Sortable list of works by Heitor Villa-Lobos
Free public domain sheet music from IMSLP / Petrucci Music Library
Please note that this list is manually updated, and may not contain IMSLP's complete collection.
This list of works by Heitor Villa-Lobos is under construction and woefully incomplete thus far. It will be completed at an indeterminate time. W1-259 are complete, as are a few isolated ones after that. Any extra information is welcome.
Durations are given in minutes.
The 'Salão Nobre' referred to here is a shortened reference to the Salão Nobre da Associação dos Empregados do Comercio of Rio de Janeiro, where a large number of Villa-Lobos works were premiered.
All opus numbers were those given on the premiere programme.
| Appleby No. | Opus No. | Title | Forces | Date | Performance Category | Duration | Notes |
|---|---|---|---|---|---|---|---|
| W001 | Os sedutores | Voice, Piano | 1899 | Vocal (solo) | 2 | Subtitled 'Cançoneta'. | |
| W002 | Panqueca | Guitar | 1900 | Solo | 2 | ||
| W003 | Dime perché | Voice, Piano | 1901 | Vocal (solo) | 2 | Poetry by P. de Tasso. | |
| W004 | Mazurka em ré maior | Guitar | 1901 | Solo | 2 | ||
| W005 | Celestial | Piano | 1904 | Solo | 2 | Subtitled 'Waltz'. | |
| W006 | História de Pierrot | Piano | 1904 | Solo | 2 | ||
| W007 | Nuvens | Piano | 1904 | Solo | 2 | ||
| W008 | Paraguai | Band | 1904 | Band | Subtitled 'Dobrado'. | ||
| W009 | Valsa brilhante | Guitar | 1904 | Solo | 3 | Originally entitled 'Valsa Concerto No.2'. | |
| W010 | Brasil | Band | 1905 | Band | Subtitled 'Dobrado'. | ||
| W011 | Imploro | Piano (or Harmonium) | 1905 | Solo | 2 | Dedicated to Father Escaligero Maravalho. | |
| W012 | O Salutaris | Chorus, Piano (or Harmonium) | 1905 | Choral | 2 | ||
| W013 | Cânticos sertanejos | 2 Violins, Viola, Cello, Contrabass, Piano | 1907 | Chamber | 3 | Subtitled 'Fantasia característica'. W014 is an arrangement for 2 flutes, clarinet, and strings. | |
| W014 | Cânticos sertanejos | 2 Flutes, Clarinet, Strings | 1907 | Orchestral | 3 | See W013. | |
| W015 | Japonesa | Voice, Piano | 1907 | Vocal (solo) | 2 | Premiered 1911, in the Teatro Amazonas in Manaus, with Santos Moreira (voice) and Joaquim França (piano). Poetry by Luiz Guimarães Filho. | |
| W016 | Valsa romântica | Piano | 1907 | Solo | 3 | ||
| W017 | Confidência | Voice, Piano | 1908 | Vocal (solo) | 2 | Premiered 13 November, 1915, in the Salão Nobre of Rio de Janeiro, with Alberto Guimarães (voice) and Lucilia Villa-Lobos (piano). Poetry by Honório Bastos de Carvalho. | |
| W018 | As crianças | Chorus (Four-Part) (a cappella) | 1908 | Choral | 2 | Poetry by Lauro Sales. | |
| W019 | Recouli | Flute, Clarinet, Strings | 1908 | Orchestral | 3 | Premiered 26 January, 1908, in the Teatro Santa Isabel of Paranaguá, Brazil, with Villa-Lobos conducting. Dedicated to the students of the city of Paranaguá. | |
| W020 | Suite populaire brésilienne | Guitar | 1908-12 | Solo | 12 | 1. Mazurka-choro 2. Schottisch-choro 3. Valsa-choro 4. Gavota-choro 5. Chorinho Mazurka-choro dedicated to Maria Tereza Teran. | |
| W021 | Aglaia | Voices, Orchestra | 1909 | Operatic | Later incorporated into Izaht (see W055). | ||
| W022 | Ave Maria | Voice, Cello, Organ | 1909 | Vocal (solo) | 2 | ||
| W023 | Fantasia | Guitar | 1909 | Solo | 3 | ||
| W024 | Memorare | Chorus (Two-Part), Organ | 1909 | Choral | 2 | Premiered 11 November, 1922, in the Teatro Municipal of Rio de Janeiro, with Villa-Lobos conducting the Chorus of the Schola Cantorum, and organist Alpheo Lopes de Souza. | |
| W025 | Um beijo | Piano | 1909 | Solo | 2 | Dedicated to Eduardo Luiz Gomes. | |
| W026 | Dobrados | Guitar | 1909-12 | Solo | 12 | 1. Paraguaio 2. Brasil 3. Chorão 4. Saudade 5. Paranaguá 6. Cabeçudo 7. Rio de Janeiro 8. Padre Pedro | |
| W027 | Canção brasileira | Guitar | 1910 | Solo | 2 | ||
| W028 | Dobrado pitoresco | Guitar | 1910 | Solo | 2 | ||
| W029 | Elisa | Voices, Orchestra | 1910 | Operatic | Later incorporated into Izaht (see W055). | ||
| W030 | Fuga | Cello, Piano | 1910 | Chamber | 2 | This work is an arrangement of a fugue from Bach's Well-Tempered Clavier. | |
| W031 | Prelúdio em fá sustenido menor | Cello, Piano | 1910 | Chamber | 3 | This work is an arrangement of a Chopin prelude. | |
| W032 | Quadrilha | Guitar | 1910 | Solo | 2 | ||
| W033 | Tarantela | Guitar | 1910 | Solo | 3 | ||
| W034 | Tristorosa | Piano | 1910 | Solo | 2 | Premiered 20 November, 1968, in Rio de Janeiro, with Arnaldo Estrella. Written under the pseudonym Epaminondas Villalba Filho. Subtitled 'Valsa'. | |
| W035 | Bailado infantil | Piano | 1911 | Solo | 2 | ||
| W036 | Canto oriental | Voice, Piano | 1911 | Vocal (solo) | 2 | Poetry by Honório Bastos de Carvalho. | |
| W037 | Comédia lírica em 3 atos | Piano | 1911 | Solo / Operatic | Libretto by Octávio F. Machado. This is an incomplete piano transcription of a planned opera. | ||
| W038 | Mazurlesca | Piano | 1911 | Solo | 2 | ||
| W039 | Num berço de fadas | Piano | 1911 | Solo | 2 | ||
| W040 | Simples | Guitar | 1911 | Solo | 2 | Subtitled 'Mazurka'. Dedicated to Eduardo Luiz Gomes. | |
| W041 | Op.30 | Tarantela | Piano | 1911 | Solo | 3 | Premiered 17 November, 1917, in the Salão Nobre of Rio de Janeiro, with Ernâni Braga. Excerpted from Suíte for Piano and Orchestra (see W068). |
| W042 | Op.25 | Piano Trio No.1 | Violin, Cello, Piano | 1911 | Chamber | 20 | Premiered 13 November, 1915, in the Salão Nobre of Rio de Janeiro, with Lucia Villa-Lobos (piano), Humberto Milano (violin), and Oswaldo Allinoni (cello). |
| W043 | Valsa lenta | Piano | 1911 | Solo | 2 | ||
| W044 | Ave Maria | Voice, Organ | 1912 | Vocal (solo) | 2 | ||
| W045 | Brinquedo de roda | Piano | 1912 | Solo | 10 | 1. Tira o seu pezinho 2. A moda da carranquinha 3. Uma, duas angolinhas 4. Os três cavalheiros 5. Garibaldi foi à missa 6. Vamos todos cirandar | |
| W046 | Mal secreto | Voice, Piano | 1912 | Vocal (solo) | 2 | Premiered 13 November, 1915, in the Salão Nobre of Rio de Janeiro, with Frederico Nascimento Filho (baritone) and Ernâni Braga (piano). Poetry by Raimundo Correa | |
| W047 | Noite de luar | Voice, Piano | 1912 | Vocal (solo) | 3 | Premiered 3 February, 1917, in the Salão Nobre of Rio de Janeiro, with Lydia Albuquerque Salgado (soprano) and Lucilia Villa-Lobos (piano). Poetry by Batista Junior. | |
| W048 | Petizada | Piano | 1912 | Solo | 15 | 1. A mão direita tem uma roseira 2. Assim ninava mamãe 3. A pobrezinha sertaneja 4. Saci 5. História da caipirinha (dedicated 'to my adopted daughter Izaht') | |
| W049 | Pro-pax | 1 piccolo, 1 flute, 1 oboe, 1 clarinet, 1 saxophone, 1 cornet (B♭), 1 bugle, 1 horn, 1 saxhorn, 1 trombone, 1 baritone horn, bass drum, 1 tuba (E♭ and B♭), drum, caixa, cymbals, timpani, triangle | 1912 | Band | 10 | Subtitled 'Marcha Solene'. Originally published as Partituras de banda. | |
| W050 | Quinteto duplo de cordas | 2 Violins, 2 Violas, 2 Cellos, 2 Contrabasses | 1912 | Chamber | 20 | Premiered 17 September, 1925, in the Instituto Nacional de Música of Rio de Janeiro. | |
| W051 | Op.35 | Sonata fantasia No.1 | Violin, Piano | 1913 | Chamber | 10 | Subtitled 'Désespérance'. Premiered 3 February, 1917, in the Salão Nobre of Rio de Janeiro, with Judith Barcelos (violin) and Lucilia Villa-Lobos (piano). |
| W052 | Suíte brasileira | Orchestra | 1912 | Orchestral | 8 | ||
| W053 | Suíte infantil No.1 | Piano | 1912 | Solo | 12 | 1. Bailando 2. Nenê vai dormir 3. Artimanhas 4. Reflexão 5. No balanço | |
| W054 | Suíte para quinteto duplo de cordas | 2 Violins, 2 Violas, 2 Cellos, 2 Contrabasses; alternate: String Orchestra | 1912 | Chamber | 10 | 1. Tímida 2. Misteriosa 3. Inquieta (later used in W271) Premiered 31 July, 1915, in the Teatro Municipal of Rio de Janeiro, with Francisco Braga conducting the Orchestra of the Sociedade de Concertos Sinfônicos. Originally programmed as Suíte característica para instrumentos de cordas. | |
| W055 | Izaht | Soloists, Chorus, 1 piccolo, 1 flutes, 2 oboes, 1 english horn, 2 clarinets (B♭), 2 clarinets (A), 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns (F), 2 horns (D), 2 horns (E♭), 2 trumpets (F), 2 trumpets (B♭), 1 trumpet (D), 4 trombones, 1 tuba, timpani, tam-tam, cymbals, caixa, chimes, triangle, bass drum, xylophone, celesta, harp, strings | 1912-4 | Operatic | 90 | Premiered completely 13 November, 1958; 3rd act, 16 November, 1921; 4th act, 15 August, 1918; all in the Teatro Municipal of Rio de Janeiro. Libretto by Azevedo Júnior and Villa-Lobos (under the pseudonym Epaminondas Villalba Filho). W21 and W29 were incorporated into this work. | |
| W056 | Miniaturas | Voice, Piano | 1912-7 | Vocal (solo) | 12 | 1. Cromo No.2 2. A viola 3. Cromo No.3 4. Sonho 5. Japonesa (composed 5 March, 1912, in Bahia) 6. Sino da Aldeia Premiered (nos. 1, 4, 5, 6) 17 November, 1917, in the Salão Nobre of Rio de Janeiro, with Alberto Guimarães (voice) and Lucilia Villa-Lobos (piano). Nos. 2 and 3 were premiered 12 November, 1919, in the Teatro Municipal of Rio de Janeiro, with Frederico Nascimento Filho (voice) and Lucilia Villa-Lobos (piano). Poetry by Abílio Barreto Sylvio Romero, B. Lopes, A. Guimarães, Luiz Guimarães Filho, and Antônio Maria C. de Oliveira. W057 is an arrangement for voice and orchestra. | |
| W057 | Miniaturas | Voice, 2 flutes, 2 oboes, 1 english horn, 2 clarinets (A), 2 clarinets (B♭), 2 bassoons, 2 horns, 2 timpani, cymbals, celesta, harp, strings | 1912-7 | Vocal (solo) | 8 | See W056. 'Sonho' is not included in this version. 'La viola' was premiered 1 December, 1922, in the Teatro Municipal of Rio de Janeiro, with Frederico Nascimento Filho (voice) and Villa-Lobos (conductor). | |
| W058 | Ave Maria | Voice, Strings | 1913 | Vocal (solo) | 2 | Premiered 11 November, 1922, in the Teatro Municipal of Rio de Janeiro, with Asdrubal Lima (voice) and Villa-Lobos (conductor). | |
| W059 | Fleur fanée | Voice, Piano | 1913 | Vocal (solo) | 2 | Premiered 13 November, 1915, in the Salão Nobre of Rio de Janeiro, with Frederico Nascimento Filho (voice) and Ernâni Braga (piano). Poetry by A. Gallay. | |
| W060 | Louco | Voice, Piano | 1917 | Vocal (solo) | 3 | Premiered 17 November, 1917, in the Salão Nobre of Rio de Janeiro, with Frederico Nascimento Filho (voice) and Lucilia Villa-Lobos (piano). Poetry by J. Cadilhe. This is a reduction of the original orchestral version (see W079). | |
| W061 | Marcha solene No.3 | Orchestra | 1913 | Orchestral | 3 | ||
| W062 | L'oiseau blessé d'une flèche | Voice, Piano | 1913 | Vocal (solo) | 3 | Premiered 3 February, 1917, in Rio de Janeiro, with Frederico Nascimento Filho (voice) and Lucilia Villa-Lobos (piano). Based on a fable of La Fontaine. | |
| W063 | Op.20 | Pequeña sonata | Cello, Piano | 1913 | Chamber | 12 | Premiered 29 January, 1915, in the Teatro Dona Eugênia of Friburgo, with Villa-Lobos (cello) and Lucilia Villa-Lobos (piano). |
| W064 | Pequeña suíte | Cello, Piano | 1913 | Chamber | 15 | 1. Romancette 2. Legendária 3. Harmonias soltas 4. Fugato (All'antica) 5. Melodia 6. Gavotte-scherzo 'Romancette', 'Legendária', and 'Gavotte-scherzo' premiered 5 September, 1919, in the Salão Nobre of Rio de Janeiro, with Villa-Lobos (cello) and Roberto Soriano (piano). | |
| W065 | Prelúdio No.2 | Cello, Piano | 1913 | Chamber | 3 | Premiered 3 February, 1917, in the Salão Nobre of Rio de Janeiro, with Alfredo Gomes (cello) and Lucilia Villa-Lobos (piano). | |
| W066 | Suíte da terra | Orchestra (Chamber) | 1913 | Orchestral | 10 | ||
| W067 | Suíte infantil No.2 | Piano | 1913 | Solo | 10 | ||
| W068 | Suíte para piano e orquestra | Piano (solo), 1 piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bass clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trumpets (B♭), 2 trombones, 1 tuba, timpani, strings | 1913 | Concertante | 25 | Premiered 21 April, 1923, in São Paulo, with Villa-Lobos conducting the Orchestra of the Sociedade de Concertos Sinfônicos and Lucilia Villa-Lobos (piano). A reduction for two pianos exists. 'Tarantela' from this work was arranged for solo piano (see W041). | |
| W069 | Op.25 | Trio | Flute, Cello, Piano | 1913 | Chamber | 12 | Premiered 29 January, 1915, in the Teatro Dona Eugênia of Friburgo, with Agenor Bens (flute), Heitor Villa-Lobos (cello), and Lucilia Villa-Lobos (piano). |
| W070 | Op.17 | Valsa-scherzo | Piano | 1913 | Solo | 3 | Premiered 13 November, 1915, in the Salão Nobre of Rio de Janeiro, with Sylvia Figueiredo. |
| W071 | A Virgem | Voice, Piano | 1913 | Vocal (solo) | 2 | Premiered 13 November, 1915, in the Salão Nobre of Rio de Janeiro, with Alberto Guimarães (voice) and Lucilia Villa-Lobos (piano). Sonnet by Anthero de Quental. | |
| W072 | Ave Maria No.6 | Voice, Piano | 1914 | Vocal (solo) | 2 | Text in Latin. Originally for string quartet. | |
| W073 | Canção árabe | Voice, Piano | 1914 | Vocal (solo) | 2 | Premiered 17 November, 1919, with Marieta W Campelo (voice). Poetry by Honório de Carvalho. | |
| W074 | Op.40 | Canção Ibérica | Piano | 1914 | Solo | 2 | Premiered 29 January, 1915, in the Teatro Dona Eugênia of Friburgo, with Lucilia Villa-Lobos. |
| W075 | Danças aéreas | Orchestra (Chamber) | 1914 | Ballet | 5 | Commissioned by the School of Music of the University of Brazil. | |
| W076 | Op.60 | Fábulas características | Piano | 1914 | Solo | 8 | 1. O cuco e o gato 2. A araponga e o irerê 3. O gato e o rato Premiered 3 February, 1917, in the Salão Nobre of Rio de Janeiro, with Rubens Figueiredo. The first two movements are lost. |
| W077 | Ibericarabé | Orchestra | 1914 | Orchestral | 10 | Subtitled 'Poema sinfônico'. A piano transcription exists (W078). | |
| W078 | Ibericarabé | Piano | 1914 | Solo | 10 | See W077. | |
| W079 | Louco | Voice, 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets (A), 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns, 4 trumpets, 3 trombones, 1 tuba, timpani, cymbals, bass drum, celesta, harp, strings | 1917 | Vocal (solo) | 3 | Premiered 8 February, 1925, in the Teatro Municipal of São Paulo, with Frederico Nascimento Filho (voice) and Villa-Lobos conducting the Orchestra of the Sociedade de Concertos Sinfônicos de São Paulo. Poetry by J. Cadelhe. A reduction for voice and piano was made (W060). | |
| W080 | Les mères | Voice, Piano | 1914 | Vocal (solo) | 2 | Premiered 3 February, 1917, in the Salão Nobre of Rio de Janeiro, with Frederico Nascimento Filho (voice) and Lucilia Villa-Lobos (piano). Poetry by Victor Hugo ('Les enfants'). | |
| W081 | Octeto | Flute, Clarinet, Bassoon, 2 Violins, Cello, Piano | 1914 | Chamber | 3 | Subtitled 'Dança negra'. | |
| W082 | Ondulando | Piano | 1914 | Solo | 3 | Subtitled 'Estudo'. | |
| W083 | Op.29 | Sonata fantasia No.2 | Violin, Piano | 1914 | Chamber | 22 | Premiered 3 November, 1915, in the Salão Nobre of Rio de Janeiro, with Humberto Milano (violin) and Lucilia Villa-Lobos (piano). |
| W084 | Sonhar | Violin, Piano | 1914 | Chamber | 2 | Premiered 29 January, 1915, in Friburgo. | |
| W085 | Op.47 Op.57 Op.65 | Danças características africanas | Piano | 1914-5 | Solo | 12 | Based on themes of the Caripunas Indians (from Mato Grosso). 1. Farrapós, Op.47 (Dança dos moços) - premiered in the Teatro Dona Eugênia of Friburgo with Lucilia Villa-Lobos 2. Kankukus, Op.57 (Dança dos velhos) - premiered with Rubens Figueiredo (or Ernâni Braga?); dedicated to Ernâni Braga 3. Kankikis, Op.65 (Dança dos meninos) - premiered 17 November, 1917, in the Salão Nobre of Rio de Janeiro, with Nininha Veloso Guerra; dedicated to Nininha Veloso Guerra This work was transcribed for octet (W087) and orchestra (W107). |
| W086 | Op.14 | Sonhar | Cello, Piano | 1914-5 | Chamber | 2 | Premiered 29 November, 1915, in the Teatro Dona Eugênia of Friburgo, with Heitor Villa-Lobos (cello) and Lucilia Villa-Lobos (piano). Subtitled 'Melodia'. |
| W087 | Danças africanas | Flute, Clarinet, 2 Violins, Viola, Cello, Piano, Continuo | 1914-6 | Chamber | 14 | See W085. Premiered 13 December, 1922, in the Teatro Municipal of São Paulo, with Paulina d'Ambrozio (violin), George Marinuzzi, Orlando Frederico (viola), Alfredo Gomes (cello), Alfredo Corazza, Pedro Vieira, Antão Soares, and Fructoso Viana (piano). | |
| W088 | Op.50 | Berceuse | Cello, Piano | 1915 | Chamber | 2 | Premiered 13 November, 1950, in the Salão Nobre of Rio de Janeiro, with Oswaldo Allioni (cello) and Lucilia Villa-Lobos (piano). Dedicated to Noêmia Villa-Lobos (the composer's mother). W089 is an arrangement for violin and piano. |
| W089 | Berceuse | Violin, Piano | 1915 | Chamber | 2 | See W088. Premiered 13 November, 1915. Dedicated to Noêmia Villa-Lobos (the composer's mother). | |
| W090 | Il bove | Voice, Piano, Cello ad libitum | 1915 | Vocal (solo) | 3 | Premiered 3 February, 1917, in the Salão Nobre of Rio de Janeiro, with Lydia Albuquerque Salgado (voice) and Lucilia Villa-Lobos (piano). Poetry (on the monotony of work in the fields) by Carducci. | |
| W091 | Op.49 | Capriccio | Cello, Piano | 1915 | Chamber | 2 | W092 is an arrangement for violin and piano. |
| W092 | Capriccio | Violin, Piano | 1915 | Chamber | 3 | See W091. Premiered 13 November, 1915, in the Salão Nobre of Rio de Janeiro. | |
| W093 | A cegonha | Voice, Piano | 1915 | Vocal (solo) | 3 | Premiered 13 November, 1915, in the Salão Nobre of Rio de Janeiro, with Frederico Nascimento Filho (voice) and Ernâni Braga (piano). Poetry by Anivel Teôfilo. | |
| W094 | Élégie | 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, 1 tuba, timpani, celesta, harp, strings | 1915 | Orchestral | 4 | Premiered 10 November, 1917, in the Teatro Municipal of Rio de Janeiro, with Roberto Soriano conducting. | |
| W095 | Cello Concerto No.1 | Cello (solo), 1 piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 1 tuba, timpani, harp, strings | 1915 | Concertante | 22 | Premiered 10 May, 1916, in the Teatro Municipal of Rio de Janeiro, with Newton Pádua (cello) and Villa-Lobos conducting. | |
| W096 | Improviso No.7 | Violin, Piano | 1915 | Chamber | 2 | Premiered 17 November, 1917, in the Salão Nobre of Rio de Janeiro, with Mário Caminha (violin) and Lucilia Villa-Lobos (piano). | |
| W097 | Marcha religiosa No.1 | Orchestra | 1915 | Orchestral | 6 | Premiered 12 June, 1915, in São Paulo, with Villa-Lobos conducting the Symphonic Orchestra of São Paulo. | |
| W098 | Il nome di Maria | Voice, Piano | 1915 | Vocal (solo) | 2 | Premiered 3 February, 1917, in the Salão Nobre of Rio de Janeiro, with Lydia Albuquerque Salgado (voice) and Lucilia Villa-Lobos (piano). Poetry by Lorenzo Stechetti. | |
| W099 | String Quartet No.1 | 2 Violins, Viola, Cello | 1946 | Chamber | 18 | 1. Cantilena 2. Brincadeira 3. Canto lírico 4. Cançoneta 5. Melancolia 6. Saltando como um saci This work is a rewrite of the Suíte graciosa of 1915, which was premiered 3 February, 1915, in the home of composer Homero Barreto in Nova Friburgo. | |
| W100 | String Quartet No.2 | 2 Violins, Viola, Cello | 1915 | Chamber | 20 | Premiered 3 February, 1917, in Rio de Janeiro, with Judith Barcelos (violin), Dagmar Gitahy (violin), Orlando Frederico (viola), and Alfredo Gomes (cello). | |
| W101 | Salutaris hostia | Chorus (Four-Part, Mixed) (a cappella) | 1915 | Choral | 3 | Premiered 11 November, 1922, in the Teatro Municipal of Rio de Janeiro, with Canon Alpheo Lopes de Araújo conducting the Schola Cantorum of Santa Cecilia School. | |
| W102 | Cello Sonata No.1 | Cello, Piano | 1915 | Chamber | 12 | ||
| W103 | Op.46 | Cello Sonata No.2 | Cello, Piano | 1915 | Chamber | 20 | Premiered 17 November, 1916, in the Salão Nobre of Rio de Janeiro, with Gustavo Hess de Melo (cello) and Lucilia Villa-Lobos (piano). |
| W104 | Tantum ergo | Chorus, Flute, Oboe, Clarinet, Bassoon, Strings | 1915 | Choral | 4 | ||
| W105 | Piano Trio No.2 | Violin, Cello, Piano | 1915 | Chamber | 25 | Premiered 12 November, 1919, in the Teatro Municipal of Rio de Janeiro, with Mário Ronchini (violin), Newton Pádua (cello), and Lucilia Villa-Lobos (piano). | |
| W106 | Centauro de ouro | Orchestra | 1916 | Orchestral | 18 | Based on a text by Ruy Pinheiro Guimarães. | |
| W107 | Danses africaines | 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns, 4 trumpets, 3 trombones, 1 tuba, timpani, tam-tam, caxambu, triangle, pandeiro, cymbals, African drum, large and small tambourines, reco, large and small bells, bass drum, xylophone, celesta, 2 harps, piano, strings | 1916 | Orchestral | 14 | See W085. Premiered 9 December, 1922, in the Teatro Municipal of Rio de Janeiro, with Villa-Lobos conducting. | |
| W108 | Op.87 | Élégie | Cello, Piano | 1916 | Chamber | 3 | Premiered 3 February, 1917, in the Salão Nobre of Rio de Janeiro, with Alfredo Gomes (cello) and Lucilia Villa-Lobos (piano). This was originally composed as a piece for cello and orchestra. W109 is an arrangement for violin and piano. |
| W109 | Élégie | Violin, Piano | 1916 | Chamber | 2 | See W108. | |
| W110 | Myremis | 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 1 clarinet, 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns, 4 trumpets, timpani, cymbals, bass drum, matraca, drum, pandeira, viola d'amore, bowed kithara, celesta, harp, strings | 1916 | Orchestral | 18 | Premiered 15 August, 1918, in the Teatro Municipal of Rio de Janeiro, with Francisco Braga conducting. Based on mythology and a poem by the composer's father, Raul Villa-Lobos. | |
| W111 | Naufrágio de Kleônicos | 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns, 3 trumpets, 4 trombones, 1 tuba, timpani, tam-tam, cymbals, triangle, bass drum, caixa, harp, strings | 1916 | Orchestral | 12 | Premiered 15 August, 1918, in Rio de Janeiro, with Villa-Lobos conducting. Used as source material for O canto do cisne negro (see W122 and W123). A ballet version exists, danced by Ruskaia. | |
| W112 | String Quartet No.3 | 2 Violins, Viola, Cello | 1916 | Chamber | 20 | Premiered 12 November, 1919, at the Teatro Municipal in Rio de Janeiro, with Pery Machado (violin), Mário Ronchini (violin), Orlando Frederico (viola), and Newton Pádua (cello). Subtitled 'Quarteto das pipocas' ('Popcorn quartet'). | |
| W113 | Quinteto | 2 Violins, Viola, Cello, Piano | 1916 | Chamber | 12 | ||
| W114 | Op.112 | Symphony No.1 | 2 piccolos, 3 flutes, 2 oboes, 1 english horn, 2 clarinets (B♭), 2 clarinets (A), 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns, 4 trumpets, 3 trombones, 1 tuba, timpani, tam-tam, bass drum, cymbals, triangle, side drum, glockenspiel, celesta, 2 harps, strings | 1916 | Orchestral | 22 | Premiered completely 30 August, 1920, in the Teatro Municipal of Rio de Janeiro, with Villa-Lobos conducting the Orchestra of the Sociedade de Concertos Sinfônicos do Rio de Janeiro. The first and fourth movements were premiered 29 September, 1919, in Rio de Janeiro, with Marinuzzi conducting the Grande Companhia Italiana. |
| W115 | Sinfonieta No.1 | 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 trumpets, 2 trombones, timpani, strings | 1916 | Orchestral | 15 | Fully premiered 1955, in Vienna. The first two movements were premiered 1922, in São Paulo. Subtitled 'Em memória de Mozart'. | |
| W116 | Tédio de alvorada | 3 flutes, 2 oboes, 1 english horn, 2 clarinets (A), 1 bass clarinet, 2 bassoons, 2 horns (F), 2 horns (E), 2 trumpets (B♭), 3 trumpets (C), 1 bugle, 3 trombones, timpani, cymbals, bones, xylophone, celesta, harp, strings | 1916 | Orchestral | 15 | Premiered 15 August, 1918, in the Teatro Municipal of Rio de Janeiro, with Villa-Lobos conducting. | |
| W117 | Suíte floral | Piano | 1917-8 | Solo | 6 | 1. Idílio na rede 2. Uma camponesa cantadeira 3. Alegria na horta 'Idílio na rede' was premiered 17 November, 1917, in the Salão Nobre of Rio de Janeiro, with Ernâni Braga; 'Uma camponesa' premiered 19 November, 1919, with Nininha Veloso; 'Alegria na horta' premiered 21 October, 1921, with Artur Rubinstein. | |
| W118 | Amazonas | 2 piccolos, 2 flutes, 2 oboes, 1 english horn, 1 piccolo clarinet (E♭), 2 clarinets (A), 1 bass clarinet (B♭), 2 bassoons, 1 contrabassoon, 1 sarrusophone, 4 (optional: 8) horns, 2 trumpets (F), 2 trumpets (B♭), 3 trombones, 1 tuba, timpani, tam-tam, triangle, tambourine, cymbals, pandeira, bass drum, chocalho, matraca, 1 citara de arco (violinophone), 1 viola d'amore, celesta, harp, piano, strings | 1917 | Orchestral | 14 | 1. Contemplação do Amazonas 2. Ciúme do Deus dos ventos 3. O espelho da jovem índia 4. Traição do Deus dos ventos 5. A prece da jovem índia 6. Dança ao encantamento das florestas 7. A dança sensual da jovem índia 8. Região dos monstros 9. A marcha dos monstros 10. A alegria da índia 11. Um monstro se destaca 12. A ânsia do monstro 13. O espelho enganador 14. A descoberta 15. O abismo 16. O precipício Premiered 30 May, 1929, in the Maison Gaveau of Paris, with Gaston Poulet conducting the Orchestre des Concerts Poulet. Based on Myremis (see W110). W119 is a transcription for solo piano. | |
| W119 | Amazonas | Piano | 1917 | Solo | 12 | See W118. Subtitled 'Bailado indígena brasileiro'. | |
| W120 | Ave Maria No.18 | Chorus (Four-Part, Mixed) (a cappella) | 1917 | Choral | Arranged for voice and piano (or harmonium) (see W121). This appears in the collection Música sacra (No.3, for four-part female chorus). | ||
| W121 | Ave Maria No.18 | Voice, Piano (or Harmonium) | 1917 | Vocal (solo) | See W120. | ||
| W122 | O canto do cisne negro | Cello, Piano | 1948 | Chamber | 3 | Subtitled 'Poema ballomístico'. This piece is an arranged selection from Naufrágio de Kleônicos, W111. It was also arranged for violin and piano (W123). | |
| W123 | O canto do cisne negro | Violin, Piano | 1948 | Chamber | 3 | See W122. | |
| W124 | Canto oriental | Violin, Piano | 1917 | Chamber | |||
| W125 | Cascavel | Voice, Piano | 1917 | Vocal (solo) | 2 | Premiered 12 November, 1919, in the Teatro Municipal of Rio de Janeiro, with Frederico Nascimento (voice) and Lucilia Villa-Lobos (piano). Poetry by Costa Rego Júnior. | |
| W126 | Iara | Orchestra | 1917 | Orchestral | 10 | Subtitled 'Symphonic poem'. | |
| W127 | Lobisomem | Orchestra | 1917 | Orchestral | 10 | ||
| W128 | Memorare | 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, timpani, harmonium, chorus (2-part), strings | 1917 | Orchestral | 3 | ||
| W129 | String Quartet No.4 | 2 Violins, Viola, Cello | 1917 | Chamber | 20 | Premiered 8 October, 1949, in Rio de Janeiro, with the Borgerth String Quartet. Dedicated to Frederico Nascimento. | |
| W130 | Saci pererê | Orchestra | 1917 | Orchestral | 15 | Subtitled 'Symphonic poem'. | |
| W131 | Sexteto místico | Flute, Oboe, Saxophone (E♭), Harp, Celesta, Guitar | 1917 | Chamber | 8 | The score was lost and later rewritten from memory in 1955. Premiered 16 November, 1962, in Rio de Janeiro, with Moacyr Liserra, José Cocarelli, Sebastião de Barros, Romeu Fassate, Maria Célia Machado, and Turíbio Santos. | |
| W132 | Op.160 | Symphony No.2 | 2 piccolos, 2 flutes, 2 oboes, 1 english horn, 2 clarinets (B♭), 2 clarinet (A), 2 bassoons, 1 contrabassoon, 4 horns, 4 trumpets (B♭), 4 trumpets (A), 4 trombones, 1 tuba, timpani, tam-tam, bass drum, cymbals, caixa, tambour de basque, celesta, 2 harps, strings | 1917 | Orchestral | 35 | Premiered 6 May, 1944, in Rio de Janeiro, with Villa-Lobos conducting the Orquestra Sinfônico de Rádio Nacional. Subtitled 'Ascensão'. |
| W133 | Uirapuru | 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 1 soprano saxophone, 2 bassoons, 1 contrabassoon, 4 horns, 3 trumpets, 3 trombones, 1 tuba, timpani, tam-tam, bells, reco, coconut, bass drum, tambourine, cymbals, glockenspiel, xylophone, violinophone, celesta, 2 harps, piano, strings | 1917 | Ballet | 14 | Premiered 25 May, 1935, in the Teatro Colón of Buenos Aires, with Villa-Lobos conducting the Orchestra and Ballet of the Teatro Colón, on the occasion of the visit of Brazilian president Getúlio Vargas. Choreography by Nemanoff. Dedicated to Serge Lifar. Based on the legend of the enchanted bird. This work is available in piano reduction. | |
| W134 | Simples coletânea | Piano | 1917-9 | Solo | 6 | 1. Valsa mística 2. Um berço encantado 3. Rodante Completely premiered in Rio de Janeiro with Antonieta Rudge Miller. 'Valsa mística' premiered 12 November, 1919, in the Teatro Municipal of Rio de Kaneiro, with Nininha Veloso Guerra; 'Rodante' premiered 21 October, 1921, with Ernâni Braga. 'Valsa mística' was recycled for Evolução dos aeroplanos (W271). | |
| W135 | Amor y perfidia | Voice, Piano | 1918 | Vocal (solo) | 2 | Dedicated to Roberto Soriano. | |
| W136 | Jesus | Soloists, Chorus, Orchestra | 1918 | Operatic | 90 | Libretto by Goulart de Andrade. | |
| W137 | Marcha religiosa | Orchestra | 1918 | Orchestral | 10 | Premiered 5 December, 1918, in the Teatro Municipal of Rio de Janeiro, with Francisco Nuñes conducting the Orchestra of the Sociedade de Concertos Sinfônicos. | |
| W138 | Marcha religiosa No.3 | 2 flutes, 2 oboes, 1 clarinet, 2 bassoons, 3 horns, 3 trumpets, 3 trombones, timpani, strings | 1918 | Orchestral | 10 | ||
| W139 | Marcha religiosa No.7 | Orchestra | 1918 | Orchestral | 8 | Premiered 11 November, 1922, in the Teatro Municipal of Rio de Janeiro, with Villa-Lobos conducting.s | |
| W140 | A prole do bebê No.1 | Piano | 1918 | Solo | 24 | 1. Branquinha (A boneca de louça) 2. Moreninha (A boneca de massa) 3. Caboclinha (A boneca de barro) 4. Mulatinha (A boneca de borracha) 5. Negrinha (A boneca de pau) 6. A pobrezinha (A boneca de trapo) 7. O polichinelo 8. A bruxa (A boneca de pano) Premiered completely 5 July, 1922, in the Teatro Municipal of Rio de Janeiro, with Artur Rubinstein. Dedicated to Lucilia Villa-Lobos. Subtitled 'A família do bebê'. | |
| W141 | Tantum ergo | Chorus (Four-Part, Mixed) (a cappella) | 1918 | Choral | Premiered 11 November, 1922, in the Teatro Municipal of Rio de Janeiro, with Canon Alpheo Lopes de Araújo conducting the Schola Cantorum Santa Cecilia. This is an F major transposition of a 1910 Tantum ergo (see the collection Música sacra, Vol.1 No.13). | ||
| W142 | Piano Trio No.3 | Violin, Cello, Piano | 1918 | Chamber | 25 | Premiered 21 October, 1922, in the Salão Nobre of Rio de Janeiro, with Paulina d'Ambrozio (violin), Alfredo Gomes (cello), and Lucilia Villa-Lobos (piano). | |
| W143 | Valsa brasileira | Band | 1918 | Band | 8 | ||
| W144 | Dança frenética | 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns, 4 trumpets, 3 trombones, 1 tuba, timpani, tam-tam, cymbals, bass drum, triangle, xylophone, celesta, harp, strings | 1919 | Orchestral | 8 | Premiered 7 March, 1922, in the Teatro Municipal of Rio de Janeiro, with Villa-Lobos conducting. | |
| W145 | Festim pagão | Voice, Piano | 1919 | Vocal (solo) | 2 | Premiered 12 November, 1919, in the Teatro Municipal of Rio de Janeiro, with Frederico Nascimento Filho (voice) and Lucilia Villa-Lobos (piano). Poetry by Ronald de Carvalho. | |
| W146 | Folia de um bloco infantil | Piano (solo), 2 flutes, 1 oboe, 1 clarinet, 1 saxophone, 1 bassoon, 3 horns, 1 trombone, timpani, bass drum, tambor, chocalho, reco, strings | 1919 | Concertante | 3 | Premiered 22 September, 1925, in São Paulo, with Lucilia Villa-Lobos (piano) and Heitor Villa-Lobos conducting. This work is an arrangement of the movement of the same title from Carnaval das crianças, W157. | |
| W147 | Hino dos artistas | Voice, Piano | 1919 | Vocal (solo) | 3 | Dedicated to Casa dos artistas. Text by Raul Pederneiras. This appears in the collection Canto orfeônico (Vol.1 No.41), where it is titled 'Canção dos artistas'. | |
| W148 | Histórias da carochinha | Piano | 1919 | Solo | 10 | 1. No palacio encantado 2. A cortesia do principezinho 3. E o pastorzinho cantava 4. E a princezinha dançava Dedicated to Nylzota Ahygarita, Russenha, and Kilzota. | |
| W149 | Meu país | Chorus, Orchestra | 1919 | Choral | 2 | Premiered 15 November, 1926, in the Teatro Municipal of Rio de Janeiro. Text by Villa-Lobos (under the pseudonym Zé Povo). W258 is an arrangement for chorus and band. This also appears in the collection Canto orfeônico (Vol.1 No.24), where it is for five-part chorus. | |
| W150 | Sertão no estio | Voice, Piano | 1919 | Vocal (solo) | 2 | Subtitled 'Cântico brasileiro'. Text by Arthur Iberê Lemos. W151 is an arrangement for voice and orchestra. | |
| W151 | Sertão no estio | Voice, 1 flute, 1 clarinet, piano, strings | 1919 | Vocal (solo) | 2 | See W150. Premiered 11 June, 1921, in the Teatro Municipal of Rio de Janeiro, with Vincente Celestino (voice) and Roberto Soriano conducting. | |
| W152 | Symphony No.3 | 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinet, 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns, 4 trumpets, 4 trombones, 1 tuba, fanfare brass section, timpani, tam-tam, xylophone, cymbals, matraca, bass drum, celesta, harp, mixed chorus ad libitum, strings | 1919 | Orchestral | 25 | 1. Allegro quasi giusto (A vida e o labor) 2. Como scherzo (Intrigas e cochichos) 3. Lento e marcial (Sofrimento) 4. Allegro impetuoso (A batalha) Premiered September 1920, in the Teatro Municipal of Rio de Janeiro, with Villa-Lobos conducting. Concert in homage to the King of Belgium. | |
| W153 | Symphony No.4 | 2 piccolos, 3 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 1 soprano saxophone, 1 alto saxophone, 1 tenor saxophone, 1 baritone saxophone, 3 bassoons, 1 contrabassoon, 4 horns, 4 trumpets, 4 trombones, 1 tuba, timpani, cymbals, bass drum, tambor, caixa, tam-tam, sinos, pandeira, chocalho, guizos, triangle, xylophone, celesta, 2 harps, piano, strings; fanfare: 1 piccolo clarinet (E♭), 1 soprano saxophone, 1 alto saxophone, 1 euphonium, 1 or more cornet, 1 or more bugle, 1 horn, 1 or more saxhorn, 1 bass trombone, 1 contrabass trombone (E♭), 1 contrabass trombone (B♭), bass drum; internal ensemble: 1 piccolo clarinet (E♭), 1 soprano saxophone, 1 alto saxophone, 1 tenor saxophone, 1 euphonium, pandeira, triangle, cymbals, bass drum | 1919 | Orchestral | 25 | Subtitled 'A Vitória'. | |
| W154 | Vidapura | Chorus (Four-Part, Mixed), Soloists, Organ | 1919 | Choral | 22 | 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Benedictus 6. Agnus Dei Subtitled 'Oratorio Mass'. W155 is a version replacing the organ with orchestra. | |
| W155 | Vidapura | 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 1 trumpet, 2 trombones, 1 tuba, timpani, tam-tam, bass drum, organ, mixed chorus, soloists, strings | 1919 | Choral | 22 | See W154. Premiered 11 November, 1922, in the Teatro Munipal of Rio de Janeiro, with the Escola Coral do Teatro Municipal (directed by Sylvio Piergili); soloists Margarida Simões, Mariana Leal, Doloris Belchior, Antonieta de Souza, Armando Ciuffi, Asdrubal Lima, and João Athos; organist Arnaud Gouvêa; and Villa-Lobos conducting. The following was inscribed on the score: 'This mass was commissioned by Father Romualdo da Silva. I began in November and ended in December of 1919. May God forgive this sin.' | |
| W156 | Zoé | Soloists, Orchestra | 1919 | Operatic | Subtitled 'Bailado infernal'. W160 and W163 are excerpts from this work arranged for solo piano. | ||
| W157 | Carnaval das crianças | Piano | 1919-20 | Solo | 22 | 1. O ginete do Pierrozinho 2. O chicote do diabinho 3. A manhã de Pierrete 4. Os guizos do dominozinho 5. As peripécias do trapeirozinho 6. As traquinices do mascarado Mignon 7. A gaita de um precoce fantasiado 8. A folia de um bloco infantil (four hands) Premiered completely 17 September, 1925, in the Salão do Instituto Nacional de Música of Rio de Janeiro, with Antonieta Rudge Miller. Dedicated to the composer's nephews. W240 is a one-movement rewriting of this set for piano and orchestra (see also W259), and W144 is an arrangement of No.8 for piano and orchestra. | |
| W158 | Canções típicas brasileiras | Voice, 2 flutes, 1 oboe, 1 english horn, 2 clarinets (B♭), 1 clarinet (A), 1 alto saxophone, 1 baritone saxophone, 1 bass saxophone, 2 bassoons, 3 horns, 1 trumpet, 1 trombone, timpani, bass drum, tambor surdo, tam-tam, harp, piano, strings | 1919-35 | Vocal (solo) | 14 | 1. Mokocê-cê-maká 2. Nozani-ná 3. Xangô 4. Estrela é lua nova 5. Itabaiana 6. Onde o nosso amor nasceu 7. Xangô 8. Estrela é lua nova Nos.1, 2, and 3 premiered 14 March, 1930, in the Salle Chopin of Paris, with Croiza (voice) and Villa-Lobos conducting the Orchestre de Chambre. W159 is an arrangement for voice and piano. In addition, No.4 was arranged for voice, clarinet (A), bassoon, 2 horns, and strings (see W331). | |
| W159 | Canções típicas brasileiras | Voice, Piano | 1919-35 | Vocal (solo) | 25 | 1. Mokocê-cê-maká (Dorme na rede) 2. Nozani-ná (Ameríndio) 3. Papai curumiassú (Berceuse de caboclo) 4. Xangô (Canto de macumba) 5. Estrela é lua nova (Fetechista) 6. Viola quebrada (Toada caipira) 7. Adeus Ema (Desafio) 8. Pálida Madona (Modinha antiga) 9. Tu passaste por este jardim (Modinha carioca) 10. Cabocla de caxangá (Embolada do norte) 11. Pássaro fugitivo (Guriatar do coqueiro pernambuco) 12. Itabaiana (da Paraíba do Norte) 13. Onde o nosso amor nasceu (Modinha antiga) 'Itabaiana' was premiered 28 May, 1935, in Buenos Aires, with Stefana Macedo (voice) and Villa-Lobos (piano). The texts and melodies of this work were collected from various sources, including Mário de Andrade and Catulo da Paixão Cearense. See W158. | |
| W160 | Bailado infernal | Piano | 1920 | Solo | 3 | This work is an arranged excerpt from the second act of Zoé (W156). | |
| W161 | Chôros No.1 | Guitar | 1920 | Solo | 3 | Dedicated to Ernesto Nazareth. | |
| W162 | Dança diabólica | Orchestra | 1920 | Orchestral | 8 | ||
| W163 | Dança infernal | Piano | 1920 | Solo | 3 | This work is an arranged excerpt from the third act of Zoé (W156). | |
| W164 | Historiettes | Voice, 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns, 2 trumpets (F), 3 trombones, 1 tuba, timpani, tam-tam, cymbals, celesta, harp, piano, strings | 1920 | Vocal (solo) | 12 | 1. Solitude 2. Le petit peloton de fil 3. Hermione et les bergers 4. Car vite s'écoule la vie 5. Le marché Dedicated to Vera Janacopulos. Poetry (Portuguese) by Ribeiro Couto and Manuel Bandeira; French by Ronald de Carvalho and Albert Samain. W165 is an arrangement for voice and piano. | |
| W165 | Historiettes | Voice, Piano | 1920 | Vocal (solo) | 16 | 1. Solitude 2. Lune d'Octobre 3. Le petit peloton de fil 4. Hermione et les bergers 5. Car vite s'écoule la vie 6. Le marché See W164. Premiered completely 21 October, 1921, in the Salão Nobre of Rio de Janeiro, with Maria Emma (voice) and Lucilia Villa-Lobos (piano); 'Le petit peloton' premiered 11 August, 1921, with Vera Janacopulos (piano). | |
| W166 | A lenda do caboclo | Piano | 1922 | Solo | 5 | Premiered 11 June, 1921, in Rio de Janeiro, with Arthur Iberê Lemos. Dedicated to Arthur Iberê Lemos. W188 is a version for orchestra. | |
| W167 | Marcha solene No.6 | 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, strings | 1920 | Orchestral | 6 | Premiered 11 November, 1922, in the Teatro Municipal of Rio de Janeiro, with Villa-Lobos conducting. | |
| W168 | Marcha triunfal | Orchestra | 1920 | Orchestral | 6 | ||
| W169 | Poema do menestral | Piano | 1920 | Solo | 6 | 1. Pobre ceguinho 2. Canção de esmola 3. Abandono | |
| W170 | Symphony No.5 | Orchestra, Chorus, Fanfare Brass Section | 1920 | Orchestral | 25 | Subtitled 'A Paz'. The score is believed to be lost. | |
| W171 | Violin Sonata No.3 | Violin, Piano | 1920 | Chamber | 15 | ||
| W172 | Cantiga boêmia | Voice, Orchestra | 1921 | Vocal (solo) | 2 | Premiered 18 June, 1934, in the Teatro João Caetano of Rio de Janeiro, with Julieta Teles de Menezes (voice) and Villa-Lobos conducting the Orquesta do Teatro Municipal. This work is an arrangement of a song by Henrique Oswald (text by Olegario Mariano). | |
| W173 | Epigramas irônicos e sentimentais | Voice, 2 flutes, 1 oboe, 1 english horn, 2 clarinets, 1 saxophone (E♭), 1 bassoon, 2 horns, 2 trombones, timpani, bass drum, cymbals, celesta, harp (or piano), strings | 1921 | Vocal (solo) | 20 | Premiered 26 August, 1929, in the Teatro Municipal of Rio de Janeiro, with Elsie Houston (voice) and Villa-Lobos conducting the Concertos Viggiani. Poetry by Ronald de Carvalho. Dedicated to Maria Emma. | |
| W174 | Fantasia de movimentos mistos | Violin (solo), 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets (A), 2 clarinets (B♭), 2 bassoons, 1 contrabassoon, 4 horns, 2 trumpets (A), 2 trumpets (B♭), 2 trombones, 1 tuba, timpani, tam-tam, cymbals, celesta, harp, piano, strings | 1921 | Concertante | 25 | 1. Alma convulsa 2. Serenidade 3. Contentamento Completely premiered 23 April, 1941, in Rio de Janeiro, with Oscar Borgerth (violin) and Albert Wolff conducting the Orquesta do Teatro Municipal. The second movement was premiered 9 December, 1922, in the Teatro Municipal of Rio de Janeiro, with Paulina d'Ambrozio (violin) and Villa-Lobos conducting. Dedicated to Paulina d'Ambrozio. W175 is an arrangement for violin and piano. | |
| W175 | Fantasia de movimentos mistos | Violin, Piano | 1921 | Chamber | 25 | See W174. 1. Serenidade 2. Alma convulsa 3. Contentamento 'Alma convulsa' and 'Serenidade' were premiered with Paulina d'Ambrozio (violin) and Lucilia Villa-Lobos (piano). | |
| W176 | A fiandeira | Piano | 1921 | Solo | 3 | Premiered 21 October, 1921, in the Salão Nobre of Rio de Janeiro, with Ernâni Braga. Dedicated to Ernâni Braga. | |
| W177 | Malazarte | Voices, Orchestra | 1921 | Operatic | 120 | Libretto by Graça Aranha. | |
| W178 | Pierrot | Voice, Orchestra | 1921 | Vocal (solo) | 2 | This work is an arrangement of a song by Henrique Oswald (text by Olegario Mariano). | |
| W179 | Poema úmido | Piano | 1921 | Solo | 6 | 1. Pingos d'água 2. Gotas de lágrimas 3. Brilhantes de orvalho | |
| W180 | A prole do bebê No.2 | Piano | 1921 | Solo | 30 | 1. A baratinha de papel 2. A gatinha de papelão 3. O camundongo de massa 4. O cachorrinho de borracha 5. O cavalinho de pau 6. O boizinho de chumbo 7. O passarinho de pano 8. O ursinho de algodão 9. O lobozinho de vidro Premiered 5 December, 1927, in Paris, with Aline van Barentzen. Dedicated to Aline van Barentzen. | |
| W181 | Quarteto simbólico | Flute, Saxophone (E♭), Harp, Celesta, Female Chorus | 1921 | Chamber | 20 | Premiered 21 October, 1921, in the Salão Nobre of Rio de Janeiro, with Pedro de Assis, Antão Soares, Rosa Farraiola, female chorus, and Villa-Lobos (directing). Dedicated to Mme. Santos Lobo. | |
| W182 | Trio for Oboe, Clarinet, and Bassoon | Oboe, Clarinet (B♭), Bassoon | 1921 | Chamber | 18 | Premiered 9 April, 1924, in the Salle des Agriculteurs of Paris, with L. Gaudard, Hamelin, and G. Dherin. | |
| W183 | Epigramas ironicos e sentimentais | Voice, Piano | 1921-3 | Vocal (solo) | 20 | 1. Eis a vida 2. Inútil epigrama 3. Sonho de uma noite de verão 4. Epigrama 5. Perversidade 6. Pudor 7. Imagem 8. Verdade (como ópera lírica) Premiered in the Salão Nobre of Rio de Janeiro, with Maria Emma (voice) and Lucilia Villa-Lobos (piano). Dedicated to Maria Emma. Poetry by Ronald de Carvalho. | |
| W184 | Rudepoêma | Piano | 1921-6 | Solo | 19 | Premiered 24 October, 1927, in the Maison Gaveau of Paris, with Artur Rubinstein. Dedicated to Artur Rubinstein. W312 is an orchestral version. | |
| W185 | Brasil novo | Chorus, Orchestra | 1922 | Choral | 3 | Poetry by Villa-Lobos (under the pseudonym Zé Povo). W186 is an arrangement for band. In addition, this work appears in the collection Canto orfeônico (Vol.1, No.18) for voice, four-part mixed chorus, piano, and percussion. | |
| W186 | Brasil novo | Piccolo, Flute, Clarinet, Trumpet, Bugle, Saxophone, Baritone Horn, Trombone, Euphonium, Contrabass Trombones (E♭, B♭), Cymbals, Drum, Bass Drum | 1922 | Band | 5 | See W185. Originally published as Partituras de banda. | |
| W187 | Dança dos mosquitos | 1 piccolo 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns, 4 trumpets, 4 trombones, 1 tuba, timpani, tam-tam, cymbals, chocalho (metal), pandeira, matraca, vibraphone, celesta, harp, piano, strings | 1922 | Orchestral | 4 | Premiered 23 November, 1974, in the Teatro Municipal of Rio de Janeiro, with Mário Tavares conducting the Orquestra Sinfônica Nacional da Rádio MEC. Dedicated to Midinha (1936). | |
| W188 | A lenda do caboclo | 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, timpani, triangle, harp, strings | 1921 | Orchestral | 5 | See W166. Premiered 13 June, 1921, in Rio de Janeiro, with Alberto Soriano conducting the Orquestra do Teatro Municipal. Dedicated to Arthur Iberê Lemos. An alternate orchestration by Adalberto de Carvalho exists. (N.B.: Appleby gives the date of composition as 1922, but this logically conflicts with the date of premiere as 1921. Therefore, I have amended the date of composition.) | |
| W189 | Verde velhice | 2 flutes, 2 oboes, 2 clarinets, 1 bass clarinet, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, 1 tuba, timpani, tam-tam, harp, piano, strings | 1922 | Orchestral | 8 | Premiered 1926, in São Paulo, with Villa-Lobos conducting. Dedicated to Counsellor Antônio Prado. Subtitled 'Divertimento'. | |
| W190 | Coleção brasileira | Voice, Flute, Oboe, Clarinet, Alto Saxophone, Bassoon, Tambor, Strings | 1923 | Vocal (solo) | 3 | 1. Tempos atrás 2. Tristeza Premiered 18 February, 1925, in the Teatro Sant'Ana of São Paulo, with Frederico Nascimento Filho (voice) and Villa-Lobos conducting. Poetry by Godofredo da Silva Telles. Dedicated to Olivia Guedes Penteado and Carolina da Silva Telles. W211 is an arrangement for voice and piano. | |
| W191 | Noneto | Flute, Oboe, Clarinet, Saxophone (Alto and Baritone), Bassoon, Harp, Celesta, Piano, timpani, xylophone, tam-tam, tambor, bass drum, caixa, cymbals (bronze and pottery dinner plates), chocalhos (metal and wood), triangle, reco, coco (large and small), puita, pandeira grande, caxambu, Choir (wordless, mixed) | 1923 | Orchestral | 18 | Subtitled 'Impressão rápida de todo o Brasil' ('Rapid Impression of All of Brazil'). Premiered 30 May, 1924, in Paris, with the Choeur Mixte de Paris, L. Fleury, L. Gaudard, H. Declacoix, R. Briard, G. Dherin, G. Truc, J. Souza Lima, Inghelbrecht, Caillette, L. Perret, and Villa-Lobos conducting. | |
| W192 | Poème de l'enfant et de sa mère | Voice, Flute, Clarinet, Cello | 1923 | Vocal (solo) | 6 | Premiered 14 March, 1930, in the Salle Chopin of Paris, with Croiza (voice), Grunelle (flute), Cahuzac (clarinet), and Aniceto Palmia (cello). Text by Villa-Lobos (under the pseudonym Epaminondas Villalba Filho). W193 is an arrangement for voice and piano. | |
| W193 | Poème de l'enfant et de sa mère | Voice, Piano | 1923 | Vocal (solo) | 4 | See W192. | |
| W194 | Violin Sonata No.4 | Violin, Piano | 1923 | Chamber | 20 | ||
| W195 | Suíte para canto e violino | Voice, Violin | 1923 | Vocal (solo) | 12 | 1. A menina e a canção 2. Quero ser alegre 3. Sertaneja Premiered 17 September, 1925, in the Instituto Nacional de Música of Rio de Janeiro, with Julieta Teles de Menezes (voice) and Paulina d'Ambrozio (violin). Poetry by Mário de Andrade. Dedicated to A Stall, Vera Janacopulos, and Yvonne Astruc. W196 is an arrangement of No.3 for voice, violins, and violas. | |
| W196 | Suíte para canto e violino | Voice, Violins, Violas | 1923 | Vocal (solo) | 2 | Premiered 18 June, 1934, in the Teatro João Caetano of Rio de Janeiro, with Julieta Teles de Menezes (voice) and Villa-Lobos conducting. See W195. | |
| W197 | Chôros No.2 | Flute, Clarinet | 1924 | Chamber | 3 | Premiered 18 February, 1925, with Spartaco Rossi and Antenor Driussi. Dedicated to Mário de Andrade. W198 is a transcription for solo piano. | |
| W198 | Chôros No.2 | Piano | 1924 | Solo | 3 | See W197. | |
| W199 | Chôros No.7 | Flute, Oboe, Clarinet, Saxophone (E♭), Bassoon, Tam-Tam (offstage), Violin, Cello | 1924 | Chamber | 10 | Premiered 17 September, 1925, in the Instituto Nacional de Música of Rio de Janeiro, with Ary Ferreira (flute), Antão Soares, Rodolfo Atanásio, Felipe Dechamps, Assis Republicano, Cardoso Menezes, and Newton Pádua (cello). Subtitled 'Setemino'. Dedicated to Arnaldo Guinle. The clarinet is to be played without a reed in this work (blown like a horn). | |
| W200 | Canção da terra | Female Chorus, Orchestra | 1925 | Choral | 3 | Poetry by Ronald de Carvalho. Dedicated to Francisco Albuquerque da Costa (for his students at Colégio Bennet). W201 is an arrangement for female chorus and piano, and W202 is for voice and piano. | |
| W201 | Canção da terra | Female Chorus, Piano | 1925 | Choral | 3 | See W200. | |
| W202 | Canção da terra | Voice, Piano | 1925 | Vocal (solo) | 3 | See W200. | |
| W203 | Canção do parachoque | Chorus (Three-Part) (a cappella) | 1925 | Choral | 1 | Written under the pseudonym Epaminondas Villalba Filho. | |
| W204 | Cantiga de roda | Chorus (Three-Part, Female), Piano | 1925 | Choral | 3 | Dedicated to Italiano Tabarin. | |
| W205 | Cantiga de roda | Female Chorus, Orchestra | 1925 | Choral | 3 | Premiered 8 May, 1933, in Rio de Janeiro, with Villa-Lobos conducting the Orchestra of the Orfeão de Professores. | |
| W206 | Chôros No.3 | Clarinet, Saxophone (E♭), Bassoon, 3 Horns, Trombone, Male Choir (2 tenors, baritone, bass) | 1925 | Choral | 4 | Premiered 30 November, 1925, in São Paulo. (Appleby: 5 December, 1927, in Paris, with Cazuhac, Poimbeuf, G. Dherin, Entraigue, Penable, Marquette, Dervaux, and Ribert Siohan conducting.) Subtitled 'Picapau' ('woodpecker'), and inscribed as 'Dedicated to the sonorous atmosphere of the primitive music of the aborigines of the states of Matto Grosso and Goias'. Based on the theme 'Nozani-ná' from the Pareci Indians (as collected by E. Roquette Pinto, from Mato Grosso). Also dedicated to Oswald de Andrade and his wife, Tarsila do Amaral. | |
| W207 | Chôros No.5 | Piano | 1925 | Solo | 5 | Subtitled 'Alma Brasiliera' ('Soul of Brazil'). Dedicated to Arnaldo Guinle. There also exists an orchestral version. | |
| W208 | Chôros No.8 | 2 Pianos (solo), 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 4 clarinets, 1 bass clarinet, 1 saxophone, 2 bassoons, 1 contrabassoon, 4 horns, 4 trumpets, 3 trombones, 1 tuba, timpani, tam-tam, xylophone, triangle, bass drum, cymbals, tambor de campanha, caixa, chocalhos de metal, reco, caraxa, caracaxá, puita, matraca, 2 harps, celesta, strings | 1925 | Concertante | 20 | Premiered 24 October, 1927, in the Salle Gaveau of Paris, with Villa-Lobos conducting the Concerts Colonne Orchestra, and pianists Aline van Barentzen and Tomás Teran. Dedicated to Tomás Teran. | |
| W209 | Chôros No.10 | 1 piccolo, 2 flutes, 2 oboes, 2 clarinets (A), 1 alto saxophone, 2 bassoons, 1 contrabasson, 3 horns, 2 trumpets (A), 2 trombones, timpani, tam-tam, tamborin, caixa, tambor, caxambu, 2 puitas, 2 bass drums, reco (1 big, 1 small), chocalhos (metal and wood), chocalhos de maderia, gong, piano, harp, mixed chorus, strings | 1925 | Orchestral | 13 | Subtitled 'Rasga o coração'. Poetry by Catulo da Paixão Cearense. Dedicated to Paulo Prado. Premiered 11 November, 1926, at the Teatro Lírico of Rio de Janeiro, with Villa-Lobos conducting the Grande Orquestra e Coro da Empressa Viggiani and the Deutscher Männerchor. A ballet version exists (titled Jurapury), which was danced in Rio de Janeiro and Paris. | |
| W210 | Cirandinhas | Piano | 1925 | Solo | 26 | 1. Zangou-se o cravo com a rosa 2. Adeus bela morena 3. Vamos maninha 4. Olha aquela menina 5. Senhora pastora 6. Cai, cai, balão 7. Todo mundo passa 8. Vamos ver a mulatinha 9. Carneirinho, carneirão 10. A canoa virou 11. Nésta rua tem um bosque 12. Lindos olhos que ela tem | |
| W211 | Coleção brasileira | Voice, Piano | 1925 | Vocal (solo) | 3 | See W190. | |
| W212 | Marcha solene No.8 | Orchestra | 1925 | Orchestral | 6 | Premiered 11 November, 1922, in the Teatro Municipal of Rio de Janeiro, with Villa-Lobos conducting. Subtitled 'Entrada' and 'A caminho da reza'. | |
| W213 | Martírio dos insetos | Violin (solo), 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 2 bassoons, 1 contrabassoon, 2 horns, 2 trumpets, 2 trombones, 1 tuba, timpani, cymbals, harp, celesta, strings | 1925 | Concertante | 15 | 1. A cigarra no inverno 2. O vagalume na claridade 3. Mariposa na luz (1916) Completely premiered 9 December, 1922, in Rio de Janeiro, with Oscar Borgerth (violin) and Leo Perachi conducting the Orquestra Sinfônica de Rádio Nacional. 'Mariposa na luz' was separately premiered the same day, in the Teatro Municipal of Rio de Janeiro, with Paulina d'Ambrozio (violin) and Villa-Lobos conducting. Dedicated to Oscar Borgerth, Mariuccia Iacovino, and Mário Caminha. W214 is an arrangement for violin and piano. In addition, 'Mariposa na luz' was included in W271. | |
| W214 | Martírio dos insetos | Violin, Piano | 1925 | Chamber | 18 | See W213. Premiered 17 November, 19?? (Appleby: 1917), in the Salão Nobre of Rio de Janeiro, with Mário Caminha (violin) and Lucilia Villa-Lobos (piano). | |
| W215 | Serestas | Voice, 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 2 bass clarinets, 1 alto saxophone, 2 bassoons, 1 contrabassoon, 4 horns, 1 trumpet, 2 trombones, 1 tuba, timpani, tam-tam, chorinho, reco, harp, celesta, strings | 1925 | Vocal (solo) | 25 | 1. Pobre cega 2. Canção da folha morta 3. Saudades da minha vida 4. Modinha 5. Na paz do outono 6. Cantiga do viúvo 7. Canção do carreiro 8. Abril 9. Desejo 10. Redondilha 'Cantiga do viúvo' was premiered 6 November, 1936, in Rio de Janeiro, with Alicinha Ricardo Mayerhofer (voice) and Villa-Lobos conducting the Orquestra do Teatro Municipal. W216 is an arrangement for voice and piano. Also, 'Canção da folha morta' is for mixed chorus and orchestra. | |
| W216 | Serestas | Voice, Piano | 1925 | Vocal (solo) | 35 | 1. Pobre cega 2. Anjo da guarda 3. Canção da folha morta 4. Saudades da minha vida 5. Modinha 6. Na paz do outono 7. Cantiga do viúvo 8. Canção do carreiro 9. Abril 10. Desejo 11. Redondilha 12. Realejo 13. Vôo 14. Serenata 'Serenata' premiered 27 August, 1940, with Alma Cunha Miranda (voice); 'Vôo' premiered 15 August, 1944, with Maria Sylvia Pinto (voice) and Francisco Mignone (piano). See W215. | |
| W217 | Sul América | Piano | 1925 | Solo | 4 | Commissioned by the Argentine newspaper La Prensa'. This work is intended to be a series of impressions of various South American countries. | |
| W218 | Chôros No.4 | 3 Horns, Trombone | 1926 | Chamber | 4 | Premiered 24 October, 1927, at the Salle Gaveau in Paris, with Entraigue, Penable, Marquette, and Dervaux. | |
| W219 | Chôros No.6 | 2 piccolos, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 1 saxophone (?), 2 bassoons, 1 contrabassoon, 4 horns, 4 trumpets, 4 trombones, 1 tuba, timpani, tam-tam, xylophone, glockenspiel, cymbals, bass drum, cuíca, reco, tambu, tambi, tambores, roncador, tamborim de samba, tambor surdo, celesta, 2 harps, strings | 1926 | Orchestral | 24 | Premiered 18 July, 1942, in Rio de Janeiro, with Villa-Lobos conducting the Orquesta do Teatro Municipal. Dedicated to Arminda Neves d'Almeida (1936). | |
| W220 | Cirandas | Piano | 1926 | Solo | 48 | 1. Terezinha de Jesus 2. A condessa 3. Senhora Dona Sancha 4. O cravo brigou com a rosa 5. Pobre cega (Toada de rede) 6. Passa, passa gavião 7. Xô, xô, passarinho 8. Vamos atrás da serra, Calunga 9. Fui no itororó 10. O pintor de Canahy 11. Nesta rua, nesta rua 12. Olha o passarinho domine 13. A procura de uma agulha 14. A canoa virou 15. Que lindos olhos 16. Có-có-có Premiered 13 August, 1929, in the Teatro Lírico of Rio de Janeiro, with Tomás Teran. Dedicated to Alfredo Oswald. W559 is an arrangemet of 'Terezinha de Jesus' for guitar. | |
| W221 | Filhas de Maria | Voice, Piano | 1926 | Vocal (solo) | 3 | Poetry by Dante Milano. Intended to be an impression of the interior of the Candelária church in Rio de Janeiro. | |
| W222 | A prole do bebê No.3 | Piano | 1926 | Solo | 30 | 1. Gude 2. Diabolô 3. Bilboquê 4. Peteca 5. Pião 6. Futebol 7. Jôgo de bolas 8. Soldado de chumbo 9. Campoeiragem Subtitled 'Esportes'. | |
| W223 | Três poemas indígenas | Voice, Piano | 1926 | Vocal (solo) | 12 | 1. Canidé-loune-Sabath (Ave amarela, canção elegíaca) (Melody collected in the 16th century by Jean de Léry) 2. Teiru (Canto fúnebre pela morte de um cacique) 3. Iara (Poem by Mário de Andrade) Dedicated to Roquette Pinto. W224 is an arrangement for voice, mixed chorus, and orchestra. | |
| W224 | Três poemas indígenas | Voice, Chorus (Mixed), 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets (B♭), 2 clarinets (A), 1 bass clarinet, 1 alto saxophone, 2 bassoons, 1 contrabassoon, 3 horns, 2 trumpets, 4 trombones, timpani, tam-tam, tamborim de provence, matraca selvagem, bass drum, celesta, harp, piano, strings | 1926 | Choral | 12 | See W223. Premiered 5 December, 1927, in the Maison Gaveau of Paris, with Vera Janacopulos (voice) and Villa-Lobos conducting the Orchestra of the Concerts Colonne e L'Art Choral. | |
| W225 | Vira | Voice, Piano | 1926 | Vocal (solo) | 2 | Premiered 31 July, 1944, in Rio de Janeiro, with Alma Cunha Miranda (voice). Based on a Portuguese melody. | |
| W226 | Saudades das selvas brasileiras | Piano | 1927 | Solo | 10 | Premiered 14 March, 1930, in the Salle Chopin of Paris, with Janine Cools. Dedicated to Mademoiselles Lile and Beatriz Lucas. | |
| W227 | Two Chôros (bis) | Violin, Cello | 1928 | Chamber | 10 | Premiered 14 March, 1930, at the Salle Chopin in Paris, with Tony Close (violin) and André Asselin (cello), as part of the Festival de Musique Moderne. Dedicated to Tony Close and Maurice Raskin. Villa-Lobos intended this work to be played as an encore to a hypothetical performance of the complete Chôros. | |
| W228 | Chôros No.11 | Piano (solo), 2 piccolos, 3 flutes, 1 requinta, 2 oboes, 1 english horn, 1 piccolo clarinet (E♭), 2 clarinets, 1 bass clarinet, 2 saxophones (B♭ and E♭), 2 bassoons, 1 contrabassoon, 4 horns, 4 trumpets, 4 trombones, 1 tuba, timpani, tam-tam, reco, chocalhos, caixa, xylophone, bells, tambor, bass drum, cymbals, tambourine, côco, cuíca, cabacinhas, caxambu, xylophone, celesta, 2 harps, strings | 1928 | Concertante | 65 | Premiered 18 July, 1942, in Rio de Janeiro, with José Vieira Brandão (piano) and Villa-Lobos conducting the Orquesta do Teatro Municipal. Dedicated to Artur Rubinstein. | |
| W229 | Chôros No.14 | Orchestra, Band, Chorus | 1928 | Orchestral | The score of this work is lost. | ||
| W230 | Quartet for Flute, Oboe, Clarinet and Bassoon | Flute, Oboe, Clarinet, Bassoon | 1928 | Chamber | 20 | Subtitled 'Quarteto para instrumentos de sopro'. | |
| W231 | Quinteto em forma de chôros | Flute, Oboe, English Horn, Clarinet, Bassoon | 1928 | Chamber | 12 | Premiered 14 March, 1930, in the Salle Chopin of Paris, with Crunelle, Mercier, Brun, Cazuhac, and Lenon. | |
| W232 | Chôros No.9 | 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns,
4 trumpets, 4 trombones, 1 tuba, timpani, tam-tam, bass drum, tambor, tambor surdo, camisão (large and small), pandeira, triangle, reco, tartaruga, caxambu, cuíca, chocalhos (metal and wood), xylophone, vibraphone, celesta, 2 harps, piano, strings | 1929 | Orchestral | 25 | Premiered 15 July, 1942, in Rio de Janeiro, with Villa-Lobos conducting the Orquesta do Teatro Municipal. Dedicated to Arminda Neves d'Almeida (1936). Villa-Lobos also made a piano reduction of this work. | |
| W233 | Chôros No.12 | 2 piccolos, 3 flutes, 3 oboes, 1 english horn, 3 clarinets, 1 bass clarinet, 2 alto saxophones, 3 bassoons, 1 contrabassoon, 8 horns, 4 trumpets, 4 trombones, 1 tuba, timpani, tam-tam, cymbals, cuíca, bass drum, tambor, chocalho, reco, pandeira, camisão grande, xylophone, vibraphone, celesta, 2 harps, piano, strings | 1929 | Orchestral | 40 | Premiered 23 February, 1945, with Villa-Lobos conducting the Boston Symphony Orchestra. Dedicated to José Cândido de Andrade Muricy (1942, at the suggestion of Mindinha). | |
| W234 | Chôros No.13 | 2 Orchestras, Band | 1929 | Orchestral | The score of this work is lost. | ||
| W235 | 12 Estudos | Guitar | 1929 | Solo | 45 | Dedicated to Andres Segovia. | |
| W236 | Fado | Voice, Piano | 1929 | Vocal (solo) | 2 | Based on a popular Portuguese melody. | |
| W237 | Francette et Pià | Piano | 1929 | Solo | 30 | 1. Piá veio a França (Pià est venu en France) 2. Piá viu Francette (Pià a vu Francette) 3. Piá falou a Francette (Pià a parle à Francette) 4. Piá e Francette brincam (Pià et Francette jouent ensemble) 5. Francette ficou zangada (Francette est fachée) 6. Piá foi para a guerra (Pià est parti pour la guerre) 7. Francette ficou triste (Francette est triste) 8. Piá voltou da guerra (Pià revint de la guerre) 9. Francette ficou contente (Francette est contente) 10. Francette e Piá brincam para sempre (Francette et Pià jouent pour toujours) (Piano 4 hands) Commissioned by Max Eschig for the Paris Conservatory students of Marguerite Long. W552 is a transcription for orchestra. | |
| W238 | Funil | Orchestra | 1929 | Ballet | |||
| W239 | Introdução aos chôros | Guitar (solo), 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 1 saxophone, 2 bassoons, 1 contrabassoon, 4 horns, 4 trumpets, 4 trombones, 1 tuba, timpani, tam-tam, xylophone, celesta, 2 harps, piano, strings | 1929 | Concertante | 10 | Premiered in Rio de Janeiro, with Zé Menezes (guitar) and Leo Perachi conducting the Orchestra of the Rádio Nacional. Villa-Lobos intended this work to immediately precede a complete cycle of the Chôros, and it contains themes from most of them. | |
| W240 | Momoprecoce | Piano (solo), 1 piccolo, 1 flute, 1 oboe, 1 english horn, 1 clarinet, 1 alto saxophone, 1 bassoon, 3 horns, 1 trumpet (C), 1 trombone, timpani, tambor, tambor de basque, tamborim de campagne, caixa, tambor infantil, bass drum, chocalho infantil, chocalho (metal and wood), reco, strings | 1929 | Concertante | 18 | Premiered 1929, in Amsterdam, with Magda Tagliaferro (piano) and Pierre Monteux conducting. Dedicated to Magda Tagliaferro. A 2-piano reduction exists. W259 is a transcription for piano and band. See W157. | |
| W241 | Possessão | Orchestra | 1929 | Ballet | Premiered 1929, in Oslo, with Adolfo Bolm (dancer). | ||
| W242 | Suíte sugestiva | Soprano, Baritone, 1 piccolo, 1 flute, 1 oboe, 1 clarinet (A), 1 bassoon, 1 trumpet (B♭), 1 trumpet (C), 1 trumpet (A), 1 trombone, timpani, tam-tam, bass drum, triangle, cymbals, caixa clara, 3 metronomes, xylophone, celesta, piano, 1 violin, 1 viola, 1 cello, 1 contrabass (5-string) | 1929 | Vocal (solo) | 14 | 1. Ouverture de l'homme tel 2. Prélude, choral et funèbre (ciné journal) 3. Cloche pied au flic (comédie) 4. Le recit du peureux (drame) 5. Charlot aviateur (comique) 6. l'Enfant et le iouroupari (tragédie) 7. La marche finale Premiered 3 April, 1930, in the residence of Mme. Frederic Moreau in Paris, with Anthony Bernard conducting. Dedicated to Mme. Frederic Moreau. Poetry by Oswaldo de Andrade, René Chalupt, and Manuel Bandeira. W243 is an arrangement for voice and piano. Also, W508 is an arrangement of 'Ouverture de l'homme tel' for orchestra. | |
| W243 | Suíte sugestiva | Voice, Piano | 1929 | Vocal (solo) | 14 | Premiered 26 August, 1929, in the Teatro Lírico of Rio de Janeiro, with Elsie Houston, Adalto Filho, Lucilia Villa-Lobos, and Brutus Pereira (?). See W242. | |
| W244 | Veículo | Orchestra | 1929 | Ballet | 18 | ||
| W245 | Vocalises-Estudos | Voice, Piano | 1929 | Vocal (solo) | 2 | Commissioned and edited under the direction of A.L. Hettich. | |
| W246 | Bachianas Brasileiras No.1 | Cellos | 1930 | Chamber | 18 | 1. Introdução (Embolada) 2. Prelúdio (Modinha) 3. Fuga (Conversa) Premiered (partially) 12 September, 1932, in Rio de Janeiro, conducted by Walter Burle Max. The first movement is believed to have been written between 1936 and 1938. Dedicated to Pablo Casals. | |
| W247 | Bachianas Brasileiras No.2 | 1 flute, 1 oboe, 1 clarinet, 1 tenor saxophone, 1 baritone saxophone, 1 bassoon, 1 contrabassoon, 2 horns, 1 trombone, timpani, ganzá, chocalho, pandeira, reco, matraca, caixa, triangle, cymbals, tam-tam, bass drum, celesta, piano, strings | 1930 | Orchestral | 20 | 1. Prelúdio (O canto do capadócio) 2. Ária (O canto da nossa terra) 3. Dansa (Lembrança do sertão) 4. Toccata (O trenzinho do caipira) Premiered 3 September, 1934, at the Festival Internacional de Veneza, with Dmitri Mitropoulos conducting. Dedicated to Mindinha. W568 is a version for cello and piano; W251 is an arrangement of the first movement for cello and piano; W250 is an arrangement of the second movement for cello and piano; W252 is an arrangement of the third movement for piano solo; and W254 is an arrangement of the fourth movement for cello and piano. | |
| W248 | Canções indígenas | Voice, 1 piccolo, 1 flute, 1 oboe, 1 english horn, 1 clarinet (A), 1 bassoon, 2 horns, 1 trumpet, 1 trombone, timpani, tam-tam, tambor, coco, strings | 1930 | Vocal (solo) | 2 | 1. Ualalocê Premiered 14 March, 1930, in the Salle Chopin of Paris, with Croiza (voice) and Villa-Lobos conducting the Orchestra de Camara de Paris. | |
| W249 | Canções indígenas | Voice, Piano | 1930 | Vocal (solo) | 5 | 1. Pai do Mato (Poema Ameríndio) (text by Mário de Andrade) 2. Ualalocê (Lenda dos índios Parecis para comemorar a caça) 3. Kamalalô Nos.2 and 3 based on themes of the Pareci Indians (from Mato Grosso). | |
| W250 | O canto da nossa terra | Cello, Piano | 1930 | Chamber | 3 | See W247. | |
| W251 | O canto do capadócio | Cello, Piano | 1930 | Chamber | 3 | See W247. Premiered 29 January, 19??, in the Teatro Dona Eugênia of Friburgo, with Heitor (cello) and Lucilia Villa-Lobos (piano). | |
| W252 | Lembrança do sertão | Piano | 1930 | Solo | 3 | See W247. Dedicated to Georgette Baptista. | |
| W253 | Pai do mato | Voice, Piano | 1930 | Vocal (solo) | Poetry by Mário de Andrade. | ||
| W254 | O trenzinho do caipira | Cello, Piano | 1930 | Chamber | 2 | See W247. Premiered 1930, in Pirajuí in São Paulo, with Villa-Lobos (cello) and João de Souza Lima (piano). | |
| W255 | O brasileiro | Voice | 1931 | Vocal (solo) | Subtitled 'Gritos da rua'. | ||
| W256 | Caixinha de música quebrada | Piano | 1931 | Solo | 3 | Premiered 1931, in São Paulo, with João de Souza Lima. Original version entitled Realejo quebrado. | |
| W257 | Fuga No.10 | Cello, Piano | 1931 | Chamber | 3 | This is an arrangement from Bach's Well-Tempered Clavier. | |
| W258 | Meu país | Chorus, Band | 1931 | Choral | 2 | See W149. | |
| W259 | Momoprecoce | Piano, Band | 1931 | Band | 18 | See W240 and W157. Premiered 1931, in the Teatro Municipal of São Paulo. Subtitled 'Fantasia'. | |
| W264 | Bachianas Brasileiras No.4 | Piano | 1930-1941 | Solo | 24 | Premiered 27 November, 1939, with José Vieira Brandão. W424 is an orchestral version. | |
| W266 | A canôa virou | Band | 1932 | Band | 4 | ||
| W309 | A roseira | 2 soprano saxophones, 1 alto, 1 tenor, 1 baritone | 1932 | Chamber | 14 | ||
| W366 | Abertura | Orchestra | 1936 | Orchestral | 4 | Written for the centennial of the birth of Carlos Gomes. | |
| W388 | Bachianas Brasileiras No.3 | Piano (solo); 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns, 2 trumpets, 4 trombones, 1 tuba, timpani, bass drum, tam-tam, xylophone, strings | 1938 | Concertante | 24 | 1. Prelúdio (Ponteio) 2. Fantasia (Devaneio) 3. Ária (Modinha) 4. Tocata (Picapau) Premiered 19 February, 1947, in New York, with José Vieira Brandão (piano) and Villa-Lobos conducting the CBS Orchestra. | |
| W389 | Bachianas Brasileiras No.5 | Voice, 8 Cellos | 1938 (first movement); 1945 (second movement) | Vocal (solo) | 8 | Premiered 25 March, 1939, in Rio de Janeiro, with Ruth Valadares Correa. Words by Ruth Valadares Correa and Manuel Bandeira. W390 is a transcription for voice and piano, and W391 is for voice and guitar. | |
| W390 | Bachianas Brasileiras No.5 | Voice, Piano | 1948 | Vocal (solo) | 8 | See W389. | |
| W391 | Bachianas Brasileiras No.5 | Voice, Guitar | 1947 | Vocal (solo) | 8 | See W389. | |
| W392 | Bachianas Brasileiras No.6 | Flute, Bassoon | 1938 | Chamber | 6 | 1. Ária (chôro) 2. Fantasia (Allegro) Premiered 24 September, 1945, in Rio de Janeiro, with H.J. Koellreutter (flute) and Aquiles Spernazzati (bassoon). Dedicated to Alfredo Martins Lage and Evandro Moreira Pequeno. | |
| W424 | Bachianas Brasileiras No.4 | 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns, 3 trumpets, 3 trombones, 1 tuba, timpani, bass drum, tam-tam, xylophone, celesta, strings | 1942 | Orchestral | 24 | See W264. Premiered 15 July, 1942, in Rio de Janeiro, with Villa-Lobos conducting the Orquesta do Teatro Municipal. | |
| W432 | Bachianas Brasileiras No.7 | 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns, 3 trumpets, 4 trombones, 1 tuba, timpani, xylophone, tam-tam, bass drum, coconut shell (coco), harp, celesta, strings | 1942 | Orchestral | 25 | Premiered 13 March, 1944, in Rio de Janeiro, with Villa-Lobos conducting the Teatro Municipal Symphony Orchestra. | |
| W444 | Bachianas Brasileiras No.8 | 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns, 4 trumpets, 4 trombones, 1 tuba, timpani, tam-tam, xylophone, 3 madeiras (wood blocks; low, medium, high), tarol (side drum; deep and narrow), bass drum, celesta, strings | 1944 | Orchestral | 22 | Premiered 6 August, 1947, in Rome (Basílica de Massenzio), with Villa-Lobos conducting the Orquestra da Academia de Santa Cecília de Roma. The xylophone and celesta are actually intended to be the same player. Also, there is an alto saxophone part 'ad libitum' (not included in the score). | |
| W449 | Bachianas Brasileiras No.9 | Chorus (SMATBB); alternate: strings | 1945 | Chamber / Choral | 12 | There exist two versions of this work, one for chorus and one for string orchestra. The version for strings was premiered 17 November, 1948, in the Teatro Municipal of Rio de Janeiro, with Eleazar de Carvalho conducting. The choral version was premiered 25 October, 1975, in Rio de Janeiro, conducted by Nelson de Macedo. | |
| W454 | Fantasia for Cello and Orchestra | Cello (solo), 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns, 2 trumpets, 3 trombones, 1 tuba, timpani, novachordion, xylophone, cymbals, celesta, harp, strings | 1945 | Concertante | 18 | Premiered 8 October, 1946, in Rio de Janeiro, with Iberê Gomes Grosso (cello) and Villa-Lobos conducting the Orquesta do Teatro Municipal. Written at the request of Walter Burle Marx. Dedicated to Serge Koussevitzky. This work was written, according to Villa-Lobos: Sua Obra (1989), in New York in January 1945. A reduction for cello and piano exists. | |
| W493 | Assobio a Játo | Flute, Cello | 1950 | Chamber | 12 | 1. Allegro non troppo 2. Adagio 3. Vivo - poco meno 4. Prestissimo (dedicated to Elizabeth and Carleton Sprague Smith) Premiered 13 March, 1950, in the Auditório do Ministério da Educação e Cultura of Rio de Janeiro, with Ary Ferreira (flute) and Iberê Gomes Grosso (cello). | |
| W535 | Duo for Oboe and Bassoon | Oboe, Bassoon | 1957 | Chamber | 18 | Premiered 19 November, 1967, in Rio de Janeiro, with Paolo Nardi (oboe) and Noel Devos (bassoon). Dedicated to Mindinha. | |
| W540 | A menina nas nuvens | Soloists, Chorus, Orchestra | 1958 | Operatic | 90 | So far unpublished and unrecorded. | |
| W550 | Fantasia em Três Movimentos em forma de chôros | Wind Orchestra | 1958 | Orchestral | 20 | ||
| W568 | Bachianas Brasileiras No.2 | Cello, Piano | 1930 | Chamber | See W247. |
Source: Appleby, David P. Heitor Villa-Lobos: A Bio-Bibliography. Westport: Greenwood Press, Inc., 1988.


