Modern Violin School, Op.51 (Henley, William)

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Scores

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Gregory Maldonado (2011/7/2)

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Generoso (2011/1/23)

PDF scanned by Gregory Maldonado
Gregory Maldonado (2011/7/3)

PDF scanned by US-R
Generoso (2011/1/23)

PDF scanned by US-R
Generoso (2011/1/23)

PDF scanned by US-R
Generoso (2011/1/23)

PDF scanned by US-R
Generoso (2011/1/23)

PDF scanned by US-R
Generoso (2011/1/23)

PDF scanned by US-R
Generoso (2011/1/23)

PDF scanned by US-R
Generoso (2011/1/23)

Publisher. Info. London: Joseph Williams, 1922. Plate J.W. 14317.
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Misc. Notes #107768 - 300dpi. This file is part of the Sibley Mirroring Project.
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General Information

Work Title Modern Violin School
Alternative. Title Ecole moderne du violon
Composer Henley, William
Opus/Catalogue NumberOp./Cat. No. Op.51
Movements/SectionsMov'ts/Sec's 12 Books
  • 1. Initiatory Course.
467 studies and melodies on time-keeping, intonation, for the wrist,
staccato and other bowings, and 48 duets for two violins
  • 2. The 1st, 2nd, and 3rd Positions.
485 studies for moving from one position to another; 23 melodies scales,
and arpeggios in two octaves; and short pieces introducing rests
  • 3. The Ground-work of Bowing.
530 studies for the wrist, martelé, detaché, legato, marcato, spiccato,
staccato, and complexity of bowing
  • 4. Elementary Double Stopping & Chords.
370 studies up to the third position in thirds, sixths, octaves, chromatic,
diminished and augmented intervals; scales, and 39 short pieces
  • 5. The Art of Shifting.
450 studies in single and double notes for moving between the seven positions
  • 6. Tone Production and Phrasing.
337 studies in various bowings, specially designed for producing variety of tone;
and 145 studies for turns, trills and shakes
  • 7. Rapidity of Fingering.
119 studies for the cultivation of clearness in technique. All positions
  • 8. Bravura Double Stopping.
10 Preludes and 7 Concert-Etudes in thirds, sixths, octaves, tenths,
chromatic, augmented and diminished intervals
  • 9. The Art of Bowing.
Studies in the most complex and difficult varieties of staccato, arpeggio,
saltato, sautille and feather bowing
  • 10. Chords and Part-Playing.
Three Concert-Caprices, Prelude, Paraphrase on Tannhäuser, and
Cadenzas to the Brahms and Beethoven Concertos
  • 11. The Brilliant and Bravura School.
Studies in single, double, and triple harmonics, left-hand pizzicato, etc.
  • 12. Finger Development and Virtuosity.
Studies in left-hand tremolo, double shakes, and solo pieces
for violin alone, comprising all difficulties
Language English
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Violin