Angelo (Cui, César)

Contents

Sheet Music

Vocal Scores

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Editor Revised edition
Language Russian / German
Translator Yuri Arnold, German text
Publisher. Info. St. Petersburg: W. Bessel & Co., n.d.[1900]. Plate 634.
Copyright
Misc. Notes The revised edition is not a reprint of the first edition, and was issued in 1900. (Fortunately, the others here do not say "Revised edition" and therefore are from the first edition- right? Of course right)
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Cui And 001 pv.pdf

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Language Russian / German
Translator Yuri Arnold, German text
Publisher. Info. St. Petersburg: W. Bessel & Co., n.d.[1876]. Plates 635–643.
Reprinted St. Petersburg: Bessel, n.d.(ca.1901).
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Cui And Act1 Sc1 pv.pdf

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Language Russian / German
Translator Yuri Arnold, German text
Publisher. Info. St. Petersburg: W. Bessel & Co., n.d. (1876). Plates 644–649.
Reprinted St. Petersburg: Bessel, n.d.(ca.1901).
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PMLP33792-Cui Angelo Act2 Sc1 p125-153.pdf

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Language Russian / German
Translator Yuri Arnold, German text
Publisher. Info. St. Petersburg: W. Bessel & Co., n.d.[1876]. Plates 650–656.
Reprinted St. Petersburg: Bessel, n.d.(ca.1901).
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PMLP33792-Cui Angelo Act4 Sc1 p189-208.pdf

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Language Russian / German
Translator Yuri Arnold, German text
Publisher. Info. St. Petersburg: W. Bessel & Co., n.d.[1876]. Plates 657a–664.
Reprinted St. Petersburg: Bessel, n.d.(ca.1901).
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PMLP33792-Cui Angelo Act4 Entracte p256-258 pl657.pdf

Arrangements and Transcriptions

Introduction

For Orchestra (Glazunov)

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Arranger Aleksandr Glazunov (1865-1936)
Publisher. Info. St. Petersburg: W. Bessel & Co., n.d.[1906]. Plate 4900.
Copyright
Misc. Notes Re-orchestrated and transposed to F minor. Glazunov not credited on publication.
This file is part of the Sibley Mirroring Project.
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Cui And 002 Intro orch.pdf
For Piano 4 hands

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Publisher. Info. St. Petersburg: Bessel, n.d. Plate 634.
Copyright
Misc. Notes Original key (F minor).
This file is part of the Sibley Mirroring Project.
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SIBLEY1802.10040.9f00-39087011325000score.pdf

Barcarolle (Act III)

For Voice and Piano

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Language Russian / German / French
Publisher. Info. St. Petersburg: W. Bessel & Co., n.d. (1876). Plate 643a.
Copyright
Misc. Notes For solo voice (without chorus).
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PMLP33792-Cui Angelo Barcarolle solo Bessel 1876 pl643a 4p RusGerFre.pdf
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General Information

Work Title Анджело
Alternative. Title Angelo
Composer Cui, César
Movements/SectionsMov'ts/Sec's 4 acts
1. Introduction (orchestra)
  • Act I.
2. Scene 1 (chorus)
3. Scene 2 (Rodolfo, Ascanio, conspirators)
4. Scene 3: (Song and chorus)
a. Galeofa's Song
b. Fortune-Telling (Galeofa, Rodolf, maskers)
5. Scene 4 (Rodolfo, Galeofa)
6. Scene 5 (Tisbe, chorus of maskers)
7. Scene 6 (Tisba, Rodolfo)
8. Scene 7 (Galeofa)
9. Scene 8 (Tisbe, Galeofa)
10. Scene 9 (Tisba, Angelo, maskers):
a. Barcarolle (tenor with chorus)
b. Tisbe's Narrative
  • Act II.
11. Scene 1 (Catarina, Dafne, Rodolfo, women's chorus):
a. Women's Chorus («Однажды царь»)
b. Women's Chorus («Далеко, на самом море»)
c. Rodolfo's Song
12. Scene 2 (Catarina, Rodolfo)
13. Scene 3 (Catarina, Tisbe)
14. Scene 4 (Catarina, Tisbe, Angelo)
  • Act III.
15. Scene 1
a. Chorus – Nocturne
b. Chorus – Tarantella
16. Scene 2 (Ascanio, conspirators)
17. Scene 3 (Ascanio, conspirators, people)
18. Scene 4 (Rodolfo, Ascanio, conspirators, people)
a. Oath (Rodolfo, Ascanio, chorus)
b. Prayer (chorus)
19. Scene 5 (Galeofa, Rodolfo, conspirators, people)
20. Scene 6 (Angelo, Galeofa, conspirators, people)
  • Act IV.
Tableau 1
21. Entr'acte (orchestra)
22. Scene 1 (Angelo, Fra Paolo)
23. Scene 2 (Tisbe)
24. Scene 3 (Tisbe, Angelo, Fra Paolo)
25. Scene 4 (Catarina, Angelo)
26. Scene 5 (Catarina)
27. Scene 6 (Catarina, Tisbe, Angelo)
28. Scene 7 (Tisbe, Angelo, two sbirri)
Tableau 2
29. Scene 1 (Tisbe, the two sbirri)
30. Scene 2 (Tisbe)
31. Scene 3 (Tisba, Catarina, Rodolfo, chorus of monks)
Year/Date of CompositionY/D of Comp. 1871–75
First Performance. 1876-02-13 – St. Petersburg, Maryinsky Theatre
Eduard Nápravník, conductor
First Publication. 1876 - St. Petersburg: W. Bessel & Co., Plates 634-664.*
*Complete work published only as vocal score. Introduction published in full score.
Librettist Viktor Burenin (1841–1926), after Victor Hugo (1802–1885)
Language Russian
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices, Chorus, Orchestra
3 Flutes, Oboe, English Horn, 2 Clarinets in A, Bass-Clarinet in A, 2 Bassoons,
4 Horns in F, 2 Trumpets in A, 3 Trombones, Tuba, Timpani, Cymbals, Drum, Strings
External Links Wikipedia article
Extra Information This opera uses the same subject (by Hugo) as La Gioconda by Amilcare Ponchielli which premiered in the same year. The orchestral introduction re-orchestrated later by Aleksandr Glazunov, possibly for the 1901 revival in Moscow.

Misc. Comments

Vocal score noted in HMB here - Hofmeister's Monatsbericht (1882), p.238 with revision noted in 1900.


Operas by César Cui