Dear Alonso,
Thank you for your lovely typesets and new editions! I recommend that you employ the Creative Commons Attribution Non-commercial 3.0 license for your work as we have experienced a situation whereby people are copying the files from this site and re-selling them commercially on E-bay. The simple "Attribution" license does not prohibit such commercial use. I realize that the upload window forces you to employ the present license for typesets and we are working on changing that. I already changed it to non-commercial for the Graupner symphony you just uploaded. Best Wishes, Carolus 02:02, 15 April 2010 (UTC) (IMSLP Copyright Admin)
Contents |
Thanks for the typesetting of this piece. Since you've gone to the trouble it'd be nice if there were also horn parts in D. Parts in the original pitch are easier to read when using natural horn (and also easier when using a modern horn in my opinion). Thanks. Horndude77 03:24, 21 August 2010 (UTC)
tagged them without looking at either score, I say embarrassed - though I ought have done! Eric 22:28, 4 September 2010 (UTC)
Thanks for adding parts to the D minor march. Since all the files should technically be together (since it's the same publication) (i.e. with no publication separation), could you possibly fix that, and put them in score order? Changing it to "File Description 1", "File Description 2" etc, and then do that all the way to the end. Thanks, BKhon 23:54, 10 September 2010 (UTC)
Thanks for your contributions. Since standardization is crucial for to the success of IMSLP, it's generally discouraged to use instrumentation such as "0/2/0/2 2/2/0/0 timp. str. ", since many users aren't familiar with that type of short hand. Thanks, BKhon 23:46, 28 September 2010 (UTC)
I was just wondering if they used tenor clef for horns in C in the Baroque?
Also, in your first violin part you have a crunched measure 3 after D in the allegro assai. Picardy Third 01:11, 7 October 2010 (UTC)
Is it alright by you if I use your rondo rehearsal marks for my concerto? Picardy Third 01:15, 13 December 2010 (UTC)
Dear Alonso: I've changed the title, and added your very useful research comments at the bottom. Take a look. Steltz 09:05, 13 July 2011 (UTC)
Hello Alonso. I've moved it to Symphony No.14 in C major (Witt, Friedrich). Hope this is OK? — P.davydov 05:38, 14 September 2011 (UTC)
Hello Alonso, why did you delete J.S. Bach's version from the Vocal section? Isn't it la folia? - Phidias 14:57, 19 November 2011 (UTC)
I feel duty bound to support this venture, but the allegro vivace is way too fast for me! It's also hard to synchronize with the long silences in the maestoso (just temporarily add a note on each beat?). Great idea though - perhaps publicise it through the Journal?. Matesic 10:25, 15 December 2011 (UTC)
Alonso, while using your parts for Haydn Symphony #70 last night, I discovered that you copied the wrong line from the score for a few bars. Specifically, in the 1st violin part, 4th movement, bars 93-96 are copied from the line above in the 1807 Cianchettini and Sperati score; see the HC Robbins Landon score for comparison purposes. You misread a note (albeit one that was engraved poorly) when copying the wrong notes, which is what led to the discovery, so sometimes two wrongs do make a right! Whp4 01:13, 25 August 2018 (CEST)