| Movements/SectionsMov'ts/Sec's | 3 movements |
|---|---|
| Composition Year | 1841-42 |
| Genre Categories | Sonatas; For violin, piano; Scores featuring the violin; |
Complete Score
*#999684 - 3.45MB, 10 pp. - (-) - V/V/V - 9×⇩ - Theodore S.
PDF scanned by F-Pn
Theodore S. (2025/11/7)
Violin Part
*#999703 - 1.88MB, 6 pp. - (-) - V/V/V - 4×⇩ - Zhengxinhao
PDF scanned by F-Pn
Zhengxinhao (2025/11/7)
|
| Work Title | Violin Sonata in B-flat major |
|---|---|
| Alternative. Title | Sonate finie le 8 janvier 1842 |
| Composer | Saint-Saëns, Camille |
| Opus/Catalogue NumberOp./Cat. No. | R 103 |
| Internal Reference NumberInternal Ref. No. | ICS 315 |
| Key | B-flat major |
| Movements/SectionsMov'ts/Sec's | 3 movements
|
| Year/Date of CompositionY/D of Comp. | 1841-42 |
| First Publication. | 2021 - Bärenreiter (Works for Violin and Piano (1): Sonatas for Violin and Piano) |
| Dedication | Antoine Bessems (1809-1868) |
| Average DurationAvg. Duration | 6-7 minutes |
| Composer Time PeriodComp. Period | Romantic |
| Piece Style | Romantic |
| Instrumentation | violin, piano |
| External Links | BNF, https://www.alessiobidoli.com/download/SaintSaens-booklet-3.pdf, https://commons.wikimedia.org/wiki/Category:Sonate_finie_le_8_janvier_1842_(manuscrit_autographe)_-_btv1b550082186 |
| Extra Information | From Bibliothèque nationale de France: Title taken at the start. - Dedication initially, in ink: "to Monsieur Bessems". - Ms. autogr. in ink with some scratches. - Additions of dynamic and metronomic indications (1st and 3rd movements) in black pencil. - In the andante, indication "ad libitum climax" and addition of cadence in black pencil. - Violin part in ink perhaps by the hand of Clémence Saint-Saëns, mother of the composer; corrections of notes in black pencil probably by the hand of Camille Saint-Saëns |
According to Alessandro Turba (who wrote the liner notes for the world premiere recording of this sonata by violinist Alessio Bidoli and pianist Bruno Canino), "Saint-Saëns recalled having performed this ‘youthful indiscretion’ together with his dedicatee: Antoine Bessems". No date is given for this performance, however it almost certainly would have been during Saint-Saëns' childhood.