List of works by Carl Maria von Weber

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List of Works

"J." numbers for works without opus numbers are from: Friedrich Wilhelm Jahns, Carl Maria von Weber in seinen Werken. Chronologisch-thematisches Verzeichniss seiner sammtlichen Compositionen, 2nd edition (Berlin, 1967)

Click on the column headings to sort by opus/catalogue numbers, year, or alphabetically by title.

J. Opus Title Year
J.001–6 Op.01 Fughettas (6) for piano 1798
J.007 Op.02 Variations sur un thème original (6) in C major, for piano 1800
J.008 Op.08 Peter Schmoll und seine Nachbarn, opera in 2 acts
Dialogue lost. Overture revised as Grande ouverture á plusieurs instruments, J.57
1801–02
J.009–14 Op.03 Petites pièces faciles (6), for piano 4 hands 1802–03?
J.009 Op.03 No.1 Sonatina, for piano 4 hands 1802–03?
J.010 Op.03 No.2 Romance, for piano 4 hands 1802–03?
J.011 Op.03 No.3 Menuetto, for piano 4 hands 1802–03?
J.012 Op.03 No.4 Andante con Variazioni, for piano 4 hands 1802–03?
J.013 Op.03 No.5 Marcia maestoso, for piano 4 hands 1802–03?
J.014 Op.03 No.6 Rondo, for piano 4 hands 1802–03?
J.015–26 Op.04 Allemandes (12), for piano
Nos.1–10 are for solo piano, and Nos.11 and 12 for piano 4 hands.
1801
J.027 Die Kerze ("Ungern flieht das süsse Leben"), song for voice and piano 1802
J.028 Op.71 No.4 Umsonst entsagt’ ich der lockenden Liebe, song for voice and piano 1802
J.029–34 Ecossaises (6), for piano 1802
J.035 Op.13 No.6 Mädchen, ach meide Männerschmeichelein, canon for 3 voices 1802
J.036 Ein Gärtchen und ein Häuschen drin, terzetto for soprano, tenor, and bass 1803
J.037 Grablied ("Leis wandeln wir, wie Geisterhauch")
  • 1st version, for mixed chorus (1803)
  • 2nd version, for mixed chorus and wind ensemble (1804)
1803, rev. 1804
J.038 Entfliehet schnell von mir, song for voice and piano 1803
J.039 Samori, arrangement of vocal score to the opera by G. J.Vogler 1803–04
J.040 Op.05 Variations sur l'air de ballet de "Castor et Pollux" (8), for piano
Based on a theme from the opera Castor and Pollux by Johann Casper Vogler.
1804
J.041 Ich sah sie hingesunken, song for voice and piano 1804
Op.30 Lieder (6), for voice and piano
See individual entries for J.42 (No.1), J.161 (No.2), J.157 (No.3), J.160 (No.4), J.159 (No.5), and J.156 (No.6).
1804–13
J.042 Op.30 No.1 Wiedersehen ("Jüngst sass ich am Grabe der Trauten allein"), song for voice and piano 1804
J.043 Op.06 Variations sur l'air de Naga de "Samori" (6), for piano (with violin and cello ad lib.)
Based on Naga's air "Woher mag diess wohl kommen" from the opera Samori by Johann Casper Vogler.
1804
J.044–46 Rübezahl, romantic opera in 2 acts
Only 3 fragments survive. Overture revised as Der Beherrscher der Geister, J.122.
1804–05
J.047 Romanza siciliana in G minor, for flute and orchestra 1805
J.047a Kleiner Tusch, for 20 trumpets 1806
J.048 Op.66 No.3 Ich denke dein, song for voice and piano 1806
J.049 Variations on 'A Schüsserl und a Rein'dl' (6) in C major, for viola and orchestra
First published in 1976.
1802–03?, rev. 1806
J.050 Op.19 Symphony No.1 in C major, for orchestra 1806–07, rev. 1810
J.051 Symphony No.2 in C major, for orchestra 1807
J.052 Op.13 No.3 Liebeszauber ("Mädel, schau mir in’s Gesicht"), song for voice and guitar 1807
J.053 Op.07 Variations sur l’air "Vien quà, Dorina bella" (7), for piano
Based on a melody by Francesco Bianchi.
1807
J.056 Op.08 Grande ouverture à plusieurs instruments in E major, for orchestra
Revision of the overture to Peter Schmoll und seine Nachbarn, J.8.
1807
J.055 Op.09 Variations sur un thème original (7), for piano 1808
J.056 Op.12 Momento capriccioso in B major, for piano 1808
Op.15 Lieder (6), for voice and piano
See individual entries for J.73 (No.1), J.62 (No.2), J.74 (No.3), J.68 (No.4), J.67 (No.5), J.57 (No.6).
1808–09
J.057 Op.15 No.6 Er an Sie ("Ein Echo kenn' ich"), song for voice and piano 1808
J.058 Op.14 Der erste Ton, for narrator, mixed chorus, and orchestra 1808, rev. 1810
J.059 Op.21 Grande polonaise in E major, for piano 1808
J.060 Komisches musikalisches Sendschreiben ("Theuerster Herr Kapellmeister"), for voice and continuo 1808
J.061 Op.22 Variations sur un air norvégien (9) in D minor, for violin and piano 1808?
J.062 Op.23 No.1 Meine Farben ("Wollt ihr sie kennen?"), song for voice and piano 1808
J.063 Op.15 No.2 Klage ("Ein steter Kampf ist under Leben"), song for voice and piano 1808
J.064 Op.20 Grand potpourri in D major, for cello and orchestra 1808
J.065 Horch'! Leise horch', Geliebte!, serenade for voice and guitar 1809
J.066 Op.66 No.5 Die Lethe des Lebens ("Wenn, Brüder, wie wir täglich sehen"), for baritone, mixed chorus, and piano 1809
J.067 Op.15 No.5 Das Röschen ("Ich sah ein Röschen"), song for voice and piano 1809
J.068 Op.15 No.4 Was zieht zu deinem Zauberkreise, song for voice and piano 1809
J.069 Chorus for Franz Danzi’s Birthday, for mixed chorus
Text lost.
1809
J.070 Op.23 No.2 Die Blume ("Traurig, einsam welkst du hin"), rhapsodie for voice and piano 1809)
J.071 Romanze der Laura (Die Ruinen) ("Süsse Ahnung dehnt den Busen"), song for voice and piano 1809
J.072 Op.13 No.4 An den Mond ("Sanftes Licht, weiche nicht"), song for voice and guitar 1809
J.073 Op.15 No.1 Meine Lieder, meine Sänge, song for voice and piano 1809
J.074 Op.15 No.3
Der kleine Fritz an seine jungen Freunde ("Ach, wenn ich nur ein Liebchen hatte"), song for voice and piano
1809
J.075 Op.37 Turandot, overture and marches for Schiller's drama
Overture based on Overture chinesa, J.Anh.28.
1809
J.076 Piano Quartet ("Grand quatour") in B major, for violin, viola, cello, and piano 1806–09
J.077 Was ich da thu’, das fragt Er mich?, rondo alla polacca for tenor and orchestra
For the pasticcio Der Freybrief.
1809
J.078 Dich an dies Herz zu drücken, duet for soprano, tenor and orchestra
For the pasticcio Der Freybrief.
1809
J.079 Op.35 Andante und Rondo ungarese in C minor, for viola and orchestra
First published 1939. Arranged for bassoon and orchestra as Andante e Rondo ungarese, J.158.
1809
J.080 Trinklied ("Weil es also Gott gefügt"), for voice and piano 1809)
J.081–86 Op.10a Pieces (6), for piano 1809
J.087 Silvana, romantic comic-heroic opera in 3 acts 1808–10, rev. 1812
J.088 Sicchè t’inganni, o Clori, canzonetta
Formerly attributed to Weber, but now believed to have been composed by Franz Danzi.
1810?
J.089 Die Sonate soll ich spielen, canon for 3 voices 1810
J.090 Canons zu zwey sind nicht drey, canon for 3 voices 1810
J.091 Op.13 No.1 Die Schäferstunde (Damon und Chloe) ("Endlich hatte Damon sie gefunden"), song for voice and guitar 1810
J.092 Das neue Lied ("Ein neues Lied"), for voice and piano
Piano part lacking.
1810
J.093 Op.16 Il momento s'avvicina ("La dolce speranza"), recitative and rondo for soprano and orchestra 1810
J.094 Variations in D minor, for cello and orchestra 1810
J.095 Leck’ mich im Angesicht, canon for 3 voices 1810
J.096 Op.13 No.2 Wiegenlied ("Schlaf, Herzenssöhnchen"), for voice and guitar 1810
J.097 Op.13 No.5 Die Zeit ("Es sitzt die Zeit in weissen Kleid"), song for voice and guitar 1810
J.098 Op.11 Piano Concerto No.1 in C major 1810
Op.10b Sonates progressives (6), for violin and piano 1810
J.099 Op.10b No.1 Violin Sonata No.1 in F major 1810
J.100 Op.10b No.2 Violin Sonata No.2 in G major 1810
J.101 Op.10b No.3 Violin Sonata No.3 in D minor 1810
J.102 Op.10b No.4 Violin Sonata No.4 in E major 1810
J.103 Op.10b No.5 Violin Sonata No.5 in A major 1810
J.104 Op.10b No.6 Violin Sonata No.6 in C major 1810
J.105 Op.71 No.6 Des Künstlers Abschied ("Auf die stürm’sche See hinaus"), song for voice and guitar or piano 1810
J.106 Abu Hassan, singspiel in 1 act 1810–11, rev. 1812–13 and 1823
J.107 Op.31 No.3 Se il mio ben, concert duet
  • 1st version, for 2 altos and orchestra
  • 2nd version, for 2 sopranos and piano
1811
J.108 Op.29 No.1 Ah, dove siete, canzonetta for voice and guitar or piano 1811
Op.29 Canzonettas (3) for voice and piano or guitar 1811
J.109 Op.26 Concertino in E major, for clarinet and orchestra 1811
Op.25 Deutsche Lieder (5), for voice and guitar
See individual entries under J.140 (No.1), J.110 (No.2), J.112 (No.3), J.137 (No.4), J.113 (No.5).
1811
J.110 Op.25 No.2 Uber die BergeÜber die Berge mit Ungestüm, song for voice and guitar
For Kotzebue's drama Der arme Minnesinger. Published as No.5 of 5 Deutsche Lieder
1811
J.111 Rase, Sturmwind, blase, song for voice and guitar
For Kotzebue's drama Der arme Minnesinger.
1811
J.112 Op.25 No.3 Lass mich schlummern, song for voice and guitar
For Kotzebue's drama Der arme Minnesinger.
1811
J.113 Op.25 No.5 Umringt von mutherfülltem Heere, song for male chorus
For Kotzebue's drama Der arme Minnesinger.
1811
J.114 Op.73 Clarinet Concerto No.1 in F minor 1811
J.115 Adagio und Rondo in F major, for harmonichord or reed organ and orchestra 1811
J.116 Trauer-Musik ("Hörst du der Klage dumpfen Schall"), for baritone, mixed chorus, and wind instruments 1811
J.117 Op.23 No.3 Maienblümlein ("Maienblümlein, so schön"), song for voice and guitar or piano 1811
J.118 Op.74 Clarinet Concerto No.2 in E major 1811
J.119 Melody in F major, for solo clarinet
Published with piano accompaniment by F.W. Jähns, 1872.
1811?
J.120 Op.29 No.3 Ch'io mai vi possa, canzonetta for voice and guitar or piano 1811
J.121 Op.50 Misera me! ("Ho spavento d’ogn’aura"), scena and aria for soprano and orchestra 1811
J.122 Op.27 Der Beherrscher der Geister (The Ruler of the Spirits), overture in D minor, for orchestra
Revision of the overture to Rübezahl, J.44.
1811
J.123 Op.31 No.1 Mille volte, duet for 2 sopranos and piano 1811
J.124 Op.29 No.2 Ninfe se liete, canzonetta for voice and guitar or piano 1811
J.125 Op.31 No.2 Va, ti consola, duet for 2 sopranos and piano 1811
J.126 Qual altro attendi ("Giusti Numi!"), scena and aria for tenor, male chorus and orchestra 1811
J.127 Op.75 Bassoon Concerto in F major 1811, rev. 1822
J.128 Op.33 Variations (7) on a theme from the opera "Silvana", for clarinet and piano
See also the opera Silvana, J.87.
1811
J.129 Romanze (Wiedersehn) ("Um Rettung bietet ein güld’nes Geschmeide"), song for voice and piano 1812
J.130 Op.23 No.4 Sonett ("Du liebes, holdes, himmelsüsses Wesen"), song for voice and piano 1812
J.131 Lenz erwacht, und Nachtigallen, for 2 sopranos, 2 tenors, 2 basses, and piano
Piano part lost.
1812
J.132 Op.68 No.1 Das Turnierbankett ("Füllet die Humpen, muthige Knappen"), for 2 tenors, bass, and 2 male choruses 1812
J.133 Op.23 No.6 An eine Freundin ("Zur Freude ward geboren"), for soprano, 2 tenors, bass, and piano ad lib. 1812
J.134 Op.66 No.4 Lebensansicht ("Frei und froh mit muntern Sinnen"), song for voice and piano 1812
J.135 Schwäbisches Tanzlied ("Geiger und Pfeiffer"), for soprano, 2 tenors, bass, and piano ad lib. 1812
J.136 Op.23 No.5 Heisse, stille Liebe schwebet, for soprano, 2 tenors, bass, and piano ad lib. 1812
J.137 Op.25 No.4 Bettlerlied ("I und mein junges Weib"), for voice and guitar or piano 1812
J.138 Op.24 Piano Sonata No.1 in C major ("Perpetuum Mobile") 1812
J.139 Kriegs-Eid ("Wir stehn vor Gott"), for male chorus, bassoon, 3 horns, 2 trumpets, and trombone 1812
J.140 Op.25 No.1 Liebe-Glühen ("In der Berge Riesenchatten"), song for voice and guitar or piano 1812
J.141 Op.28 Variations sur la romance "À peine au sortir" (7) on "A piene au sortir", for piano
Based on a romance from the opera Joseph by Etienne Nicolas Méhul.
1812
J.142 Op.53a Signor, se padre sei ("Chiamami ancor"), scena and aria for tenor, 2 choruses and orchestra 1812
J.143–148 Favorit-Walzer der Kaiserin von Frankreich Marie Louise (6) (Favourite Waltzes of the French Empress Marie Louise), for piano 1812
J.149 Waltz in E major, for 2 clarinets, 2 bassoons, 2 horns, and trumpet 1812
J.150–153 Lieder (4), arrangements for wind ensemble of works by Duke Emil Leopold August of Gotha 1812
J.154 Op.36 In seiner Ordnung schafft der Herr, hymn for soprano, alto, tenor, bass, mixed chorus, and orchestra 1812
J.155 Op.32 Piano Concerto No.2 in E major 1811–12
J.156 Op.30 No.6 Sind es Schmerzen, sind es Freuden, song for voice and piano 1813
J.157 Op.30 No.3 Unbefangenheit ("Frage mich immer"), song for voice and piano 1813
J.158 Op.35 Andante e Rondo ungarese in C minor, for bassoon and orchestra
Arrangement of the Andante und Rondo ungarese, J.79.
1813
J.159 Op.30 No.5 Reigen ("Sagt mir an, was schmunzeit ihr"), song for voice and piano
Revised as the Ecossiase, J.Anh.46.
1813
J.160 Op.30 No.4 Minnelied ("Der Holdseligen"), for voice and piano 1813
J.161 Op.30 No.2 Es stürmt auf der Flur, song for voice and piano 1813
J.162 Ein jeder Geck sucht zu gefallen, duet by J.Weigl, arranged for 2 sopranos and orchestra
For A. Fischer’s Die Verwandlungen.
1814
J.163 Ihr holden Blumen, arietta for soprano and orchestra
For A. Fischer’s Die Verwandlungen. Arrangement of J.Anh.96.
1814
J.164 Zu dem Reich der Töne schweben, canon for 4 voices 1814
J.165 Op.53b No.1 or Op.57 No.1 Lebenslied am Geburtstag ("Freunde, dass Glut liebend uns trage"), for 4 male voices and piano 1814
J.166 Op.47 No.6 Gebet um die Geliebte ("Alles in mir glühet, zu lieben!"), song for voice and piano 1814
J.167 Scheiden und leiden ist einerlei, canon for 4 voices 1814
Op.42 Leyer und Schwerdt, for male chorus 1814
J.168 Op.42 No.2 Lützow's wilde Jagd ("Was glänzt dort im Walde im Sonnenschein"), for male chorus 1814
J.169 Op.42 No.6 Schwertlied ("Du Schwert an meiner Linken"), for male chorus 1814
J.170 Op.42 No.4 Männer und Buben ("Das Volk steht auf, der Sturm bricht los!"), for male chorus 1814
J.171 Op.42 No.5 Trinklied vor der Schlacht ("Schlacht, du brichst an!"), for male chorus 1814
J.172 Op.42 No.1 Reiterlied ("Frisch auf mit raschem Flug!"), for male chorus 1814
J.173 Op.42 No.3 Gebet vor der Schlacht ("Hör uns, Allmächtiger!"), for male chorus 1814
Op.41 Leyer und Schwerdt, songs (4) for voice and piano 1814
J.174 Op.41 No.1 Gebet während der Schlact ("Vater, ich rufe dich!"), song for voice and piano 1814
J.175 Op.41 No.2 Abschied vom Leben ("Die Wunde brennt"), song for voice and piano 1814
J.176 Op.41 No.3 Trost ("Herz, lass dich nicht zerspalten"), song for voice and piano 1814
J.177 Op.41 No.4 Mein Vaterland ("Was ist des Sängers Vaterland?"), song for voice and piano 1814
J.178 Op.52 Ha! sollte Edmund selbst der Mörder sein? ("Lass, o lass ihn Rettung finden"), scene and aria for soprano and orchestra
For the opera Héléna by Méhul.
1814?
J.179 Op.40 Variations  sur un air russe (9) ("Schöne Minka"), for piano 1814–15
J.180 Zu unsers Heinrich Ruhm und Preiss ("Drei Knäbchen lieblich ausstaffiret"), burleske for 3 voices 1815
J.181 Op.51 Non paventar mia vita ("Sei tu sempre il mio"), scene and aria for for soprano and orchestra 1815
J.182 Op.34 Clarinet Quintet in B major 1811–15
J.183 Mein Weib ist capores, lied for baritone and orchestra
For Der travestirte Aeneas by I. von Seyfried.
1815
J.184 Frau Lieserl juhe!, Tanzlied for soprano, baritone and orchestra
For Der travestirte Aeneas by I. von Seyfried. Arranged for orchestra as J.185
1815
J.185 Deutscher ("Original-Walzer"), waltz for orchestra Arranged from Frau Lieserl juhe, J.184. 1815
J.186 Wer stets hinter’m Ofen kroch, for baritone, male chours, and orchestra
For the play Lieb’ und Versöhnen by F. W. Gubitz. See also J.187 and J.247.
1815
J.187 Wie wir voll Glut uns hier zusammenfinden, for tenor and orchestra
For the play Lieb’ und Versöhnen by F. W. Gubitz. See also J.186 and J.247.
1815
J.188 Op.45 Concertino in E minor, for horn and orchestra 1806, rev. 1815
J.189 Op.47 No.3 Was stürmet die Haide herauf?, ballad for baritone and harp or piano
For G. Reinbeck's play Gordon und Montrose.
1815
J.190 Op.44 Kampf und Sieg, cantata for soprano, alto, tenor, bass, mixed chorus, and orchestra 1815
J.191 Tedesco, for orchestra 1816
J.192 Op.47 No.4 Der Jüngling und die Spröde ("Weile, Kind"), song for voice and piano 1816
J.193 Weil Maria Töne hext, canon for 3 voices 1816
J.194 Ariette der Lucinde, for soprano and orchestra
For F. Kauer’s Das Sternenmädchen im Maidlinger Walde.
1816
J.195 Ein König einst gefangen sass, romance for voice and guitar
For Castelli's play "Diana von Poitiers".
1816
J.196 Op.47 No.5 Mein Verlangen ("Ach, wär' ich doch"), song for voice and piano 1816
J.197 Op.47 No.1 Die gefangenen Sänger ("Vöglein, einsam in dem Bauer"), song for voice and piano 1816
J.198 Op.47 No.2 Die freien Sänger ("Vöglein hüpfet in dem Haine"), song for voice and piano 1816
J.199 Op.39 Piano Sonata No.2 in A major 1814–16
Op.46 Die Temperamente beim Verluste der Geliebten, songs (4) for voice and piano 1815–16
J.200 Op.46 No.1 Der Leichtmüthige ("Lust entfloh und hin ist hin"), song for voice and piano 1815–16
J.201 Op.46 No.2 Der Schwermüthige ("Sel'ge Zeiten"), song for voice and piano 1815–16
J.202 Op.46 No.3 Der Libewüthige ("Verrathen!"), song for voice and piano 1815–16
J.203 Op.46 No.4 Der Gleichmüthige ("Nun, ich bin befreit"), song for voice and piano 1815–16
J.204 Op.48 Grand duo concertante in E major, for clarinet and piano 1815–16
J.205 Op.43 Bei der Musik des Prinzen Louis Ferdinand von Preussen ("Düst’re Harmonieen hör’ ich klingen"), for voice and piano 1816
J.206 Op.49 Piano Sonata No.3 in D minor 1816
J.207 Op.38 Divertimento assai facile, for guitar and piano
Possibly based on the Andante, J.Anh.053
1816
Op.64 Volkslieder (8), for 1, 2 or 3 voices and piano
See individual entries for J.234 (No.1), J.210 (No.2), J.235 (No.3), J.230 (No.4), J.255 (No.5), J.257 (No.6), J.249 (No.7), J.258 (No.8).
1818
J.208 Op.54 No.4 Abschied ("O Berlin, ich muss dich lassen"), for 2 voices and piano 1817
J.209 Op.54 No.2 Quodlibet ("So geht es in Schnützelputz-Häusel"), for 2 voices and piano 1817
J.210 Op.64 No.2 Mailed ("Tra, ri, ro! Der Sommer, der ist do!"), for 2 voices and piano 1817
J.211 Op.54 No.5 Alte Weiber (" 'S is nichts mit den alten Weibern"), song for voice and piano 1817
J.212 Op.54 No.3 Liebeslied ("Ich hab’ mir eins erwählt"), for voice and piano
See also Tema variato, J.265.
1817
J.213 Op.66 No.6 Wunsch und Entsagung ("Wenn ich die Blümlein schau"), song for voice and piano 1817
J.214 König Yngurd, incidental music to A. Müllner's play, for mezzo-soprano and orchestra 1817
J.215 Von dir entfernt, Geliebter, recitative and cavatina by F. Paer, arranged for soprano and orchestra
For E.-N. Méhul’s Héléna.
1817
J.216 Ja, ich bin entschlossen ("Lass Schmerzen, o lass Gefahren") , recitative and duet by S. Nasolini, arranged for soprano, tenor and orchestra
For Méhul’s Héléna.
1817
J.217 Op.66 No.1 Das Veilchen im Thale ("Ein Veilchen blüht"), song for voice and piano 1817
J.218 Op.53b No.3 or Op.57 No.3 Zwei Kränze zum Annen-Tage ("Flüstert lieblich, Sommerlüfte"), for 4 male voices and piano 1817
J.219 Op.55 Variations sur un chant tzigane (7) on a Gypsy Song (Variationen über ein Zigeuner Lied), for piano 1817
J.220 Donna Diana, song for voice and 2 guitars for the play by C. A. West 1817
J.221 L’accoglienza, cantata for 3 sopranos, tenor, 2 basses, mixed chorus, and orchestra 1817
J.222 Hold ist der Cyanenkranz, lied for solo voices and mixed chorus
For the play Der Weinberg an der Elbe by F. Kind.
1817
J.223 Leise weht es, romance for voice and guitar
For the play Das Nachtlager von Granada by F. Kind.
1818
J.224 Op.75a Missa Sancta No.1 in E major ("Freischützmesse"), for soprano, alto, tenor, bass, mixed chorus, and orchestra 1817–18
J.225 Sei gegrüsst, Frau Sonne, mir, lied for tenor and bass (with piano?)
For the play Das Turnier zu Kronstein by F. J.von Holbein.
1818
J.226 Gloria et honore, offertory in E major, for soprano, mixed chorus and orchestra
For Missa Sancta No.1, J.224.
1818
J.227 Im Provence blüht die Liebe, dance and song for tenor, chorus and orchestra
For the play Das Haus Anglade by T. Hell.
1818
J.228 Op.53b No.2 or Op.57 No.2 Schone Ahnung ist erglommen ("Frühlingslied"), for 4 male voices, and piano ad lib. 1818
J.229 Op.71 No.5 Lied der Hirtin ("Wenn die Maien grün sich kleiden"), for voice and piano 1818
J.230 Op.64 No.4 Gelahrtheit ("Ich empfinde fast"), song for voice and piano 1818
J.231 Op.54 No.7 Weine, weine nur nicht, folksong for voice and piano 1818
J.232 Op.54 No.1 Die fromme Magd ("Ein’ fromme Magd von gutem Stand"), song for voice and piano 1818
J.233 Op.54 No.6 Wenn ich ein Vöglein wär', folksong for voice and piano 1818
J.234 Op.64 No.1 Mein Schatzerl is hübsch, folksong for voice and piano 1818
J.235 Op.64 No.3 Heimlicher Liebe Pein ("Mein Schatz, der ist auf die Wanderschaft hin"), song for voice and piano 1818
Op.60 Pieces (8), for piano 4 hands 1818–19
J.236 Op.60 No.5 Alla Siciliana, in F major, for piano 4 hands 1818
J.237 Der Tod Heinrichs IV, incidental music to the play by E. Gehe, for orchestra 1818
J.238 Op.66 No.2 Rosen im Haare, song for voice and piano 1818
J.239 Op.56 Was sag ich? ("Fern von ihm"), scena and aria for soprano and orchestra
For Cherubini’s Lodoïska.
1816–18?
J.240 Heil dir, Sappho!, for mixed chorus and wind band
For the play Sappho by Grillparzer.
1818
J.241 Op.61 Natur und Liebe (Cantate zur Feyer des Augustus-Tages), for 2 sopranos, 2 tenors, 2 basses, and piano 1818
J.242 Op.60 No.4 Allegro in A minor ("All' Ongarese"), for piano 4 hands 1818
J.243 Op.71 No.2 Ein Mädchen ging die Wies’ entlang ("Bach, Echo und Kuss"), lied for voice and guitar or piano
For the play Der Abend am Waldbrunnen by F. Kind.
1818
J.244 Op.58 Jubel-Cantate (zur Feier des 50 jährigen Regierungsantritts Sr. Majestät), for soprano, alto, tenor, bass, mixed chorus, and orchestra
Published posthumously as Ernte-Cantate, with alternative text by A. Wendt.
1818
J.245 Op.59 Jubel-Ouvertüre in E major, for orchestra 1818
J.246 Lieb’ um Liebe, incidental music to the play by Rublack, for solo voices, mixed chorus, and orchestra 1818
J.247 God Save the King ("Den König segne Gott"), arranged for male chorus :For the play Lieb’ und Versöhnen by F. W. Gubitz. See also J.186 and J.187. 1815–18?
J.248 Op.60 No.1 Moderato (Arioso) in D major, for piano 4 hands 1818
J.249 Op.64 No.7 Ei, ei, ei wie scheint der Mond so hell, for 2 tenors and bass 1818
J.250 In die solemnitatis, offertory in C major, for soprano, mixed chorus and orchestra
For Missa Sancta No.2, J.251.
1818
J.251 Op.76 Missa Sancta No.2 in G major ("Jubelmesse"), for soprano, alto, tenor, bass, mixed chorus, and orchestra 1818–19
J.252 Op.62 Rondo brillante in E major ("La gaité"), for piano 1819
J.253 Op.60 No.3 Adagio in F major, for piano 4 hands 1819
J.254 Op.60 No.8 Rondo (Scherzando) in B major, for piano 4 hands 1819
J.255 Op.64 No.5 Abendsegen ("Der Tag hat seinen Schmuck"), song for voice and piano 1819
J.256 Op.71 No.1 Triolett ("Keine Lust ohn’ treues Lieben!"), song for voice and piano 1819
J.257 Op.64 No.6 Liebesgruss aus der Ferne ("Sind wir gescheiden"), song for voice and piano 1819
J.258 Op.64 No.8 Herzchen, mein Schätzchen, folksong for voice and piano 1819
J.259 Op.63 Trio in G minor, for flute, cello and piano 1818–19
J.260 Op.65 Aufforderung zum Tanze (Invitation to the Dance), rondeau brillant for piano 1819
J.261 Op.68 No.5 Gute Nacht ("Bald heisst es wieder ‘Gute Nacht!’"), for 4 male voices 1819
J.262 Op.68 No.3 Freiheitslied ("Ein Kind ist uns geboren"), for 4 male voices 1819
J.263 Op.68 No.2 Ermunterung ("Ja, freue dich, so wie du bist"), for 4 male voices 1819
J.264 Op.60 No.2 Allegro (Allla militaire) in C major, for piano 4 hands 1819
J.265 Op.60 No.6 Tema variato ("Ich hab' mir Eins erwählet"), for piano 4 hands
Based on theme of the Liebeslied, J.212.
1819
J.266 Op.60 No.7 Marcia funebre in G minor, for piano 1819
J.267 Op.71 No.3 Das Mädchen an das erste Schneeglöckchen ("Was bricht hervor wie Blüthen weiss"), song for voice and piano 1819
J.268 Op.72 Polacca brillante ("L'hilarité"), for piano 1819
J.269 Op.80 No.2 Sehnsucht (Weihnachtslied) ("Judäa, hochgelobtes Land"), song for voice and piano 1819
J.270 Op.80 No.3 Elfenlied ("Ich tummle mich auf der Haide"), for voice and piano 1819
J.271 God Save the King, arranged for mixed chorus and wind ensemble
For the play Du hoher Rautenzweig. See also J.247.
1819
J.272 Doppel Canon à 4 für L. Spohr 1819
J.273 Agnus Dei, for female chorus and wind ensemble
For the play Carlo by G. von Blankensee.
1820
J.274 Op.80 No.4 Schmerz ("Herz, mein Herz, ermanne dich!"), song for voice and piano 1820
J.275 Op.80 No.5 An sie ("Das war ein recht abscheuliches Gesicht"), song for voice and piano 1820
J.276 Der Leuchtthurm, incidental music to the play by E. von Houwald, for harp 1820
J.277 Op.77 Der Freischütz, romantic opera in 3 acts 1817–21
J.278 Op.80 No.6 Der Sänger und der Maler ("Ei, wenn ich doch ein Maler wär’ "), song for voice and piano 1820
J.279 Op.78 Preciosa, incidental music for the play by P. A. Wolff, for voice, mixed chorus and orchestra 1820–21
J.280 Sagt, woher stammt Liebeslust, lied for soprano, alto, female chorus, and guitar
For the play Der Kaufmann von Venedig, by A. W. Schlegel.
1821
J.281 Op.80 No.1 Lied von Clotilde ("Wenn Kindlein süssen Schlummers Ruh"), for voice and piano 1821?
J.282 Op.79 Konzertstück (Concertstück) in F minor, for piano and orchestra 1821
J.283 Du, bekränzend uns’re Laren, cantata for 2 sopranos, tenor, bass, mixed chorus, flute, and piano 1821
J.284 Op.68 No.6 Husarenlied ("Husaren sind gar wack’re Truppen"), for 4 male voices 1821
J.285 Op.68 No.4 Schlummerlied ("Sohn der Ruhe, sinke nieder"), for 4 male voices 1822
J.286 Das Licht im Thale ("Der Gasthirt steht am Felsenrand"), song for voice and piano 1822?
J.287 Op.70 Piano Sonata No.4 in E minor 1819–22
J.288 Marcia vivace, for 10 trumpets 1822?
J.289 Den Sachsen-Sohn vermählet heute, incidental music to the festspiel by L. Robert, for mixed chorus and orchestra 1822
J.290 Wo nehm’ ich Blumen her, for soprano, tenor, bass, and piano 1823
J.291 Op.81 Euryanthe, grand romantic opera in 3 acts 1822–23, rev. 1825
J.292 Elle était simple et gentilette ("Te voir encore"), romance for voice and piano 1824
J.293 Reiterlied ("Hinaus! Hinaus zum blut’gen Strauss!"), for 4 male voices, and piano ad lib. 1825
J.294 Schützenweihe ("Hörnerschall! Ueberfall"), for 4 male voices, and piano ad lib. 1825
Schottische National-Gesänge (Scottish National Songs), arranged for voice, flute, violin, cello, and piano 1825
J.295 Soothing Shades of Gloaming, folksong arranged for voice, flute, violin, cello and piano 1825
J.296 The Troubadour ("Glowing with love"), folksong arranged for voice, flute, violin, cello and piano 1825
J.297 O Poortith Cauld, folksong arranged for voice, flute, violin, cello and piano 1825
J.298 Bonny Dundee ("True-hearted was he"), folksong arranged for voice, flute, violin, cello and piano 1825
J.299 Yes, Thou May'st Walk, folksong arranged for voice, flute, violin, cello and piano 1825
J.300 A Soldier Am I, folksong arranged for voice, flute, violin, cello and piano 1825
J.300a Contented wi' Little, and Canty wi' Mair, folk song for voice, flute, violin, cello and piano 1825
J.301 John Anderson, My Jo' , folksong arranged for voice, flute, violin, cello and piano 1825
J.302 O My Love's Like the Red, Red Rose, folksong arranged for voice, flute, violin, cello and piano 1825
J.303 Robin is My Joy, folksong arranged for voice, flute, violin, cello and piano 1825
J.304 Whar Ha'e ye Been a' Day, folksong arranged for voice, flute, violin, cello and piano 1825
J.305 Olimpie, additional music for Spontini’s opera 1825
J.306 Oberon, romantic and fairy opera in 3 acts 1825–26
J.307 March in C major, for wind ensemble
Revision of the March for piano duet, J.13.
1826
J.308 Song of Nurmahal ("From Chindara’s warbling fount I come"), for voice and piano
Piano part reconstructed by Ignaz Moscheles.
1826
J.Anh.001 Das Waldmädchen (Das stumme Waldmädchen), romantic-comic opera in 2 acts
Incomplete.
1800
J.Anh.003 Deo Rosa, Gottes Rose, for 4 male voices 1821
J.Anh.004 Fragment in E major 1821
J.Anh.005 Die drei Pintos, comic opera in 3 acts
Unfinished. Completion by Gustav Mahler published 1888.
1820–21
J.Anh.006 Die Macht der Liebe und des Weins, opera
Lost.
1798–99
J.Anh.008 Missa solenne (Grosse Jugendmesse) in E major, for soprano, alto, tenor, bass, mixed chorus, organ and orchestra
First published 1926 in an edition by C. Schneider.
1799?, rev. 1802?
J.Anh.009 Vierstimmige Gesänge, for unaccompanied voices
Lost.
1799
J.Anh.010 Canons
Lost.
1799
J.Anh.011–13 Easy Trios (3), for violin, viola and cello
Lost.
1799
J.Anh.014 Variations (6), for piano
Lost.
1799
J.Anh.015 Variations (6), for piano
Lost.
1799
J.Anh.016–18 Piano Sonatas (3)
Lost.
1799
J.Anh.019 Variations (6), on the song "Lieber Augustin", for piano
Lost.
1799
J.Anh.024–26 Trios (3), for violin, viola and cello
Lost. Possibly the same as the 3 Easy Trios, J.Anh.11–13.
1799–1801?
J.Anh.028 Overture chinesa (Chinese Overture), for orchestra
Lost; revised as the overture to the incidental music to Turandot, J.75.
1806
J.Anh.030 Antonius, burleske
Lost.
1808
J.Anh.031 Adagio und Rondo in B major ("Harmonie), for 2 clarinets, 2 bassoons, and 2 horns
First published in 1973. Possibly based on the Harmonie (1806–07?).
1808
J.Anh.033 Der Admiral, arrangement of the vocal score to the opera by G. J.Vogler 1811
J.Anh.034 Variations (3), for piano
Lost.
 ?
J.Anh.035 Son troppo innocente nell’arte d’amar, canzonetta for 2 tenors and baritone 1811
J.Anh.036 D’ogni amator la fede sempre mal sicura, canzonetta for voice and piano
Lost.
1811
J.Anh.038 Künstlers Liebesforderung, song for voice and piano
Lost.
1811
J.Anh.039 Adagio for oboe
Lost.
1811
J.Anh.040 Chorus and Music for the Birthday of Jacob Herz Beer
Lost.
1812
J.Anh.041 Waltzes and Ecossaises, for piano
Lost. Weber's authorshp is doubtful
1812
J.Anh.042 Adagio and Variations, for cello (and piano?)
Lost.
1813
J.Anh.043 Das österreichische Feldlager, music for the drama by H. Schmidt
Lost.
1813
J.Anh.046 Ecossaise
Arrangement of Reigen, J.159. Lost.
1813
J.Anh.047 Music for Clementi's Concert (1813)
Lost.
 ?
J.Anh.048 Romeo und Juliette, chorus for Shakespeare's play
Lost.
1813
J.Anh.049 Ballet Music
Lost.
1814
J.Anh.050 Waltz, for orchestra
Lost.
1814
J.Anh.051 Waltz in C major, for wind ensemble
Lost.
1814
J.Anh.052 Alt-Vater, for orchestra
Lost.
1814
J.Anh.053 Andante, for guitar and piano
Lost. Possibly revised as Divetimento assai facile, J.207
1814
J.Anh.054 March for the Prague Schützengarde, for wind ensemble
Lost.
1814
J.Anh.055 Leise kommt der Mond gezogen, canon for 4 voices
Lost.
1814
J.Anh.058 Adagio for flute, viola (or cello?), and piano
Lost. Possibly revised in the Trio in G minor, J.259.
1815
J.Anh.056 Savoy’sches Lied, for voice and piano
Lost.
1815
J.Anh.057 Clarinet Concerto
For S. Hermstedt; incomplete; lost.
1815
J.Anh.059 Ballet-Musik, for wind ensemble
Lost.
1815
J.Anh.061 Arias (2)
For Spontini’s La vestale, and for J.Fischer, 1816. Both lost.
1816
J.Anh.063 Cendrillon (Aschenbrödel), additional trumpet parts for the opéra féerie by Nicolas Isouard
Lost.
1817
J.Anh.064 Sehnsucht und Wiederhall ("Wann stärkt wieder Klang der Lieder"), song for voice and piano
Lost.
1817
J.Anh.065 Die Ahnfrau, music for the play by F. Grillparzer
Lost.
1817
J.Anh.066 Das Dorf im Gebirge, chorus for J.Weigl's opera
Lost.
1818
J.Anh.067–70 Solfeggios (4)
Themes only.
1818
J.Anh.071 Die Zwillinge, music for the play by F. M. Klinger, for guitar
Lost.
1818
J.Anh.076 Der Harfner ("O Harfner, wo ziehst du so fröhlich hin?"), song for voice and piano
Lost.
1819
J.Anh.077 Les deux journées, additional trombone parts for the opera in 3 acts by Luigi Cherubini
Lost.
1820
J.Anh.078 Wiegenlied ("Steige, sanfte Schlummer nieder"), for voice and piano
Lost.
1821
J.Anh.079 Liebeserhöhung, song for voice and piano
Lost.
1821
J.Anh.080 Etudes, for piano
Lost.
1820–21
J.Anh.081 Max-Walzer in E major, for piano 1825
J.Anh.083 Overture in E major, arranged for piano
Weber's authorship is doubtful.
 ?
J.Anh.084 Favourite Waltzes (12), for piano
Weber's authorship is doutbful.
 ?
J.Anh.096 Ihr holden Blumen, arietta for soprano and piano
For A. Fischer’s Die Verwandlungen. Lost. Also orchestrated as J.163.
1814
J.Anh.097 Donna Diana, incidental music
Weber's authorship is doubtful.
 ?
J.Anh.105 Op.81 Les adieux, fantasia for piano
Formerly attirbuted to Weber, but now believed to have been composed by Carl Gottlieb Reissiger
 ?
Adagio patetico in C minor
Weber's authorship is uncertain.
 ?
An die Hoffnung ("Hoffnungsstrahl der mich belebte"), song for voice and piano
First published in 1927. Weber's authorship is doubtful.
 ?
Canone à 4 voci in contrapunto doppio alla ottava, in C minor
Unpublished.
 ?
Concertino in C major, for oboe and wind ensemble
Weber's authorship is doubtful.
 ?
Op.32 Divertimento for clarinet and orchestra
First published in 1985. Spurious.
 ?
Fanchon das Leyermädchen, arrangement of the work by F.H. Himmel for 2 violins, viola, and cello
Lost.
1805
Harmonia, for 10 wind instruments
Lost; possibly an early version of the Adagio und Rondo, J.Anh.31.
1806–07?
Introduction, Theme and Variations, for clarinet and string quartet
Formerly attributed to Weber, but now believed to have been composed by Joseph Küffner.
 ?
Piano Concerto
Lost.
1802
Prost Neujahr!, canon for 34 solo voices and 74 trumpets
New Year’s greeting for Gänsbacher.
1811
Requiem, arrangement of extracts from the work by Wolfgang Amadeus Mozart for bassoon, 2 violins, viola, and cello
Lost.
1801
Strafpredigt über Französische Musik und die Übersetzungswuth 1801–02
Variations for flute and orchestra
Lost.
1804–07?
Variations for violin and piano
Lost. Possibly the same as the 9 Variations sur un air norvégien, J.61.
1805
Vatergruss ("Du gute, gute Mäzze") 1823
Wenn du im Arm der Liebe, canon for 3 voices
First published in 1926.
1802
Wiedersehn, o Wiedersehn, cantata for soprano, 2 tenors, bass, and orchestra
Unpublished. Weber's authorship is uncertain.
1796–1800?
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