3 voices, continuo |
| 228 | Canon | Canon Three in One | Be thou exalted Lord in thy own strength | William Bates | 3 voices |
| 229 | Glee | I swore I lov'd, and you believ'd | Richard Langdon | 3 voices | |
| 230 | Catch | Ah ch'il destino mio bel tesoro | Francis Hutcheson | 3 equal voices | |
| 231 | Glee | Epitaph | Here lieth John Croker, a maker of bellows | William Bates | 3 voices |
| 232 | Catch | Se viver non poss'io lungi | Francis Hutcheson | 3 equal voices | |
| 233 | Glee | Ode to Contentment | To these lone shades where Peace delights to dwell | George Berg | 4 voices |
| 236 | Glee | To love and wine your voices raise | Francis Hutcheson | 3 voices | |
| 239 | Round | Plurimus in coelis | Benjamin Cooke | 4 equal voices | |
| 240 | Glee | Peace! thou white-rob'd child of light | Peter Valton | 4 voices | |
| 242 | Madrigal | Adieu, adieu sweet Amarillis | John Wilbye | 4 voices SSAB | |
| 244 | Round | Presence of mind | Samuel Webbe | 4 equal voices | |
| 245 | Glee | O sacred friendship, heav'ns delight | Benjamin Cooke | 4 voices SATB | |
| 250 | Madrigal | Now country sports that seldom, seldom fades | Thomas Weelkes | 4 voices SSAB | |
| 254 | Glee | Time is old and moves but slow | unattributed | 3 voices | |
| 256 | Round | Oh that the salvation were giv'n to Israel out of Sion | unattributed | 3 equal voices | |
| 257 | Madrigal | Fire, fire my heart | Thomas Morley | 5 voices SSATB | |
| 260 | Catch | Who was the man kiss'd Pat last night? | William Bates | 4 equal voices | |
| 262 | Madrigal | As fair as morn, as fresh as May | John Wilbye | 3 voices | |
| 265 | Glee | Under a Lady's Picture | Beneath a weight of hapless, hapless love | Benjamin Cooke | 5 voices SSATB |
| 268 | Canon | Canon Three in One | I am so weary of this ling'ring grief | Thomas Ford | 3 voices ATB |
| 269 | Round | Prostrate on my knees, O Lord | John Hilton | 4 equal voices | |
| 269 | Round | She weepeth sore in the night | William Lawes | 4 equal voices | |
| 270 | Motet | Remember not, Lord, our offences | John Stafford Smith | 6 voices SSAATB | |
| 274 | Madrigal | Cruda Amarilli, che col nome ancora | Paolo Petti | 5 voices SATTB | |
| 280 | Canon | Composed for the Children of Christ Church Dublin | Not unto us, O Lord | Richard Woodward | 3 equal voices |
| 280 | Round | Haste thee, O Lord, make haste with speed | Thomas Ford | 3 equal voices | |
| 281 | Madrigal | La Vita Caduca | in una siepe ombro | Antonio Lotti | 5 voices SSATB, continuo |
