The following information is given for each work, where available:
Opus | Title (IMSLP) | Title (Cyrillic) | Forces | Key | Date | Genre | Notes |
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Op. | 1Symphony No.1 | Симфония № 1 | orch | E minor | 1861–65, rev. 1884 | Orchestral | originally in E♭ minor |
Op. | 2Romances (4): | Романcа (4): | v pf | 1865–66 | Vocal | ||
Op. | 2/1
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v pf | 1865–66 | Vocal | ||
Op. | 2/2
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v pf | 1865–66 | Vocal | piano part written by Mily Balakirev. | |
Op. | 2/3
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v pf | 1865–66 | Vocal | re-used in ''The Boyarina Vera Sheloga'' | |
Op. | 2/4
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v pf | 1865–66 | Vocal | ||
Op. | 3Romances (4): | Романcа (4): | v pf | 1866 | Vocal | ||
Op. | 3/1
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v pf | 1866 | Vocal | also arr. for v orch | |
Op. | 3/1
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v orch | 1888 | Vocal | arr. of the version for v pf | |
Op. | 3/2
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v pf | 1866 | Vocal | ||
Op. | 3/3
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v pf | 1866 | Vocal | ||
Op. | 3/4
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v pf | 1866 | Vocal | ||
Op. | 4Romances (4): | Романcа (4): | v pf | 1866 | Vocal | ||
Op. | 4/1
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v pf | 1866 | Vocal | ||
Op. | 4/2
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v pf | 1866 | Vocal | ||
Op. | 4/3
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v pf | 1866 | Vocal | also arr. for v orch | |
Op. | 4/3
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v orch | 1891 | Vocal | arr. of the version for v pf | |
Op. | 4/4
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v pf | 1866 | Vocal | also arr. for v orch | |
Op. | 4/4
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v orch | 1891 | Vocal | arr. of the version for v pf | |
Op. | 5Sadko (Episode from the Legend of Sadko) | Садко (Эпизод из былини о Садко) | orch | 1867, rev. 1869, 1891–92 | Orchestral | music re-used in the opera Sadko (1895–96) | |
Op. | 6Fantasia on Serbian Themes | Фантазия на сербские темы | orch | 1867, rev. 1886–87 | Orchestral | earlier version also arr. for pf4h. | |
Op. | 6Fantasia on Serbian Themes | Фантазия на сербские темы | pf4h | 1867 | Keyboard | arr. of the earlier version for orch | |
Op. | 7Romances (4): | Романcа (4): | v pf | 1867 | Vocal | ||
Op. | 7/1
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v pf | 1867 | Vocal | ||
Op. | 7/2
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v pf | 1867 | Vocal | ||
Op. | 7/3
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v pf | 1867 | Vocal | re-used in the cantata The Mermaid of Lake Sweitz, Op.44. | |
Op. | 7/4
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v pf | 1867 | Vocal | ||
Op. | 8Romances (6): | Романcов (6): | v pf | 1868–70 | Vocal | ||
Op. | 8/1
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v pf | 1868–70 | Vocal | ||
Op. | 8/2
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v pf | 1868–70 | Vocal | also arr. for v orch | |
Op. | 8/2
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v orch | 1891 | Vocal | arr. of the version for v pf | |
Op. | 8/3
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v pf | 1868–70 | Vocal | ||
Op. | 8/4
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v pf | 1868–70 | Vocal | ||
Op. | 8/5
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v pf | 1868–70 | Vocal | ||
Op. | 8/6
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v pf | 1868–70 | Vocal | ||
Op. | 9Symphony No.2 ("Antar") | Симфония № 2 («Антар») | orch | 1868–75, rev. 1897, 1903 | Orchestral | Also described as a "symphonic suite" | |
Op.10 | Variations on the Theme B-A-C-H (6): | Вариаций на тему B-A-C-H (6): | pf | 1878 | Keyboard | ||
Op.10/1 |
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pf | 1878 | Keyboard | ||
Op.10/2 |
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pf | 1878 | Keyboard | ||
Op.10/3 |
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pf | 1878 | Keyboard | ||
Op.10/4 |
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pf | 1878 | Keyboard | ||
Op.10/5 |
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pf | 1878 | Keyboard | ||
Op.10/6 |
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pf | 1878 | Keyboard | ||
Op.11 | Morceaux (4): | Пьесы (4): | pf | 1876–77 | Keyboard | ||
Op.11/1 |
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pf | 1876–77 | Keyboard | ||
Op.11/2 |
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pf | 1876–77 | Keyboard | ||
Op.11/3 |
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pf | 1876–77 | Keyboard | ||
Op.11/4 |
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pf | 1876–77 | Keyboard | ||
Op.12 | String Quartet | Струнный квартет | 2vn va vc | F major | 1875 | Chamber | |
Op.13 | Choruses (2): | Хора (2): | fch | 1874 | Vocal | ||
Op.13/1 |
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fch | 1874 | Vocal | ||
Op.13/2 |
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fch | 1874 | Vocal | ||
Op.14 | 4 Variations and Fughetta (on the theme of the Russian folksong 'I am Tired of the Nights') | 4 вариации и фугетта (на тему русской песни «Надоели ночи») | fch (+ harm/pf) | G minor | 1875 | Vocal | |
Op.15 | Morceaux (3): | Пьесы (3): | pf | 1875–76 | Keyboard | ||
Op.15/1 | Valse | Вальс | pf | 1875–76 | Keyboard | ||
Op.15/2 | Romance | Романс | pf | 1875–76 | Keyboard | ||
Op.15/3 | Fugue | Фуга | pf | 1875–76 | Keyboard | ||
Op.16 | Choruses (6): | Хоров (6): | ch | 1876 | Vocal | ||
Op.16/1 |
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ch | 1876 | Vocal | ||
Op.16/2 |
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ch | 1876 | Vocal | ||
Op.16/3 |
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ch | 1876 | Vocal | ||
Op.16/4 |
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ch | 1876 | Vocal | ||
Op.16/5 |
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ch | 1876 | Vocal | ||
Op.16/6 |
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ch | 1876 | Vocal | ||
Op.17 | Fugues (6) | Фуг (6) | pf | 1875 | Keyboard | ||
Op.18 | Choruses (2): | Хора (2): | ch | 1876 | Vocal | also published as Op.22 | |
Op.18/1 |
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ch | 1876 | Vocal | ||
Op.18/2 |
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ch | 1876 | Vocal | ||
Op.19 | Russian Folksongs (15): | Русских народных песен (15): | ch | 1879 | Vocal | ||
Op.19/ | 1
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ch | 1879 | Vocal | ||
Op.19/ | 2
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ch | 1879 | Vocal | ||
Op.19/ | 3
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ch | 1879 | Vocal | ||
Op.19/ | 4
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ch | 1879 | Vocal | ||
Op.19/ | 5
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ch | 1879 | Vocal | ||
Op.19/ | 6
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ch | 1879 | Vocal | ||
Op.19/ | 7
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ch | 1879 | Vocal | ||
Op.19/ | 8
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ch | 1879 | Vocal | ||
Op.19/ | 9
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ch | 1879 | Vocal | ||
Op.19/10 |
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ch | 1879 | Vocal | also arr. for mch | |
Op.19/10 |
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mch | 1879? | Vocal | arr.of the version for ch | |
Op.19/11 |
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ch | 1879 | Vocal | ||
Op.19/12 |
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ch | 1879 | Vocal | ||
Op.19/13 |
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ch | 1879 | Vocal | ||
Op.19/14 |
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ch | 1879 | Vocal | ||
Op.19/15 |
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ch | 1879 | Vocal | ||
Op.20 | Poem About Aleksey, Man of God | Стих об Алексее Божьем человеке | ch orch | 1878 | Vocal | ||
Op.21 | Glory | Слава | ch orch | 1879–80 | Vocal | ||
Op.22 | Liturgy of St. John Chrysostom (8 numbers): | Литургия Св. Иоанна Златоуства (8 номеров): | ch | 1883 | Vocal | ||
Op.22/1 |
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ch | 1883 | Vocal | ||
Op.22/2 |
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ch | 1883 | Vocal | ||
Op.22/3 |
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ch | 1883 | Vocal | ||
Op.22/4 |
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ch | 1883 | Vocal | ||
Op.22/5 |
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ch | 1883 | Vocal | ||
Op.22/6 |
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ch | 1883 | Vocal | ||
Op.22/7 |
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ch | 1883 | Vocal | ||
Op.22/8 |
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ch | 1883 | Vocal | ||
Op.22b | Collected Sacred Musical Arrangements (23) | Собрание духовно-музыкальных переложений (23) | ch | 1883 | Vocal | No.12 for 2ch | |
Op.23 | Choruses (4): | Хора (4): | mch (+ pf) | 1876 | Vocal | ||
Op.23/1 |
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mch (+ pf) | 1876 | Vocal | ||
Op.23/2 |
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mch (+ pf) | 1876 | Vocal | ||
Op.23/3 |
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mch (+ pf) | 1876 | Vocal | ||
Op.23/4 |
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mch (+ pf) | 1876 | Vocal | ||
Op.24 | Collection of 100 Russian Folksongs | Сборник 100 русских народных песен | v pf | 1875–76 | Vocal | ||
Op.25 | Romances (2): | Романcа (2): | v pf | 1870–76 | Vocal | ||
Op.25/1 |
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v pf | 1870–76 | Vocal | ||
Op.25/2 |
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v pf | 1870–76 | Vocal | ||
Op.26 | Romances (4): | Романcа (4): | v pf | 1882 | Vocal | ||
Op.26/1 |
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v pf | 1882 | Vocal | ||
Op.26/2 |
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v pf | 1882 | Vocal | ||
Op.26/3 |
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v pf | 1882 | Vocal | ||
Op.26/4 |
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v pf | 1882 | Vocal | ||
Op.27 | Romances (4): | Романcа (4): | v pf | 1883 | Vocal | ||
Op.27/1 |
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v pf | 1883 | Vocal | ||
Op.27/2 |
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v pf | 1883 | Vocal | ||
Op.27/3 |
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v pf | 1883 | Vocal | ||
Op.27/4 |
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v pf | 1883 | Vocal | ||
Op.28 | Overture on Russian Themes | Увертюра на русские темы | orch | D major | 1866, rev. 1879–80 | Orchestral | later version also arr. for pf4h |
Op.28 | Overture on Russian Themes | Увертюра на русские темы | pf4h | D major | 1880 | Keyboard | arr. from the version for orch |
Op.29 | Fairy Tale (Baba Yaga) | Сказка (Баба-Яга) | orch | 1879–80 | Orchestral | also arr. for pf4h | |
Op.29 | Fairy Tale (Baba Yaga) | Сказка (Баба-Яга) | pf4h | 1880 | Keyboard | arr. from the version for orch | |
Op.30 | Piano Concerto | Концерт для фортепиано с оркестром | pf orch | C♯ minor | 1882–83 | Orchestral | also arr. for 2pf |
Op.30 | Piano Concerto | Концерт для фортепиано с оркестром | 2pf | C♯ minor | 1883 | Keyboard | arr. from the version for pf orch |
Op.31 | Sinfonietta on Russian Themes | Симфониетта на русские темы | orch | A minor | 1879–84 | Orchestral | adapted from the first 3 movts. of the String Quartet (1878–79). |
Op.32 | Symphony No.3 | Симфония № 3 | orch | C major | 1866–73, rev. 1886 | Orchestral | |
Op.33 | Concert Fantasia on Russian Themes | Концертная фантазия на русские темы | vn orch | B minor | 1886–87 | Orchestral | also arr. for vn pf |
Op.33 | Concert Fantasia on Russian Themes | Концертная фантазия на русские темы | vn pf | B minor | 1886–87 | Chamber | arr. from the version for vn orch |
Op.34 | Spanish Capriccio (Capriccio on Spanish Themes, Capriccio espagnol) | Испанское каприччио (Каприччио на испанские темы) | orch | A major | 1887 | Orchestral | also arr. for pf4h |
Op.34 | Spanish Capriccio (Capriccio on Spanish Themes, Capriccio espagnol) | Испанское каприччио (Каприччио на испанские темы) | pf4h | A major | 1887 | Keyboard | arr. from the version for orch |
Op.35 | Scheherazade | Шехеразада | orch | 1888 | Orchestral | symphonic suite; also arr. for pf4h | |
Op.35 | Scheherazade | Шехеразада | pf4h | 1888 | Keyboard | arr. from the version for orch | |
Op.36 | Russian Easter Festival | Светлый праздник (Воскресная увертюра) | orch | 1888 | Orchestral | ||
Op.37 | Serenade | Серенада | vc pf | 1893 | Chamber | also arr. for vc orch | |
Op.37 | Serenade | Серенада | vc orch | 1903 | Orchestral | arr. from the version for vc pf | |
Op.38 | Pieces (2): | Пьесы (2) | pf | 1894 | Keyboard | contrbutions to a collaborative album for Vasily Bessel | |
Op.38/1 | Prelude-Impromptu | Прелюдия-экспромт | pf | 1894 | Keyboard | ||
Op.38/2 | Mazurka | Мазурка | pf | 1894 | Keyboard | ||
Op.39 | Romances (4): | Романcа (4): | v pf | 1897 | Vocal | ||
Op.39/1 |
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v pf | 1897 | Vocal | ||
Op.39/2 |
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v pf | 1897 | Vocal | ||
Op.39/3 |
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v pf | 1897 | Vocal | ||
Op.39/4 |
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v pf | 1897 | Vocal | ||
Op.40 | Romances (4): | Романcа (4): | v pf | 1897 | Vocal | ||
Op.40/1 |
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v pf | 1897 | Vocal | ||
Op.40/2 |
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v pf | 1897 | Vocal | ||
Op.40/3 |
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v pf | 1897 | Vocal | ||
Op.40/4 |
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v pf | 1897 | Vocal | ||
Op.41 | Romances (4): | Романcа (4): | v pf | 1897 | Vocal | ||
Op.41/1 |
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v pf | 1897 | Vocal | ||
Op.41/2 |
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v pf | 1897 | Vocal | ||
Op.41/3 |
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v pf | 1897 | Vocal | ||
Op.41/4 |
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v pf | 1897 | Vocal | ||
Op.42 | Romances (4): | Романcа (4): | v pf | 1897 | Vocal | ||
Op.42/1 |
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v pf | 1897 | Vocal | ||
Op.42/2 |
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v pf | 1897 | Vocal | ||
Op.42/3 |
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v pf | 1897 | Vocal | ||
Op.42/4 |
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v pf | 1897 | Vocal | ||
Op.43 | In Spring: | Весной: | v pf | 1897 | Vocal | ||
Op.43/1 |
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v pf | 1897 | Vocal | ||
Op.43/2 |
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v pf | 1897 | Vocal | ||
Op.43/3 |
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v pf | 1897 | Vocal | ||
Op.43/4 |
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v pf | 1897 | Vocal | ||
Op.44 | The Mermaid of Lake Switez | Свитезянка | sop ten ch orch | 1897 | Vocal | ||
Op.45 | To the Poet: | Поэту: | v pf | 1897–99 | Vocal | ||
Op.45/1 |
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v pf | 1897–99 | Vocal | ||
Op.45/2 |
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v pf | 1897–99 | Vocal | ||
Op.45/3 |
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v pf | 1897–99 | Vocal | ||
Op.45/4 |
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v pf | 1897–99 | Vocal | ||
Op.45/5 |
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v pf | 1897–99 | Vocal | ||
Op.46 | By the Sea: | У моря: | v pf | 1897 | Vocal | ||
Op.46/1 |
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v pf | 1897 | Vocal | ||
Op.46/2 |
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v pf | 1897 | Vocal | ||
Op.46/3 |
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v pf | 1897 | Vocal | ||
Op.46/4 |
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v pf | 1897 | Vocal | ||
Op.46/5 |
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v pf | 1897 | Vocal | ||
Op.47 | Duets (2): | Дуэта (2): | (mez bar)/(sop ten) pf | 1897 | Vocal | ||
Op.47/1 |
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(mez bar)/(sop ten) pf | 1897 | Vocal | also arr. for 2vv orch | |
Op.47/1 |
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2vv orch | 1905 | Vocal | arr. from the version for 2vv pf | |
Op.47/2 |
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(mez bar)/(sop ten) pf | 1897 | Vocal | also arr. for 2vv orch | |
Op.47/2 |
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2vv orch | 1905 | Vocal | arr. from the version for 2vv pf | |
Op.48 | Mozart and Salieri | Моцарт и Сальери | vv ch orch | 1897 | Stage | opera in 1 act | |
Op.49/ | Romances (2): | Романcа (2): | bass pf | 1882, rev. 1897 | Vocal | ||
Op.49/1 |
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bass pf | 1882, rev. 1897 | Vocal | also arr. for v orch | |
Op.49/1 |
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v orch | 1906 | Vocal | arr. of the version for bass pf | |
Op.49/2 |
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bass pf | 1882, rev. 1897 | Vocal | also arr. for v orch (+ mch) | |
Op.49/2 |
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v orch (+ mch) | 1899 | Vocal | arr. of the version for bass pf | |
Op.50 | Romances (4): | Романcа (4): | v pf | 1897–98 | Vocal | ||
Op.50/1 |
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v pf | 1897–98 | Vocal | ||
Op.50/2 |
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v pf | 1897–98 | Vocal | ||
Op.50/3 |
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v pf | 1897–98 | Vocal | ||
Op.50/4 |
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v pf | 1897–98 | Vocal | ||
Op.51 | Romances (4): | Романcа (5): | v pf | 1897 | Vocal | ||
Op.51/1 |
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v pf | 1897 | Vocal | ||
Op.51/2 |
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v pf | 1897 | Vocal | ||
Op.51/3 |
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v pf | 1897 | Vocal | ||
Op.51/4 |
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v pf | 1897 | Vocal | ||
Op.51/5 |
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v pf | 1897 | Vocal | ||
Op.52 | Duets (2): | Дуэта (2); | 2vv pf | 1897–98 | Vocal | ||
Op.52/1 |
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2vv pf | 1897–98 | Vocal | also arr. for 3vv orch as Op.52b | |
Op.52/2 |
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2vv pf | 1897–98 | Vocal | ||
Op.52b | The Mountain Spring | Горный ключ | sop mez alt orch | 1905 | Vocal | arr.of Op.52/1 | |
Op.53 | Dragonflies | Стрекозы | 2sop mez orch (+ fch) | 1897 | Vocal | ||
Op.54 | The Noblewoman Vera Sheloga | Бояарына Вера Шелога | vv ch orch | 1898 | Stage | opera in 1 act; written as the prologue to the 2nd version of The Maid of Pskov. | |
Op.55 | Romances (4): | Романcа (4): | ten pf | 1897–98 | Vocal | ||
Op.55/1 |
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ten pf | 1897–98 | Vocal | ||
Op.55/2 |
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ten pf | 1897–98 | Vocal | ||
Op.55/3 |
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ten pf | 1897–98 | Vocal | ||
Op.55/4 |
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ten pf | 1897–98 | Vocal | ||
Op.56 | Romances (2): | Романcа (2): | sop pf | 1898 | Vocal | ||
Op.56/1 | The Nymph | Нимфа | sop pf | 1898 | Vocal | also arr. for v orch | |
Op.56/1 | The Nymph | Нимфа | v orch | 1905 | Vocal | arr. of the version for sop pf | |
Op.56/2 | Summer Night’s Dream | Сон в летнюю ночь | sop pf | 1898 | Vocal | also arr. for v orch | |
Op.56/2 | Summer Night’s Dream | Сон в летнюю ночь | sop pf | 1906 | Vocal | arr. of the version for sop pf | |
Op.57 | The Tale of Tsar Saltan | Сказке о царе Салтане | orch | 1901 | Orchestral | concert suite from the opera | |
Op.58 | The Song of Oleg the Wise | Песнь о вещем Олеге | ten bass mch orch | 1899 | Vocal | ||
Op.59 | Pan Voyevoda | Пан воевода | orch | 1903–04 | Orchestral | concert suite from the opera. | |
Op.60 | A Page from Homer | Из Гомера | sop mez alt fch orch | 1901 | Vocal | ||
Op.61 | At the Grave (Prelude in Memory of M. P. Belyayev) | Над могилой (Прелюдия памяти М. П. Беляева) | orch | 1904 | Orchestral | also arr. for pf4h | |
Op.61 | At the Grave (Prelude in Memory of M. P. Belyayev) | Над могилой (Прелюдия памяти М. П. Беляева) | pf4h | 1904 | Keyboard | arr. of the verson for orch | |
Op.62 | Chanson russe (Dubinushka) | Русская песня (Дубинушка) | orch (+ ch) | 1905, rev. 1906 | Orchestral | later version also arr. for pf4h. | |
Op.62 | Chanson russe (Dubinushka) | Русская песня (Дубинушка) | pf4h | 1906 | Keyboard | arr. of the later version for orch | |
Op.63 | Neapolitan Song | Неаполитанская песенка | orch | 1907 | Orchestral | arr. of Funiculì, Funiculà; also arr. for pf4h. | |
Op.63 | Neapolitan Song | Неаполитанская песенка | pf4h | 1907 | Keyboard | arr. of the verson for orch | |
— | Allegretto | Allegretto | pf | C major | 1895 | Keyboard | |
— | Allegro | Allegro | pf | D minor | 1859–60 | Keyboard | lost |
— | Allegro | Allegro | 2vn va vc | B♭ major | 1899 | Chamber | for the collaborative work ''Les vendredis'', Book 2, No.1 |
— | At the Monastery | В монастыре | 2vn va vc | B♭ major | 1878–79 | Chamber | originally intended as the last movement of the String Quartet (1878–79); also arr. for pf4h as ''In Church'' |
— | Canzonetta and Tarantella | Канцонетта и Тарантелла | 2cl | 1883–94? | Chamber | ||
— | Choruses (2): | Хора (2): | cch | 1884 | Vocal | unfinished | |
— |
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cch | 1884 | Vocal | unfinished | |
— |
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cch | 1884 | Vocal | unfinished | |
— | Christmas Eve [opera] | Ночь перед рождеством [опера] | vv ch orch | 1894–95 | Stage | opera in 4 acts; see also the concert suite. | |
— | Christmas Eve [suite] | Ночь перед рождеством [сюита] | orch (+ ch) | 1903 | Orchestral | concert suite from the opera | |
— | Clarinet Concerto (Concertstück) | Концерт для кларнета (Концертштюк) | cl ww br perc | E♭ major | 1878 | Orchestral | |
— | Come To Me, Signora | Выходи ко мне, синьора | v pf | 1861 | Vocal | ||
— | Duets (2) | Дуэта (2) | 4hn | F major | 1888? | Chamber | |
— | Fugal Intermezzo | pf4h | 1897 | Keyboard | intended for the opera Mozart and Saliei, 48. | ||
— | Fughettas on Russian Themes (3) | Фугетты на русские темы (3) | pf | 1875 | Keyboard | in 4 parts (Nos.1 and 2) and 3 parts (No.3). | |
— | Fugue | Фуга | pf | C major | 1875 | Keyboard | in 4 parts; also arr. for pf4h |
— | Fugue | Фуга | pf | C major | 1875 | Keyboard | arr. of the version for pf |
— | Fugue | Фуга | pf | G minor | 1875-76? | Keyboard | |
— | Fugues (3) | Фуг (3) | pf | 1875 | Keyboard | in 4 parts (Nos.2 and 3 are double fugues); No.3 based on the theme B-A-C-H. | |
— | Fugues (6) | Фуг (6) | pf | 1875 | Keyboard | in 3 parts | |
— | Funeral March | Похоронный марш | pf | D minor | 1860? | Keyboard | lost |
— | Greeting (Zdravitsa) | Здравица | orch | 1906 | Orchestral | for Aleksandr Glazunov's jubilee | |
— | Heaven and Earth | Земля и небо | vv ch orch | 1905 | Stage | unfinished opera | |
— | In Church | В церкви | pf4h | 1879 | Keyboard | arr. of ''At the Monastery'' | |
— | In the Blood Burns the Fire of Desire | В крови горит огонь желанья | v pf | 1865 | Vocal | words by Aleksandr Pushkin; lost. | |
— | Jour de fête ("Name-Day Quartet") | Имянины | 2vn va vc | D major | 1888 | Chamber | finale to the collaborative work with Aleksandr Glazunov and Anatoly Lyadov |
— | Kashchey the Immortal | Кащей бессмертный | vv ch orch | 1901–02, rev. 1906 | Stage | autumnal parable in 4 acts. | |
— | Little-Russian Fantasia | Малороссийская фантазия | orch | 1887 | Orchestral | unfinished; incomplete sketches only | |
— | Little Song (n the Dorian mode) | Песенка (в дорийском ладе) | pf | 1901 | Keyboard | ||
— | May Night | Майская ночь | vv ch orch | 1878–79 | Stage | comic opera in 3 acts | |
— | Mazurka on Polish Themes (Souvenir de tris chants polonais) | Мазурка на польские народные темы | vn orch | 1888 | Orchestral | also arr. for vn pf | |
— | Mazurka on Polish Themes (Souvenir de tris chants polonais) | Мазурка на польские народные темы | vn pf | 1893 | Chamber | arr. of the version for vn orch | |
— | Mlada | Млада | vv ch orch | 1872 | Stage | contributions to a collaborative opera-ballet in 4 acts, written with César Cui, Ludwig Minkus, Modest Mussorgsky and Aleksandr Borodin; unfinished, but Rimsky-Korsakov's music was re-used in his own version of the work | |
— | Mlada | Млада | vv ch orch | 1889–90 | Stage | magical opera-ballet in 4 acts; see also the concert suite. | |
— | Mlada | Млада | orch (+ ch) | 1894 | Orchestral | concert suite from the opera-ballet. | |
— | My Musical Life | Летопись моей музыкальной жизни | — | 1909 | Writings | ||
— | Night on Mount Triglav | Ночь на горе Триглаве | orch | 1899–1901 | Orchestral | adapted from Act III of the opera Mlada. | |
— | Nocturne | Ноктюрн | pf | B♭ minor | 1860? | Keyboard | lost |
— | Nocturne | Ноктюрн | 4hn | F major | 1888 | Chamber | |
— | Overture | Увертюра | pf | 1855? | Keyboard | unfinished; lost. | |
— | Pan Voyevoda | Пан Воевода | vv ch orch | 1902–03 | Stage | ||
— | Paraphrases ("Chopsticks") | Парафраз на неизменную тему | pf | 1878 | Keyboard | contributions to the collaborative work by Aleksandr Borodin, César Cui, Anatoly Lyadov, Nikolay Rimsky-Korsakov, Nikolay Shcherbachyov and Franz Liszt | |
— | Piano Trio | Фортепианное трио | vn vc pf | C minor | 1897 | Chamber | unfinished; completion by Maksimilian Steinberg (1939). |
— | Practical Manual of Harmony | Практический учебник гармонии | — | 1885 | Writings | ||
— | Prelude | Прелюдия | pf | G major | 1896 | Keyboard | |
— | Principles of Orchestration | Основы оркестровки | — | 1873 | Writings | unfnished; completed posthumously by Maksimilian Steinberg (1883–1946) | |
— | Quadrille (Joke) | Кадриль (Шутка) | pf | 1885 | Keyboard | contribution to a collaborative work with Nikolay Artsybushev, Jāzeps Vītols, Anatoly Lyadov,Nikolay Sokolov andAleksandr Glazunov. | |
— | Quintet | Квинтет | fl cl bn hn pf | B♭ major | 1876 | Chamber | |
— | Russian Folksongs (40) | Народных песен (40) | v pf | 1875–82 | Vocal | collaborative work with Terty Fillipov (1826–1899) | |
— | Sadko | Садко | vv ch orch | 1895–96 | Stage | opera-bylina in 7 scene; the text of this work is subject to the copyright period for the librettist Vladimir Belsky (1866–1946); includes music from the musical tableau Sadko, 5 | |
— | Scherzo | Скерцо | pf4h | C minor | 1860? | Keyboard | lost. |
— | Servilia | Сервилия | vv ch orch | 1900–01 | Stage | opera in 5 acts | |
— | Stenka Razin | Стенька Разин | vv ch orch | 1905 | Stage | unfinished opera; the text of this work is subject to the copyright period for the librettist Vladimir Belsky (1866–1946). | |
— | String Quartet | Струнный квартет | 2vn va vc | G major | 1897 | Chamber | |
— | String Quartet (on Russian Themes):
|
Струнный квартет (на русские темы):
|
2vn va vc | 1878–79 | Chamber | Nos.1 to 3 re-used in Sinfonietta on Russian Themes, 31;No.4 published separately as At the Monastery, and arr. for pf4h as ''In Church' | |
— | String Quartet ("B la F") | Струнный квартет ("B la F") | 2vn va vc | B♭ major | 1886 | Chamber | Allegro (1st movement) for collaborative quartet with Anatoly Lyadov, Aleksandr Borodin and Aleksandr Glazunov; also arr. for pf4h |
— | String Quartet ("B la F") | Струнный квартет ("B la F") | pf4h | B♭ major | 1886 | Keyboard | arr. from the version for 2vn va vc |
— | String Sextet | Струнный секстет | 2vn 2va 2vc | A major | 1876 | Chamber | |
— | Symphony | Симфония | orch | B minor | 1866–69 | Orchestral | unfinished; some music re-used in The Snow Maiden. |
— | Symphony No.4 | Симфония № 4 | orch | D minor | 1884 | Orchestral | unfinished; sketches for scherzo only |
— | The Barber of Baghdad | Багдадский бородобрей | vv ch orch | 1895 | Stage | opera in 1 act; unfinished | |
— | The Butterfly | Бабочка | 2vv pf | 1855 | Vocal | ||
— | The Golden Cockerel | Золотой петушок | vv ch orch | 1906–07 | Stage | opera in 3 acts with prologue and epilogue; the text of this work is subject to the copyright period for the librettist Vladimir Belsky (1866–1946); Introduction and wedding march also arr. for separate concert performance (1907) | |
— | The Golden Cockerel | Золотой петушок | orch | 1907 | Orchestral | concert suite from the opera, arr. after the composer's death by Aleksandr Glazunov and Maksimilian Steinberg | |
— | The Legend of the Invisible City of Kitezh and the Maiden Fevroniya | Сказание о невидимом граде Китеже и деве Февронии | vv ch orch | 1903–04 | Stage | opera in 4 acts. The text of this work is subject to the copyright period for the librettist Vladimir Belsky (1866–1946). | |
— | The Legend of the Invisible City of Kitezh and the Maiden Fevroniya | Сказание о невидимом граде Китеже и деве Февронии | orch | 1907 | Orchestral | concert suite from the opera. | |
— | The Maid of Pskov | Псковитянка | vv ch orch | 1868–72, rev. 1876–77, 1891–92, 1898–1901 | Stage | opera in 3 acts; additional prologue to 2nd and 4th versions staged separately as The Noblewoman Vera Sheloga, 54. | |
— | The Maid of Pskov | Псковитянка | orch | 1877, rev. 1881–82 | Stage | incidental music to the play | |
— | The Snow Maiden | Снегурочка | vv ch orch | 1880–81, rev. 1895 | Stage | opera in 4 acts with prologue; see also the concert suite from the opera | |
— | The Snow Maiden | Снегурочка | orch | 1895 | Orchestral | concert suite from the later version of the opera | |
— | The Tale of the Fisherman and the Fish | Сказка о рыбаке и о рыбке | orch | 1907 | Orchestral | Unfinished | |
— | The Tale of Tsar Saltan (The Tale of Tsar Saltan, of his Son the Renowned and Mighty Bogatyr Prince Guidon Saltanovich, and of the Beautiful Swan Princess) | Сказка о царе Салтане (Сказка о царе Салтане, о сыне его славном и могучем богатыре князе Гвидоне Салтановиче и о прекрасной царевне Лебеди) | vv ch orch | 1899–1900 | Stage | opera in 4 acts with prologue; the text of this work is subject to the copyright period for the librettist Vladimir Belsky (1866–1946). | |
— | The Tsar's Bride | Царская невеста | vv ch orch | 1898 | Stage | opera in 4 acts | |
— | Tronbone Concerto | Концерт для тромбона | tbn ww br perc | B♭ major | 1877 | Orchestral | |
— | Variations on a Chorale (4) | Вариации на хорал (4) | 2vn va vc | G minor | 1885 | Chamber | |
— | Variations on a Russian Theme | Вариации на русскую тему | pf | 1859–60 | Keyboard | lost. | |
— | Variations on a Russian Theme | Вариации на русскую тему | 2vn va vc | G major | 1898 | Chamber | Variation No.4 only for the collaborative work with Nikolay Artsybushev, Aleksandr Scriabin, Aleksandr Glazunov,Anatoly Lyadov, Jāzeps Vītols, Felix Blumenfeld, Victor Ewald, Aleksandr Winkler, and Nikolay Sokolov |
— | Variations on a Russian Theme | Вариации на русскую тему | pf | A major | 1899 | Keyboard | Variation No.1 only for the collaborative work with Aleksandr Winkler, Felix Blumenfeld, Nikolay Sokolov, Jāzeps Vītols, Anatoly Lyadov and Aleksandr Glazunov |
— | Variations on a Theme by Glinka | Вариации на тему Глинки | ob ww br perc | G minor | 1878 | Orchestral | |
— | Variations on a Theme by Mischa | Вариации на тему Миши | pf3h | 1878–79? | Keyboard | based on a theme by the composer's son Mikhail Rimsky-Korsakov. | |
— | We Praise Thee, O God | Тебе Бога хвалим | ch | C major | 1883 | Vocal | Two-choir concert on the third voice of the Greek chant [двухорный концерт на третий глас греческого распева ] |
— | You Will Soon Forget Me | Ты скоро меня позабудешь | v pf | 1866 | Vocal | lost |
This section lists works by other composers that were arranged, transcribed, edited, translated or otherwise adapted by Nikolay Rimsky-Korsakov. The name of the original composer and title of the original works are shown first, followed by details of Rimsky-Korsakov's adaptation.