Requiem in D minor, K.626 (Mozart, Wolfgang Amadeus)

Authorship Note
Mozart's Requiem was unfinished at the time of his death. Unless otherwise stated the scores below relate to the completion of the work attributed to his friend Franz Xaver Süssmayr (1766–1803)


Contents

Performances

Recordings

FLAC file (audio)
Dbmiller (2019/7/13)

13 more: Kyrie • Dies irae • Tuba mirum • Rex tremendae • Recordare • Confutatis • Lacrimosa • Domine Jesu Christe • Hostias et preces • Sanctus • Benedictus • Agnus Dei • Communio

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Dbmiller (2019/7/13)

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Performer Pages Chorus Pro Musica (chorus)
Harvard Glee Club (chorus)
Radcliffe Choral Society (chorus)
New England Conservatory Chorus (chorus)
St. John's Seminary Choir (chorus)
Boston Symphony Orchestra (orchestra)
Erich Leinsdorf (conductor)
Saramae Endich (soprano)
Eunice Alberts (alto)
Nicholas Di Virgilio (tenor)
Mac Morgan (bass)
Publisher Info. RCA, February 1964
Copyright
Misc. Notes Extracts from a recording of a Requiem Mass given for John Fitzgerald Kennedy at the Cathedral of the Holy Cross, Boston, January 19, 1964. Processionals, remarks and spoken liturgy omitted. Produced by Richard Mohr. Lewis Layton was the recording engineer. The master tapes were produced by John Pfeiffer. The following were the choral directors: Elliot Forbes (Harvard/Radcliffe), Lorna Cooke deVaron (New England Conservatory), Rt. Rev. Russell H. Davis (St. John's Seminary).
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FLAC file (audio)
Dbmiller (2019/7/13)

13 more: Kyrie • Dies irae • Tuba mirum • Rex tremendae • Recordare • Confutatis • Lacrimosa • Domine Jesu Christe • Hostias et preces • Sanctus • Benedictus • Agnus Dei • Communio

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Dbmiller (2019/7/13)

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Dbmiller (2019/7/13)

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Dbmiller (2019/7/13)

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Dbmiller (2019/7/13)

Performer Pages Wiener Singverein (chorus)
Berliner Philharmoniker (orchestra)
Herbert von Karajan (conductor)
Wilma Lipp (soprano)
Hilde Rössel-Majdan (alto)
Anton Dermota (tenor)
Walter Berry (bass)
Publisher Info. Deutsche Grammophon, 1962.
Copyright
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FLAC file (audio)
Dbmiller (2019/7/13)

13 more: Kyrie eleison • Dies irae (Sequentia) • Tuba mirum (Sequentia) • Rex tremendae (Sequentia) • Recordare (Sequentia) • Confutatis (Sequentia) • Lacrimosa (Sequentia) • Domine Jesu Christe (Offertorium) • Hostias et preces (Offertorium) • Sanctus • Benedictus • Agnus Dei • Lux aeterna (Communio)

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Dbmiller (2019/7/13)

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Dbmiller (2019/7/13)

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Dbmiller (2019/7/13)

Performer Pages Münchener Bach-Chor (chorus)
Münchener Bach-Orchester (orchestra)
Karl Richter (conductor)
Maria Stader (soprano)
Hertha Töpper (alto)
John van Kesteren (tenor)
Karl-Christian Kohn (bass)
Franz Eder (trombone)
Publisher Info. Telefunken, 1961.
Copyright
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OGG file (audio)
Dbmiller (2018/7/19)

13 more: II. Kyrie • III. Sequenz - Dies irae • III. Sequenz - Tuba mirum • III. Sequenz - Rex tremendae • III. Sequenz - Recordare • III. Sequenz - Confutatis • III. Sequenz - Lacrymosa • IV. Offertorium - Domine Jesu • IV. Offertorium - Hostias • V. Sanctus • VI. Benedictus • VII. Agnus Dei • VIII. Communio - Lux aeterna

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Dbmiller (2018/7/19)

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Performer Pages Wiener Philharmoniker (orchestra)
Herbert von Karajan (conductor)
Leontyne Price (soprano)
Hilde Rössel-Majdan (contralto)
Fritz Wunderlich (tenor)
Eberhard Waechter (baritone)
Walter Berry (bass)
Publisher Info. Archipel, 2011.
Copyright
Misc. Notes Live recording from the 1960 Salzburg Festival. First issuing was in 2011 by Archipel. However, the copyright on the sound recording had already expired at this time; sound recordings generally enjoy 50 years from publication in Canada and the EU, BUT this only applies if 50 years have not already passed since the creation of the work. As this recording was already over 50 years old at the time of first publication, it is in the public domain.
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OGG file (audio)
Dbmiller (2018/7/19)

13 more: II. Kyrie • III. Sequenz - Dies irae • III. Sequenz - Tuba mirum • III. Sequenz - Rex tremendae • III. Sequenz - Recordare • III. Sequenz - Confutatis • III. Sequenz - Lacrymosa • IV. Offertorium - Domine Jesu • IV. Offertorium - Hostias • V. Sanctus • VI. Benedictus • VII. Agnus Dei • VIII. Communio - Lux aeterna

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Dbmiller (2018/7/19)

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Performer Pages Wiener Philharmoniker (orchestra)
Konzertvereinigung Wiener Staatsopernchor (chorus)
Bruno Walter (conductor)
Lisa Della Casa (soprano)
Ira Malaniuk (contralto)
Anton Dermota (tenor)
Cesare Siepi (bass)
Publisher Info. Orfeo d'Or, 1956.
Copyright
Misc. Notes Live recording from the 1956 Salzburg Festival (July 26).
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MP3 file (audio)
Vangi (2018/4/13)

5 more: III. Sequenz (Nos.1-6) • IV. Offertorium (Nos.1-2) • V. Sanctus — VI. Benedictus • VII. Agnus Dei • VIII. Communio: Lux aeterna

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Vangi (2018/4/13)

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Vangi (2018/4/13)

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Vangi (2018/4/13)

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Vangi (2018/4/13)

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Vangi (2018/4/13)

Performer Pages Wiener Philharmoniker (orchestra)
Wiener Hofmusikkapelle (chorus)
Josef Krips (conductor)
Werner Pech (treble)
Hans Breitschopf (alto)
Walther Ludwig (tenor)
Harald Pröglhöf (bass)
Publisher Info. Decca, 1951.
Performers Wiener Hofmusikkapelle (chorus)
Copyright
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TN-PMLP842027-Requiem in D minor, K.626, Intritus -Requiem & Kyrie- (Wolfgang Amadeus Mozart) Decca 1951-3542.jpg

Selections (abridged)

For Voices and Recorder Ensemble (Papalin)

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Papalin (2011/6/23)

12 more: III. Sequenz - Dies irae • III. Sequenz - Tuba mirum • III. Sequenz - Rex tremendae • III. Sequenz - Recordare • III. Sequenz - Confutatis • III. Sequenz - Lacrymosa • IV. Offertorium - Domine Jesu • IV. Offertorium - Hostias • V. Sanctus • VI. Benedictus • VII. Agnus Dei • VIII. Communio - Lux aeterna

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Papalin (2011/6/23)

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Papalin (2011/6/23)

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Papalin (2011/6/23)

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Papalin (2011/6/23)

Performer Pages Papalin (Recorder, Chorus)
Publisher Info. Papalin
Copyright
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Naxos

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Synthesized/MIDI

Kyrie

For 2 Trumpets and 2 Trombones (Rondeau)

MID file (audio/video)
Michrond (2012/5/23)

Publisher Info. Michel Rondeau
Performers MIDI
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Tuba mirum

For 5 Trumpets and 4 Trombones (Adams)

MID file (audio/video)
Adatec (2016/3/20)

Publisher Info. Stefan Adams
Performers Synthesized/MIDI
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Lacrimosa

For Strings (Choe)

MP4 file (audio/video)
TradViolin (2022/10/25)

Publisher Info. Joshua Choe, 2022.
Performers Finale v27
Copyright
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Sheet Music

Scores

Mozart's fragment

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Irishmaestro (2013/8/26)

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Irishmaestro (2013/8/26)

Publisher. Info. Holograph manuscript, 1791.
Copyright
Misc. Notes Contains the complete autograph fragment in Mozart's handwriting (combined from the Ablieferungspartitur and the Arbeitspartitur) with some additions inserted by other composers (among them Eybler and Freystädtler) at Constanze's request immediately after Mozart's death. Colour scans are at ca. 200dpi. Monochrome conversion of ÖNB's colour scans has been upscaled to 600 dpi, with the last page of the Hostias restored to its pre-1958 state (via 1913 facsimile).
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BachFan (2020/11/25)

Copyist Maximilian Stadler (1748–1833)
Publisher. Info. Manuscript, n.d.
Copyright
Misc. Notes Österreichische Nationalbibliothek, Vienna (A-Wn): Mus.Hs.19057
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Piupianissimo (2023/4/2)

Editor Leopold Nowak (1904-1991)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 2: Requiem, Band 1 [NMA I/1/Abt.2/1]
Kassel: Bärenreiter-Verlag, 1965. Plate BA 4537.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
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Double sharp (2014/4/22)

11 more: I. Introitus • II. Kyrie • III. Sequenz - Dies irae • III. Sequenz - Tuba mirum • III. Sequenz - Rex tremendae • III. Sequenz - Recordare • III. Sequenz - Confutatis • III. Sequenz - Lacrymosa • IV. Offertorium - Domine Jesu • IV. Offertorium - Hostias • Appendices (sketches for Rex tremendae and Amen fugue)

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Double sharp (2014/4/22)

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Double sharp (2014/4/22)

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Double sharp (2014/4/22)

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Double sharp (2014/4/22)

Editor Leopold Nowak (1904-1991)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 2: Requiem, Band 1 [NMA I/1/Abt.2/1]
Kassel: Bärenreiter-Verlag, 1965. Plate BA 4537.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes Only what Mozart himself wrote, without additions by other hands.
The additions of unidentified musicians (who are probably not Süssmayr and Freystädtler) in the Kyrie were thought to be Mozart's at the time this edition was published. Only the bottom five lines of the score (choir, cellos, basses, and organ, including figured bass) were actually written by Mozart.
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PDF typeset by editor
Dbmiller (2018/7/19)

Editor D. Benjamin Miller
Publisher. Info. D. Benjamin Miller
Copyright
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Eybler's additions

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Piupianissimo (2023/4/2)

Editor Leopold Nowak (1904-1991)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 2: Requiem, Band 1 [NMA I/1/Abt.2/1]
Kassel: Bärenreiter-Verlag, 1965. Plate BA 4538.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
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Double sharp (2014/4/25)

6 more: 1. Dies irae • 2. Tuba mirum • 3. Rex tremendae • 4, Recordare • 5. Confutatis • 6. Lacrymosa

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Double sharp (2014/4/25)

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Double sharp (2014/4/25)

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Double sharp (2014/4/25)

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Double sharp (2014/4/25)

Editor Leopold Nowak (1904-1991)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 2: Requiem, Band 1 [NMA I/1/Abt.2/1]
Kassel: Bärenreiter-Verlag, 1965. Plate BA 4538.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Misc. Notes Eybler's additions to the Sequenz
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Süssmayr completion

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Irishmaestro (2013/9/4)

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Irishmaestro (2013/9/4)

Copyist Franz Xaver Süssmayr (1766–1803), partial
Publisher. Info. Partial Holograph manuscript, 1791-92.
Copyright
Misc. Notes The so-called 'delivery score' partially in Mozart's hand (f.1-10), but mostly in the hand of Süssmayr. Colour scans are at ca.200 dpi. Monochrome conversion of ÖNB's colour scans has been upscaled to 600 dpi.
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Carolus (2018/7/27)

Editor First edition
Language Latin / German
Translator Johann Arnold Minder (1770–1839), German text
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1800].
Copyright
Misc. Notes Boston Public Library, Music Department (US-Bp): Brown collection.
Includes German text by Johann Adam Hiller (1728-1804) and parody by Christian August Heinrich Clodius (1772-1836) at end of score.
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Aldona Jones (2009/1/13)

Editor Revised edition
Language Latin / German
Translator Johann Arnold Minder (1770–1839), German text
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1812]. Plate 1821.
Copyright
Misc. Notes The German text by Hiller and parody by Clodius is in the frontmatter here.
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piupianissimo (2011/1/9)

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die-trompete (2016/7/19)

Editor Johannes Brahms (1833-1897)
Publisher. Info. Mozarts Werke, Serie XXIV: Supplemente, Bd.1, No.1
Leipzig: Breitkopf & Härtel, 1877. Plate W.A.M. 626.
Copyright
Misc. Notes Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
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Sallen112 (2022/1/18)

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Feldmahler (2006/6/13)

Editor Johannes Brahms (1833-1897)
Publisher. Info. Mozarts Werke, Serie XXIV: Supplemente, Bd.1, No.1
Leipzig: Breitkopf & Härtel, 1877. Plate W.A.M. 626.
Reprinted Requiem in Full Score
Mineola: Dover Publications, 1989.
Copyright
Misc. Notes Later printing with modern clefs for voices.
#01049: First 4 movements only
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Carolus (2009/4/4)

Editor Friedrich Blume (1893-1975)
Publisher. Info. Leipzig: Ernst Eulenburg, n.d.[1932]. Plate E.E. 3032.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes Blume's preface (German and English) omitted.
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Piupianissimo (2023/4/2)

Editor Leopold Nowak (1904-1991)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 2: Requiem, Band 1 [NMA I/1/Abt.2/1]
Kassel: Bärenreiter-Verlag, 1965. Plate BA 4538.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Albrights (2016/11/20)

4 more: III. Sequenz • IV. Offertorium • V. Sanctus / VI. Benedictus • VII. Agnus Dei / VIII. Communio

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Editor Leopold Nowak (1904-1991)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 2: Requiem, Band 1 [NMA I/1/Abt.2/1] (pp.37-199)
Kassel: Bärenreiter-Verlag, 1965, 1979. Plate BA 4538.
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Carolus (2008/5/18)

13 more: II. Kyrie • III. Sequenz - Dies irae • III. Sequenz - Tuba mirum • III. Sequenz - Rex tremendae • III. Sequenz - Recordare • III. Sequenz - Confutatis • III. Sequenz - Lacrymosa • IV. Offertorium - Domine Jesu • IV. Offertorium - Hostias • V. Sanctus • VI. Benedictus • VII. Agnus Dei • VIII. Communio - Lux aeterna

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Carolus (2008/5/18)

Editor Leopold Nowak (1904-1991)
Publisher. Info. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1,
Abteilung 2: Requiem, Band 1 [NMA I/1/Abt.2/1] (pp.37-199)
Kassel: Bärenreiter-Verlag, 1965, 1979. Plate BA 4538.
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This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

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Dies irae

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Offertorium

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Copyist Maximilian Stadler (1748–1833)
Possibly copied by Süssmayr.
Publisher. Info. Manuscript, n.d.
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Misc. Notes Domine Jesu and Hostias in the hand of, and completed by Stadler.
Österreichische Nationalbibliothek, Vienna (A-Wn): Mus.Hs.4375
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Parts

Orchestra

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Carolus (2008/11/4)

Publisher. Info. Schönlinde: Joseph Palme - Manuscript, 1823.
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Generoso (2009/2/7)

Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1890). Plate Orch-B. 760.
Reprinted New York: E.F. Kalmus, n.d.(1933-70).
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Philippmaier (2009/11/30)

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Defreeze (2016/1/28)

Editor Rein de Vries
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Chorus

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Carolus (2008/11/5)

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Carolus (2008/11/5)

Publisher. Info. Schönlinde: Joseph Palme - Manuscript, 1823.
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Vocal Scores

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Fynnjamin (2013/12/19)

Language Latin / German
Publisher. Info. Offenbach s/M: Joh. André, n.d. Plate 1549.
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Carolus (2010/11/22)

Arranger Vincent Novello (1781-1861), organ reduction
Editor Edward Holmes (1797-1859), critical essay
Language Latin
Publisher. Info. Masses, with Organ Accompaniment, Vol.2
London: Novello, Ewer & Co., n.d.(ca.1860).
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Arranger Vincent Novello (1781-1861), organ reduction
Language Latin / English
Publisher. Info. Boston: Oliver Ditson & Co., n.d.(ca.1860).
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Language Latin
Publisher. Info. Unidentified Publisher, n.d.(ca.1880).
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Coulonnus (2018/11/21)

Arranger Friedrich Brissler (1818-1893)
Publisher. Info. Leipzig: Edition Peters, n.d.[1870]. Plate 4431.
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Misc. Notes Converted to monochrome. Measure numbers added
Brissler’s vocal score appeared no later than 1870, but was re-engraved around 1895 (see below). It has been extensively reprinted over the years – by G. Schirmer, Kalmus, and Dover Publications among many others.
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Arranger Friedrich Brissler (1818-1893)
Editor Hermann Kretzschmar (1848-1924) (introduction)
Publisher. Info. Leipzig: Peters, n.d.(ca.1895). Plate 8337.
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#552289: light like the original Peters score
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Carolus (2008/5/18)

Arranger Friedrich Brissler (1818-1893)
Language Latin
Publisher. Info. Leipzig: C.F. Peters, n.d.(ca.1895). Plate 8337.
Reprinted Moscow: Muzyka, n.d.
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Alberto biotech (2007/6/27)

Editor Paco Marmol and
Manolo Casaus
Publisher. Info. Choral Public Domain Library
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Misc. Notes This edition contains several errors; for a complete list, see its page on cpdl. I can correct them if someone could convert the original Encore file in a Lilypond, Musicxml or Finale format.
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Arrangements and Transcriptions

Complete

For Voices, Mixed Chorus, Strings and Organ (Spengel)

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Carolus (2018/7/28)

Arranger Heinrich Ludwig von Spengel (1775-1865)
Publisher. Info. Augsburg: J. H. Besemfelder, 1852.
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For Piano 4 hands (Czerny)

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Morel (2007/9/10)

Arranger Carl Czerny (1791-1857)
Publisher. Info. Vienna: Anton Diabelli & Co., n.d. Plate D. & C. No. 2786.
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For Piano 4 hands

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Arranger Unknown
Publisher. Info. Leipzig: Edition Peters, n.d. Plate 1329.
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For Piano (Klindworth)

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Arranger Karl Klindworth (1830-1916)
Publisher. Info. Moscow: P. Jurgenson, n.d.(ca.1900). Plate 600 T. 327.
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For Piano

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Timtin (2016/11/10)

Publisher. Info. Paris: Schonenberger, n.d. Plate 44e Livraison.
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Selections

For 10 Recorders (Wiebes)

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Zandeavande (2017/3/3)

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Arranger Jaap Wiebes
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For Piano (Liszt)

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Funper (2010/6/12)

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Funper (2007/5/11)

Arranger Franz Liszt (1811-1886)
Editor First edition
Publisher. Info. Leipzig: C.F.W. Siegel, n.d.[1865]. Plate 2966.
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Misc. Notes From the Ruth Dana Collection of Liszt Editions.
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已穿了的龍 (2024/1/1)

Arranger Franz Liszt (1811-1886)
Editor Adrienne Kaczmarczyk (b. 1963)
Imre Sulyok (1912-2008)
Publisher. Info. Neue Liszt-Ausgabe. Serie 2, Band 24 (pp.128-133)
Budapest: Editio Musica, 1998. Plate Z.Z. 13361.
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Introitus

For Voices, Mixed Chorus and Orchestra (Rago)

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Misc. Notes arranged for 2 clarinets instead of 2 basset horns
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Kyrie

For 2 Trumpets and 2 Trombones (Rondeau)

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Arranger Michel Rondeau
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Organ (Clementi)

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Arranger Muzio Clementi (1752-1832)
Editor Jolando Scarpa
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For Organ (Stenov)

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Arranger Michael Stenov
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Tuba mirum

For 5 Trumpets and 4 Trombones (Adams)

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Misc. Notes Transposed to F minor.
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Recordare

For Organ (Best)

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Arranger William Thomas Best (1826-1897)
Publisher. Info. Arrangements from the Scores of the Great Masters, Vol.3 (pp.600-04)
London: Novello, Ewer & Co., n.d. Plate 2229.
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Lacrymosa

For Strings (Choe)

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For 3 Violins, Viola and Cello

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Arranger Adam Yochum
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For 2 Trumpets and 2 Trombones (Kato)

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Arranger Peter S. Kato
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For Harmonium (Vilbac)

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Arranger Renaud de Vilbac (1829-1884)
Publisher. Info. Perles de l'Harmonium (pp.72-73)
Braunschweig: Henry Litolff's Verlag, No.300, n.d.(ca.1875).
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For Piano (Liszt)

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Arranger Franz Liszt (1811-1886)
Publisher. Info. Unidentified collection (pp.23-25)
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Arranger Franz Liszt (1811-1886)
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For Piano (Thalberg)
See: L'art du chant appliqué au piano, Op.70 by Sigismond Thalberg (No.5)

Domine Jesu Christe

For Horn, Trumpet and Euphonium (Messerschmidt)

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Arranger Hans Jorgen Messerschmidt (b. 1944)
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Hostias

For Piano (Sokolov)

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Arranger Alexander Sokolov
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Sketches

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Publisher. Info. Holograph manuscript, n.d.(ca.1790s?)
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Misc. Notes Contains sketches for Amen and Rex Tremendae, as well as sketches for Die Zauberflöte. NMA terms this leaf Skb 1791a
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General Information

Work Title Requiem
Alternative. Title Missa pro defunctis; Seelenmesse
Name Translations 安魂曲; Requiem d-moll; 레퀴엠; Requiem de Mozart; רקוויאם; Réquiem; Rekviēms; レクイエム; Rekviemo; Rekviem D-mol; реквием; เรควีเอ็ม; Recviem; Rèquiem; Реквієм; Rekviem av Mozart; Rekviem; Rekviyem; Mozarts rekviem; رکوییم (موتزارت); Reekviem; قداس الموت; Ռեքվիեմ; რეკვიემი; Mozart-Requiem; مۆسیقای مردوو ناشتن (مۆتسارت); Mocartov Rekvijem; Реквием (Моцарт); Моцарт реквием; Rekvijem (Mozart)
Name Aliases 莫扎特D小调安魂弥撒曲; KV 626; Requiem Mozarta; K. 626; Requiem K626; רקוויאם של מוצרט; Misa n º 18; Requiem en re menor; Misa n. 18; K 626; Misa n 18; Réquiem de Mozart; Misa n 19; Lacrimosa; Misa de requiem en re menor; Misa n º 19; Misa n. 19; Requiem di Mozart; Messa di Requiem; Mozart Requiem; モツレク; Mozart-Requiem lyric; Mozarts Requiem; Реквием Моцарта; Re Minör Requiem; Requiem Mass in D minor; Rèquiem de Mozart; Rèquiem K. 626; El Rèquiem de Mozart; Requiem mozart; El Requiem de Mozart; Mozartin requiem; Requiem d-molli, KV 626; Requiem d-molli; Requiem (Mozart); Rekvijem; Wolfgang Amadeus Mozart: Rekvijem; Mozart's Requiem; Rekviema Meso en D-minoro; Requiem in re minore; Requiem ta' Mozart
Authorities WorldCat; Wikipedia; VIAF: 178428929; GND: 300110464
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No. K.626 ; SmWV 105 (Süssmayr completion)
I-Catalogue NumberI-Cat. No. IWM 441
Key D minor
Movements/SectionsMov'ts/Sec's 14 movements (in 8 liturgical sections)
I. Introitus.
Requiem aeternam (chorus with soprano solo, 48 bars)
II. Kyrie. (chorus, 52 bars)
III. Sequenz.
1. Dies irae (chorus, 68 bars)
2. Tuba mirum (solo quartet, B major, 62 bars)
3. Rex tremendae (chorus, G minor, 22 bars)
4. Recordare (solo quartet, F major, 130 bars)
5. Confutatis (chorus, A minor, 40 bars)
6. Lacrymosa (chorus, D minor, 30 bars)
IV. Offertorium.
1. Domine Jesu (chorus with quartet, G minor, 78 bars)
2. Hostias (chorus, E major, 89 bars)
V. Sanctus (chorus, D major, 38 bars)
VI. Benedictus (chorus with quartet, B major, 76 bars)
VII. Agnus Dei (chorus, D minor, 51 bars)
VIII. Communio.
Lux aeterna (chorus with soprano, B major-D minor, 82 bars)
*Number of measures taken from Süssmayer completion
Year/Date of CompositionY/D of Comp. 1791 (unfinished; first completed 1792 by Süssmayr)
First Performance. 1791-12-10 (Introitus, Kyrie only) in Vienna, St. Michael's Church
Staff of Theater auf der Wieden (Mozart's memorial service)

1793-01-02 (complete) in Vienna

Benefit for Constanze Mozart
First Publication. 1800 (score); 1812 (parts)
Language Latin
Average DurationAvg. Duration 60 minutes
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation voices, chorus, orchestra
InstrDetail
Vocal soli (soprano, alto, tenor, bass)
Mixed Chorus (SATB)
Orchestra
2 basset horns, 2 bassoons
2 trumpets, 3 trombones, timpani, strings, organ
Related Works Libera me Domine by Seyfried was written as a continuation of the Requiem.
Discography MusicBrainz
External Links Wikipedia article
NMA score
NMA score (Eybler and Süssmayr’s additions)
NMA report (German)
All Music Guide
Scores at Sheet Music Plus
Extra Information An Amen fugue, found on a sketch leaf along with a sketch for Rex Tremendae, was almost certainly intended as a final movement of the Sequence section.

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Masses by Wolfgang Amadeus Mozart