List of works by Mario Castelnuovo-Tedesco

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Category:Castelnuovo-Tedesco, Mario.
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1 Works with Opus number
2 For Violin
3 Organ
4 Guitar
5 Two guitars
6 Chamber
7 Orchestral
- 7.1 Concertante
8 Operas
9 Ballet
10 Vocal
11 Film music
12 See also

Works with Opus number

Op.1 - Cielo di Settembre, for Piano (1910)
Op.1a - Cielo di Settembre, for Orchestra (1912-15)
Op.2 - Questo fu il carro della morte, for Piano (1913)
Op.3 - Le Roi Loys, for Voice and Piano
Op.4 - Ninna-Nanna, for Voice and Piano
Op.5 - Fuori i barbari!, for Voice and Piano
Op.6 - Stella cadenti, for Voice and Piano
Op.7 - Coplas, for Voice and Orchestra
Op.8 - Bricole, for Voice and Piano
Op.9 - Il raggio verde, for Piano (1916)
Op.10 - Signorine, for Violin and Piano (1918)
Op.11 - 3 fioretti di San Francesco, for Voice and Orchestra
Op.12 - Alghe, for Piano (1919)
Op.13 - I Naviganti, for Piano (1919)
Op.14 - Girotondo dei golosi, for Voice and Piano (1920)
Op.15 - Ritmi, for Violin and Piano (1920)
Op.16 - Capitan Fracassa, for Violin and Piano
Op.17 - Cipressi, for Piano (1920)
Op.17a - Cipressi, for orchestra (1921)
Op.17b - Cipressi, another version for orchestra (1941)
Op.18 - La sirenetta e il pesce turchino for piano (1920)
Op.18a - Pesce turchino: Balletto per orchestra da la sirenetta e il pesce turchino (1937)
Op.19 - Cantico for Piano
Op.20 - La mandragola: Commedia musicale fiorentina, Opera in 3 acts (1920), Italian libretto adapted by Mario Castelnuovo-Tedesco from text by Niccolò Macchiavelli
Op.20a - La mandragola, Opera in 2 acts (1928) Revised version of Op.20
Op.21 - Vitalba e Biancospino, Fiaba Silvana, for Piano (1921)
Op.22 - L'infinito, for Voice and Piano (1921)
Op.23 - Sera, for Voice and Piano (1921)
Op.24 - The Passionate Pilgrim 33 Shakespeare Songs, for Voice and Piano (1921) (includes other arrangements for harp, guitar and strings etc.)

Book 1

1. Old Song
2. Fancy
3. Fairies

Book 2

1. Under the Greenwood Tree
2. Winter Wind
3. Springtime

Book 3

1. Orpheus
2. Silvia
3. For the Rain It Raineth Every Day

Book 4

1. Sigh No More, Ladies
2. Seals of Love
3. O Mistress Mine

Book 5

1. Autolycus
2. The Willow
3. Roundel

Book 6

1. Apemantus's Grace
2. Arise!
3. The Soldier Drinks

Book 7

1. The Clown in the Churchyard
2. Ophelia
3. The Cuckoo and the Owl

Book 8

1. The Pedlar
2. Come to Dust
3. Two Maids Wooing a Man

Book 9

1. Merry Heart
2. Heavily
3. The Horn

Book 10

The Fool (6 Songs)

Book 11

1. Merrily
2. The Sailor Drinks
3. Ariel
4. Caliban

Book 12

Epithalamium - Nuptial March

Op.24a - Sea Murmurs (An adaptation by Jascha Heifetz of "Arise" from Book 6, No.2) (1932)
Op.24b - Tango (An adaptation by Jascha Heifetz of "Two Maids Wooing a Man" from Book 8, No.3) (1932)
Op.25 - Epigrafe for Piano (1922)
Op.26 - Piccino Picciò, for Voice and Piano (1922)
Op.27 - Ballata, for Voice and Piano (1923)
Op.28 - La barba bianca, for Voice and Piano (1923)
Op.29 - 2 Preghiere per i bimbi d'Italia, for Voice and Piano (1923)
Op.30 - Alt Wien (1923)
Op.31 - Concerto italiano, for Violin and Orchestra (1924)
Op.32 - Piedigrotta 1924 (1924)
Op.32a - Notturno e tarantella da Piedigrotta 1924 (1940) for two pianos
Op.33 - Le stagioni (1924)
Op.34 - Notturno adriatico, for Violin and Piano (1924)
Op.35, No.1 - 4 Scherzi per Musica di Messer Francesco Redi, for Voice and Piano (1924)
Op.35, No.2 - 4 Scherzi per Musica di Messer Francesco Redi, 2nd series, for Voice and Piano (1925)
Op.36 - 1830, 3 songs by Alfred de Musset, set to music on fragments by Bach, for Voice and Piano (1925)
Op.37 - Le danze del Re David (1925)
Op.38 - Indian Serenade, for Voice and Piano (1925)
Op.39 - Bacco in Tuscano, for Voices, Chorus, and Orchestra (Holograph Manuscript) (1925)
Op.40 - Drei Heine Lieder, for Voice and Piano (1926)
Op.41 - 4 Sonetti da La Vita Nova, for Voice and Piano (1926)
Op.42 - 3 Sonnets from the Portuguese, for Voice and Piano (1926)
Op.43 - 3 Corali su melodie ebraiche (1926)
Op.44 - 3 Poemi campestri (1926)
Op.45 - Cadix, for Voice and Piano (1926)
Op.46 - Concerto in sol, for Piano and Orchestra (1927)
Op.47 - I Nottambuli (Variazioni Fantastiche), for Cello and Piano (1927)
Op.48 - Variazioni Sinfoniche, for Violin and Orchestra (1928)
Op.49 - Piano Trio No.1 in G Major (1928)
Op.50 - Cello Sonata (1928)
Op.51 - Piano Sonata, (1928)
Op.52 - Ore sole, for Voice and Piano (1928)
Op.53 - Canto Ebraico

1. Voice and piano (1928)
2. Transcribed for violin and piano by G. Maglioni;
3. Transcribed for cello and piano by Gaspar Cassadò;
4. Transcribed for double bass and piano (1964)

Op.54 - Passatempi, for Piano (1928)
Op.55 - Tre vocalizzi, for Voice and Piano (1928)
Op.56 - Sonata quasi una fantasia, for Violin and Piano (1929)
Op.57 - B-a-ba,variazioni sopra un tema infantile, for Piano (1929)
Op.58 - String Quartet No.1 in G Major (1929)
Op.59 - Crinoline, for Piano (1929)
Op.60 - 3 Heine Lieder, for Voice and Piano (1929)
Op.61 - La bisbetica domata (1930), overture after Shakespeare
Op.62 - 6 odi di Orazio, for Voice and Piano (1930)
Op.63 - Fantasia e fuga sul nome di Ildebrando Pizzetti, for Piano (1930)
Op.64 - The Lark, for Violin and Piano (1931)
Op.65 - Media difficoltà, 4 pieces for Piano (1931)
Op.65a - Ritmo di tango, for Violin and Piano (1949)
Op.66 - I profeti, for Violin and Orchestra (1931)
Op.67 - 2 film studies, for Piano (1931)
Op.68 - Ballade des biens immeubles, for Voice and Piano (1931)
Op.69 - Piano Quintet No.1 in F Major (1931)
Op.70 - Piano Trio No.2 in G Minor (1932)
Op.71 - Variazioni attraverso i secoli (Variations à travers les siècles) for guitar (1932)
Op.72 - Cello Concerto (1932)
Op.73 - La dodicesima notte, Shakespeare overture for orchestra (1933)
Op.74 - 2 sonetti del Petrarca, for Voice and Piano (1933)
Op.75 - Dos romances viejos, for Voice and Piano (1933)
Op.76 - Il mercante di Venezia, overture after Shakespeare for orchestra (1933)
Op.77 - Sonata Hommage à Boccherini for guitar (1934)
Op.78 - Giulio Cesare, a Shakespeare overture (1934)
Op.79 - Trois poèmes de la Pléïade, for Voice and Piano (1934)
Op.80 - Il racconto d'inverno, overture after Shakespeare for orchestra (1934)
Op.81 - Savonarola, for Voices, Chorus, and Orchestra (1935)
Op.81a - In Praise of Our Lady, from "Savonarola", for high voice and piano (1935), also arranged for voice and orchestra [2 fl, 2 ob, 2 bcl, 2 bn, 4 hn, timp, harp, celesta, strings] (1947)
Op.81b - Mary, Star of the Sea, from "Savonarola", for women's chorus (SSA) and piano (1940). also srranged for Mixed chorus (SSATTB) and piano (1945)
Op.81c - Lo the Messiah, from "Savonarola", for omen's voices (SSA) and piano (1941), also arranged for mixed voices (SATB) and piano (1943); also for mens' voices: TTBB and piano (1943)
Op.82a - Notturno Sull'Acqua for cello and piano (1935)
Op.82b - Scherzino for cello and piano (1935)
Op.83 - Toccata for cello and piano, (1935)
Op.84 - 3 preludi alpestri, for piano (1935)
Op.85 - Capriccio Diabolico (Hommage to Paganini), for guitar (1935)
Op.86 - Onde: 2 studi, for piano (1935)
Op.87a - Tarantella (1935)
Op.87b - Aranci in fiore (1935)
Op.88 - Trois Fragments de Marcel Proust (extraits de "Les plaisirs et les jours") (1936)
Op.89a - I saw in Louisiana. Poem by Walt Whitman (1936)
Op.89b - Leaves of Grass. A Song Cycle for Voice and Piano. Poems by Walt Whitman (1936)
Op.89c - Ocean. Poem by Walt Whitman (1936)
Op.90 - Lecha Dodi, for unaccompanied male chorus (TTBB) and cantor (1936)
Op.90a - Lecha Dodi, for cantor (tenor), chorus (SATB) and organ (1943)
Op.91a - Féeries: 3 poèmes de Paul Valéry (1936)
Op.91b - Charmes: 3 poèmes de Paul Valéry (1936)
Op.92 - Piano Concerto No.2 in F Major (1936-37)
Op.93 - Concertino per arpa, quartetto d'archi e 3 clarinetti (1936–37) for harp, string quartet, 3 clarinets
Op.94 - I Giganti della Montagna; musiche di scena, per il dramma di Luigi Pirandello, (1937) incidental music for orchestra
Op.94a - I Giganti della Montagna; due episodi sinfonici (1937)
Op.95 - Variations plaisantes sur un petit air populaire (J'ai du bon tabac) (1937) for guitar
Op.96 - Processional Song in Praise of Saint Ephesius Goccius (1937) for mixed chorus (SATB) with soprano solo
Op.97 - 3 Shakespeare Duets (1937)
Op.98 - Aucassin et Nicolette. (Opera) Chant-fable du XIIe siècle, pour une voix, quelques instruments et quelques marionettes. 12th-century chant-fable, (1938)
Op.99 - Guitar Concerto No.1 in D Major (1939)
Op.100 - 6 Scottish Songs (Poems by Sir Walter Scott) (1939), for soprano, tenor, harp and strings
Op.101 - Un Sonetto di Dante (1939) for med. voice and piano
Op.102 - Violin Concerto No.3 (1939)
Op.102 - Concerto for 2 Guitars and Orchestra (1939)
Op.103 - Pansies, 2 poems by D. H. Lawrence (1939)
Op.104 - Stars, 4 sketches for piano solo (1940)
Op.105 - Recuerdo. Poem by Edna St.Vincent Millay (1940)
Op.106a - The Legend of Jonas Bronck. Lyrics by Arthur Guiterman (1940)
Op.106b - New York. Poem by Arthur Guiterman (1940)
Op.107 - Ballade for violin and piano (1940)
Op.108 - A Midsummer Night’s Dream, overture (1940)
Op.109 - Upon His Blindness [published as "When I Consider How My Life is Spent"]. Words by Milton, for low voice and piano (1940)
Op.110 - La Figlia del Reggimento ("The Daughter of the Regiment"). A Fantasy for Violin and Piano on themes by Donizetti (1941)
Op.111 - King John (a Shakespeare overture) (1941)
Op.112 - Larchmont Woods, poem for violin and orchestra (1942)
Op.113 - Keats songs (1942–51) for mixed chorus (SATB) and piano
Op.114 - London (Upon Westminster Bridge) (1942) for mixed chorus (SATB) and piano
Op.115 - The Birthday of the Infanta (A Ballet suite from a tale by Oscar Wilde) (1941)
Op.116 - Indian Songs and Dances (based on American Indian themes) (1942) for orchestra
Op.117 - Le Rossignol. Words by Frère Joseph, François Leclerc du Tremblay. English version by R.B. Falk
Op.118 - Serenade, for guitar and chamber orchestra (1943)
Op.119 - Divertimento for 2 flutes (1943)
Op.120 - The Princess and the Pea. A Miniature Overture for orchestra and narrator on a Tale by Anderson (1943)
Op.121 - Five Humoresques on Themes of Foster (1943) for orchestra
Op.122, No.1 - Sacred Service for Sabbath Eve, for baritone, mixed choir and organ (1943)
Op.122, No.1a - Five Organ Preludes from the "Sacred Service for the Sabbath Eve" (1943)
Op.122, No.1b - Silent Devotion from the "Sacred Service", (1943) for two violins, viola, cello and bass
Op.122, No.2 - Addenda to the Sacred Service (1950) for chorus and organ
Op.123 - Candide (1944)
Op.124

No.1 - Ozymandias for voice and piano. Words by P. B. Shelley (1944);
No.2 - The Daffodils. Words by William Wordsworth (1944);
No.3 - The Shadow. Poem by Ben Jonson (1944)

Op.125, No.1 - Shakespeare Sonnets (1944–45) (song)

1. Sonnet VIII: “Music to hear, why hearst thou music sadly?”
2. Sonnet XVIII: “Shall I compare thee to a summer’s day?”
3. Sonnet XXIX: “When in disgrace with fortune and men’s eyes”
4. Sonnet XXX: “When to the sessions of sweet silent thought”
5. Sonnet XXXI: “Thy bosom is endeared with all hearts”
6. Sonnet XXXII: “If thou survive my well-contented day”
7. Sonnet LIII: “What is your substance, whereof are you made”
8. Sonnet LVII: “Being your slave, what should I do but tend”
9. Sonnet LX: “Like as the waves make towards the pebbled shore”
10. Sonnet LXIV: “When I have seen by time’s fell hand defaced”
11. Sonnet LXV: “Since brass, nor stone, nor earth, nor boundless sea”
12. Sonnet LXXIII: “That time of year thou mayst in me behold”
13. Sonnet LXXXVII: “Farewell, thou art too dear for my possessing”
14. Sonnet XC: “Then hate me when thou wilt, if ever now”
15. Sonnet XCVII: “How like a winter hath my absence been”
16. Sonnet XCVIII: “From you have I been absent in the spring”
17. Sonnet CII:“My love is strengthened, though more weak in seeming”
18. Sonnet CIV: “To me, fair friend, you never can be old”
19. Sonnet CV: “Let not my love be called idolatry”
20. Sonnet CVI: “When in the chronicle of wasted time”
21. Sonnet CIX: “O never say that I was false of heart”
22. Sonnet CXVI: “Let me not to the marriage of true minds”
23. Sonnet CXXVIII: “How oft when thou, my music, music play’st”
24. Sonnet CXLVI: “Poor soul, the centre of my sinful earth”
25. Sonnet XXVII: “Weary with toil, I haste me to my bed”

Op.125, No.2 - Shakespeare Sonnets for mixed chorus and piano (1945)

1. Sonnet XCIV: “They that have power to hurt and will do none”
2. Sonnet CXXIX: “Th’expense of spirit in a waste of shame”

Op.125, No.3 - Shakespeare Sonnet for mixed choir a cappella (1945)

Sonnet CLIV: “The little love-god lying once asleep”

Op.125, No.4 - Shakespeare Sonnets (1963) (song)

1. Sonnet XXXV: “No more be grieved at that which thou hast done”
2. Sonnet XL: “Take all my loves, my love; yea take them all”
3. Sonnet LXXI: “No longer mourn for me when I am dead”
4. Sonnet XLVII: “Betwixt mine eye and hearth a league is took”

Op.126a - Aubade. Poem by William Davenant (1673) for mixed chorus (SATB) and piano (1945)
Op.126b - Carol for Candlemas Day. Anonymous (1661) for mixed chorus (SATB) and piano (1945)
Op.126c - To His Son. Poem by Dr. Richard Corbet (1582-1635), Lord Bishop of Norwich, for mixed chorus (SATB) and piano (1945)
Op.127 - Sonata for Violin and Viola (Also "Divertimento for Violin and Viola") (1945)
Op.128 - Sonata for Clarinet and Piano (1945)
Op.129 - Rondo (1946) for guitar solo
Op.130 - Sonatina for bassoon (or cello) and piano (1946)
Op.131 - Cinque Poesie Romanesche. Words by Mario dall'Arco (1946) for voice and piano
Op.132 - Venice (on the extinction of the Venetian Republic 1802). Text by William Wordsworth and Mario Castelnuovo-Tedesco, for unaccompanied male chorus (TTBB) (1946)
Op.133 - Suite (1947), for guitar solo
Op.134 - Antony and Cleopatra overture (1947)
Op.135 - The Tragedy of Coriolanus, overture after Shakespeare (1947)
Op.136 - The Octoroon Ball, A New Orleans Ballet (Scenario and choreography by Katherine Dunham) (1947)
Op.137 - Naomi and Ruth: A Small Cantata for Women's Voices, from the Book of Ruth (1947) for women's voices (SMzA) and piano or organ; or women's voices and orchestral ensemble
Op.137a - Ruth's Aria from Naomi and Ruth (1947) for soprano and piano, also arranged for soprano and orchestra
Op.137b - Aria of Naomi from Naomi and Ruth (1947) for voice and piano
Op.138 - Suite nello stile italiano (1947) for piano
Op.139 - String Quartet No.2 in F minor (1948)
Op.140 - The Book of Ruth. A Biblical Oratorio for soloists, mixed chorus and orchestra (1949) [based on Op.137] for solo voices [2 sopranos, mezzo, 2 tenors, 2 baritones, bass], mixed chorus and orchestra [3 fl(picc), 2 ob, 3 cl (b cl), 2 bn, 4 hn, 3 tpt, 3 tbn, timp, perc, piano (celesta), harp & strings]
Op.141 - Evangélion. La storia di Gesù, narrata ai fainciulli in 28 piccoli pezzi in 4 volumes, for Piano (1949)
Op.142 - 6 Canons (1950) for piano
Op.143 - Guitar Quintet (1950)
Op.144 - Sonata in C minor for Viola and Cello (1950)
Op.145 - Fantasia for Guitar and Piano (1950)
Op.146 - Concerto da camera (1950)
Op.146a - Aria from Concerto da Camera, for oboe, cello and piano; also arranged for oboe, cello and guitar (1950)
Op.147 - String Trio (1950)
Op.148 - Sonata for Violin and Violoncello (1950)
Op.149 - 2 Longfellow Songs (1950)

1. The day is done, for mixed chorus (SATB) and piano.
2. Nature, for mixed chorus (SATB) a cappella

Op.150 - Songs and Processionals for a Jewish Wedding (1950), Nos.1 and 2 for mixed chorus (SATB) and piano, or organ; Nos.3-4 for solo and piano
Op.151 - The Book of Jonah. A Biblical Oratorio for male chorus and orchestra, (1951) for tenor, baritone, men's chorus, narrator, orchestra [ 2 alto sax, 2 ten sax (2 cl), baritone sax (b cl), 3 tpt, 3 tbn, timp, perc, 2 piano, 2 cello, 2 bass]
Op.152 - Romancero gitano, for mixed choir and guitar (1951)
Op.153 - Four Christina Rossetti Settings, (1951) for women's chorus (SSA) and piano
Op.154 - Three Shelley Songs (1951), for women's chorus (SSA) and piano
Op.155 - Piano Quintet No.2 - Ricordi della campagna toscana (1951, pub.2016)
Op.156 - 6 Pieces in form of Canons (1952) for piano
Op.157 - Six Keats settings, (1952). 1-3 for unaccompanied mixed chorus (SATB), 4-6 for men's unaccompanied men's chorus (TTBB)
Op.158 - Morning in Iowa. Incidental Music to a Narrative Poem by Robert Nathan (1953) for narrator, clarinet, accordion, guitar, bass viol and percussion
Op.159 - Introduction, Aria and Fugue (Toccata for organ on the name of Edward George Power Biggs) (1953) for organ or piano
Op.160 - Guitar Concerto No.2 in C Major, "Concerto Sereno" (1953)
Op.161 - The Queen of Sheba: A Small Cantata (1953) for women's chorus, soprano and piano (Text from Kings I, chapter 1-13)
Op.161a - Aria of the Queen of Sheba, from the Cantata "The Queen of Sheba" (1958)
Op.162 - Choral with Variations, for horn quartet (4 horns), pub. 1956, H. Elkan (Philadelphia) (1953)
Op.163 - Songs of the Shulamite (from "The Song of Songs") (1953), for voice, flute, harp and string quartet
Op.164 - Much Ado About Nothing (Shakespeare overture) (1953)
Op.165 - El Encanto. 3 California Sketches (1953) for piano
Op.166 - As You Like It (A Shakespeare overture)
Op.167 - Four Dances from "Love's Labour's Lost" (1953) for orchestra
Op.168 - The Book of Proverbs. Six choral settings (1953) for unaccompanied men's chorus (TTBB)
Op.169 - Lament of David for the Death of Jonathan, (1953), for double mixed chorus a cappella and tenor solo
Op.170 - Greeting Cards (1960?)

No.1. Tango (on the name of Andre Previn) (piano) (1953)
No.2. Serenatella (on the name of Jascha Heifetz) (violin, piano) (1954)
No.3. Valse (on the name of Gregor Piatigorsky)(cello, piano) (1954)
No.4. Mirages (on the name of Gieseking) (piano) (1954)
No.5. Tonadilla (on the name of Andrès Segovia) (guitar) (1954)
No.6. Rondel über den Namen Siegfried Behrend (guitar) (1954)
No.7. Preludio in forma di habanera sul nome di Bruno Tonazzi (guitar) (1954)
No.8. Humoresque on the name of Tossy Spivakovsky (violin, piano) (1954)
No.9. Fandango on the name of Amparo Iturbi (piano) (1954)
No.9a. Lullaby on the name of Claudia (piano) (1954)
No.10. Tanka (Japanese Song) on the name of Isao Takahashi (guitar) (1955)
No.11. Etude on the name of Jacob Gimpel (piano) (1955)
No.12. "Für Erna" (instead of "für Elise") Albumblatt für Klavier von Mario (instead of "Ludwig van ...") (piano) (1956)
No.13. A Canon for Robin (piano) (1956)
No.14. Ninna Nanna, a Lullaby for Eugene (guitar) (1957)
No.15. Canto delle Azzorre sul nome di Enos (guitar) (1958)
No.16. A Fandango for Escovado (piano) (1958)
No.17. Ricecare sul nome di Luigi Dallapiccola (piano) (1958)
No.18a. Chorale-prelude on the name of Albert Schweitzer (organ) (1959)
No.18b. Fugue on the name of Albert Schweitzer (organ) (1959)
No.19. Duo-Pianism: Impromptu for two pianos on the names of Hans and Rosaleen Moldenhauer (2 pianos) (1959)
No.20. Little March on the name of Scott Harrison (piano) (1960)
No.21. Suite 508 (viola, piano) (1960)
No.22. Slow, with variations on the name of Nicolas Slonimsky (piano) (1960)
No.23. Intermezzo on the Name of Harvey Siegal (violin, piano) (1960)
No.24. Valse bluette on the Name of Erick Friedman (violin, piano) (1960)
No.25. Hungarian serenade on the Name of Miklós Rózsa (violin, piano) (1960)
No.26. Leggenda per pianoforte sul nome di Gisella Selden-Goth (piano) (1960)
No.27. Angelus sul nome di Nino Rota-Rinaldi (piano) (1960)
No.28. Ein Quartett-Satz on the name of Walter Arlen (string quartet) (1960)
No.29. Arabesque on the name of Roger (harp) (1961)
No.30. Melodia sul nome di Claudio Sartori (piano) (1961)
No.31. Prelude and Fugue on the name of Gerhard Albersheim (piano) (1962)
No.32. Prelude, Aria and Fugue on the name of Hugh Mullins (piano) (1962)
No.33. Canzone Siciliana sul nome di Mario Gangi (guitar) (1962)
No.34. Ballatella on the name of Christopher Parkening (guitar) (1963)
No.35. Canzonetta on the name of Nick Rossi (piano) (1964)
No.36. Sarabande on the name of Rey de la Torre (guitar) (1964)
No.37. Romanza sul nome di Oscar Ghiglia (guitar) (1964)
No.38. Fantasia sul nome di Ronald e Henry Purcell (guitar) (1966)
No.39. Canción Cubana on the name of Hector Garcia (guitar) (1965)
No.40. Canción Venezuelana sul nome di Alirio Díaz (guitar) (1966)
No.41. Canción Argentina sul nome di Ernesto Bitetti (guitar) (1966)
No.42. Estudio sul nome di Manuel López Ramos (guitar) (1966)
No.43. Aria da chiesa sul nome di Ruggero Chiesa (guitar) (1967)
No.44. Brasileria sul nome di Laurindo Almeida (guitar) (1967)
No.45. Second Arabesque on the name of Pearl Chertok (harp) (1967)
No.46. Japanese Print on the Name Jiro Matsuda (guitar) (1967)
No.47. Volo d'Angeli sul nome di Angelo Gilardino (guitar) (1967)
No.48. Canzone Calabrese sul nome di Ernest Calabria (guitar) (1967)
No.49. Prelude on the name of Frederick Tulan (organ) (1967)
No.50. Tarantella campana sul nome di Eugene di Novi (guitar) (1967)
No.51. The Persian Prince on the name of David Blumberg (viola, harp) (1967)

Op.171 - Songs of the Oceanides: from Aeschylus' "Prometheus Bound" (1954) for women's chorus (SSA), 2 flutes, harp, also arranged for women's chorus (SSA) and piano
Op.172 - The Song of Songs. A Rustic Wedding Idyll (1955) for soprano, tenor, baritone, mixed chorus, dancers,and orchestra [fl, 2 ob, 2 cl, bn, tpt, 2 hn, perc, timp, harp & strings]
Op.173 - Three Shelley Songs (1955) for women's voices (SSA) and piano
Op.174 - Two Motets: from the Gospel according to St. John (1955) for unaccompanied mixed chorus (SATB)
Op.175 - Six Carols on Early English Poems (1955) for unaccompanied mixed chorus (SATB)
Op.176 - Tre Preludi Mediterranei (1955) for guitar solo
Op.177 - Escarramán, A Suite of Spainish Dances from the XVI Century (After Cervantes) (1955) for guitar solo
Op.178 - The Stories of Joseph (1955) for piano
Op.179 - 2 Sonatas for Trumpet and Piano (Manuscript) (1955)

No.1 - Sonata Pomposa, for open trumpet No.2 - Sonata Leggera, for mute trumpet

Op.180 - Passacaglia (Omaggio a Roncalli) (1956) for guitar solo
Op.181 - Il Mercante di Venizia (The Merchant of Venice) (Opera in 3 Acts, after William Shakespeare) (1956), English and Italian libretti by Mario Castelnuovo-Tedesco based on Shakespeare's original play
Op.182 - All's Well that Ends Well (Giglietta di Narbona) (Opera in 3 acts, after William Shakespeare) (1955), English libretto by Mario Castelnuovo-Tedesco based on Shakespeare's original play
Op.183 - The Fiery Furnace. A Small Cantata from The Book of Daniel (1958), for chamber cantata for baritone (narrator), children's chorus, piano (organ), percussion
Op.184 - Endymion. Text by John Keats (1958) for unaccompanied mixed chorus (SAATTBB)
Op.185 - Pastorale and Rondo, for clarinet, violin, violincello and piano (1958)
Op.186 - Vogelweide, Ein Lieder-Cyklus für Baritone und Gitarre (oder Klavier) (1959)
Op.187 - Sonatina zoologica, for Piano (1960)
Op.188 - Il Bestiario. Dodici poesie di Arturo Loria (song)
Op.189

No.1 - Poesia Svedese, un antologia di liriche per canto e pianoforte (Italian translation by Giacomo Oreglia) (1960)
No.2 - Lauda in honore Sanctae Birgittae (Nicolaus Hermansson, 1326-1391), (1960) for unaccompanied women's chorus

Op.190 - Platero y Yo, for guitar and narrator (1960) Texts by Juan Ramó Jiménez; English translations by Eloïse Roach
Op.191 - Saul (Opera in 3 acts, after Vittorio Alfieri's tragedy) (1958), Libretto in Italian by Mario Castelnuovo-Tedesco adapted from Vittorio Alfieri's original play
Op.192 - Memorial Service for the Departed (1960) for cantor (tenor or baritone), chorus (SATB) and organ
Op.193 - 2 Balladen von Schiller. Melodrama für einen Sprecher, zwei Klaviere und Schlagzeug (1961)
Op.194 - Tre Preludi al Circeo (1961) for guitar solo
Op.195 - 24 Caprichos de Goya (1961) for guitar solo
Op.196 - Sonata Canonica (1961) for 2 guitars
Op.197 - Les Amours de Ronsard. 12 chansons à 4 voix mixtes. Pierre de Ronsard (1524-1585), (1961) for unaccompanied mixed chorus (SATB)
Op.198 - The Importance of Being Ernest (Comic Opera in 3 acts, after Oscar Wilde), libretti by Mario Castelnuovo-Tedesco in English and Italian, based on The Importance of Being Earnest by Oscar Wilde
Op.199 - Les Guitares bien tempérées (24 Preludes and Fugues in All 24 Major and Minor Keys) (1962) for 2 guitars
Op.200 - The Book of Esther. A Biblical Oratorio (1962) for STBB, narrator, mixed chorus and orchestra [3 fl (picc], 2 ob, Engl. hn, 3 cl (b cl), 2 bn (c bn), 4 hn, 3 tpt, 3 tbn, tuba, perc, xylo, 2 harps, strings]
Op.201 - Concerto for Two Guitars (1962)
Op.202 - The Seventh Day. Motet for Mixed Choir from "The Confessions of St. Augustine" (1963) for unaccompanied mixed chorus (SATB)
Op.203 - String Quartet No.3 "Casa al dono" (1964)
Op.204 - The Book of Tobit. Tobias and the Angel. A Scenic Oratorio in Three Parts, (1964-65) for soprano, 2 contralto, tenor, baritone, 2 bass, chorus, narrator, mime, dancers and orchestra [ 2 fl, ob, 2 cl, bn, hn, 2 tpt, 2 tbn, timp, perc, harp, piano & strings]
Op.205 - Sonatina for Flute and Guitar (1965)
Op.206 - Eclogues, for flute, English horn & guitar (1965)
Op.207 - The Divan of Moses-Ibn-Ezra (1055-1135): a cycle of songs for voice and guitar (1966)
Op.208 - Sonata for Cello and Harp (1967)
Op.209 - The Harp of King David, a rhapsody for solo harp (1967)
Op.210 - Appunti (Preludi e studi per chitarra) (Unfinished, 1967–8)
Op.210a? - Fuga elegiaca (1967) for 2 guitars

For Violin

Figaro. Concert-Rhapsodie on Rossini's Barber of Seville
Sea Murmurs
Alt Wien

Meditation 'Kol Nidre' for cello and piano, R111a (1947)

Organ

6 Preludes for Organ on a Theme of Bruto Senigaglia (1962)

Guitar

Variazioni attraverso i secoli (Variations à travers les siècles), Op. 71 (1932)
Sonata Hommage à Boccherini, Op. 77 (1934)
Capriccio Diabolico (Hommage to Paganini), Op. 85a (1935)
Tarantella, Op. 87a (1935)
Aranci in fiore, Op. 87b (1935)
Variations plaisantes sur un petit air populaire, Op. 95 (1937)
Rondò, Op. 129 (1946)
Suite, Op. 133 (1947)
Preludio in forma di habanera (1954)
Tre Preludi mediterranei, Op. 176 (1955)
Escarramán, Op. 177 (1955)
Passacaglia, Op. 180 (1956)
Platero y Yo, Op. 190 for guitar and narrator (1960)
Tre Preludi al Circeo, Op. 194
24 Caprichos de Goya, Op. 195 (1961)
Appunti, Op. 210 (unfinished, 1967–8)

Two guitars

Sonata canonica, Op. 196 (1961)
Les Guitares bien tempérées, Op. 199 (24 preludes and fugues in all 24 major and minor keys) (1962)
Fuga Elegiaca, Op. 210a (1967)

Chamber

3 String Quartets, Opp. 69 in G, 139 (published in 2019), 203 (manuscript)
Sonata for Clarinet and Piano, Op. 128 (1945)
Guitar Quintet (guitar and string quartet), Op. 143 (1950)
Sonata in C minor for Viola and Cello, Op. 144 (1950?)
Fantasia for Guitar and Piano, Op. 145 (1950)
Aria for oboe, cello and guitar, Op. 146C, No. 3 (1950)
String trio (1950), Op.147 (1950)
Sonata for Violin and Violoncello, Op.148 (1950)

Choral With Variations for 4 Horns in F, Op. 162 (1953)

Orchestral

Overture: La Bisbetica domata (The Taming of the Shrew), Op. 61 (1930)
Overture: La Dodicesima notte (Twelfth Night), Op. 73 (1933)
Overture: Il Mercante di Venezia (The Merchant of Venice), Op. 76 (1933)
Overture: Giulio Cesare (Julius Caesar), Op. 78 (1934)
Overture: Il Racconto d'inverno (The Winter's Tale), Op. 80 (1935)
Overture: A Midsummer Night's Dream, Op. 108 (1940)
Overture: King John, Op. 111 (1941)
Overture: Antony and Cleopatra, Op. 134 (1947)
Overture: The Tragedy of Coriolanus, Op. 135 (1947)
Overture: Much Ado about Nothing, Op. 164 (1953)
Overture: As You Like It, Op. 166 (1953)
Four Dances from 'Love's Labours Lost', Op. 167 (1953)

Concertante

Violin
- Violin Concerto No. 1, Op. 31 Concerto italiano
- Violin Concerto No. 2, Op. 66 I Profeti (The Prophets; for Jascha Heifetz)
Piano
- Concerto for Piano No. 1 in G major, Op. 46 (1927)
- Concerto for Piano No. 2 in F major, Op. 92 (1936–7)
Cello
- Cello Concerto in G minor, Op. 72 (1933; for Gregor Piatigorsky)
Harp
- Concertino for Harp and Chamber Orchestra, op. 93
Oboe
- Concerto da camera, Op. 146a
Guitar
- Guitar Concerto No. 1 in D major, Op. 99 (1939)
- Serenade, for guitar and chamber orchestra, Op. 118
- Guitar Concerto No. 2 in C major, Op. 160 (1953)
- Concerto for Two Guitars, Op. 201 (1962)

Operas

La Mandragola (prologue & 2 acts, after Niccolò Machiavelli), Op. 20, 1920–23, Venice, Fenice, May 1926; revision in 2 acts in German, Wiesbaden, Staatsoper, 1928
All's Well that Ends Well (3 acts, after William Shakespeare), Op. 182; Italian translation as Giglietta di Narbona, unperformed
The Merchant of Venice (3 acts, after Shakespeare), Op. 181, 1956; as Il mercante di Venezia, Florence, Comunale, 25 May 1961; in original English version: Los Angeles, Shrine Auditorium, 13 April 1966
Saul (3 acts, after V. Alfieri), Op. 191, 1958–60, unperformed
The Importance of Being Ernest (comic opera, 3 acts, after Oscar Wilde), Op. 198, 1961–2, RAI, 1972; staged: New York, La Guardia, 22 Feb 1975

Ballet

Bacco in Toscana (after F. Redi), Op. 39, 2 solo vv, chorus, orch, 1925-6, Milan, 1931
Pesce turchino, Florence, 1937 (after piano piece La sirenetta e il pesce turchino)
Bas-relief: La Reine Nefertiti, 1937 (Paris, 1938)
The Birthday of the Infanta (Wilde), Op. 115, 1942 (New Orleans, 1947)
The Octoroon Ball (K. Dunham), Op. 136, 1947–9

Vocal

Stelle Cadenti (Shooting Star). Cycle of 12 songs in Italian for voice and piano (1919)
Tre fioretti di San Francesco (Three little flowers of Saint Francis), Op. 11 (1920) for voice and orchestra
Sei odi di Orazio (Six Odes of Horatius) for voice and piano (1930)
Naomi and Ruth, Op. 27 (1947). Cantata for soprano, women's chorus and orchestra
Sacred Service for the Sabbath Eve, Op. 122 (1943) for tenor, baritone, speaker, organ and orchestra
"Morning in Iowa", for voice, accordion, banjo, clarinet, double bass, percussion
Vogelweide, Op. 186 (1959) for baritone and guitar
Memorial Service for the Departed, Op. 192 (1960)
The Divan of Moses Ibn Ezra, for soprano and guitar (1966)

Film music

Credited contributions (full list of the 11 scores that were credited to the composer)

1. The Return of the Vampire (Lew Landers, 1943)

2. The Black Parachute (Lew Landers, 1944)

3. She's a Soldier Too (William Castle, 1944)

4. And Then There Were None (René Clair, 1945)

5. Time Out of Mind (Robert Siodmak, 1947)

6. The Loves of Carmen (Charles Vidor, 1948)

7. Rogues of Sherwood Forest (Gordon Douglas, 1950)

8. The Brave Bulls (Robert Rossen, 1951)

9. Mask of the Avenger (Phil Karlson, 1951)

10. The Brigand (Phil Karlson, 1952)

11. The Long Wait (Victor Saville, 1954)

Uncredited contributions as "composer of original music" (selected)

The Stars Look Down (Carol Reed, 1940) <US version>

Dr. Jekyll and Mr. Hyde (Victor Fleming, 1941)

Rage in Heaven (W.S. Van Dyke, 1941)

The Affairs of Martha (Jules Dassin, 1942)

Vendetta <short> (Joseph M. Newman, 1942)

Somewhere I'll Find You (Wesley Ruggles, 1942)

A Yank at Eton (Norman Taurog, 1942)

White Cargo (Richard Thorpe, 1942)

Reunion in France (Jules Dassin, 1942)

Keeper of the Flame (George Cukor, 1942)

Journey for Margaret (W. S. Van Dyke, 1942)

Mr. Blabbermouth! <short> (1942)

Tortilla Flat (Victor Fleming, 1942)

Fingers at the Window (1942)

Harrigan's Kid (1943)

DuBarry Was a Lady (Roy Del Ruth, 1943)

Bataan (Tay Garnett, 1943)

Lassie Come Home (Fred M. Wilcox, 1943)

Whistling in Brooklyn (S. Sylvan Simon, 1943)

The Cross of Lorraine (Tay Garnett, 1943)

Forgotten Treasure (Basil Wrangell, 1943)

Hitler's Madman (Douglas Sirk, 1943)

Above Suspicion (Richard Thorpe, 1943)

Plan for Destruction (Edward Cahn, 1943)

In Our Time (Vincent Sherman, 1944)

The Heavenly Body (Alexander Hall, 1944)

Gaslight (George Cukor, 1944)

Mr. Winkle Goes to War (Alfred E. Green, 1944)

The Canterville Ghost (Jules Dassin, 1944)

Secret Command (A. Edward Sutherland, 1944)

Mrs. Parkington (Tay Garnett, 1944)

Gentle Annie (Andrew Marton, 1944)

Dancing in Manhattan (1944)

Sergeant Mike (Henry Levin, 1944)

The Mark of the Whistler (William Castle, 1944)

Barbary Coast Gent (Roy Del Ruth, 1944)

Address Unknown (William Cameron Menzies, 1944)

Rationing (Willis Goldbeck, 1944)

Two-Man Submarine (Lew Landers, 1944)

Main Street After Dark (Edward L. Cahn, 1945)

The Picture of Dorian Gray (Albert Lewin, 1945)

Without Love (Harold S. Bucquet, 1945)

The Clock (Vincente Minnelli, 1945)

Son of Lassie (Sylvan Simon, 1945)

The Valley of Decision (Tay Garnett, 1945)

Bewitched (Arch Oboler, 1945)

The Hidden Eye (Richard Whorf, 1945)

Our Vines Have Tender Grapes (Roy Rowland, 1945)

I Love a Mystery (Henry Levin, 1945)

The Crime Doctor's Courage (1945)

The Strange Affair of Uncle Harry (Robert Siodmak, 1945)

Voice of the Whistler (William Castle, 1945)

Prison Ship (Arthur Dreifuss, 1945)

A Letter for Evie (Jules Dassin, 1946)

Bad Bascomb (Sylvan Simon, 1946)

Undercurrent (Vincente Minnelli, 1946)

Night Editor (Henry Levin, 1946)

Dangerous Business (D. Ross Lederman, 1946)

Courage of Lassie (Fred M. Wilcox, 1946)

Shadowed (John Sturges, 1946)

Desire Me (George Cukor, 1947)

Uncredited contributions as "composer of stock music" (selected)

Seven Sweethearts (Frank Borzage, 1942)

Cry of the Werewolf (Henry Levin, 1944)

Manhunt of Mystery Island (Spencer Gordon Bennet, Yakima Canutt, Wallace Grissell, 1945)

Escape in the Fog (Budd Boetticher, 1945)

The Adventures of Rusty (Paul Burnford, 1945)

My Name Is Julia Ross (Joseph H. Lewis, 1945)

Just Before Dawn (William Castle, 1946)

Mysterious Intruder (William Castle, 1946)

The Man Who Dared (John Sturges, 1946)

The Unknown (Henry Levin, 1946)

Bulldog Drummond at Bay (Sidney Salkow, 1947)

The Millerson Case (George Archainbaud, 1947)

Key Witness (D. Ross Lederman, 1947)

Alias a Gentleman (Harry Beaumont, 1948)

The Return of the Whistler (D. Ross Lederman, 1948)

The Gentleman from Nowhere (William Castle, 1948)

The Stratton Story (Sam Wood, 1949)

Batman and Robin <serial> (Spencer Gordon Bennet, 1949)

Brave Warrior (Spencer Gordon Bennet, 1952)

Cripple Creek (Ray Nazarro, 1952)

Captain Pirate (Ralph Murphy, 1952)

Desperate Search (Joseph H. Lewis, 1952)

Man in the Dark (Lew Landers, 1953)

Serpent of the Nile (William Castle, 1953)

Cry of the Hunted (Joseph H. Lewis, 1953)

Siren of Bagdad (Richard Quine, 1953)

Big Leaguer (Robert Aldrich, 1953)

Charge of the Lancers (William Castle, 1954)

Battle of Rogue River (William Castle, 1954)

Drums of Tahiti (William Castle, 1954)

Cannibal Attack (Lee Sholem, 1954)

Creature with the Atom Brain (Edward L. Cahn, 1955)

Devil Goddess (Spencer G. Bennet, 1955)

The Crooked Web (Nathan Juran, 1955)

The Werewolf (Fred F. Sears, 1956)

Earth vs. the Flying Saucers (Fred F. Sears, 1956)

Zombies of Mora Tau (Edward L. Cahn, 1957)

The Guns of Fort Petticoat (George Marshall, 1957)

Hellcats of the Navy (Nathan Juran, 1957)

The Giant Claw (Fred F. Sears, 1957)

20 Million Miles to Earth (Nathan H. Juran, 1957)

Stop! Look! and Laugh! (Don Appell, Louis Brandt, Jules White, 1960)

The Love Machine (Jack Haley, Jr., 1971)