List of works by Amy Marcy Beach

This list is manually maintained, therefore some of the available pieces may not yet be linked from this page. For an automatically generated alphabetical list of all available pieces, please see
Category:Beach, Amy Marcy.

A list of works in the composer category that are not included here can be found on this page.
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Contents

Works with Opus number

  1. In Autumn
  2. Phantoms
  3. Dreaming
  4. Fireflies
  1. La Captive
  2. Berceuse
  3. Mazurka
  1. Scottish Legend
  2. Gavotte fantastique
  1. Les Reves de Columbine
  2. La fée de la Fontaine
  3. Le Prince gracieux
  4. Valse étoiles
  5. Danse d'Arlequin
  • Op.66 - The Chambered Nautilus for Soprano, Alto, female Chorus, Orchestra
  • Op.67 - Piano Quintet in F minor (1907, published in 1909)
  • Op.68 - After (after Coates), Boston: 1909.
  • Op.69 - Mother Songs (after MacDonald, Hughes), Boston: 1908.
  • Op.70 - Iverniana for 2 Pianos (1910), lost
  • Op.71 - 3 Songs (after Beach, Dekker, Stathem), Boston: 1910.
  • Op.72 - 2 Songs (after Zacharias), New York: Schirmer, 1914.
  • Op.73 - 2 Songs (after Zacharias), New York: Schirmer, 1914.
  • Op.74 - All Hail the Power of Jesus' Name (1914). Boston, 1915
  • Op.74 - Panama Hymn (after W.P. Stafford) for Voices and Orchestra, Boston 1915
  • Op.75 - 4 Songs (after Brown, Herford, Rands), New York: Schirmer, 1914.
  • Op.76 - Thou Knowest, Lord. Boston, 1915
  • Op.76 - 2 Songs (after Stoddard and Tennyson), New York: Schirmer, 1914.
  • Op.77 - 2 Songs (after Fanning, Burnet), New York: Schirmer, 1916.
  • Op.78 - 4 Canticles. Boston, 1916
  • Op.78 - 3 Songs (after Coolbrith, Teasdale), New York: Schirmer, 1917.
  • Op.79 - (String Quartet in one movement, see Op.89)
  • Op.80 - Theme and Variations for Flute and String Quartet (1916). Boston, 1920
  • Op.81 - Prelude and Fugue for Piano (1917). Boston, 1918
  • Op.82 - Dusk in June for female Chorus, Boston 1917
  • Op.83 - From Blackbird Hills. Boston, 1922.
  • Op.84 - Te Deum (1921), Boston 1922
  • Op.85 - In the Twilight (after Longfellow), Boston: Arthur P. Schmidt, 1922.
  • Op.86 - May Eve for Voices and Piano (1921), Boston 1933
  • Op.87 - Fantasia fugata for piano. Boston, 1923
  • Op.88 - Spirit Time (after Read)
  • Op.89 - String Quartet (1929), 1 movement, originally as Op.79
  • Op.90 - Pastorale for Flute Cello and Piano (1921)
  • Op.91 - The Fair Hills of Eiré for piano or organ. Boston, 1922
  • Op.92 - Hermit Thrush for piano (1921). Boston, 1922
  1. Hermit Thrush at Eve
  2. Hermit Thrush at Morn
  • Op.93 - Message (after Teasdale), Philadelphia: Theodore Presser, 1922.
  • Op.94 - 3 School Songs, Boston 1933
  • Op.95 - Constant Christmas, Boston 1922
  • Op.96 - The Lord Is My Shepherd (Ps. 23) for female chorus (3vv) and organ, 1923
  • Op.97 - From Grandmother's Garden. 5 Pieces for Piano. Boston, 1922.
  • Op.98 - I will lift up mine eyes, Boston 1923
  • Op.99 - 4 Songs (after Beach, Greenwood, Adams, Barili), Philadelphia: Theodore Presser, 1923.
  • Op.100 - 2 Songs (after Ochsner, Nettleton)
  • Op.101 - Peter Pan (after Jessie Andrews) for female Chorus and Piano, Boston 1923, Philadelphia: Theodore Presser, 1923.
  • Op.102 - 2 Piano Pieces. Boston, 1924
  1. Farewell Summer
  2. Dancing Leaves
  • Op.103 - Benedictus es
  • Op.104 - Suite for Two Pianos Founded upon Old Irish Melodies. Boston, 1924
  • Op.105 - Let This Mind be in You, Boston, 1924
  • Op.106 - Old Chapel by Moonlight for Piano, Boston 1924
  • Op.107 - Nocturne for piano. Boston, 1924
  • Op.108 - Cradle Song of the Lonely Mother . Boston, 1924
  • Op.109 - Lord of the worlds above, Boston 1925
  • Op.110 - The Greenwood for children’s Chorus, Boston 1925
  • Op.111 - From Olden Times for Piano
  • Op.112 - Jesus my Saviour (after Elliott), Boston 1925
  • Op.113 - Mine be the Lips (after Speyer), Boston: Ditson, 1926.
  • Op.114 - By the Still Waters for piano. Boston, 1925
  • Op.115 - Around the Manger for Voice and Piano, Boston 1925
  • Op.116 - Tyrolean Valse-Fantaisie for piano. Boston, 1926.
  • Op.117 - 3 Songs (after Lee), Cincinnati: Church, 1925.
  • Op.118 - The Moonboat (after E.D. Watkins) for children's Chorus
  • Op.119 - From Six to Twelve for Piano, Boston 1927
  • Op.120 - Rendezvous (after Speyer)
  • Op.121 - Benedicte omnia opera Domini, Boston 1928
  • Op.122 - Communion Responses, Boston 1928
  • Op.123 - The Canticle of the Sun (1924), Boston 1928
  • Op.124 - Springtime (after Heywood), New York: Schirmer, 1929.
  • Op.125 - Lento espressivo for Violin and Piano
  • Op.125 - 2 Sacred Songs
  • Op.125 - Evening Hymn (1934), Boston 1936
  • Op.126 - Sea Fever (after J. Masefield) for Chorus, Boston 1931
  • Op.127 - When the last Sea is sailed (after Masefield) for male Chorus
  • Op.128 - 3 Piano Pieces . Boston, 1932
  1. Scherzino - a Peterborough Chipmunk
  2. Young Birches
  3. Humming Bird
  • Op.129 - Drowsy Dream Town for Soprano, female Chorus and Piano, Boston 1932
  • Op.130 - Out of the Depths for piano. Boston, 1932.
  • Op.131 - Dark Garden (after Speyer), Boston: Arthur P. Schmidt, 1932.
  • Op.132 - Christ in the Universe, Boston 1931
  • Op.133 - 4 Choral Responses, Boston 1932
  • Op.134 - God is our stronghold
  • Op.135 - To one I love, Boston 1932
  • Op.136 - Fire and Flame (after Anna Addison Moody) (1932), Boston: Arthur P. Schmidt, 1933. Digitized at LOC: high voice, low voice. Unknown dates for librettist.
  • Op.137 - 2 Songs (after Quick, Moody) (1932), Boston: Arthur P. Schmidt, 1933. No.2 May Flowers digitized at LOC: medium voice. Unknown dates for librettist Anna Addison Moody.
  • Op.138 - ?
  • Op.139 - Hearken unto me, Boston 1934
  • Op.140 - We who sing have walked in glory (1934), Boston 1934
  • Op.141 - O Lord, God of Israel (1935)
  • Op.142 - I sought the Lord (1936), Boston 1937
  • Op.143 - I Shall be Brave (after Katharine Adams), Boston: Arthur P. Schmidt, 1932. Digitized at LOC: high voice, low voice. Unknown dates for librettist.
  • Op.144 - This morning very early for female Chorus and Piano (1935), Boston 1937
  • Op.145 - Dreams
  • Op.146 - Lord of all being, Boston 1938
  • Op.147 - I will give thanks, Boston 1939
  • Op.148 - 5 Improvisations for piano (1934). Boston, 1938.
  • Op.149 - Cabildo for Solo, Chorus, Speaker, Violin, Cello and Piano (1932)
  • Op.150 - Piano Trio (1938), Boston 1939
  • Op.151 - Pastorale for Woodwind Quintet . Boston, 1942.
  • Op.152 - Though I take the Wings of Morning (after Spencer)

Works without Opus number

  • A Bit of Cairo for Piano, Boston 1928
  • A September Forest for Piano, Boston 1930
  • A Song for Little May (after Miller)
  • Agnus Dei, Boston 1936
  • Air and Variations for Piano (1877)
  • Allegro appassionata, Moderato and Allegro con fuoco for Piano (4 hands)
  • An Indian Lullyby for Chorus
  • April Dreams (after Harding) (1935)
  • Balloons for children's Chorus, Boston 1916
  • 4 Chorales (1882)
  • Clouds (after Sherman)
  • Evening Song (1934)
  • Friends for children's Chorus, Boston 1917
  • Graduale for Tenro and Orchestra, Boston 1892
  • Hymn - O God of love (1941), Boston 1942
  • Mamma's Waltz for Piano (1877)
  • Menuetto for Piano (1877)
  • Pax nobiscum, Boston 1944
  • Petite Valse for Piano (1878)
  • Prelude for Violin, Cello and Piano (1931), fragment
  • Prelude on an Old Folk Tune
  • Romanza for Piano (1877)
  • Serenade after R. Strauss' Ständchen for Piano
  • Singing Joyfully for children's Chorus
  • Song The Heart that mealts
  • Song If women will not be inclined
  • Song Time has wings and swiftly flies
  • Song Du siehst
  • Song Mignonnette, Boston 1929
  • Song Birth (after Knowles), Boston 1926
  • The Arrow and the Song (after Longfellow)
  • The Ballad of the P.E.O. for female Chorus (1934)
  • The deep Sea Pearl (after Thomas) (1935)
  • The Rainy Day (after Longfellow) (1880), Boston 1883
  • The Water Sprites - Caprice for Flute, Cello and piano (1921)