Anleitung zum Gesange, und dem Klaviere (Rigler, Franz Paul)

Movements/SectionsMov'ts/Sec's see below
First Publication 1798
Genre Categories Methods; For 1 voice; For unaccompanied voices; Scores featuring the voice; For keyboard; Scores featuring keyboard soloists; For 1 player; For clavichord; Scores featuring the clavichord; For organ; Scores featuring the organ; German language; Fantasias; Preludes; Versets; Fugues; Sonatas; Exercises; Studies; Cadenzas; For keyboard 4 hands; For 2 players; Scores featuring the keyboard 4 hands; For voice, keyboard; For voices with keyboard; For voice, violin, keyboard; Scores featuring the violin; For voices with solo instruments; For voice, orchestra; For voices with orchestra; Scores featuring the orchestra; Chorales; Religious works; Sacred songs; Songs; For mixed chorus, organ; Scores featuring mixed chorus; For chorus with keyboard

Sheet Music

Scores

 Complete Method
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 Anhang: 4 Sonatas and 4 Fugues for Organ
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 Anhang 1: Kirchengesänge
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 Anhang 2: 25 Übungsstücke and 6 Cadenzas
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Publisher. Info. Budapest (Ofen): im Verlage der königl. hungar. Universitätsbuchdruckerey, 1798.
Copyright
Public Domain [tag/del/mrg]
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General Information

Work Title Anleitung zum Gesange, und dem Klaviere
Alternative. Title Anleitung zum Gesange, und dem Klaviere, oder die Orgel zu spielen; nebst den ersten Gründen zur Komposizion; als Nöthige Vorkenntnisse der freyen und gebundenen Fantasie; mit 2 Anhängen: der 33 Kirchenlieder; und 31 charakteristischen Tonstücken verschiedener Meister dieses Jahrhunderts. Für Tonlehrer, Schulleute, und Musikliebhaber in dem Königreiche Ungarn. Vorzüglich aber zum allgemeinen Gebrauch der Tonschulen.
Composer Rigler, Franz Paul
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's see below
Chapter I. Voice.
Section I. Clefs, gamut, vocal ranges, rudiments
Section II. Accidentals, intervals, scales and keys (major and relative minor), modes, 4-line chant notation
Section III. Rhythm, time signatures, Italian musical terms, musical symbols. Includes several solfeggio exercises.
Section IV. Ornamentation, messa di voce, diminution and variation, recitative. Includes 6 cadenzas (Fermate) and 9 ornamented passaggi.
Chapter II. Keyboard Instruments.
Section I. Gamut/range, fingering. Includes several study pieces through the different time signatures.
Section II. Fingering, scales for all keys and both hands, chords, leaps etc., several short examples.
Section III. Ornamentation. Includes 12 cadenzas (No.10 by Clementi, No.11 by C.P.E. Bach, No.12 by W.A. Mozart), a 3-movement ornamented sonata in G major, and 6 variations on an Allegretto in F major.
Chapter III. Thorough-Bass.
Section I. Intervals, preparation and resolution of dissonances.
Section II. Triads and inversions, examples.
Section III. Dissonant chords and suspensions
Section IV. Dissonant chords and suspensions, realizing an unfigured bassline (rule of octave) - several examples.
Section V. Modulation of key
Section VI. Good execution in playing thorough-bass (includes a partimento exercise), playing from score (includes aria from Salieri's La Grotta di Trofonio)
Chapter IV. Composition.
Section I. Rules and examples for 2-, 3-, and 4-part counterpoint
Section II. "Von der freyen Fanthasie für die Orgel, &c." Includes an organ fantasia in F major and a keyboard fantasia in C major.
Section III. "Von der gebundenen oder regelmäßigen Fanthasie für die Orgel." Includes
Prelude in G major by G.M. Monn
Prelude in B♭ major by G.M. Monn
Prelude on Pleni sunt coeli from Haydn's Mass in G major
"Praeludium unter der Aufwandlung", to G. Reutter's Short Mass in F major
4 Preludes (Zum Beschlusse des Gottesdienstes)
Section IV. Versetti, with 8 examples.
Section V. Imitation and the organ fugue, several examples.
Section VI. Bibliography, list of famous 18th century composers, contents listing.
Anhang von vier Sonaten, und vier Fugen, als Probstücke für die Orgel
  1. G.F. Handel - Andante, Sonata in B major
  2. D. Scarlatti - Sonata in G minor
  3. Rigler - Sonata in C major
  4. Rigler - Sonata in F minor
  5. Albrechtsberger - Fugue in F major
  6. C.P.E. Bach - Fugue in A major
  7. G.F. Handel - Fugue in F♯ minor
  8. J.S. Bach - Fugue in E♭ major
Erster Anhang. (33) Kirchengesänge, aus dem katholischen deutschen, und böhmischen Normalgesangbuche, nebst einigen verbesserten, und neuverfertigten; in den vier Landessprachen: Ungarisch, Deutsch, Schlowakisch, Rusniakisch, mit drey- und vierstimmiger Begleitung der Orgel. (in fact these are all in German)
Zweyter Anhang. 25. Uibungsstücke, nebst 6. Fermaten, für das Klavier, und die Orgel; von berühmten Komponisten und Spielern verschiedener Zeiten.
  1. A. Caldara - Risoluzioni
  2. Zimmermann - 6 Versetti
  3. J.C. Bach - 3 Variations on a Theme in G major
  4. Fasch - Andante in F major
  5. Duphly - Rondo in C major
  6. Kirnberger - Prelude (E minor) and Polonese (E major)
  7. Handel - Andante in B major [sic - also printed in the Anhang above]
  8. Stepan - Allegretto in A major
  9. Hässler - Allegretto in B♭ major
  10. J.F. Reichardt - Allegretto in B♭ major
  11. D. Scarlatti - Sonata in F major
  12. Clementi - Larghetto in F major for Keyboard 4-Hands
  13. Haydn - Allegro in B♭ major
  14. W.A. Mozart - Menuetto & Trio in A major/D major
  15. Kozeluch - Adagio in B♭ major
  16. C.P.E. Bach - Allegro moderato in D minor
  17. Schiava - Fugue in G major
  18. Gottlieb Muffat - Toccata and Fugue in F major
  19. "Vecchio" Mann - Fugue in F major
  20. W.F. Bach - Fugue in D major
  21. Albrechtsberger - Prelude and Fugue in A minor
  22. J.S. Bach - Fugue in F major
  23. A. Scarlatti - Fugue in F minor
  24. Rigler - Fugue in C major
  25. Rigler - Allegretto in B major
  26. Cadenza alla Haydn - by Clementi
  27. Cadenza alla Kozeluch
  28. Cadenza alla Mozart
  29. Cadenza alla Sterkel
  30. Cadenza alla Vanhal
  31. Cadenza alla Clementi
First Publication. 1798
Language German. Includes examples in Latin, Italian
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation voice; keyboard (clavichord) or organ; chorus, organ; keyboard 4-hands. Also includes examples for: voice and keyboard; voice, violin and keyboard; voice and orchestra
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