|Genre Categories||; ; ; ;; ; ;|
|Work Title||Sarabande and Cortège|
|Alternative. Title||Zwei Studien zu Doktor Faust ; Elegies Nos.5 and 6|
|Opus/Catalogue NumberOp./Cat. No.||BV 282 ; Op.51|
|I-Catalogue NumberI-Cat. No.||IFB 51|
|Year/Date of CompositionY/D of Comp.||1918–19|
|First Performance.||1919-3-31, Zürich
|Composer Time PeriodComp. Period||Early 20th century|
|Piece Style||Early 20th century|
|Instrumentation||Orchestra (3 Flutes, oboe, 2 English horns, contrabassoon, 3 trombones, timpani, tamtam, bass drum, celesta, harp, strings - Sarabande ; 2 flutes, flute 3/piccolo, 2 oboes, 2 clarinets in C, bass clarinet in C, 2 bassoons, contrabassoon, 4 horns in F, 3 trumpets in C, 3 trombones, tuba, timpani, triangle, tambour, bass drum, cymbals, celesta, 2 harps, strings - cortege.)|
|External Links|| (Bradford Robinson, 2009)|
Wikipedia article (Russian)
Studies (for/from the incomplete opera "Doctor Faust") is used here more in the sense of "sketches" than studies as in "etudes", actually.
The list given at Wikipedia does not quite match: Elegy no.5 is "Die Nächtlichen (Walzer)" and Elegy no.6 is "Erscheinung (Notturno)", manuscripts @ Busoni Archive nos. 237-8, published 1908. However, Busoni, like Liszt and others in their tradition, was forever revising and reconsidering, so... ?.