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PDF scanned by Unknown
Hiers (2008/7/28)
Publisher. Info.
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Venice: Sylvestro Ganassi, 1535.
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Reprinted
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Bibliotheca musica Bononiensis (No.18-2) Bologna: Arnaldo Forni Editore, 2002.
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Copyright
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Editor
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Vicente Parrilla
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Publisher. Info.
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Venice: Sylvestro Ganassi, 1535.
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Copyright
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Misc. Notes
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RISM A/I: G 325. Editor just added numbers, not significant enough for copyright protection.
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Editor
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Vicente Parrilla (b. 1977)
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Publisher. Info.
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Vicente Parrilla, 2021.
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Copyright
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Misc. Notes
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Fontegara musical examples, written in modern notation
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Translations
Editor
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Hildemarie Peter (1921-)
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Language
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English
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Translator
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Dorothy Swainson (1882-1959)
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Publisher. Info.
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Berlin-Lichterfelde: Robert Lienau Musikverlag, 1959.
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Reprinted
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Berlin: Robert Lienau Musikverlag, 1997. Plate RL 16370.
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Copyright
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Misc. Notes
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English translation based on German edition published in 1956.In the USA this work is most likely in the public domain because it was published without a compliant copyright notice or no renewal was found after a thorough search of the Catalog of Copyright Entries and it was apparently ineligible for "restoration" under GATT/TRIPS.
Please obey the copyright laws of your country. IMSLP assumes no legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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General Information
Work Title
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Opera intitulata Fontegara
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Alternative. Title
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Opera intitulata Fontegara, la guale insegna a sonare di flauto chon tutta l'arte opportuna a esso istrumento massime il diminuire il guale sara utile ad ogni istrumento di fiato et chorde: et anchora a chi si dileta di canto.
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Composer
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Ganassi, Sylvestro
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I-Catalogue NumberI-Cat. No.
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None [force assignment]
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First Publication.
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1535
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Language
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Italian
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Dedication
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Andrea Gritti (1455-1538)
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Composer Time PeriodComp. Period
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Renaissance
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Piece Style
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Renaissance
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Instrumentation
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recorder
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Navigation etc.
Treatise on playing the recorder and ornamentation, published in Venice 1535.
Information on the source of the scan is lacking. There are some minor differences from the Forni Facsimile Edition (based on the Bologna copy), compare f.ex. page 72 (added page numbers), nr 5 bar 5, or compare in general the "contamination" on the pages, of which there is less in the Forni/Bologna edition.
Treatise on playing the recorder and diminution.