Der Rosenkavalier, opera, Op.59 (Strauss, Richard)
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It is unlikely that this work is public domain in the EU, or in any country where the copyright term is life-plus-70 years. However, it is in the public domain in Canada (where IMSLP is hosted) and other countries where the term is life-plus-50 years (like China, Japan, Korea and many others worldwide). As this work was first published before 1923 or failed to meet notice or renewal requirements to secure statutory copyright, it is almost certainly public domain in the USA as well. |
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Scores
Full Scores
Berlin: Adolph Fürstner, 1910.
London: Boosey & Hawkes, 1943.
Public Domain - Non-PD EU [tag all]
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Vocal Scores
Preliminaries - Act I
*#154937 - 16.53MB, 154 (iv, #5-154) pages - (2) - V/V/20 - 1199x⇩
PDF file, Scanned by Sibley Music Library
Massenetique (22 November 2011)
PDF file, Scanned by Sibley Music Library
Massenetique (22 November 2011)
PDF file, Scanned by Sibley Music Library
Massenetique (22 November 2011)
Otto Singer II (1863-1931), piano reduction
German
Paris: Adolph Fürstner, 1910—11. Plates A. 5903 F. and A. 5903 6000 F.
Public Domain - Non-PD EU [tag all]
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Preliminaries - Act I
*#117568 - 10.75MB, 158 (vi, #5-156) pages - (0) - V/V/20 - 1423x⇩
PDF file, Scanned by Internet Archive
Massenetique (2 September 2011)
PDF file, Scanned by Internet Archive
Massenetique (2 September 2011)
PDF file, Scanned by Internet Archive
Massenetique (2 September 2011)
Carl Besl (fl.ca.1912), piano reduction
German / English
Alfred Kalisch (1863–1933), English text
Berlin: Adolph Fürstner, 1910. Plate F. 500.
London: Boosey & Hawkes, 1912.
Public Domain - Non-PD EU [tag all]
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Arrangements and Transcriptions
See also:
- Walzerfolge No.1 aus "Der Rosenkavalier", TrV 227c (Erste Walzerfolge), compiled in 1944 from Acts I and II of the opera
- Walzerfolge No.2 aus "Der Rosenkavalier", TrV 227a (Zweite Walzerfolge), compiled in 1911 from Act III of the opera
- Der Rosenkavalier, concert suite from the opera, TrV 227d (1945)
Waltzes
For Violin and Piano (Singer)
Violin and Piano score, Violin part
*#37191 - 1.86MB, 21 pages - (0) - V/V/20 - 818x⇩
Otto Singer II (1863–1931)
Berlin: Adolph Fürstner, 1911. Plate A. 5917 5919 F.
Public Domain - Non-PD EU [tag all]
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For 2 Pianos (Singer)
Piano score
*#12080 - 1.28MB, 45 pages - (1) - V/V/20 - 503x⇩
Otto Singer II (1863–1931)
Berlin: Adolph Fürstner, n.d. (after 1911). Plate A. 5940 F.
Public Domain - Non-PD EU [tag all]
This file is from the MIT archive project.
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For Piano solo (Singer)
Concert Waltz - piano score
*#12079 - 0.99MB, 13 pages - (0) - V/V/20 - 889x⇩
Otto Singer II (1863–1931)
Berlin: Adolph Fürstner, n.d. (after 1911)
Boca Raton: Masters Music, n.d.(after 1987)
Public Domain - Non-PD EU [tag all]
This file is from the MIT archive project.
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Other Selections
For Cello (Dechert)
Orchestral Studies - Cello Score
*#107361 - 5.77MB, 57 pages - (0) - V/V/20 - 327x⇩
PDF file, Scanned by Sibley Music Library
Generoso (29 June 2011)
Hugo Dechert (1860-1923)
Berlin: Adolph Fürstner, 1912. Plate A. 6413 F.
Public Domain - Non-PD EU [tag all]
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Marie Theres'! Hab' mir's gelobt (Final Trio)
For Piano solo (Gribben)
Complete Score
*#62201 - 0.61MB, 4 pages - (0) - !N/!N/20 - 1114x⇩
PDF file, Typeset by John Gribben
John Gribben (20 April 2010)
John Gribben
Creative Commons Attribution 3.0 - Non-PD EU [tag all]
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General Information
| Work Title | Der Rosenkavalier |
|---|---|
| Alternative Title | Komödie für Musik in drei Akten |
| Composer | Strauss, Richard |
|---|---|
| Opus/Catalogue Number | Op.59 ; TrV 227 |
| Movements/Sections | 3 acts |
| Year/Date of Composition | 1909–10 |
| First Performance | 1911-01-26
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| First Publication | 1910 |
| Librettist | Hugo von Hofmannsthal (1874-1929) |
| Language | German |
| Average Duration | 4 hours, 30 minutes |
| Piece Style | Early 20th century |
| Instrumentation | Vocal soli, chorus 3 Flutes(III Doubling on Piccolo), 2 Oboes, English Horn (Doubling 3rd Oboe), 3 Clarinets (1 Doubling Clarinet (E♭)), Basset Horn (Or Bass Clarinet), 3 Bassoons (1 Doubling Contrabassoon) 4 Horns, 3 Trumpets, 3 Trombones, Bass Tuba Timpani, Bass Drum, Cymbals, Triangle, Tambourine, Glockenspiel, Ratchet, Big Drum, Snare Drum, Jingle Bells, Castanets Celesta, 2 Harps, Strings Off-stage: 2 Flutes, Oboe, 3 Clarinets, 2 Bassoons, 2 Horns, Trumpet, Drum, Harmonium, Piano, Strings |
| Related Works | See also the concert suite, TrV 227d, from the opera (1945?), and the Waltz Sequence No.1 from Act III, TrV 227c (1944) and Waltz Sequence No.2 from Acts I and II, TrV 227a (1910–11) |
Misc. Comments
Roles
- Die Feldmarschallin Princess Werdenberg (soprano)
- Octavian, Count Rofrano (Quinquin) (soprano / mezzo-soprano)
- Baron Ochs of Lerchenau (bass)
- Herr von Faninal, a rich merchant (baritone)
- Sophie, his daughter (soprano)
- Marianne Leitmetzerin, her duenna (soprano)
- Valzacchi, an intriguer (tenor)
- Annina, his niece and companion (contralto)
- A Notary (bass)
- An Italian Singer (tenor)
- 3 Noble Orphans (soprano, mezzo-soprano & contralto)
- A Milliner (soprano)
- An Animal Vendor (tenor)
- Faninal's Major-Domo (tenor)
- The Marschallin's Major-Domo (tenor)
- 4 Footmen of the Marschallin (2 tenors, 2 basses)
- 4 Waiters (tenor, 3 basses)
- A Police Commissioner (tenor)
- An Inn-Keeper (tenor)
- A Flautist (silent role)
- A Hairdresser (silent role)
- A Scholar (silent role)
- A Noble Widow (silent role)
- Mohammed, the Marschallin's black page (silent role)
- Chor: Lakaien; Lauffer; Haiducken; Küchenpersonal; Gäste; Musikanten; Zwei Wächter; Vier kleine Kinder; Verschiedene verdächtige Gestalten (stumme Rollen)
Sections
- Act I
- Einleitung
- Wie du warst! Wie du bist!
- Du bist mein Bub', du bist mein Schatz!
- Der Feldmarschall sitzt im krowatischen Wald
- Quinquin, es ist ein Besuch
- Selbstverständlich empfängt mich Ihro Gnaden
- Hat Sie schon einmal
- Macht das einen lahmen Esel aus mir?
- Geben mir Euer Gnaden den Grasaff' da
- Wollen Euer Gnaden leicht den Jungen Herren da
- I komm' glei
- Di rigori armato il seno
- Als Morgengabe
- Mein lieber Hippolyte
- Da geht er hin, der aufgeblasene schlechte Kerl
- Ach, du bist wieder da!
- Die Zeit, die ist ein sonderbar Ding
- Mein schöner Schatz
- Ich werd' jetzt in die Kirchen
- Act II
- Einleitung
- Ein ernster Tag, ein grosser Tag
- In dieser feierlichen Stunde der Prüfung
- Mir ist die Ehre widerfahren
- Ich kenn' Ihn schon recht wohl
- Jetzt aber kommt mein Herr Zukünftiger
- Brav, Faninal, er weiss, was sich gehört
- Wird kommen über Nacht
- Hab' nichts dawider
- Mit Ihren Augen voll Tränen
- Herr Baron von Lerchenau!
- Er muss mich pardonieren
- Da lieg' ich!
- Herr Cavalier!
- Act III
- Einleitung
- Hab'n Euer Gnaden noch weitre Befehle?
- Nein, nein, nein, nein! I trink' kein Wein
- Ach, lass Sie schon einmal das fade Wort!
- Die schöne Musi!
- Wie die Stund' hingeht
- Halt! Keiner rührt sich!
- Sind desto eher im Klaren
- Muss jetzt partout zu ihr!
- Ist halt vorbei
- Mein Gott, es war nicht mehr als eine Farce
- Heut oder morgen oder den übernächsten Tag
- Hab'mir's gelobt
- Ist ein Traum, kann nicht wirklich sein
- Ist ein Traum
External Links
- Libretto: Opera-guide.ch
- Arias, lyrics, translations: Aria-database.com
- Background: MET
| Strauss Operas | |
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- WorkNonPD-EU
- Scores with links to Amazon
- Singer II, Otto
- Sibley Mirroring Project
- Scores from the Internet Archive
- Besl, Carl/Arranger
- Kalisch, Alfred/Translator
- MIT project
- Dechert, Hugo
- Gribben, John
- Scores
- Strauss, Richard
- Early 20th century
- Comic operas
- Stage Works
- Operas
- For voices, mixed chorus, orchestra
- Scores featuring the voice
- Scores featuring mixed chorus
- Scores featuring the orchestra
- For voices and chorus with orchestra
- German language
- For violin, piano (arr)
- For 2 players
- Scores featuring the violin
- Scores featuring the piano
- For 2 pianos (arr)
- For piano (arr)
- For 1 player
- For cello (arr)
- Scores featuring the cello
- Pages with arrangements
- Hofmannsthal, Hugo von/Librettist

