Elegy and Tarantella (Bottesini, Giovanni)

Genre Categories Elegies; Funeral music; Tarantellas; [6 more...]Dances; For double bass, piano; Scores featuring the double bass; Scores featuring the piano; For 2 players; for double bass and orchestra (arr)

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Performances [show]

Sheet Music

Scores and Parts

Complete

Publisher. Info. Holograph manuscript, n.d.
Copyright
Public Domain
Misc. Notes Biblioteca Nazionale Palatina, Sezione Musicale, Parma (I-PAc):
  • 606213: Bott.73.a
  • 606214: Bott.75.a
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Elegy

Editor Italo Caimmi (1871–1964)
Publisher. Info. Milano: Ricordi, n.d.[1948]. Plate E.R. 636.
Copyright
Public Domain
Misc. Notes Publication year from WorldCat. Bass part is written in C Major for performance in solo tuning with D Major accompaniment.
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Editor V. Khomenko
Publisher. Info. Bottesini: Pyesi - dlia Kontrabass i Fortepiano
Moscow: Muzyka, 1972. Plate 7294.
Copyright
Public Domain
Misc. Notes For bass in solo tuning (F♯-B-e-a)
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Editor Rafael Velez
Publisher. Info. Rafael Velez, 2020.
Copyright
Creative Commons Attribution 4.0
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 Double Bass Part
#27488 - 0.12MB, 1 pp. -  6.3103448275862/10 2 4 6 8 10 (29) - !N/!N/!N - 29540×⇩ - Sraff01

PDF typeset by editor
Sraff01 (2009/1/29)

Editor Shinsuke Furusawa
Publisher. Info. Shinsuke Furusawa, 1999.
Copyright
Creative Commons Attribution Non-commercial 3.0
Misc. Notes This part is written in C Major and is the conventional key for the bassist to play using solo tuning or high solo tuning with the corresponding piano accompaniment in either D Major or E♭ Major.
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Editor Anders Rove
Publisher. Info. Anders Rove
Copyright
Creative Commons Attribution 4.0
Misc. Notes This version has been transcribed a whole step higher to sounding pitch and is not the version a performer would normally use. Normally a bassist will read a part in C Major and tune the bass to solo tuning or high solo tuning for accompaniment in D Major or E♭ Major.
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 Double Bass Part
#444717 - 0.05MB, 2 pp. -  6.6666666666667/10 2 4 6 8 10 (3) - !N/!N/!N - 6018×⇩ - ThomasTS

PDF typeset by editor
ThomasTS (2016/10/24)

Editor ThomasTS
Publisher. Info. ThomasTS
Copyright
Creative Commons Attribution 4.0
Misc. Notes This part is written in C Major and is the conventional key for the bassist to play using solo tuning or high solo tuning with the corresponding piano accompaniment in either D Major or E♭ Major.
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Editor Michael Pfitzner (b. 1955)
Publisher. Info. Michael Pfitzner
Copyright
Creative Commons Attribution-ShareAlike 4.0
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Tarantella

 Piano Score
#65715 - 8.51MB, 13 pp. -  6.8/10 2 4 6 8 10 (5) - V*/V*/V* - 8511×⇩ - Merlinika

PDF scanned by Unknown
Merlinika (2010/5/31)

Editor V. Atremyov
Publisher. Info. Bottesini: Pyesi - dlia Kontrabass i Fortepiano
Moscow: Muzyka, 1972. Plate 7294.
Copyright
Public Domain
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Editor Rafael Velez
Publisher. Info. Rafael Velez
Copyright
Creative Commons Attribution 4.0
Misc. Notes Orchestra Tuning, Bass Part written at pitch in score.
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Arrangements and Transcriptions

Elegy

For Double Bass and Orchestra
Arranger Composer
Publisher. Info. Partially Holograph manuscript, n.d.
Copyright
Public Domain
Misc. Notes Biblioteca Nazionale Palatina, Sezione Musicale, Parma (I-PAc):
  • 606216: Bott.74.b
  • 606217: Bott.47/I-XXIV
  • 606218: Bott.46/I-XLVIII

The Elegy is with strings only, the Tarantella with full orchestra.

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General Information

Work Title Elegy
Alternative. Title Elegia e Tarantella ; Elegia No.1 ; Tarantella No.4
Composer Bottesini, Giovanni
Opus/Catalogue NumberOp./Cat. No. BOT. 36: Elegy in D major (with strings)
BOT. 37: Elegy in E-flat major (with strings)
BOT. 70: Tarantella in A minor (with orchestra)
BOT. 71: Tarantella in B-flat minor (with orchestra)
BOT. 96: Elegy in D major (with piano)
BOT. 97: Elegy in D major (with strings)
BOT. 155: Tarantella in B-flat minor (with piano)
BOT. 156: Tarantella in A minor (with piano)
Internal Reference NumberInternal Ref. No. IGB 5
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation double bass, piano
Extra Information The version with orchestra is referred to as an "arrangement" on CD booklets, but since these are undated manuscripts, it is impossible to tell which came first. Tagging is subject to correction if dates are ever found and prove otherwise.
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