| Authorship Note Only the Kyrie and Gloria were intended by Caldara. see Wikipedia. Also see Credo, ZWV 31. |
| Movements/SectionsMov'ts/Sec's | 2 |
|---|---|
| Genre Categories | Masses; Religious works; For 4 voices, mixed chorus, orchestra; |
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Complete Score
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| Work Title | Missa Providentiae |
|---|---|
| Alternative. Title | |
| Composer | Caldara, Antonio |
| Internal Reference NumberInternal Ref. No. | IAC 79 |
| Key | D minor |
| Movements/SectionsMov'ts/Sec's | 2 |
| Language | Latin |
| Composer Time PeriodComp. Period | Baroque |
| Piece Style | Baroque |
| Instrumentation | soprano, alto, tenor, bass; mixed chorus (SATB), orchestra |
| InstrDetail | 2 oboes, strings, continuo |
| External Links | Wikipedia article Bach-Cantatas.com Bach’s Sanctus in D minor BWV 239 is based on Caldara’s for this work, which he made a copy of for study. (Strictly speaking Caldara didn’t write a Sanctus: “Missa Providentiae is a Kyrie–Gloria Mass in D minor composed by Antonio Caldara, which around 1728 was expanded into a Missa tota by Jan Dismas Zelenka: this composer derived a Sanctus and Agnus Dei from Caldara's Kyrie and Gloria, and added a Credo, ZWV 31, of his own hand.”) |
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| Masses and Magnificats by Johann Sebastian Bach | ||
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