Grund-richtiger Unterricht der Musicalischen Kunst (Speer, Daniel)

Movements/SectionsMov'ts/Sec's 4 sections

Vierfaches Musikalisches Kleeblatt, Four-leaf musical clover:

1. Choral- und Figural-Singen, Choral and figural singing, p.1
2. Clavier- und Generalbass-Traktieren, Keyboard and basso continuo treatment, p.31
2.1 Suites (Partitas, Dances), pp.47-71
2.2 Preludes, pp.72-95
2.3 Toccatinas, pp.96-112
2.4 Toccatas, pp.113-152
2.5 Intonation Fugues, pp.154-164
2.6 Fugues, pp.165-179
3. Instrumente, Instruments p.188
3.1 Violin, pp.189-197
3.2 Viola, pp.198-205
3.3 Viola da Gamba, pp.205-207
3.4 Trumpet, pp.208-219
3.5 Timpani, pp.219-221
3.6 Trombone, pp.221-231
3.7 Cornett, pp.232-241
3.8 Bassoon, pp.241-257
3.9 Recorder, Flageolet (fingering charts), pp.257b-258b
4. Komposition, Composition, p.261
First Publication 1697
Genre Categories Music theory; Writings; Methods; For keyboard; Scores featuring keyboard soloists; For 1 player; For continuo; Scores with basso continuo; For violin; Scores featuring the violin; For viola; Scores featuring the viola; For viol; Scores featuring the viol; For violone; Scores featuring the violone; For trumpet; Scores featuring the trumpet; For timpani; Scores featuring the timpani; For trombone; Scores featuring the trombone; For cornett; Scores featuring the cornett; For flageolet; Scores featuring the flageolet; For recorder; Scores featuring the recorder; German language

Sheet Music

Books

 Complete Book
#490279 - 95.64MB, 326 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 350×⇩ - Feduol

PDF scanned by D-Mbs
Feduol (2017/8/26)

⇒ 4 more: I. Choral und Figural Singen • II. Clavier und General-Bass • III. Allerhand Instrumenten Methoden • IV. Componiren

 I. Choral und Figural Singen
#366276 - 7.91MB, 38 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 561×⇩ - Fynnjamin

PDF scanned by D-Mbs
Fynnjamin (2015/2/20)

 II. Clavier und General-Bass
#366277 - 33.00MB, 161 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 307×⇩ - Fynnjamin

PDF scanned by D-Mbs
Fynnjamin (2015/2/20)

 III. Allerhand Instrumenten Methoden
#366278 - 16.82MB, 83 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 701×⇩ - Fynnjamin

PDF scanned by D-Mbs
Fynnjamin (2015/2/20)

 IV. Componiren
#366279 - 7.01MB, 30 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 326×⇩ - Fynnjamin

PDF scanned by D-Mbs
Fynnjamin (2015/2/20)

Publisher. Info. Ulm: Georg Wilhelm Kühne; Christian Balthasar Kühnen seel. Erben, 1697.
Copyright
Public Domain [tag/del/mrg]
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General Information

Work Title Grundrichtiger Unterricht der musikalischen Kunst
Alternative. Title Title-page transcription
Grund-richtiger, Kurtz- Leicht- und Noethiger, jetzt Wol-vermehrter Unterricht der Musicalischen Kunst. Oder Vierfaches Musicalisches Kleeblatt, worinnen zu ersehen, wie man fueglich und in kurtzer Zeit I. Choral- und Figural-Singen. II. Das Clavier und General-Bass tractiren. III. Allerhand Instrumenta greiffen, und blasen lernen kan. IV. Vocaliter und Instrumentaliter componiren soll lernen.</span>
Composer Speer, Daniel
Internal Reference NumberInternal Ref. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 4 sections

Vierfaches Musikalisches Kleeblatt, Four-leaf musical clover:

1. Choral- und Figural-Singen, Choral and figural singing, p.1
2. Clavier- und Generalbass-Traktieren, Keyboard and basso continuo treatment, p.31
2.1 Suites (Partitas, Dances), pp.47-71
2.2 Preludes, pp.72-95
2.3 Toccatinas, pp.96-112
2.4 Toccatas, pp.113-152
2.5 Intonation Fugues, pp.154-164
2.6 Fugues, pp.165-179
3. Instrumente, Instruments p.188
3.1 Violin, pp.189-197
3.2 Viola, pp.198-205
3.3 Viola da Gamba, pp.205-207
3.4 Trumpet, pp.208-219
3.5 Timpani, pp.219-221
3.6 Trombone, pp.221-231
3.7 Cornett, pp.232-241
3.8 Bassoon, pp.241-257
3.9 Recorder, Flageolet (fingering charts), pp.257b-258b
4. Komposition, Composition, p.261
First Publication. 1697
Language German
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation includes methods for violin, viola, viola da gamba, violone, trumpet, timpani, trombone, cornetto, bassoon, flageolet, recorder

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Speer fully exploited the range of keys of his time and was the first to arrange his keyboard works in a cycle according to minor and major thirds (1. D major, 2. B minor, 3. G major, 4. E minor, 5. C major, 6. A minor, 7. A major, 8. F major, 9. D minor, 10. B-flat major, 11. G minor, 12. E-flat major, 13. C minor). In the presented book this applies to the following types of keyboard works: Suits (Partitas), Preludes, Toccatinas, Toccatas, Intonation Fugues and Fugues. He is thus considered one of the early forerunners of Bach's Well-Tempered Clavier.

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