Sinfonia Concertante, K.364 (Mozart, Wolfgang Amadeus)

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Contents

Music Files

Full Scores

 Complete Score
#14986 - 5.61MB - 62 pages - Scan Quality: 7.33/10 (3 ratings) - V/V/V

PDF file, Scanned by Unknown
Uploader: Amazingviolist (4 October 2007)

Editor:

Johannes Brahms (1833-1897)

Publisher Info.:

Wolfgang Amadeus Mozarts Werke, Serie 12: Concerte für Violine und Orchester.
Leipzig: Breitkopf & Härtel, 1877-1910. Plate W.A.M. 364

Copyright:

Public Domain

Misc. Notes:


Parts

 Complete Solos and Orchestral Parts
#28975 - 32.35MB - 79 pages - Scan Quality: No ratings yet - V/V/V

PDF file, Scanned by Unknown
Uploader: Carmar1791 (27 February 2009)

Editor:

First Edition (?)

Publisher Info.:

Offenbach: André, n.d.(ca.1802), Plate 1588

Copyright:

Public Domain

Misc. Notes:

Probably the first printed edition. Solo viola part in D. At the end of this file there is also a viola part written in E for a more pratical use. This part is taken from Herman Ritter Orchestral Excerpts, Book 1 (Leipzig: Carl Merseburger, n.d.(ca.1920), Plate C M 616).

Arrangements and Transcriptions

For String Sextet

PDF file, Scanned by Bayerische Staatsbibliothek
Uploader: Caprotti (13 February 2009)

Editor:


Publisher Info.:

Vienna(?): Magazino della Casa Reale, n.d.(late 18th cent.). Plate 658

Copyright:

Public Domain

Misc. Notes:

Titled Grande Sestetto Concertante. Color scan.
(for 2 Violins, 2 Violas, 1st Cello Concertante and 2nd Cello or Bass)

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General Information

Work Title Sinfonia Concertante in E Major for Violin, Viola and Orchestra
Alternative Title
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue Number K.364 (K.320d)
Key E Major
Number of Movements/Sections 3 movements
Year/Date of Composition 1779
Genre Concerto
Piece Style Classical
Instrumentation Solo Violin, Solo Viola, 2 Oboes, 2 Horns in E, and Strings (2 Violins, 2 Violas, Cello, Double Bass)
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Misc. Comments

Movements:

  1. Allegro maestoso
  2. Andante
  3. Presto

The Sinfonia Concertante is written in E major but the solo viola part was originally written a semi-tone lower in D, to be played "discordata"; the soloist was to tune the viola a semitone higher to make the instrument sound brighter.

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