Symphony No.2, Op.6 (Atterberg, Kurt Magnus)

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Contents

Performances

Sheet Music

Scores

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Publisher. Info. Stockholm: A.B. Nordiska Musikförlaget, 1916. Plate N.M.S. 3.
Copyright
Misc. Notes #542543-5: This file is part of the Sibley Mirroring Project.
#542543-5: Originally submitted by Schissel on 30 July 2011.
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Parts

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15 more: Oboes 1, 2/English Horn • Clarinets 1, 2 (Bb & A), Bass Clarinet (Bb) • Bassoons 1, 2 • Horns 1-4 (F) • Trumpets 1, 2 (Bb) • Trombones 1-3 • Tuba • Timpani • Cymbals • Piano • Violins I • Violins II • Violas • Cellos • Basses

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Publisher. Info. Stockholm: A.B. Nordiska Musikförlaget, 1916.
Copyright
Misc. Notes Reprinted by Gehrmans Musikförlag
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General Information

Work Title Symphony No.2
Alternative. Title
Name Translations Symfonie nr. 2; Symphony No. 2
Name Aliases Symphony No. 2 in F major, Op. 6; Symfonie nr. 2 (Atterberg)
Authorities WorldCat; LCCN: no97074255
Composer Atterberg, Kurt Magnus
Opus/Catalogue NumberOp./Cat. No. Op.6
I-Catalogue NumberI-Cat. No. IKA 1
Key F major
Movements/SectionsMov'ts/Sec's 3 movements:
  1. Allegro con moto
  2. Adagio-Presto
  3. Allegro con fuoco
Year/Date of CompositionY/D of Comp. 1911–13
First Performance. 1912-12-12 in Goteborg (Original 2-movement version)
1913-7-27 in Sondershausen ( Fürstliche Hofkapelle, cond. by Carl Corbach. Unofficial premiere? of 3-movement, final version. Official premiere conducted by Max von Schillings somewhat later in Stuttgart)
First Publication. 1916 – Stockholm: A.B. Nordiska Musikförlaget
Average DurationAvg. Duration 40 minutes
Composer Time PeriodComp. Period Early 20th century
Piece Style Early 20th century
Instrumentation Orchestra
3 flutes (3rd also piccolo), 2 oboes, English horn,
2 clarinets in B, bass clarinet in B, 2 bassoons
4 horns in F, 3 trumpets in B (3rd ad lib.), 3 trombones, tuba
timpani, cymbals, piano, strings
External Links Wikipedia article (Dutch)

Navigation etc.

Originally 2 movements.

Can't seem to locate the first "public" performance under Schillings; a (November) 1915 performance in Hamburg under von Hausegger is described in NZM (1915, p.396) as the "Uraufführung".