- This list is manually maintained, therefore some of the available pieces may not yet be linked from this page. For an automatically generated alphabetical list of all available pieces, please see
Category:Moszkowski, Moritz.
A list of works in the composer category that are not included here can be found on this page.
Please consult the manual of style for creating composer work lists.
Works with Opus Number
- Op.1 - Scherzo in B♭ major
- Op.2 - Albumblatt
- Op.3 - Piano Quintet (unfinished)
- Piano Concerto (No.1) in B minor (unpublished. Composed 1874 according to Assenov.)
- Op.4 - Caprice
- Op.5 - Hommage à Schumann
- Op.6 - Fantaisie-Impromptu
- Op.7 - 3 Moments musicaux
- Op.8 - 5 Valses
- Op.9 - 2 Lieder
- Op.10 - Skizzen
- Op.11 - 3 Stücke
- Op.12 - 5 Spanish Dances
- Op.13 - 3 Lieder
- Op.14 - Humoreske
- Op.15 - 6 Klavierstücke
- Op.16 - 2 Konzertstücke (Ballade, Bolero) for violin and orchestra
- Op.17 - 3 Klavierstücke in Tanzform
- Op.18 - 5 Klavierstücke
- Op.19 - Johanna d'Arc, Symphonic Poem
- Op.20 - Allegro scherzando
- Op.21 - Album Espagnol
- Op.22 - Thränen
- Op.23 - Aus aller Herren Länder
- Op.24 - 3 Concert Studies
- Op.25 - Deutsche Reigen
- Op.26 - 3 Gedichte im Volkston
- Op.27 - 2 Piano Pieces
- Op.28 - 5 Miniatures
- Op.29 - 3 Stücke for Cello and Piano
- Op.30 - Violin Concerto
- Op.31 - 6 Morceaux
- Op.32 - 3 Klavierstücke
- Op.33 - 4 vierhändige Klavierstücke
- Op.34 - 3 Morceaux
- Op.35 - 4 Morceaux
- Op.36 - 8 Morceaux caractéristiques (No.6 is Etincelles, the famous Horowitz encore)
- Op.37 - Caprice espagnol
- Op.38 - 4 Morceaux
- Op.39 - Suite d'Orchestre No.1
- Op.40 - Scherzo-Valse
- Op.41 - Gondoliera
- Op.42 - 3 Morceaux poétiques
- Op.43 - Cortège et Gavotte
- Op.44 - Der Schäfer putzte sich zum Tanz
- Op.45 - 2 Piano Pieces
- Op.46 - Valse and Mazurka
- Op.47 - Suite d'Orchestre No.2
- Op.48 - 2 Concert Etudes
- Op.49 - Boabdil, opera
- Op.50 - Suite for piano solo
- Op.51 - Fackeltanz
- Op.52 - 6 Phantasiestücke
- Op.53 - Laurin, ballet
- Op.54 - 3 Stücke
- Op.55 - 4 Polish Folk Dances
- Op.56 - 6 Stücke aus der Musik zu Grabbe's 'Don Juan und Faust'
- Op.57 - Frühling, 5 piano pieces
- Op.58 - Tristesses et sourires, for piano solo
- Op.59 - Piano Concerto
- Op.60 - 3 Mazurkas
- Op.61 - 3 Arabesques
- Op.62 - Romance and Scherzo
- Op.63 - 3 Bagatelles
- Op.64 - Studies in Double Notes
- Op.65 - 3 Nouvelles Danses Espagnoles, for piano 4 hands
- Op.66 - Pensées fugitives
- Op.67 - 2 Morceaux
- Op.68 - 4 Morceaux
- Op.69 - Valse de concert
- Op.70 - 2 Morceaux
- Op.71 - Suite, for 2 violins and piano
- Op.72 - 15 Etudes de Virtuosité
- Op.73 - 3 Morceaux
- Op.74 - Kaleidoskop, for piano 4 hands
- Op.75 - 2 Morceaux
- Op.76 - 3 Morceaux
- Op.77 - 10 Pièces mignonnes, for piano solo
- Op.78 - 3 Etudes
- Op.79 - Suite d'Orchestre No.3
- Op.80 - 2 Morceaux
- Op.81 - 6 Morceaux
- Op.82 - 4 Morceaux, for Violin and Piano
- Op.83 - 6 Morceaux
- Op.84 - 4 Moments musicaux
- Op.85 - Prelude & Fugue for String Orchestra
- Op.86 - 3 Morceaux
- Op.87 - 3 Morceaux
- Op.88 - Grande valse de concert
- Op.89 - Tanz-Momente
- Op.90 - Introduction & Allegro for Organ
- Op.91 - 20 Petites Etudes
- Op.92 - 12 Etudes for the Left Hand
- Op.93 - 6 Morceaux
- Op.94 - 10 Petits morceaux
- Op.95 - 5 Pièces brèves
- Op.96 - Le maître et l'élève, for piano 4 hands
- Op.97 - Esquisses techniques
Works without Opus Number
Selective list
Intermediate-Level Transcriptions Originally Published in The Etude Magazine
For piano solo:
- from 6 Minuets, WoO 10, by Ludwig van Beethoven (Menuet in G, No.2), The Etude v.36 no.12 (Dec. 1918), 781.
- from Don_Giovanni by Wolfgang Amadeus Mozart, Minuetto, The Etude v.37 no.1 (Jan. 1919), 38.
- from Rinaldo by George Frideric Handel, aria Lascia Ch'io Piangia, The Etude v.37 no.4 (Apr. 1919), 231.
- from Judas Maccabaeus by George Frideric Handel, Chorus, The Etude v.37 no.6 (June 1919), 370-71.
- from his own 4 Piano Pieces, Op.38, Berceuse (Polish Cradle Song), The Etude, v.__ no._ (Apr. 1918), 264.
- from Piano Concerto No.20 in D minor by Wolfgang Amadeus Mozart, slow movement (Romanza), The Etude v.37 no.7 (July 1919), 438.
- from Violin Sonata No.7 by Ludwig van Beethoven, fragment, The Etude v.37 no.8 (Aug. 1919), 506.
- from Waltzes by Frédéric Chopin, waltz Op.64 No.1, The Etude v.37 no.12 (Dec. 1919), 786-87. [Calls for greater than intermediate skill.]
- from A Midsummer Night's Dream, incidental music by Felix Mendelssohn, Nocturne, The Etude v.38 no.5 (May 1920), 328-29. Not May 1919 as stated in some sources.
- from Piano Concerto No.5 by Ludwig van Beethoven, fragment, The Etude v.39 no.11 (Nov. 1921), 738-39. Not August 1921 as stated in some sources.
For piano 4 hands:
See also
Bojan Assenov, Moritz Moszkowski – eine Werkmonographie. (Technischen Universität
Berlin – Dr. phil. – genehmigte Dissertation, 2009.) [Re-issued as Moritz Moszkowski
(1854-1925). Biographie und Werkverzeichnis. (Göttingen: Hainholz Verlag, 2010)?]
Gilya Hodos, Transcriptions, Paraphrases, and Arrangements: The Compositional
Art of Moritz Moszkowski. (Doctoral Dissertation -- D.M.A., Performance, City University
of New York, 2004.)
Based on these authorities, it appears that IMSLP now possesses the complete, collected piano transcriptions and paraphrases
of other composers' works. Assenov's dissertation, at p. 461, suggests that three additional transcriptions were prepared:
- Czerny, Carl: Étude
- Mozart, Wolfgang Amadeus: Jupiter-Symphonie
- Saint-Saëns, Camille: Havanaise.
But he does not indicate when or where Moszkowski may have published them. The first of these three pieces is likely refers to Moszkowski's transcription of Czerny's Toccata, Op.92 in C major (composed and published, after all, as "Toccata-or-Etude" though now not usually referred to so.)