| Op.
|
SR
|
TN
|
Title
|
Forces
|
Key
|
Date
|
Genre
|
Notes
|
| 01
|
23
|
—
|
Piano Concerto No.1
|
pf orch
|
F♯ minor
|
1890–92, rev. 1917–19
|
Orchestral
|
also arr. for 2pf
|
| 01
|
23
|
—
|
Piano Concerto No.1
|
2pf
|
F♯ minor
|
1890-92, rev. 1917 –19
|
Keyboard
|
arr. of the version for pf orch
|
| 02
|
24
|
—
|
Pieces (2):
|
vc pf
|
|
1892
|
Chamber
|
|
| 02/1
|
24.11
|
—
|
|
vc pf
|
F major
|
1891
|
Chamber
|
also arr. for pf
|
| 02/1
|
24.12
|
ii/15
|
|
pf
|
F major
|
1891
|
Keyboard
|
arr. of version for vc pf
|
| 02/2
|
24.2
|
—
|
Danse orientale (Восточный танец)
|
vc pf
|
A minor
|
1892
|
Chamber
|
|
| 03
|
25
|
—
|
Morceaux de fantaisie (Пьесы-фантазии)
|
pf
|
|
1892
|
Keyboard
|
|
| 03/1
|
25.1
|
—
|
|
pf
|
E♭ minor
|
1892
|
Keyboard
|
|
| 03/2
|
25.21
|
—
|
Prélude (Прелюдия) ("The Bells of Moscow")
|
pf
|
C♯ minor
|
1892
|
Keyboard
|
also arr. for 2 pianos
|
| 03/2
|
25.22
|
—
|
|
2pf
|
C♯ minor
|
1938
|
Keyboard
|
arr. of the version for solo pf
|
| 03/3
|
25.3
|
—
|
|
pf
|
E major
|
1892, rev. 1940
|
Keyboard
|
|
| 03/4
|
25.4
|
—
|
Polichinelle (Полишинель)
|
pf
|
F♯ minor
|
1892
|
Keyboard
|
|
| 03/5
|
25.5
|
—
|
|
pf
|
B♭ minor
|
1892, rev. 1919-40
|
Keyboard
|
|
| 04
|
26
|
—
|
Romances (6):
|
v pf
|
|
1889–93
|
Vocal
|
|
| 04/1
|
26.1
|
—
|
Oh No, I Beg You, Forsake Me Not! (О, нет, молю, не уходи!)
|
v pf
|
D minor
|
1889-92
|
Vocal
|
|
| 04/2
|
26.2
|
—
|
|
v pf
|
F major
|
1891
|
Vocal
|
|
| 04/3
|
26.3
|
—
|
In the Silence of the Secret Night (В молчаньи ночи тайной)
|
v pf
|
D major
|
1889-93
|
Vocal
|
Later revision of SR15.2
|
| 04/4
|
26.4
|
—
|
Do Not Sing, My Beauty (Не пой, красавица)
|
v pf
|
A minor
|
1893
|
Vocal
|
|
| 04/5
|
26.5
|
—
|
Oh Thou, my Field (Уж ты, нива моя)
|
v pf
|
D minor
|
1893
|
Vocal
|
|
| 04/6
|
26.6
|
—
|
How Long, my Friend (Давно ль, мой друг)
|
v pf
|
G minor
|
1893
|
Vocal
|
|
| 05
|
27
|
—
|
Suite No.1 ("Fantaisie-tableaux")
|
2pf
|
G minor
|
1893
|
Keyboard
|
|
| 06
|
29
|
—
|
Morceaux de salon (2):
|
vn pf
|
|
1893
|
Chamber
|
|
| 06/1
|
29.1
|
—
|
|
vn pf
|
D minor
|
1893
|
Chamber
|
|
| 06/2
|
29.2
|
—
|
Hungarian Dance (Венгерский танец)
|
vn pf
|
D minor
|
1893
|
Chamber
|
|
| 07
|
30
|
—
|
The Rock (Утёс)
|
orch
|
|
1893
|
Orchestral
|
|
| 07
|
30
|
—
|
The Rock (Утёс)
|
pf4h
|
|
1893
|
Keyboard
|
|
| 08
|
31
|
—
|
Romances (6)
|
v pf
|
|
1893
|
Vocal
|
|
| 08/1
|
31.1
|
—
|
The Water Lily (Речная лилея)
|
v pf
|
G major
|
1893
|
Vocal
|
|
| 08/2
|
31.2
|
—
|
Child! Thou Art as Beautiful as a Flower (Дитя! Как цветок, ты прекрасна)
|
v pf
|
E♭ major
|
1893
|
Vocal
|
|
| 08/3
|
31.3
|
—
|
|
v pf
|
D minor
|
1893
|
Vocal
|
|
| 08/4
|
31.4
|
—
|
I Have Grown Fond of Sorrow (Полюбила я на печаль свою)
|
v pf
|
G minor
|
1893
|
Vocal
|
|
| 08/5
|
31.5
|
—
|
|
v pf
|
E♭ major
|
1893
|
Vocal
|
|
| 08/6
|
31.6
|
—
|
|
v pf
|
C minor
|
1893
|
Vocal
|
|
| 09
|
32
|
—
|
Trio élégiaque No.2 (Элегическое трио)
|
vn vc pf
|
D minor
|
1893, rev. 1907, 1917
|
Chamber
|
|
| 10
|
33
|
—
|
Morceaux de salon (7)
|
pf
|
|
1893–94
|
Keyboard
|
|
| 10/1
|
33.1
|
—
|
|
pf
|
A minor
|
1893–94
|
Keyboard
|
|
| 10/2
|
33.2
|
—
|
|
pf
|
A major
|
1893–94
|
Keyboard
|
|
| 10/3
|
33.3
|
—
|
|
pf
|
G minor
|
1893–94
|
Keyboard
|
|
| 10/4
|
33.4
|
—
|
|
pf
|
E minor
|
1893–94
|
Keyboard
|
|
| 10/5
|
33.5
|
—
|
|
pf
|
G major
|
1893–94, rev.1940
|
Keyboard
|
|
| 10/6
|
33.6
|
—
|
|
pf
|
F minor
|
1893–94
|
Keyboard
|
|
| 10/7
|
33.7
|
—
|
|
pf
|
D♭ major
|
1893–94
|
Keyboard
|
|
| 11
|
34
|
—
|
Morceaux (6)
|
pf4h
|
|
1894
|
Keyboard
|
|
| 11/1
|
34.1
|
—
|
|
pf4h
|
G minor
|
1894
|
Keyboard
|
|
| 11/2
|
34.2
|
—
|
|
pf4h
|
D major
|
1894
|
Keyboard
|
|
| 11/3
|
34.3
|
—
|
Thème russe (Русская песня)
|
pf4h
|
B minor
|
1894
|
Keyboard
|
|
| 11/4
|
34.4
|
—
|
|
pf4h
|
A major
|
1894
|
Keyboard
|
|
| 11/5
|
34.5
|
—
|
|
pf4h
|
C minor
|
1894
|
Keyboard
|
|
| 11/6
|
34.6
|
—
|
|
pf4h
|
C major
|
1894
|
Keyboard
|
|
| 12
|
35
|
—
|
Capriccio on Gypsy Themes (Каприччио на цыганские темы / Caprice bohémien)
|
orch
|
E minor/E major
|
1892–94
|
Orchestral
|
also arr. for pf4h
|
| 12
|
35
|
—
|
Capriccio on Gypsy Themes (Каприччио на цыганские темы / Caprice bohémien)
|
pf4h
|
E minor/E major
|
1892-94
|
Keyboard
|
arr. of the version for orch
|
| 13
|
36
|
—
|
Symphony No.1
|
orch
|
D minor
|
1894-95
|
Orchestral
|
destroyed by the composer; score reconstructed posthumously; also arr. for pf4h
|
| 13
|
36
|
—
|
Symphony No.1
|
pf4h
|
D minor
|
1896
|
Keyboard
|
arr. of the version for orch
|
| 14
|
38
|
—
|
Romances (12):
|
v pf
|
|
1894–96
|
Vocal
|
|
| 14/01
|
38.01
|
—
|
I Wait for Thee (Я жду тебя)
|
v pf
|
F major
|
1894
|
Vocal
|
|
| 14/02
|
38.02
|
—
|
|
v pf
|
G major
|
1896
|
Vocal
|
|
| 14/03
|
38.03
|
—
|
For Long there has been Little Consolation in Love (Давно в любви отрады мало)
|
v pf
|
F♯ minor
|
1896
|
Vocal
|
|
| 14/04
|
38.04
|
—
|
I Was With Her (Я был у ней)
|
v pf
|
E♭ major
|
1896
|
Vocal
|
|
| 14/05
|
38.05
|
—
|
These Summer Nights (Эти летние ночи)
|
v pf
|
E major
|
1896
|
Vocal
|
|
| 14/06
|
38.06
|
—
|
How Everyone Loves Thee (Тебя так любят все)
|
v pf
|
G minor
|
1896
|
Vocal
|
|
| 14/07
|
38.07
|
—
|
Believe Me Not, Friend! (Не верь мне, друг!)
|
v pf
|
C major
|
1896
|
Vocal
|
|
| 14/08
|
38.08
|
—
|
Oh, Do Not Grieve! (О, не грусти!)
|
v pf
|
F minor
|
1896
|
Vocal
|
|
| 14/09
|
38.09
|
—
|
She is as Lovely as the Noon (Она, как полдень, хороша)
|
v pf
|
E♭ major
|
1896
|
Vocal
|
|
| 14/10
|
38.10
|
—
|
|
v pf
|
D major
|
1896
|
Vocal
|
|
| 14/11
|
38.11
|
—
|
Spring Waters (Весенние воды)
|
v pf
|
E♭ major
|
1896
|
Vocal
|
|
| 14/12
|
38.12
|
—
|
|
v pf
|
E♭ minor
|
1896
|
Vocal
|
|
| 15
|
39
|
—
|
Choruses (6)
|
fch/cch pf
|
|
1895–96
|
Vocal
|
|
| 15/1
|
39.1
|
—
|
|
fch/cch pf
|
|
1895–96
|
Vocal
|
|
| 15/2
|
39.2
|
—
|
|
fch/cch pf
|
|
1895–96
|
Vocal
|
|
| 15/3
|
39.3
|
—
|
|
fch/cch pf
|
|
1895–96
|
Vocal
|
|
| 15/4
|
39.4
|
—
|
The Waves Slumbered (Задремали волны)
|
fch/cch pf
|
|
1895–96
|
Vocal
|
|
| 15/5
|
39.5
|
—
|
|
fch/cch pf
|
|
1895–96
|
Vocal
|
|
| 15/6
|
39.6
|
—
|
|
fch/cch pf
|
|
1895–96
|
Vocal
|
|
| 16
|
40
|
—
|
Moments musicaux (Музыкальные моменты)
|
pf
|
|
1896
|
Keyboard
|
|
| 16/1
|
40.11
|
—
|
|
pf
|
B♭ minor
|
1896
|
Keyboard
|
|
| 16/2
|
40.12
|
—
|
|
pf
|
E♭ minor
|
1896
|
Keyboard
|
first version
|
| 16/2
|
40.22
|
—
|
|
pf
|
E♭ minor
|
1896-97
|
Keyboard
|
second version
|
| 16/2
|
40.32
|
—
|
|
pf
|
E♭ minor
|
1940
|
Keyboard
|
third version
|
| 16/3
|
40.13
|
—
|
|
pf
|
B minor
|
1896
|
Keyboard
|
|
| 16/4
|
40.14
|
—
|
|
pf
|
E minor
|
1896
|
Keyboard
|
first version
|
| 16/4
|
40.24
|
—
|
|
pf
|
E minor
|
1896-97
|
Keyboard
|
second version
|
| 16/5
|
40.15
|
—
|
|
pf
|
D♭ major
|
1896
|
Keyboard
|
|
| 16/6
|
40.16
|
—
|
|
pf
|
C major
|
1896
|
Keyboard
|
|
| 17
|
44
|
—
|
Suite No.2
|
2pf
|
C major
|
1900–01
|
Keyboard
|
|
| 18
|
45
|
—
|
Piano Concerto No.2
|
pf orch
|
C minor
|
1898–1901
|
Orchestral
|
also arr. for 2pf
|
| 18
|
45
|
—
|
Piano Concerto No.2
|
2pf
|
C minor
|
1898–1901
|
Keyboard
|
arr. of the version for pf orch
|
| 19
|
46
|
—
|
Cello Sonata
|
vc pf
|
G minor
|
1901
|
Chamber
|
|
| 20
|
47
|
—
|
Spring (Весна)
|
v ch orch
|
E major
|
1902
|
Vocal
|
|
| 21
|
48
|
—
|
Romances (12):
|
v pf
|
|
1898-1902
|
Vocal
|
|
| 21/01
|
48.01
|
—
|
|
v pf
|
C minor
|
1900
|
Vocal
|
|
| 21/02
|
48.02
|
—
|
By the Fresh Grave (Над свежей могилой)
|
v pf
|
E minor
|
1902
|
Vocal
|
|
| 21/03
|
48.03
|
—
|
|
v pf
|
E minor
|
1902
|
Vocal
|
|
| 21/04
|
48.04
|
—
|
They Answered (Они отвечали)
|
v pf
|
D♭ major
|
1902
|
Vocal
|
|
| 21/05
|
48.05
|
—
|
|
v pf
|
A♭ major
|
1898
|
Vocal
|
also arr. for pf
|
| 21/05
|
48.05
|
—
|
|
pf
|
A♭ major
|
1913–14?
|
Vocal
|
arr. of the version for v pf
|
| 21/06
|
48.06
|
—
|
Fragment from Musset (Отрывок из А. Мюссе)
|
v pf
|
F♯ minor
|
1902
|
Vocal
|
|
| 21/07
|
48.07
|
—
|
How Fair this Spot (Здесь хорошо)
|
v pf
|
A major
|
1902
|
Vocal
|
|
| 21/08
|
48.08
|
—
|
On the Death of a Linnet (На смерть чижика)
|
v pf
|
C minor
|
1902
|
Vocal
|
|
| 21/09
|
48.09
|
—
|
|
v pf
|
B♭ major
|
1902
|
Vocal
|
|
| 21/10
|
48.10
|
—
|
Before the Ikon (Пред иконой)
|
v pf
|
E♭ minor
|
1902
|
Vocal
|
|
| 21/11
|
48.11
|
—
|
No Prophet I (Я не пророк)
|
v pf
|
E♭ major
|
1902
|
Vocal
|
|
| 21/12
|
48.12
|
—
|
How Painful for Me (Как мне больно)
|
v pf
|
G minor
|
1902
|
Vocal
|
|
| 23
|
—
|
—
|
Preludes (10):
|
pf
|
|
1901–03
|
Keyboard
|
|
| 23/01
|
58.02
|
—
|
|
pf
|
F♯ minor
|
1903
|
Keyboard
|
|
| 23/02
|
58.03
|
—
|
|
pf
|
B♭ major
|
1903
|
Keyboard
|
|
| 23/03
|
58.04
|
—
|
|
pf
|
D minor
|
1903
|
Keyboard
|
|
| 23/04
|
58.05
|
—
|
|
pf
|
D major
|
1903
|
Keyboard
|
|
| 23/05
|
58.06
|
—
|
|
pf
|
G minor
|
1901
|
Keyboard
|
|
| 23/06
|
58.07
|
—
|
|
pf
|
E♭ major
|
1903
|
Keyboard
|
|
| 23/07
|
58.08
|
—
|
|
pf
|
C minor
|
1903
|
Keyboard
|
|
| 23/08
|
58.09
|
—
|
|
pf
|
A♭ major
|
1903
|
Keyboard
|
|
| 23/09
|
58.10
|
—
|
|
pf
|
E♭ minor
|
1903
|
Keyboard
|
|
| 23/10
|
58.11
|
—
|
|
pf
|
G♭ major
|
1903
|
Keyboard
|
|
| 24
|
50
|
—
|
The Miserly Knight (Скупой рыцарь)
|
vv ch orch
|
|
1903–05
|
Stage
|
opera
|
| 25
|
51
|
—
|
Francesca da Rimini (Франческа да Римини)
|
vv ch orch
|
|
1900–05
|
Stage
|
opera
|
| 26
|
52
|
—
|
Romances (15)
|
v pf
|
|
1906
|
Vocal
|
|
| 26/01
|
52.01
|
—
|
There are Many Sounds (Есть много звуков)
|
v pf
|
D♭ major
|
1906
|
Vocal
|
|
| 26/02
|
52.02
|
—
|
He Took All from Me (Всё отнял у меня)
|
v pf
|
F♯ minor
|
1906
|
Vocal
|
|
| 26/03
|
52.03
|
—
|
Let Us Rest (Мы отдохнём)
|
v pf
|
D minor
|
1906
|
Vocal
|
|
| 26/04
|
52.04
|
—
|
Two Partings (Два прощанья)
|
2vv pf
|
C minor
|
1906
|
Vocal
|
|
| 26/05
|
52.05
|
—
|
Beloved, Let Us Fly (Покинем, милая)
|
v pf
|
A♭ major
|
1906
|
Vocal
|
|
| 26/06
|
52.06
|
—
|
Christ Is Risen (Христос воскрес)
|
v pf
|
F minor
|
1906
|
Vocal
|
|
| 26/07
|
52.07
|
—
|
To the Children (К детям)
|
v pf
|
F major
|
1906
|
Vocal
|
|
| 26/08
|
52.08
|
—
|
I Beg for Mercy! (Пощады я молю!)
|
v pf
|
A minor
|
1906
|
Vocal
|
|
| 26/09
|
52.09
|
—
|
Again I am Alone (Я опять одинок)
|
v pf
|
D minor
|
1906
|
Vocal
|
|
| 26/10
|
52.10
|
—
|
Before my Window (У моего окна)
|
v pf
|
A major
|
1906
|
Vocal
|
|
| 26/11
|
52.11
|
—
|
|
v pf
|
D major
|
1906
|
Vocal
|
|
| 26/12
|
52.12
|
—
|
Night is Mournful (Ночь печальна)
|
v pf
|
B minor
|
1906
|
Vocal
|
|
| 26/13
|
52.13
|
—
|
When Yesterday We Met (Вчера мы встретились)
|
v pf
|
D minor
|
1906
|
Vocal
|
|
| 26/14
|
52.14
|
—
|
|
v pf
|
B minor
|
1906
|
Vocal
|
|
| 26/15
|
52.15
|
—
|
All Things Pass By (Проходит всё)
|
v pf
|
E♭ minor
|
1906
|
Vocal
|
|
| 27
|
54
|
—
|
Symphony No.2
|
orch
|
E minor
|
1906–08
|
Orchestral
|
|
| 28
|
61.1
|
—
|
Piano Sonata No.1
|
pf
|
D minor
|
1907
|
Keyboard
|
|
| 29
|
55
|
—
|
Isle of the Dead (Остров мёртвых)
|
orch
|
|
1909
|
Orchestral
|
|
| 30
|
56
|
—
|
Piano Concerto No.3
|
pf orch
|
D minor
|
1909
|
Orchestral
|
also arr. for 2pf
|
| 30
|
56
|
—
|
Piano Concerto No.3
|
2pf
|
D minor
|
1909
|
Keyboard
|
arr. of the version for pf orch
|
| 31
|
57
|
—
|
Liturgy of St John Chrysostom (Литургия святого Иоанна Златоуста)
|
mch
|
|
1910
|
Vocal
|
|
| 32
|
—
|
—
|
Preludes (13):
|
pf
|
|
1910
|
Keyboard
|
|
| 32/01
|
58.12
|
—
|
|
pf
|
C major
|
1910
|
Keyboard
|
|
| 32/02
|
58.13
|
—
|
|
pf
|
B♭ major
|
1910
|
Keyboard
|
|
| 32/03
|
58.14
|
—
|
|
pf
|
E major
|
1910
|
Keyboard
|
|
| 32/04
|
58.15
|
—
|
|
pf
|
E minor
|
1910
|
Keyboard
|
|
| 32/05
|
58.16
|
—
|
|
pf
|
G major
|
1910
|
Keyboard
|
|
| 32/06
|
58.17
|
—
|
|
pf
|
F minor
|
1910
|
Keyboard
|
|
| 32/07
|
58.18
|
—
|
|
pf
|
F major
|
1910
|
Keyboard
|
|
| 32/08
|
58.19
|
—
|
|
pf
|
A minor
|
1910
|
Keyboard
|
|
| 32/09
|
58.20
|
—
|
|
pf
|
A major
|
1910
|
Keyboard
|
|
| 32/10
|
58.21
|
—
|
|
pf
|
B minor
|
1910
|
Keyboard
|
|
| 32/11
|
58.22
|
—
|
|
pf
|
B major
|
1910
|
Keyboard
|
|
| 32/12
|
58.23
|
—
|
|
pf
|
G♯ minor
|
1910
|
Keyboard
|
|
| 32/13
|
58.24
|
—
|
|
pf
|
D♭ major
|
1910
|
Keyboard
|
|
| 33
|
64.1
|
—
|
Etudes-tableaux (Этюды-картины)
|
pf
|
|
1911
|
Keyboard
|
|
| 33/1
|
64.11
|
—
|
|
pf
|
F minor
|
1911
|
Keyboard
|
|
| 33/2
|
64.12
|
—
|
|
pf
|
C major
|
1911
|
Keyboard
|
|
| 33/3
|
64.13
|
—
|
|
pf
|
C minor
|
1911
|
Keyboard
|
|
| 33/4
|
64.14
|
—
|
|
pf
|
A minor
|
1911
|
Keyboard
|
withdrawn before publication
|
| 33/5
|
64.15
|
—
|
|
pf
|
D minor
|
1911
|
Keyboard
|
|
| 33/6
|
64.16
|
—
|
|
pf
|
E♭ minor
|
1911
|
Keyboard
|
|
| 33/7
|
64.17
|
—
|
|
pf
|
E♭ major
|
1911
|
Keyboard
|
|
| 33/8
|
64.18
|
—
|
|
pf
|
G minor
|
1911
|
Keyboard
|
|
| 33/9
|
64.19
|
—
|
|
pf
|
C♯ minor
|
1911
|
Keyboard
|
|
| 34
|
59
|
—
|
Romances (14)
|
v pf
|
|
1912
|
Vocal
|
|
| 34/01
|
59.01
|
—
|
|
v pf
|
E minor
|
1912
|
Vocal
|
|
| 34/02
|
59.02
|
—
|
In the Soul of Each of Us (В душе у каждого из нас)
|
v pf
|
C major
|
1912
|
Vocal
|
|
| 34/03
|
59.03
|
—
|
|
v pf
|
E minor
|
1912
|
Vocal
|
|
| 34/04
|
59.04
|
—
|
The Migrant Wind (Ветер перелётный)
|
v pf
|
C major
|
1912
|
Vocal
|
|
| 34/05
|
59.05
|
—
|
|
v pf
|
D minor
|
1912
|
Vocal
|
|
| 34/06
|
59.06
|
—
|
The Raising of Lazarus (Воскрешение Лазаря)
|
v pf
|
F minor
|
1912
|
Vocal
|
|
| 34/07
|
59.07
|
—
|
It Cannot Be ! (Не может быть!)
|
v pf
|
E♭ minor
|
1910, rev.1912
|
Vocal
|
|
| 34/08
|
59.08
|
—
|
|
v pf
|
E♭ minor
|
1912
|
Vocal
|
|
| 34/09
|
59.09
|
—
|
You Knew Him (Ты знал его)
|
v pf
|
D major
|
1912
|
Vocal
|
|
| 34/10
|
59.10
|
—
|
I Remember that Day (Сей день я помню)
|
v pf
|
A♭ major
|
1912
|
Vocal
|
|
| 34/11
|
59.11
|
—
|
|
v pf
|
C♯ minor
|
1912
|
Vocal
|
|
| 34/12
|
59.12
|
—
|
What Happiness (Какое счастье)
|
v pf
|
A major
|
1912
|
Vocal
|
|
| 34/13
|
59.13
|
—
|
|
v pf
|
E♭ minor
|
1912
|
Vocal
|
|
| 34/14
|
59.141
|
—
|
|
v pf
|
C♯ minor
|
1912, rev.1915
|
Vocal
|
first version
|
| 34/14
|
59.142
|
—
|
|
v pf
|
C♯ minor
|
1915
|
Vocal
|
second version
|
| 34/14
|
59.143
|
—
|
|
v orch
|
C♯ minor
|
1916
|
Vocal
|
arr. of the version for v pf
|
| 34/14
|
59.144
|
—
|
|
vn orch
|
E minor
|
1919
|
Orchestral
|
arr. of the version for v pf
|
| 35
|
60
|
—
|
The Bells (Колокола)
|
3vv ch pf
|
|
1912-13
|
Vocal
|
|
| 36
|
61.2
|
—
|
Piano Sonata No.2
|
pf
|
B♭ minor
|
1913, rev.1931
|
Keyboard
|
|
| 37
|
62
|
—
|
Vespers (All-Night Vigil) (Всенощное бдение)
|
2vv ch
|
|
1915
|
Vocal
|
|
| 38
|
63
|
—
|
Romances (6)
|
v pf
|
|
1916
|
Vocal
|
|
| 38/1
|
63.6
|
—
|
In My Garden at Night (Ночью в саду у меня)
|
v pf
|
G minor
|
1916
|
Vocal
|
|
| 38/2
|
63.3
|
—
|
|
v pf
|
F major
|
1916
|
Vocal
|
|
| 38/3
|
63.51
|
—
|
|
v pf
|
F major
|
1916
|
Vocal
|
also arr. for pf
|
| 38/3
|
63.52
|
—
|
|
pf
|
F major
|
1922, rev.1940
|
Vocal
|
arr. of the version for v pf
|
| 38/4
|
63.2
|
—
|
The Rat-Catcher (Крысолов)
|
v pf
|
C major
|
1916
|
Vocal
|
|
| 38/5
|
63.8
|
—
|
|
v pf
|
D♭ major
|
1916
|
Vocal
|
|
| 38/6
|
63.1
|
—
|
|
v pf
|
D♭ major
|
1916
|
Vocal
|
|
| 39
|
64.2
|
—
|
Etudes-tableaux (Этюды-картины)
|
pf
|
|
1913–17
|
Keyboard
|
|
| 39/1
|
64.21
|
—
|
|
pf
|
C minor
|
1913–16, rev.1917
|
Keyboard
|
|
| 39/2
|
64.22
|
—
|
|
pf
|
A minor
|
1913–16
|
Keyboard
|
|
| 39/3
|
64.23
|
—
|
|
pf
|
F♯ minor
|
1913–16
|
Keyboard
|
|
| 39/4
|
64.24
|
—
|
|
pf
|
B minor
|
1913–16
|
Keyboard
|
|
| 39/5
|
64.25
|
—
|
|
pf
|
E♭ minor
|
1913–17
|
Keyboard
|
|
| 39/6
|
64.26
|
—
|
|
pf
|
A minor
|
1911, rev.1916
|
Keyboard
|
revision of the withdrawn Op.33/4
|
| 39/7
|
64.27
|
—
|
|
pf
|
C minor
|
1913–16
|
Keyboard
|
|
| 39/8
|
64.28
|
—
|
|
pf
|
D minor
|
1913–16
|
Keyboard
|
|
| 39/9
|
64.29
|
—
|
|
pf
|
D major
|
1913–17
|
Keyboard
|
|
| 40
|
66
|
—
|
Piano Concerto No.4
|
pf orch
|
G minor
|
1914-26, rev.1928, 1941
|
Orchestral
|
also arr. for 2pf
|
| 40
|
66
|
—
|
Piano Concerto No.4
|
2pf
|
G minor
|
1914-26, rev.1928, 1941
|
Keyboard
|
arr. of the version for pf orch
|
| 41
|
67
|
—
|
Russian Songs (3):
|
mch orch
|
|
1916-26
|
Vocal
|
|
| 41/1
|
67.1
|
—
|
Across the River (Через речку)
|
mch orch
|
E minor
|
|
Vocal
|
|
| 41/2
|
67.2
|
—
|
Oh, Ivan! (Ах ты, Ванька)
|
mch orch
|
D minor
|
1926
|
Vocal
|
|
| 41/3
|
67.3
|
—
|
Whiten My Rouged Cheeks (Белилицы, румяницы вы мои)
|
mch orch
|
B minor
|
|
Vocal
|
inspired from TN ii/86
|
| 44
|
70
|
—
|
Symphony No.3
|
orch
|
A minor
|
1914–36, rev.1938, 1939
|
Orchestral
|
also arr. pf4h
|
| 44
|
70
|
—
|
Symphony No.3
|
orch
|
A minor
|
1914–36, rev.1938, 1939
|
Keyboard
|
arr. of the version for orch
|
| 45
|
71
|
—
|
Symphonic Dances (Симфонические танцы)
|
orch
|
|
1940
|
Orchestral
|
also arr. for 2pf
|
| 45
|
71
|
—
|
Symphonic Dances (Симфонические танцы)
|
2pf
|
|
1940
|
Keyboard
|
arr. of the version for orch
|
| —
|
04
|
ii/12
|
Pieces (4)
|
pf
|
|
1888-89
|
Keyboard
|
|
| —
|
04.1
|
ii/12/1
|
|
pf
|
F♯ minor
|
|
Keyboard
|
|
| —
|
04.2
|
ii/12/2
|
|
pf
|
E♭ minor
|
|
Keyboard
|
|
| —
|
04.3
|
ii/12/3
|
|
pf
|
E major
|
|
Keyboard
|
|
| —
|
04.4
|
ii/12/4
|
|
pf
|
D major
|
|
Keyboard
|
|
| —
|
03
|
ii/13
|
Nocturnes (3)
|
pf
|
|
1887–88
|
Keyboard
|
|
| —
|
03.1
|
ii/13/1
|
|
pf
|
F♯ minor
|
1887
|
Keyboard
|
|
| —
|
03.2
|
ii/13/2
|
|
pf
|
F major
|
1887
|
Keyboard
|
|
| —
|
03.3
|
ii/13/3
|
|
pf
|
C minor
|
1888
|
Keyboard
|
|
| —
|
14.1
|
|
Canon (Канон)
|
pf
|
G major
|
1890
|
Keyboard
|
|
| —
|
14.2
|
ii/14
|
Canon (Канон)
|
pf
|
E minor
|
1890
|
Keyboard
|
|
| —
|
14.3
|
—
|
Fugue (Фуга)
|
pf
|
D major
|
1890
|
Keyboard
|
|
| —
|
14.4
|
—
|
Fugue (Фуга)
|
pf
|
C major
|
1890
|
Keyboard
|
|
| —
|
14.5
|
—
|
Fugue (Фуга)
|
pf
|
D minor
|
1891
|
Keyboard
|
|
| —
|
14.6
|
—
|
Fugue (Фуга)
|
pf
|
C major
|
1891
|
Keyboard
|
Autograph is lost
|
| —
|
14.7
|
—
|
Polyphonic Sketch
|
pf
|
|
1891
|
Keyboard
|
|
| —
|
76.2
|
ii/16
|
Improvisations (4)
|
pf
|
|
1896
|
Keyboard
|
collaborative work with Sergey Taneyev, Anton Arensky and Aleksandr Glazunov.
|
| —
|
41
|
ii/17
|
Pieces (2)
|
pf
|
|
1899
|
Keyboard
|
|
| —
|
41.1
|
ii/17/1
|
Morceau de fantaisie (Пьеса-фантазия)
|
pf
|
G minor
|
1899
|
Keyboard
|
|
| —
|
41.2
|
ii/17/2
|
|
pf
|
F major
|
1899
|
Keyboard
|
|
| —
|
65
|
ii/19
|
Pieces (3)
|
pf
|
|
1917
|
Keyboard
|
|
| —
|
65.1
|
ii/19/2
|
|
pf
|
B♭ major
|
1917
|
Keyboard
|
|
| —
|
65.2
|
ii/19/1
|
|
pf
|
D minor
|
1917
|
Keyboard
|
|
| —
|
65.3
|
ii/19/3
|
|
pf
|
A♭ major
|
1917
|
Keyboard
|
|
| —
|
06
|
—
|
Suite
|
pf4h
|
|
1889-90
|
Keyboard
|
|
| —
|
06.1
|
ii/20
|
|
pf4h
|
G major
|
|
Keyboard
|
|
| —
|
06.2
|
—
|
|
pf4h
|
E♭ major
|
|
Keyboard
|
|
| —
|
06.3
|
—
|
|
pf4h
|
|
|
Keyboard
|
Autograph is lost.
|
| —
|
10
|
ii/22
|
Pieces for 6 Hands (3)
|
pf6h
|
|
1890–91
|
Keyboard
|
|
| —
|
10.1
|
ii/22/1
|
|
pf6h
|
A major
|
1890
|
Keyboard
|
|
| —
|
10.2
|
ii/22/2
|
|
pf6h
|
A major
|
1891
|
Keyboard
|
|
| —
|
10.3
|
|
|
pf6h
|
D minor
|
1891
|
Keyboard
|
Not written down by Rachmaninoff.
|
| —
|
13
|
ii/23
|
Russian Rhapsody (Русская рапсодия)
|
2pf
|
E minor
|
1891
|
Keyboard
|
|
| —
|
08
|
ii/30
|
String Quartet No.1
|
2vn va vc
|
|
1889-90
|
Chamber
|
incomplete (2nd and 3rd movements only)
|
| —
|
05.1
|
ii/31
|
Romance
|
vn pf
|
A minor
|
1889
|
Chamber
|
|
| —
|
05.2
|
ii/32
|
Lied
|
vc pf
|
F minor
|
1890
|
Chamber
|
|
| —
|
05.3
|
ii/33
|
Mélodie
|
vc/vn pf
|
D major
|
1890
|
Chamber
|
|
| —
|
19
|
ii/34
|
Trio élégiaque No.1 (Элегическое трио)
|
vn vc pf
|
G minor
|
1891-92
|
Chamber
|
|
| —
|
37
|
ii/35
|
String Quartet No.2
|
2vn va vc
|
G minor
|
1896
|
Chamber
|
incomplete (1st and 2nd movements only)
|
| —
|
17.2
|
ii/40
|
Scherzo (Скерцо)
|
orch
|
D minor
|
1890
|
Orchestral
|
|
| —
|
07
|
ii/41
|
Piano Concerto
|
pf orch
|
C minor
|
1889
|
Orchestral
|
incomplete (sketches for 1st movement only)
|
| —
|
17.1
|
ii/43
|
Symphony ("Youth") («Юношеская»)
|
orch
|
D minor
|
1891
|
Orchestral
|
incomplete (1st movement only)
|
| —
|
18
|
ii/44
|
Prince Rostislav (Князь Ростислав)
|
orch
|
D minor
|
1891
|
Orchestral
|
|
| —
|
15
|
—
|
Romances (6)
|
v pf
|
|
1889-91
|
Vocal
|
This collection was presented as an examination paper
|
| —
|
15.1
|
ii/50/1
|
At the Gates of the Holy Abode (У врат обители святой)
|
v pf
|
G minor
|
1890
|
Vocal
|
included in the compilation 12 Songs without Opus
|
| —
|
15.2
|
—
|
In the Silence of the Secret Night (В молчаньи ночи тайной)
|
v pf
|
D major
|
1890
|
Vocal
|
Later revised as SR26.3
|
| —
|
15.3
|
ii/52/1
|
C'était en avril (Апрель! Вешний праздничный день)
|
v pf
|
E♭ major
|
1891
|
Vocal
|
included in the compilation 12 Songs without Opus
|
| —
|
15.4
|
ii/52/2
|
Twilight has Fallen (Смеркалось)
|
v pf
|
G major
|
1891
|
Vocal
|
included in the compilation 12 Songs without Opus
|
| —
|
15.5
|
ii/50/2
|
I Shall Tell You Nothing (Я тебе ничего не скажу)
|
v pf
|
C minor
|
1891
|
Vocal
|
included in the compilation 12 Songs without Opus
|
| —
|
15.6
|
ii/53/3
|
Do You Remember the Evening? (Ты помнишь ли вечер)
|
v pf
|
E major
|
1891
|
Vocal
|
included in the compilation 12 Songs without Opus
|
| —
|
16
|
—
|
Romances (2)
|
v pf
|
|
1892
|
Vocal
|
|
| —
|
16.1
|
—
|
If I Could Only be Borne to the Realm Beyond the Stars… (Когда б я мог в надзвездный край перенестись…)
|
v pf
|
F♯ minor
|
1892
|
Vocal
|
Lyrics are of unknown authorship
|
| —
|
16.2
|
ii/51
|
Again You Leapt, my Heart (Опять встрепенулось ты, сердце)
|
v pf
|
G minor
|
1892
|
Vocal
|
included in the compilation 12 Songs without Opus
|
| —
|
43
|
—
|
Romances (3)
|
v pf
|
|
1900
|
Vocal
|
|
| —
|
43.1
|
ii/53/1
|
Song of the Disillusioned (Песня разочарованного)
|
v pf
|
F minor
|
1900
|
Vocal
|
included in the compilation 12 Songs without Opus
|
| —
|
43.2
|
ii/53/2
|
The Flower has Faded (Увял цветок)
|
v pf
|
A minor
|
1900
|
Vocal
|
included in the compilation 12 Songs without Opus
|
| —
|
43.3
|
ii/55
|
|
v pf
|
A minor
|
1900
|
Vocal
|
included in the compilation 12 Songs without Opus
|
| —
|
72.1
|
ii/54
|
Were You Hiccoughing? (Икалось ли тебе?)
|
v pf
|
F major
|
1899
|
Vocal
|
included in the compilation 12 Songs without Opus
|
| —
|
72.2
|
|
Letter to E.A. Bakunina (Письмо Е.А. Бакуниной)
|
|
|
1903
|
|
|
| —
|
72.3
|
ii/56
|
Letter to K.S. Stanislavsky (Письмо К.С. Станиславскому)
|
v pf
|
E♭ major
|
1908
|
Vocal
|
included in the compilation 12 Songs without Opus
|
| —
|
72.4
|
|
Correspondence of S. Rachmaninoff with M.A. Slonov (Переписка С. Рахманинова с М.А. Слоновым)
|
|
|
|
|
|
| —
|
72.5
|
ii/57
|
From the Gospel of St John (Из Евангелия от Иоанна)
|
v pf
|
A minor
|
1915
|
Vocal
|
included in the compilation 12 Songs without Opus
|
| —
|
—
|
ii/58
|
Sacred Songs (Духовные Песни) (2)
|
v pf
|
|
1916
|
Vocal
|
not included in the original publication of the composer's Op.38.
|
| —
|
63.4
|
ii/58/1
|
|
v pf
|
|
1916
|
Vocal
|
|
| —
|
63.7
|
ii/58/2
|
Glory to God (All Things Wish to Sing) (Всё хочет петь)
|
v pf
|
E major
|
1916
|
Vocal
|
|
| —
|
09
|
—
|
Choruses (2)
|
|
|
1890
|
Vocal
|
|
| —
|
09.1
|
ii/60
|
|
6vv
|
A minor
|
1890
|
Vocal
|
|
| —
|
09.2
|
|
|
|
|
1890
|
Vocal
|
|
| —
|
28
|
ii/61
|
O Mother of God vigilantly praying (В молитвах неусыпающую Богородицу)
|
mch
|
|
1893
|
Vocal
|
|
| —
|
21
|
—
|
Choruses from Don Juan (2)
|
|
|
1892
|
Vocal
|
|
| —
|
21.1
|
—
|
Song of the Nightingale (Песня соловья)
|
mch pf
|
D minor
|
1892
|
Vocal
|
Incomplete (16 bars only)
|
| —
|
21.2
|
ii/62
|
|
mch
|
F major
|
1892
|
Vocal
|
|
| —
|
42.1
|
ii/63
|
Panteley the Healer (Пантелей-целитель)
|
mch
|
E minor
|
1899-1901
|
Vocal
|
|
| —
|
22
|
ii/70
|
Aleko (Алеко)
|
vv ch orch
|
|
1892
|
Stage
|
|
| —
|
53
|
ii/71
|
Monna Vanna (Монна Ванна)
|
vv ch orch
|
|
1906–07
|
Stage
|
incomplete (piano score of Act I and sketches for Act II only)
|
| —
|
—
|
ii/80
|
Monologues from "Boris Godunov" (2)
|
v pf
|
|
1892
|
Vocal
|
|
| —
|
20.1
|
ii/80/1
|
Thou, Father Patriarch (Ты, отче патриарх)
|
v pf
|
D minor
|
1892
|
Vocal
|
|
| —
|
20.2
|
ii/80/2
|
One Last Story (Ещё одно последнее сказанье)
|
v pf
|
D minor
|
1892
|
Vocal
|
|
| —
|
20.3
|
ii/81
|
A Night Spent Without Dreams (Ночь, проведённая без сна)
|
v pf
|
D minor
|
1892
|
Vocal
|
|
| —
|
—
|
ii/84
|
Russian Songs (2):
|
v pf
|
|
1899
|
Vocal
|
|
| —
|
74.6
|
ii/84/1
|
|
v pf
|
|
1899
|
Vocal
|
lost
|
| —
|
42.2
|
ii/84/2
|
|
v pf
|
D minor
|
1898-99
|
Vocal
|
|
| —
|
—
|
ii/85/1
|
LittleThe Little Splinter
|
v pf
|
|
1920
|
Vocal
|
|
| —
|
74.2
|
ii/85/2
|
Apple Tree (Яблонька)
|
v pf
|
|
1920
|
Vocal
|
|
| —
|
—
|
ii/86
|
Quickly, Quickly from My Cheeks (Белилицы, румяницы вы мои)
|
v pf
|
B minor
|
1926
|
Vocal
|
later reworked into Op.41/3
|
| —
|
—
|
—
|
Esmeralda (Эсмеральда)
|
vv ch orch
|
|
1888
|
Stage
|
incomplete (piano score of Introduction to Act I and fragment of Act III only)
|
| —
|
11
|
—
|
Manfred (Манфред)
|
orch
|
|
1890
|
Orchestral
|
Autograph is lost
|
| —
|
77.1
|
—
|
Mazepa (Мазепа)
|
4vv fp
|
|
1892
|
Vocal
|
incomplete (fragment only)
|
| —
|
12
|
—
|
Suite (Cюита)
|
orch
|
D minor
|
1890-91
|
Orchestral
|
lost, but rediscovered in 2002; also arr. for pf
|
| —
|
12
|
—
|
Suite (Cюита)
|
pf
|
D minor
|
1890-91
|
Keyboard
|
arr. of the version for orch
|
| —
|
74.1
|
ii/83
|
Burlesque Song (Бурлацкая песня)
|
v pf
|
A major
|
1891
|
Vocal
|
|
| —
|
77.51
|
—
|
Symphony
|
orch
|
|
1897
|
Orchestral
|
unfinished (sketches only)
|
| —
|
77.23
|
—
|
Salammbô
|
|
|
1906
|
Stage
|
Projected Opera around 1906, based on novel by Gustav Flaubert
|
| —
|
00
|
—
|
Fantasies
|
pf
|
|
1877-80
|
Keyboard
|
Early creative experiments, ages 5-9. Not recorded in writing.
|
| —
|
01
|
—
|
Improvisations
|
pf
|
|
1880-87
|
Keyboard
|
Performed during Rachmaninoff's conservatory studies. Not recorded in writing.
|
| —
|
02
|
—
|
Pieces (2)
|
pf
|
|
1887-88
|
Keyboard
|
|
| —
|
02.1
|
—
|
|
pf
|
F♯ minor
|
1887-88
|
Keyboard
|
Autograph is lost
|
| —
|
02.2
|
—
|
|
pf
|
|
1887-88
|
Keyboard
|
Autograph is lost
|
Click on the column headings to sort alphabetically or by year/opus number.
| Op.
|
SR
|
TN
|
Original Author
|
Title
|
Forces
|
Key
|
Date
|
Genre
|
Notes
|
| 22
|
49
|
—
|
Chopin, Frederic
|
Variations on a Theme of Chopin (Вариации на тему Шопена)
|
pf
|
C minor
|
1902–03
|
Keyboard
|
after No.20 of Chopin's 24 Preludes, Op.28
|
| 42
|
68
|
—
|
Corelli, Arcangelo
|
Variations on a Theme of Corelli (Вариации на тему Корелли)
|
pf
|
D minor
|
1931
|
Keyboard
|
after No.12 of Corelli's 12 Violin Sonatas, Op.5
|
| 43
|
69
|
—
|
Paganini, Nicolo
|
Rhapsody on a Theme of Paganini (Рапсодия на тему Паганини)
|
pf orch
|
A minor
|
1934
|
Orchestral
|
after No.19 of the 24 Caprices for solo violin, Op.1
|
| —
|
—
|
iii/1
|
Bach, Johann Sebastian
|
Suite from the Violin Partita No.3
|
pf
|
E major
|
1933
|
Keyboard
|
transcription of the Prelude, Gavotte and Gigue from Bach's Partita No.3 in E major, BWV 1006a
|
| —
|
73.140
|
iii/1/1
|
Bach, Johann Sebastian
|
|
pf
|
|
1933
|
Keyboard
|
|
| —
|
73.150
|
iii/1/12
|
Bach, Johann Sebastian
|
|
pf
|
|
1933
|
Keyboard
|
|
| —
|
73.160
|
iii/1/3
|
Bach, Johann Sebastian
|
|
pf
|
|
1933
|
Keyboard
|
|
| —
|
73.020
|
iii/03
|
Bizet, Georges
|
Minuet
|
pf
|
C minor
|
1900, rev.1922
|
Keyboard
|
after the Intermezzo (Minuetto) from Bizet's incidental music to L'Arlesienne
|
| —
|
75.020
|
iii/04
|
Glazunov, Aleksandr
|
Symphony No.6
|
pf4h
|
C minor
|
1896–97
|
Keyboard
|
complete transcription of Glazunov's Symphony No.6, Op.58
|
| —
|
73.070
|
iii/05/1
|
Kreisler, Fritz
|
Liebesleid (Муки любви)
|
pf
|
A minor
|
1921
|
Keyboard
|
after Kriesler's Alt-Wiener Tanzweisen No.1
|
| —
|
73.080
|
iii/05/2
|
Kreisler, Fritz
|
Liebesfreud (Радость любви)
|
pf
|
C major
|
1925
|
Keyboard
|
after Kriesler's Alt-Wiener Tanzweisen No.2
|
| —
|
73.060
|
iii/06
|
Liszt, Franz
|
Cadenza
|
pf
|
C♯ minor
|
1919
|
Keyboard
|
for Liszt's Hungarian Rhapsody No.2 (S.244/2)
|
| —
|
73.170
|
iii/07
|
Mendelssohn, Felix
|
Scherzo
|
pf
|
G minor
|
1933
|
Keyboard
|
from Mendelssohn's incidental music to Shakespeare's A Midsummer Night's Dream
|
| —
|
73.090
|
iii/08
|
Mussorgsky, Modest
|
Hopak (Гопак)
|
pf
|
G major
|
1924
|
Keyboard
|
after the Gopak from Mussorgsky's opera Sorochinsky Fair
|
| —
|
73.100
|
iii/08
|
Mussorgsky, Modest
|
Hopak (Гопак)
|
vn pf
|
G major
|
1926
|
Chamber
|
after the Gopak from Mussorgsky's opera Sorochinsky Fair
|
| —
|
73.120
|
—
|
Schubert, Franz
|
Trio from Fantasie in F minor
|
pf
|
F minor
|
|
Keyboard
|
after the trio from Franz Schubert's Fantasie in F minor, D.940
|
| —
|
73.130
|
iii/09
|
Rimsky-Korsakov, Nikolay
|
Flight of the Bumblebee (Полёт шмеля)
|
pf
|
A minor
|
1929?
|
Keyboard
|
after the interlude from Act I of Rimsky-Korsakov's opera The Tale of Tsar Saltan
|
| —
|
73.110
|
iii/10
|
Schubert, Franz
|
Wohin? (Куда?)
|
pf
|
G major
|
1925
|
Keyboard
|
after No.2 from Schubert's Die Schöne Müllerin
|
| —
|
73.050
|
iii/11
|
Smith, John Stafford
|
American National Anthem (Американский гимн)
|
pf
|
B♭ major
|
1919
|
Keyboard
|
after Smith's anthem "The Star-Spangled Banner"
|
| —
|
75.010
|
iii/13
|
Tchaikovsky, Pyotr
|
The Sleeping Beauty (Спящая красавица)
|
pf4h
|
|
1890
|
Keyboard
|
complete transcription of Tchaikovsky's complete ballet The Sleeping Beauty, Op.66
|
| —
|
73.180
|
iii/14
|
Tchaikovsky, Pyotr
|
Lullaby (Колыбельная песня)
|
pf
|
A♭ minor
|
1941
|
Keyboard
|
after the Cradle Song, No.1 of Tchaikovsky's 6 Romances, Op.16
|
| —
|
73.010
|
ii/11
|
Arensky, Anton
|
Song without Words (Песнь без слов)
|
pf
|
D minor
|
1889
|
Keyboard
|
after a bass line by A.S. Arensky
|
| —
|
73.031
|
ii/21
|
Unknown
|
Polka italienne (Итальянская полька)
|
pf4h
|
E♭ major
|
1906
|
Keyboard
|
also arr. for tbn pf4h
|
| —
|
73.032
|
ii/21
|
Unknown
|
Polka italienne (Итальянская полька)
|
tbn pf4h
|
E♭ major
|
1938
|
Chamber
|
arr. of the version for pf4h
|
| —
|
73.040
|
ii/18
|
Behr, Franz
|
Polka de W.R. (Полька В. Р.)
|
pf
|
A♭ major
|
1911
|
Keyboard
|
based on Lachtäubchen, Op.303, by Franz Behr
|
| —
|
—
|
—
|
Beethoven, Ludwig van (arr. Rubinstein, Anton)
|
Turkish March
|
pf
|
|
?
|
Keyboard
|
edtion of Rubinstein's piano transcription of the Marcia alla turca from Beethoven's incidental music to The Ruins of Athens
|
| —
|
—
|
—
|
Henselt, Adolf von
|
Si Oiseau j'Etais ("If I Were a Bird")
|
pf
|
|
?
|
Keyboard
|
after No.6 from Henselt's 12 Études caractéristiques de Concert, Op.2
|
| —
|
—
|
—
|
Tchaikovsky, Pyotr
|
Manfred (Манфред)
|
pf4h
|
B minor
|
1886
|
Keyboard
|
complete transcription of Tchaikovsky's Manfred Symphony, Op.58
|