Performances
Recordings
⇒ 9 more: 2. Te decet hymnus • 3. Kyrie eleison • 4. Graduale “Requiem æternam” • 5. Offertorium ”Domine Jesu Christe” • 6. Hostias et preces • 7. Sanctus • 8. Benedictus • 9. Agnus Dei • 10. Communio “Lux æterna luceat eis”
Publisher Info.
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Erato LDE 3040, 1957.
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Performers
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Annik Simon, soprano – André Meurant, 1er ténor – Michel Hamel, 2ème ténor – Xavier Depraz, basse – Ensemble vocal Philippe Caillard – Ensemble instrumental J.-M. Leclair – Laurence Boulay, clavecin – Marie-Claire Alain, orgue – Dir. Louis Frémaux
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Copyright
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Misc. Notes
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Source: BnF B-2058 - Disque microsillon 33t, 30 cm, mono
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Naxos
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Sheet Music
Full Scores
Publisher. Info.
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Versailles: Manuscript, 1762.
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Copyright
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Editor
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Daniel Van Gilst (b. 1942)
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Publisher. Info.
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Daniel Van Gilst, 2017.
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Copyright
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Misc. Notes
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Source : Messe de requiem de feu M. Gilles - Ms. BnF Vm1 1345 bis.
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Editor
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Renske Ligtmans (b. 1964)
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Publisher. Info.
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Renske Ligtmans, 2024.
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Copyright
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Misc. Notes
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Based on the 1731 edition.
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Parts
⇒ 6 more: 2me Dessus de flûte • 1er Dessus de violon • 2me Dessus de violon • Haute-contre de violon • Taille de viiolon • Basse continue
Editor
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Daniel Van Gilst (b. 1942)
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Publisher. Info.
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Daniel Van Gilst, 2017.
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Copyright
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Misc. Notes
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Source : Messe de requiem de feu M. Gilles - Ms. BnF Vm1 1345 bis.
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Purchase
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General Information
Work Title
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Grande Messe des Morts
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Alternative. Title
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Name Translations
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Messe des morts
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Authorities
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WorldCat; VIAF: 176246053; LCCN: n82101849; GND: 1046173030; BNF: 139124912
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Composer
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Gilles, Jean
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I-Catalogue NumberI-Cat. No.
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IJG 7
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First Performance.
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1705-02-06, for composer's funerals
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First Publication.
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1764
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Language
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Latin
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Composer Time PeriodComp. Period
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Baroque
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Piece Style
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Baroque
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Instrumentation
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Voices: soprano, alto, tenor, bass + mixed chorus (SSATB) Orchestra: flute (or violin) + 2 violas + continuo, tambours (drums)
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Navigation etc.
Michel Corrette composed a Carillon des Morts (for orchestra) to conclude the Requiem mass; «Le sujet de ce Carillon est à l'imitation de la Sonnerie de Rouën, en usage pour les Trépassés, qui est la plus triste et la plus lugubre de toute la Chrétienté.»