Sinfonia concertante in E-flat major, K.364/320d (Mozart, Wolfgang Amadeus)

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Sheet Music

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Editor Ernst Rudorff (1840–1916)
Publisher. Info. Mozarts Werke, Serie XII:
Concerte für die Violine mit Orchester, Bd.1, No.10
(pp.1-62 (211-72))
Leipzig: Breitkopf & Härtel, 1881. Plate W.A.M. 364.
Copyright
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Editor Rudolf Gerber (1899–1957)
Publisher. Info. Leipzig: Ernst Eulenburg, No.734, n.d.(1935).
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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5 more: Fragment End First Set (scan) • Cadenza Sketches (scan) • 1. Allegro maestoso (DME) • 2. Andante (DME) • 3. Presto (DME)

Editor Christoph-Hellmut Mahling (1932–2012)
Publisher. Info. Neue Mozart-Ausgabe, Serie V, Werkgruppe 14,
Band 2: Concertone, Sinfonia Concertante [NMA V/14/2] (pp.57-130)
Kassel: Bärenreiter-Verlag, 1975. Plate BA 4569.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
DME: Digital Mozart Edition
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Parts

10 more: Violin solo • Viola solo • Oboe 1 • Oboe 2 • Horn 1 (E♭) • Horn 2 (E♭) • Violins I • Violins II • Violas I, II • Cellos, Basses

Editor First edition
Publisher. Info. Offenbach: André, n.d.[1802]. Plate 1588.
Copyright
Misc. Notes Solo viola part in Scordatura. The Neue Mozart-Ausgabe confirms that the publication date is around 1802.
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10 more: Viola solo • Oboe 1 • Oboe 2 • Horn 1 (E♭) • Horn 2 (E♭) • Violins I • Violins II • Violas I • Violas II • Cellos/Basses

Publisher. Info. Leipzig: Breitkopf und Härtel, n.d. Plate W.A.M. 304/Orch B. 104.
Reprinted New York: E.F. Kalmus, No.A1778, n.d.(1933–70).
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Editor Hermann Ritter (1849–1926)
Publisher. Info. Orchestral excerpts for Viola (pp.3-14)
Leipzig: Carl Merseburger, n.d.(ca.1920). Plate C. 616 M.
Copyright
Misc. Notes At concert pitch.
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11 more: Oboe 2 • Horn 1 (E♭) • Horn 2 (E♭) • Horn 1 (F) • Horn 2 (F) • Violins I • Violins II • Violas I • Violas II • Cellos • Basses

Editor Simon Ansell
Publisher. Info. Simon Ansell
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Arrangements and Transcriptions

Complete

For 2 Violins, 2 Violas and 2 Cellos

6 more: Violin 1 • Violin 2 • Viola 1 • Viola 2 • Cello 1 • Cello 2 (or Bass)

Arranger Unknown
Publisher. Info. Vienna(?): Magazino della Casa Reale, n.d.(1750-99). Plate 658.
Copyright
Misc. Notes Titled Grande Sestetto Concertante. Color scan.
(for 2 Violins, 2 Violas, 1st Cello Concertante and 2nd Cello or Bass)
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For 2 Violins, 2 Violas and 2 Cellos
Arranger Unknown
Editor Gunther Schuller (1925–2015)
Publisher. Info. Newton Centre: Margun Music Inc., 1981.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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For 2 Violins, 2 Violas and 2 Cellos (Mandozzi)

6 more: Violin 1 • Violin 2 • Viola 1 • Viola 2 • Cello 1 • Cello 2

Arranger Orfeo Mandozzi
Publisher. Info. Vienna: Orfeo Mandozzi, 2016-09-02
Copyright
Misc. Notes This edition is based on the 1808 Arrangement but also contains many elements like dynamics, articulations and more harmonies of the of the Original by Mozart. Ready to use material with rehearsal numbers and rehearsal retters. Many thanks to Alexander Pavlovsky from the Jerusalem Quartet and the Cuarteto Quiroga for the many great suggestions.
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For Violin, Viola and Piano (Gleichauf)
Arranger Franz Xaver Gleichauf (1801–1856)
Editor First edition
Publisher. Info. Offenbach: Johann André, n.d.(ca.1840). Plate 1588.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
Viola tuned 1/2 step higher. Thus the viola part is written in D major, while the violin part is in E major.
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For Violin, Viola and Piano (Herrmann II)
Editor Carl Herrmann II (1876–fl.1949)
Publisher. Info. Leipzig: Edition Peters, No.2206, n.d. Plate 6893.
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Misc. Notes later print
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For Violin, Viola and Piano (Jahnke)
Arranger Unknown
Editor Zdzisław Jahnke (1895–1972)
Publisher. Info. Kracow: Polskie Wydawnictwo Muzyczne, n.d. Plate PWM 4277.
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For Violin, Viola and Piano (Sitt)
Arranger Hans Sitt (1850–1922)
Publisher. Info. Leipzig: C.F. Peters, n.d.(ca.1884). Plate 6893.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
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For 2 Pianos (Babcock)
Arranger Gaylon Babcock
Publisher. Info. Gaylon Babcock
Copyright
Misc. Notes each part designed to be printed front and back
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For 2 Pianos (Drillon)
Arranger Jacques Drillon (b. 1954)
Publisher. Info. Jacques Drillon
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Cadenzas

Hellmesberger Sr.
Arranger Joseph Hellmesberger Sr. (1828–1893)
Publisher. Info. Vienna: Universal Edition, n.d. Plate U.E. 69.
Copyright
Misc. Notes Viola tuned 1/2 step higher. Thus the viola part is written in D major, while the violin part is in E♭ major.
Extracted from 6 Cadenzen
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General Information

Work Title Sinfonia concertante
Alternative. Title
Name Translations ヴァイオリンとヴィオラのための協奏交響曲; Sinfonia Concertante for fiolin, bratsj og orkester; Symfonia koncertująca; Symphonie concertante pour violon et alto; 바이올린, 비올라와 오케스트라를 위한 신포니아 콘체르탄테; [10 more...]Sinfonía concertante para violín, viola y orquesta; Sinfonia Concertante for Violin, Viola and Orchestra; Sinfonia Concertante hegedűre, brácsára és zenekarra; Sinfonia concertante per violino, viola e orchestra; Sinfonía concertante para violín e viola; Sinfonia concertante Es-Dur; سینفونیا کنسرتانته برای ویولن، ویولا و ارکستر; 協奏交響曲; Sinfonia Concertante cho Violin, Viola và dàn nhạc giao hưởng; Simfonia concertant per a violí, viola i orquestra (Mozart)
Name Aliases KV 364; Symphonie concertante pour violon et alto de Mozart; K. 320d; KV 320d; K 364; [4 more...]Sinfonia concertante in Es-Dur; Sinfonia concertante für Violine, Viola und Orchester; Sinfonia Concertante in E-flat major; K364 K 320d
Authorities Wikipedia; BNF: 14808719c
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No. K.364 ; K⁶.320d
Internal Reference NumberInternal Ref. No. IWM 475
Key E-flat major
Movements/SectionsMov'ts/Sec's 3 movements:
  1. Allegro maestoso
  2. Andante
  3. Presto
Year/Date of CompositionY/D of Comp. 1779
First Publication. 1802 – Offenbach: Johann André, plate 1588 (parts)
Average DurationAvg. Duration 30 minutes
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation violin, viola, orchestra
InstrDetail 2 oboes, 2 horns, strings
External Links Wikipedia article
NMA score
NMA report (German)
Extra Information The Sinfonia Concertante is written in E major but the solo viola part was originally written a semitone lower in D, to be played “scordatura”; the soloist was to tune the viola a semitone higher to make the instrument sound brighter.

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[hide]Concertos and concertante works by Wolfgang Amadeus Mozart
Woodwind Concertos Horn Concertos String Concertos
Piano Concertos by Wolfgang Amadeus Mozart
Arrangements of Other Composers
 3 Piano Concertos, K.107, after JC Bach, Sonatas Op.V/2–4
  1. Piano Concerto in D major
  2. Piano Concerto in G major
  3. Piano Concerto in E major