Judith (Parry, Charles Hubert Hastings)

Composition Year 1887-88
Genre Categories Sacred oratorios; Oratorios; Religious works; [14 more...]For 4 voices, mixed chorus, orchestra; For voices and chorus with orchestra; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the orchestra; English language; For flute, piano (arr); Scores featuring the flute (arr); Scores featuring the piano (arr); For 2 players (arr)

Contents

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Performances

Naxos

Synthesized/MIDI

Aria "Long Since in Egypt's Pleasant Land"

For Flute and Piano (Kamioka)

 Virtual performance
#95912 - 3.05MB - 3:24 -  0/10 2 4 6 8 10 (0) - 415×⇩ - MP4 - Hideo Kamioka

MP4 file (audio/video)
Hideo Kamioka (2011/3/13)

Publisher Info. Hideo Kamioka
Performers Hideo Kamioka
Copyright
Creative Commons Attribution Non-commercial 3.0 
Misc. Notes See "Misc. Comments" at end of page
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Sheet Music

Scores

⇒ 9 more: Act I: Scene I - Moloch • Act I: Scene II - The Children • Act I: Scene III - The Sacrifice • Act I: Finale - The Coming of the Assyrians • Intermezzo, Babylon: The Repentance of Manasseh • Act II: Scene I - The Return of Manasseh • Act II: Scene II - The Message of Holofernes • Act II: Scene III - The Exploit of Judith • Act II: Finale

Publisher. Info. Holograph manuscript, 1888.
Copyright
Public Domain
Misc. Notes Royal College of Music Library, London (GB-Lcm): MS 4209
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 Introduction
#612894 - 4.44MB, 20 pp. -  0/10 2 4 6 8 10 (0) - V/V/V - 51×⇩ - Kontrabassposaune

PDF scanned by Unknown
Kontrabassposaune (2020/3/10)

⇒ 8 more: Act I: Scene I - Moloch • Act I: Scene II - The Children • Act I: Finale - The Coming of the Assyrians • Intermezzo, Babylon: The Repentance of Manasseh • Act II: Scene I • Act II: Scene II - The Message of Holofernes • Act II: Scene III - The Exploit of Judith • Act II: Finale

 Act I: Scene I - Moloch
#612895 - 20.77MB, 78 pp. -  0/10 2 4 6 8 10 (0) - V/V/V - 17×⇩ - Kontrabassposaune

PDF scanned by Unknown
Kontrabassposaune (2020/3/10)

 Act II: Scene I
#612899 - 18.84MB, 80 pp. -  0/10 2 4 6 8 10 (0) - V/V/V - 16×⇩ - Kontrabassposaune

PDF scanned by Unknown
Kontrabassposaune (2020/3/10)

 Act II: Finale
#612902 - 17.08MB, 70 pp. -  0/10 2 4 6 8 10 (0) - V/V/V - 18×⇩ - Kontrabassposaune

PDF scanned by Unknown
Kontrabassposaune (2020/3/10)

Publisher. Info. Manuscript, 1888.
Copyright
Public Domain
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Vocal Scores

Complete

Publisher. Info. London: Novello, Ewer & Co., n.d. Plate 8023.
Copyright
Public Domain
Misc. Notes This file is part of the Sibley Mirroring Project.
Purchase

Arioso: The Lord is Long-Suffering

Publisher. Info. London: Novello, n.d.[1910]. Plate 13174.
Copyright
Public Domain
Misc. Notes From uploader's collection.
Purchase

Arrangements and Transcriptions

Aria: 'Long Since in Egypt's Pleasant Land'

For Flute and Piano (Kamioka)

 Complete Score
#67698 - 0.08MB, 2 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 1821×⇩ - Hideo Kamioka

PDF typeset by arranger
Hideo Kamioka (2010/6/12)

Arranger Hideo Kamioka
Publisher. Info. Hideo Kamioka
Copyright
Creative Commons Attribution Non-commercial 3.0
Misc. Notes See "Misc. Comments" at end of page
Purchase
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General Information

Work Title Judith
Alternative. Title The Regeneration of Manasseh
Composer Parry, Charles Hubert Hastings
Internal Reference NumberInternal Ref. No. ICP 33
Year/Date of CompositionY/D of Comp. 1887-88
First Performance. 1888-08-29 - Birmingham Musical Festival, conductor Hans Richter
First Publication. 1888
Librettist Composer
Language English
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Voices: soprano, alto, tenor, bass; children's chorus (SSAA), mixed chorus (SATB)
Orchestra: 2 flutes, 2 oboes (2nd also English horn), 2 clarinets, bass clarinet, 2 bassoons, contrabassoon
4 horns, 2 trumpets, 3 trombones, tuba
timpani, side drum, bass drum, tam-tam, organ, harp, strings

Navigation etc.

The contralto aria "Long Since in Egypt's Pleasant Land" was adapted after the composer's death as a setting for the hymn "Dear Lord and Father of Mankind", with new words by John Greenleaf Whittier (1807–1892). This adaptation (also known as "Repton") was made in 1924 by George Gilbert Stocks (1877-1960), and remains in copyright in Europe and the United States.

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