Piano Sonata in F major, K.Anh.135/547a (Mozart, Wolfgang Amadeus)

Authorship Note
This sonata consists of individual movements from other works assembled after Mozart's death (see note at end of page)


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Feldmahler (2006/2/19)

Editor Sigmund Lebert (1821-1884)
William Scharfenberg (1819-1895)
Publisher. Info. Nineteen Sonatas for the Piano
New York: G. Schirmer, 1893. Plate 11137.
Copyright
Misc. Notes Titled "Sonata IV"; editorial comments in English, German
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Mozart - Piano Sonata, K 547a.pdf

PDF scanned by piano.ru
worov (2010/7/6)

Editor Carl Adolf Martienssen (1881-1955)
Wilhelm Weismann (1900-1980)
Publisher. Info. Sonaten für Klavier zu zwei Händen (pp.282-93)
Leipzig: C.F. Peters, n.d.(1938). Plates 10817-10818.
URTEXT EDITION 
This "urtext" or "scholarly" (scientific) edition was published at least 25 years ago in the EU (or 20 years ago in Italy, before 1992 in the former USSR). Hence, the edition is public domain in its country of origin or a government publication. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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PMLP96068-KV 547a.pdf

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CC (2009/10/31)

Publisher. Info. Moscow: Muzgiz, 1963. Plate M. 25501 Г.
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PMLP96068-Piano Sonata in F major, K. 547a (Mozart).pdf

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piupianissimo (2012/3/18)

Editor Kurt von Fischer (1913–2003)
Publisher. Info. Neue Mozart-Ausgabe, Serie IX, Werkgruppe 26,
Variationen für Klavier
[NMA IX/26] (pp.157-60)
Kassel: Bärenreiter-Verlag, 1961. Plate BA 4525.
URTEXT EDITION 
This “urtext” or “scholarly” (scientific) edition was published at least 25 years ago in Germany and thus is public domain in its country of origin. Such editions are also public domain in Canada because they fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’. It may not be public domain elsewhere, however. More information about this can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
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TN-Mozart, Wofgang Amadeus-NMA 09 26 18 KV Anh 138a.jpg
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General Information

Work Title Piano Sonata
Alternative. Title
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No. K.Anh.135 ; K⁶.547a
Key F major
Movements/SectionsMov'ts/Sec's 2 movements
  1. Allegro
  2. Allegretto (transposed from K.545)
Year/Date of CompositionY/D of Comp. 1788 but see below (different movements composed at different times, put together posthumously)
First Publication. 1799
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation Piano
External Links Wikipedia article

Misc. Comments

Piano Sonatas by Wolfgang Amadeus Mozart


Not in fact by Mozart as a work, though the individual movements are, modulo editing:

"Wolfgang Amadeus Mozart's Piano Sonata in F major, K. 547a (Anh. 135) is a sonata in two movements. It was originally published as an original sonata by Breitkopf and Härtel in 1799 but was soon found to be an amalgam of movements culled from other compositions." (from Wikipedia.)

Sometimes a set of 6 variations is found as a third movement of this work in some editions, it seems (K.Anh.138a, Wikipedia article in Spanish here) - the above editions just have 2, however. (This is also mentioned, with further explanation and links, in the Wikipedia article on K. 547a above.)

All 3 movements of the sonata were composed in 1788 (except for the rewritten variation of K.547's variations movement (in the 3rd movement sometimes found) - unclear whether this is a variant by Mozart, or by an editor at Breitkopf?...) - and since the 2nd and 3rd movements are from K.547, a sonata with violin "ad. libitum" where arranging for piano basically means removing the violin part and nothing more (Alfred Einstein's opinion, which I just paraphrase here), otherwise the editor's intervention didn't need to be very much (in reducing K.547 to a piano work.) - Schissel